July 31, 2024
by Carla Hay
“Harold and the Purple Crayon”
Directed by Carlos Saldanha
Culture Representation: Taking place in Providence, Rhode Island, the fantasy film “Harold and the Purple Crayon” (based on the book of the same name) features a predominantly white cast of characters (with a few African Americans) representing the working-class and middle-class.
Culture Clash: Children’s book characters Harold (who uses a magic purple crayon that can make illustration things become real things) and friends Moose and Porcupine go to the real world to find their book narrator and experience various misadventures.
Culture Audience: “Harold and the Purple Crayon” will appeal primarily to people who are fans of the movie’s headliners, the book on which the movie is based, and anyone who doesn’t mind watching substandard entertainment geared to families and underage children.
“Harold and the Purple Crayon” is as sloppy and muddled as someone doodling while drunk. This mishandled movie looks like a rejected TV show aimed at children, with most of the cast members looking embarrassed to be there. “Harold and the Purple Crayon” might be acceptable for viewers who want to have something to watch without any expectations of being fully engaged or entertained by what they’re seeing. But for people expecting imagination and charm in a movie about characters who can use a magic crayon to draw things that become reality, then “Harold and the Purple Crayon” is not the movie to watch.
Directed by Carlos Saldanha, “Harold and the Purple Crayon” is based on Crockett Johnson’s 1955 children’s fiction book of the same name. The “Harold and the Purple Crayon” book is the first in a series of Johnson’s books that have a 4-year-old boy named Harold as the main character. David Guion and Michael Handelman co-wrote the “Harold and the Purple Crayon” adapted screenplay, which is a dreadful concoction of stale jokes, hollow characters and boring scenarios. The movie (which takes place mostly in Providence, Rhode Island) updates the story to take place in the 2020s. Johnson’s “Harold” books were also adapted into a short-lived HBO animated series called “Harold and the Purple Crayon,” which lasted for one season from 2001-2002.
In the beginning of the movie “Harold and the Purple Crayon,” a voiceover narrator (voiced by Alfred Molina) explains that illustrated drawing characters Harold and his animal pals Moose and Porcupine are best friends. Harold, who is supposed to be a 4-year-old boy, has a magical purple crayon where anything he draws becomes a reality. The movie spends less than three minutes showing Harold, Moose and Porcupine in their illustrated book world before the movie abruptly shifts to making these illustrated characters come to life.
That’s because sheltered Harold, who is now physically grown up but still has the naïveté of a child, suddenly gets curious about who this narrator is and wants to meet him in person when the narrator goes silent. Harold assumes that this narrator is his elderly father, so Harold wants to go to the real world to find his “old man,” which are words that Harold repeatedly uses throughout the movie to describe the narrator. Moose and Porcupine are reluctant to go to the real world because they heard it can be a scary place where bad things can happen.
Harold is determined though, so he goes through a magical portal and ends up in the “real world,” which is Providence. Why is this story located in Providence? As the movie explains later, Providence is the location of the Crockett Johnson Museum. Harold doesn’t know anything about his “old man,” including the name of the “old man,” so part of the movie (which gets distracted by other things) is about Harold thinking any elderly man he sees is his “old man.”
When Harold enters the “real world,” he is a fully grown man (played by Zachary Levi) wearing the same thing that Harold the book character wears: a blue onesie. Harold might look like an adult, but he has the life experience and intelligence of a child. Sound familiar? In “Harold and the Purple Crayon,” Levi is doing another version of the “boy trapped in an adult body” superhero character that he played in the “Shazam!” movies, but “Harold and the Purple Crayon” is much worse than the “Shazam!” movies.
Eventually, Moose goes through the portal, but his transformation goes from looking like a moose to looking like a man (played by Lil Rel Howery), who wears clothing with moose illustrations on it. Moose can randomly turn back into a moose, apparently when he’s startled or scared. The movie does a horrible job of explaining how and why Moose can switch back and forth between looking like an animal and looking like a human.
Porcupine is the last person to go through the portal to the “real world.” She also appears in the real world as an adult human (played by Tanya Reynolds), but the only visual reference to her being a porcupine is that in human form, she has a purple-streaked Mohawk. Porcupine is the most annoying of the three pals. She’s so annoying, this movie has Porcupine separated from all the other characters for a great deal of the story because Porcupine is looking for Harold and Moose.
This movie’s costume design is a failure of imagination. Porcupine wears a black leather jacket and black trousers, but that outfit should’ve been accented with a lot of studs or spikes, to make it look like she’s a porcupine in human form. Later in the movie, Porcupine wears a motorcycle helmet with black Mohawk spikes, but it’s too little, too late. By then, the movie has gone completely off the rails, and no creative costume design can save it.
The portal to the real world leads to an unnamed park in Providence. Harold wants to hug every elderly man he thinks might be his “old man,” and gets the expected “get away from me” responses. When Harold starts running next to a jogger (played by TJ Jackson) in the park, he asks the jogger: “What are we running from?” The jogger replies, “Grown men in a onesie,” as he moves away from Harold. This is the type of cringeworthy “comedy” that’s in this misfire of a movie.
