Jacob Elordi Archives – CULTURE MIX

Review: ‘Oh, Canada’ (2024), starring Richard Gere, Uma Thurman, Michael Imperioli and Jacob Elordi

December 19, 2024

by Carla Hay

Richard Gere and Uma Thurman in “Oh, Canada” (Photo courtesy of Kino Lorber)

“Oh, Canada” (2024)

Directed by Paul Schrader

Culture Representation: Taking place in 2023 in Montreal, with flashbacks in the U.S. and Canada from the 1960s to the 1990s, the dramatic film “Oh, Canada” features an all-white cast of characters representing the working-class, middle-class and wealthy.

Culture Clash: A famous documentary filmmaker, who is terminally ill with cancer, confesses his past misdeeds during a documentary interview conducted by two of his former students.

Culture Audience: “Oh, Canada” will appeal primarily to people who are fans of the movie’s headliners, filmmaker Paul Schrader and meditative dramas about people looking back on their lives.

Jacob Elordi in “Oh, Canada” (Photo courtesy of Kino Lorber)

“Oh, Canada” doesn’t reach its intended impact as an important movie from filmmaker Paul Schrader. However, this drama about a flawed documentarian looking back on his life has interesting performances from the cast members. This is the type of movie that isn’t horrible, but viewers should not expect “Oh, Canada” to be among the best films from Schrader or the main stars of the movie.

Written and directed by Schrader, “Oh, Canada” is based on Russell Banks’ 2021 novel “Foregone.” “Oh, Canada” had its world premiere at the 2024 Cannes Film Festival and also screened at the 2024 Toronto International Film Festival and the 2024 New York Film Festival. The movie takes place in Montreal, on December 23, 2023, but the story’s protagonist tells memories (seen in flashbacks) that go back to the 1960s.

“Oh, Canada” begins by showing three documentarians setting up a library/study room for an interview in the Montreal home of acclaimed documentarian Leonard “Leo” Fife (played by Richad Gere), who is terminally ill with cancer. (The movie never says what type of cancer he has.) The interview is for a CBC documentary about Leo’s life. Leo says he wants to give final confessions about his life for this interview.

The people conducting the interview are two of Leo’s former students, who are also successful documentarians on their own: Malcolm (played by Michael Imperioli) and his wife Diana (played by Victoria Hill), whom Leo jokingly says are the “Mr. and Mrs. Ken Burns of Canada.” Malcolm and Diana are accompanied by their 24-year-old assistant Sloan Ambrose (played by Penelope Mitchell), who is star-struck by Leo.

Also present during this interview are Leo’s wife/producing partner Emma (Uma Thurman) and Leo’s nursing assistant Rene (played by Caroline Dhavernas), who are there to observe and to make sure that Leo doesn’t overexert himself during this interview. Emma was a student of Leo’s at the same time as when Malcolm and Diana were Leo’s students. Although Leo’s voice can be heard for the movie’s narration of his internal and external thoughts, another narrator can be heard in the movie: Leo’s adult son Cornel (played by Zach Shaffer), whom Leo abandoned in 1968, when Cornel was abut 4 or 5 years old.

The year 1968 was a pivotal year in Leo’s life. It was the year that he became a draft dodger during the Vietnam War by moving permanently from his native United States to Canada. Jacob Elordi portrays the young Leo in flashback scenes. Because Leo’s story is told from his perspective, viewers can speculate that he is an unreliable narrator. Leo makes unflattering confessions about himself that he knows will upset Emma, but he seems to want to ease his conscience before he dies.

“Oh, Canada” jumps around a lot in the timeline, but viewers essentially find out that Leo abandoned his first two wives and children. His first wife Amy (also played by Hill) was 18 years old when she had an unplanned pregnancy. She and Leo apparently had a quickie marriage, she gave birth to a daughter named Heidi, and the marriage ended in divorce after Leo abandoned them.

In the interview, Leo would rather talk about his time with his second wife Alicia Fife (played by Kristine Froseth), the mother of Cornel. Alicia was pregnant with another child in 1968. Alica and Leo were visiting Alicia’s wealthy parents in Richmond, Virginia, and were planning to buy a home in Vermont, where Leo had been offered a teaching position at a university. Flashback memories show that Leo and Alicia were excited about her pregnancy and about their planned move to Vermont.

However, during this visit, Alicia’s businessman father Benjamin “Ben” Chapman (played by Peter Hans Benson) and Ben’s brother Jackson Chapman (played by Scott Jaeck) offered Leo a job as CEO of the family business, which would require Leo to remain in Virginia. Ben and Jackson tell Leo that they want to keep their business in the family. They think Leo is the only suitable candidate because Ben’s and Jackson’s other children (all daughters) are married to men who “aren’t fit to run a lemonade stand.” Leo asks for a few weeks to think about this job offer.

