Afghanistan, Alfie Stewart, Benjamin Keating, Caleb Landry Jones, Chris Born, Clint Romesha, drama, Jacob Scipio, Justin Gallegos, movies, Orlando Bloom, reviews, Rod Lurie, Scott Eastwood, Stephan Mace, The Outpost, Ty Carter, war movies, Zorias Yunger
July 3, 2020
by Carla Hay
Directed by Rod Lurie
Culture Representation: Based on real events and taking place in northern Afghanistan in 2009, the war drama “The Outpost” features a racially diverse (white, African American, Asian, Latino and one Native American) and almost-all male cast portraying members of the U.S. Army, Afghanistan natives and Pakistani Taliban fighters.
Culture Clash: During the war in Afghanistan, a group of U.S. Army soldiers stationed at a remote outpost come under attack by Taliban terrorists.
Culture Audience: “The Outpost” will appeal to primarily to people who like war movies that realistically portray the terrifying battles and deep emotional toll that war can take on people who fight on the front lines.
Based on a true story, the effective drama “The Outpost” recreates the Afghanistan War’s Battle of Kamdesh (also known as the Battle of Outpost Keating) that took place on October 3, 2009, in such brutal and realistic detail, that some viewers watching it might feel as if they’ve gone through an emotional war zone just by seeing this movie. The battle doesn’t take place until halfway through this 123-minute movie. But by then, viewers get a sense of what life in the outpost was like for those involved before some of their lives were tragically lost.
Capably directed by Rod Lurie, “The Outpost” begins with this on-screen text to give viewers a historical view of the story in the movie: “In 2006, the U.S. Army established a series of outposts in northern Afghanistan to promote counterinsurgency. The intent was to connect with the locals and to stop the flow of weapons and Taliban fighters from Pakistan.”
One of those outposts was PRT Kamdesh, a relatively small station that was located at the bottom of a valley surrounded by the Hindu Kush Mountains. The location was remote and an easy “sitting duck” target if attackers wanted to use the mountain range as the perfect position to fire guns and bombs down below. And that’s exactly what happened when about 400 Taliban fighters ambushed the approximately 54 U.S. Army men who were stationed at the outpost.
Before that happened, the movie shows the different personalities of several of the Army men at the outpost, as well as the culture that the Army was trying to establish while these U.S. military personnel were living among Afghan civilians. There are multiple scenes of the captain of the team trying to keep the peace with an increasingly frustrated and suspicious group of locals, led by Afghan elders, who are slightly appeased when they are offered money by the U.S. military to help build schools in the area.
Paranoia and tensions run high at the outpost and the nearby communities. The U.S. soldiers capture a young Afghan man taking photos of the outpost, and they temporarily hold him for questioning. The local Afghan people consider it to be a kidnapping.
And although U.S. military men at the outpost have Afghan men helping with translating and acting as lookouts, many of the locals start to feel disrespected by the American soldiers. Some of the soldiers are arrogantly skeptical of a local Afghan man who keeps warning them that Taliban fighters will soon come to attack the outpost.
Paul Tamasy and Eric Johnson adapted the movie’s screenplay from the nonfiction book “The Outpost: An Untold Story of American Valor,” which was written by CNN anchor Jake Tapper. (Tapper is also one of the executive producers of “The Outpost” movie. The end of the movie also includes clips of CNN interviews that Tapper did with some of the surviving soldiers.)
There are numerous military men in the story, but some are written as more distinct than others. Staff Sergeant Clint Romesha (played by Scott Eastwood) is the quintessential “good guy” soldier who, for the most part, gets along with everyone. Staff Sergeant Ty Carter (played by Caleb Landry Jones) is the group’s misfit loner.
First Lieutenant Benjamin Keating (played by Orlando Bloom) is the no-nonsense leader of the outpost. He expresses his intentions by telling his team, “We need to keep a good relationship with the locals. Respect keeps us safe.”
Another example of Keating’s leadership skills shows that he can be tough but merciful. In one scene, Keating admonishes a young soldier named Ed Faulkner (played by Will Attenborough) for smoking too much hashish. Faulkner denies that he’s addicted to hashish, but Keating disagrees. Rather than docking Faulkner’s salary (because Keating says that money eventually doesn’t mean much to soldiers at war), Keating demotes Faulkner to the ranking of private, and tells Faulkner that this is his last chance to clean up his act.
As with any large group of people who work together, there is camaraderie and there is conflict. During the good times, the men party together and share stories of their loved ones at home. Tension-filled arguments sometimes turn into physical fights, such as when hotheaded Staff Sergeant Justin T. Gallegos (played by Jacob Scipio) angrily kicks and pushes down Private First Class Zorias Yunger (played by Alfie Stewart) for shooting bullets too close to Gallegos’ head.
And sometimes the cruelty to each other is emotional, such as when Carter is ridiculed and disrespected by some of his fellow soldiers for being a little bit of an oddball. (Carter’s eccentric ways include wearing shorts during combat.) Stephan Mace (played by Chris Born) is one of the soldiers who gives Carter a hard time.
A lot of things happen in “The Outpost” can’t be described in detail because it’s spoiler information for people who don’t know the whole story. However, it should come as no surprise that several of the men don’t make it out alive. The Taliban attack is portrayed in horrifying detail, but even among the terror, there’s a lot of inspiring bravery.
As the “misfit” Carter, Jones is the clear standout actor in the movie, particularly in the second half of the film. The dialogue in “The Outpost” isn’t very memorable, but some of the scenes were obviously written as an admirable effort to show these military men as individuals, instead of blending them all together as a generic group.
For example, there’s a sequence that shows all of the men calling home, and viewers see snippets of each and every one of their conversations. It’s a great way of showing their individuality and to give a glimpse into their personal lives. And there are small touches of humor in this serious movie, such as when a soldier holds a photo of a special female and tells another soldier that when he gets home, he can’t wait to hold and kiss her—and then it’s revealed that the female in the photo is the soldier’s dog.
Lorenzo Senatore’s immersive cinematography for “The Outpost” also makes it one of the best war movies released in 2020. In addition, the film makes a bold statement at the end by not doing the war-movie cliché conclusion of showing people being awarded medals, but instead by showing how one of the surviving heroes is wracked with survivor’s guilt and post-traumatic stress disorder. Many people skip watching the end credits of a movie, but it’s worth sticking around for all of the end credits for “The Outpost.” And for viewers who get teary-eyed during realistic war movies, it might help to have some tissues nearby.
Screen Media Films released “The Outpost” in select U.S. cinemas, on digital and on VOD on July 3, 2020.