Harold and Moose soon find each other in the park. Moose and Harold accidentally get hit but not seriously injured by a car driven by a widow named Terry (played by Zooey Deschanel), who is in the car with her son Melvin, nicknamed Mel (played by Benjamin Bottani), who’s about 11 or 12 years old. Because of the accident, Terry’s car gets a flat tire. No problem. Harold takes out his purple crayon and draws a new tire, which becomes a purple tire that Terry can use for her car.
Terry feels guilty about this car accident, so when Harold and Moose tell Terry and Mel that they’re new to the area and need a temporary place to stay, Mel convinces Terry to let Harold and Moose stay at their house. Harold and Moose have to stay in the attic, but they are thrilled because the attic has things they’ve never seen before in their limited book-illustration world. And what a coincidence: Terry still has some of her deceased husband’s clothes, and he happened to be same size as Harold. Terry lets Harold borrow these clothes so he isn’t walking around looking like a Super Mario Bros. character.
Mel is a lonely kid who is bullied at his school. Mel has an imaginary friend named Carl, which he describes as a creature that’s a combination of an eagle, a lion and an alligator. Harold treats Mel with kindness and encourages Mel (who likes to draw) to use his imagination and indulge in fantasies. And you just know what’s going to happen when later in the movie, Harold breaks his magic purple crayon in half and gives this half of the crayon to Mel. When Carl does finally appear (which isn’t a secret because ths creature has already been revealed in official photos from the movie), it actually looks more like an oversized lizard with wings.
Harold and Moose find out that even though Terry is a very nice person, she hasn’t been happy ever since her husband died. (The husband’s cause of death is not mentioned in the film.) Terry also says she hates her job. She works as a shelf stocker for Ollie’s Bargain Outlet, a discount general store that’s similar to Walmart. Terry’s dream job is to be a concert pianist. Mel tells Harold that he wants his mother to be happy again. You know where all of this is going, of course.
“Harold and the Purple Crayon” plods along with lackluster scenarios, such as Terry waking up one day, after her new house guests have arrived, to find out that Harold and Moose have made several blueberry pies and are eating them for breakfast with Mel. Mel has drawn a flying tarantula-sized spider with fangs, which Harold brings to life by using his magic crayon. This creature flits around and scares some people on more than one occasion, and then just flies out of the scene. It’s all so pointless.
Harold, Moose and Mel go to the C.C. Barrister Library to try to get information on Harold’s “old man.” At the library, they meet chief librarian Gary Natwick (played by Jemaine Clement), a pompous creep who has written an unpublished fantasy novel where the novel’s “hero” (who dresses like a knight) is a version of Gary. Gary has an unrequited crush on Terry, so Gary becomes jealous and alarmed when Harold innocently tells Gary that he’s been seeing Terry and is spending nights at Terry’s home.
Harold, Moose and Mel become a tight-knit trio who get involved in various misadventures. And where is Porcupine during all of this male bonding? Getting herself into bungling trouble, such as when she goes to a house because she’s sure that’s where Harold and Moose are, but it’s someone else’s house, and the owners think she’s a burglar. With Porcupine being so separate from the main story, there’s a whiff of sexism in repetitive scenarios showing her as a “troublemaker” while the three guys (Harold, Moose and Mel) get to have almost all of the fun.
The acting performances in “Harold and the Purple Crayon” are mediocre to terrible. Levi looks like he’s trying the hardest to stay in character. But in reality, he’s woefully miscast as Harold. Very few middle-aged actors can be convincing as a character who’s supposed to have the mentality of a human child but in an adult’s body. And in this case, it actually looks creepy and weird in “Harold and the Purple Crayon.”
And it doesn’t help that “Harold and the Purple Crayon” has such an uninteresting villain. Clement’s hilarious comedic talent (which can be seen in other on-sceen entertainment) is completely squandered in this cinematic flop. The depiction of Gary looks like half-baked campiness, which doesn’t really fit the earnest tone that the rest of the movie has.
Deschanel, Howery and Bottani are servicable in their “Harold and the Purple Crayon” roles but don’t do anything that’s noteworthy. Reynolds stands out for the wrong reasons: Her acting is either too stiff or over-exaggerated. Most of the celebrity cast members in this movie do not look emotionally invested in their characters at all and look like they’re just there to collect a salary.
The movie’s visual effects are basic, while the movie’s pacing is often sluggish. The misguided filmmaking in “Harold and the Purple Crayon” could trigger a thousand pun jokes about needing to go back to the drawing board for fresh new ideas. And those jokes would be inifinitely better than the uninspired swill that this disappointing movie dud turned out to be.
Columbia Pictures will release “Harold and the Purple Crayon” in U.S. cinemas on August 2, 2024.