Meanwhile, flashbacks of Leo’s memories reveal that he is a serial seducer of women and committed infidelity for some of these seductions. In 1968, he became a documentarian as a “fluke,” when he was working at a trucking farm in the Canadian province of New Brunswick, and he filmed crop duster planes dispensing chemicals on the farm crops. This chemical turned out to be Agent Orange. Leo’s footage was used for his breakthrough 1970 documentary “In the Mist,” which established Leo as a documentarian with a specialty in exposing corruption.

“Oh, Canada” shows snippets from Leo’s other documentaries, but “Oh, Canada” is more concerned with Leo exposing his own personal corruption. The movie shows the events leading up to Leo deciding to permanently move to Canada as a draft dodger. Although Sloan tells Leo that she thinks he’s a “hero” for being a draft dodger to protest the Vietnam War, Leo’s confessions reveal that his reasons for dodging the draft were actually selfish motivations to abandon his family and to start over with a new life.

Emma knew that Leo was previously married with children, but it upsets her to hear the candid details about just how much Leo hurt other people with his self-centered and reckless actions. At various points during the interview, Emma wants the interview to stop because she claims Leo is “confused” because of his medication and his illness. However, Leo wants to continue and finish the interview.

“Oh, Canada” has a narrative that is purposely disjointed, as if to depict the hazy memories of a terminally ill cancer patient. During some of the re-enactments, Leo sees himself in his youthful memories either as his youthful self or as his current elderly self. Leo also remembers Sloan as looking like Alicia. And memories of time that he spent in 1968 with an artist painter acquaintance named Stanley Reinhart (played by Jake Weary) and Stanley’s wife Gloria (also played by Thurman) are also fuzzy. Leo remembers Gloria (one his sexual conquests) as looking like Emma.

“Oh, Canada” uses these twists of memory and perception in a way that might be considered artistic or might be considered off-putting to viewers. A flashback scene with Leo, Emma and an adult Cornel suggests that Emma already knew that Leo was a deadbeat dad, but Emma just doesn’t want Leo to make confessions about it on camera for a documentary about his life. There are also interpersonal dynamics at play between Malcolm, Diana and Sloan that affect what happens in the story.

“Oh, Canada” doesn’t have any major surprises, but the cast members give performances that are compelling enough if viewers to want to know how the movie ends. Gere is quite skillful at portraying a world-weary, jaded person who is coming to terms with his shortcomings as a form of self-reflection and perhaps to seek a little bit of redemption. Elordi, Thurman and the other cast members capably handle their roles in “Oh, Canada,” but don’t do anything outstanding that takes the movie to a higher level of quality.

“Oh, Canada” makes astute observations about how fame affects what famous people choose to convey about themselves for public perception and how the private reality might be very different. There is also some irony toward the end of the movie about documentary ethics and Leo as a “role model” for the type of exposé filmmaking that made him famous. “Oh, Canada” effectively shows how this documentary filmmaker tells his life story when he knows his life will soon end, but he still can’t resist the urge to make selective edits.

Kino Lorber released “Oh, Canada” in select U.S. cinemas on December 6, 2024.

Review: ‘Saltburn,’ starring Barry Keoghan, Jacob Elordi, Rosamund Pike, Richard E. Grant, Alison Oliver and Archie Madekwe

November 17, 2023

by Carla Hay

“Saltburn”

Directed by Emerald Fennell

Culture Representation: Taking place in England, mostly in 2006, the comedy/drama film “Saltburn” features a predominantly white cast of characters (with a few black people) representing the working-class, middle-class and wealthy.

Culture Clash: A mysterious Oxford University student becomes infatuated with his rich male classmate, who invites him to spend the summer with him at his family’s sprawling estate, where mind games and chaos ensue.

Culture Audience: “Saltburn” will appeal primarily to people who are fans of the movie’s headliners and movies that skewer the upper class of society.

Jacob Elordi in “Saltburn” (Photo courtesy of Amazon MGM Studios)

“Saltburn” seems inspired by “Brideshead Revisited” and “The Talented Mr. Ripley,” with a touch of “Absolutely Fabulous. “Although not as great as these inspirations, “Saltburn” has memorable performances and eye-catching scenes. The ending has a major plot hole. This plot hole might be easily overlooked during the sequence of events that are meant to shock viewers, but it’s a plot hole that nearly ruins what could have been a completely believable conclusion. Hint: “Saltburn” ignores the fact that coroners exist.

Written and directed by Emerald Fennell, “Saltburn” is her second feature film as a writer/director, following her 2020 feature-film directorial debut, “Promising Young Woman,” which won an Oscar for Best Original Screenplay. “Saltburn” has many recycled plot points from other movies, so “Saltburn” is not really all that original, but it does have some scenes that are fairly unique. “Saltburn” had its world premiere at the 2023 Telluride Film Festival.

“Saltburn” (which takes place mostly in 2006) begins by showing the arrival of a new student at Oxford University in England: Oliver Quick (played by Barry Keoghan) has joined the graduating Class of 2006 sometime in December 2005, close to the Christmas holiday season. Oliver is a loner who is the type of overachieving student who will read every book on a professor’s recommended list, even though he doesn’t have to do all that work.

One of the first people Oliver meets at Oxford is one of his roommates: Michael Gavey (played by Ewan Mitchell), who wants to be Oliver’s friend and is even nerdier and more socially awkward than Oliver is. Michael is the type of dork who will bark out demands that Oliver prove his knowledge of answers to random questions that Michael verbally throws at him. Michael likes to feel intellectually superior to almost everyone, even though he secretly craves acceptance from the popular students in the school.

The most popular clique in the class is led by a wealthy heartthrob named Felix Catton (played by Jacob Elordi), who uses his good looks and charm to get whatever he wants. The Catton family’s opulent and sprawling estate is called Saltburn. The other students in Felix’s clique are also affluent and/or come from prominent families.

The opening scene of “Saltburn” shows Oliver saying, “I wasn’t in love with him. I loved him, of course, Everyone loved him … I protected him … But was I in love with him?” Before he answers that question, the movie shows Oliver’s arrival at Oxford.

The “him” in Oliver’s opening monologue is Felix, of course. Oliver seems instantly infatuated with Felix the moment that he sees Felix. Oliver admires Felix from afar, until one day, Oliver is riding his bike on campus, when he sees Felix looking dejected as Felix is sitting near a tree-lined bikeway path. Oliver stops and asks Felix what’s wrong. Felix says that his bicycle has a flat tire.

Felix explains that he’s already late for a class, which is too far away for him to walk in order not to miss most of the class session. Oliver generously lets Felix borrow Oliver’s bike. A grateful Felix later invites Oliver to hang out with Felix and his inner circle at a local pub. It’s the beginning of a friendship between Felix and Oliver, who quickly shuns Michael after Oliver is accepted into Felix’s clique. Michael isn’t too happy about this rejection and later makes some hilarious cutting remarks to Oliver about Oliver’s social climbing.

Someone who also isn’t happy about Oliver joining the group is Felix’s American cousin Farleigh Start (played by Archie Madekwe), who sees Oliver as a socially inferior interloper. Farleigh already had a grudge against Oliver, who embarrassed Farleigh in front of one of their teachers named Professor Ware (played Reece Shearsmith), when Oliver showed he knew more than Farleigh about the topic of discussion.

However, Farleigh still has some clout with the professor, who confesses that Farleigh’s mother (a famous actress named Fredrika Start, who’s never seen in the movie) was his crush when he and Fredrika were students at Oxford. People who watch “Saltburn” shouldn’t miss the first 15 minutes of the movie, which quickly explains the backstories of Farleigh and Oliver, who end up having a rivalry over Felix’s attention.

Farleigh’s mother moved to the United States, where Farleigh was born and raised. She had some kind of mental breakdown and has financial problems, so she sent Farleigh to live at Saltburn, because her brother is Sir James Catton (played by Richard E. Grant), who is Felix’s father. Farleigh’s father is not in Farleigh’s life. It’s mentioned Farleigh has been expelled from many schools for getting sexually involved with male teachers. Farleigh feels a lot of resentment and shame for having to ask his uncle James for money.

As for Oliver, the word has gotten around to many students at the school that he’s on a scholarship. Oliver tells people that he is an only child, and his estranged parents are heavily involved in drugs. According to Oliver, his father is a drug dealer who’s been in and out of prison. His mother is a drug addict and an alcoholic. Oliver hints that he experienced a lot of abuse and trauma in his childhood. Oliver makes it clear that he wants nothing to do with his parents.

“Saltburn” breezes by the academic year to show the graduation of Oxford’s Class of 2006. With no immediate plans after graduation, Felix invites Oliver to stay for the summer with the Catton family at Saltburn. The best parts of the movie take place at Saltburn, which is not only a playground for the family’s indulgences but also a prison of bottled-up resentments, sexual manipulation, and psychological warfare. Oliver gets swept up in it all.

The other members of the Catton family at Saltburn are Felix’s self-centered and vapid mother Elspeth Catton (played by Rosamund Pike) and Felix’s jaded and insecure late-teens sister Venetia Catton (played by Alison Oliver), who have some of the best lines in the movie. Elspeth is the type of person who will smile and pretend that her insults are compliments. Venetia, who has an eating disorder, is both rebellious and needy.

All of the Catton family members don’t do much at Saltburn except smoke, drink, eat lavish meals, lounge around, and have parties. When the younger members of the family play tennis, they wear tuxedos and party clothes. The family has a longtime butler named Duncan (played by Paul Rhys), whose “stiff upper lip” mannerisms suggest that he’s heard and seen a lot of unmentionable things at Saltburn, but he is loyally discreet.

Carey Mulligan (the star of “Promising Young Woman”) has a small supporting role in “Saltburn” as Elspeth’s tattooed friend Pamela, who is staying at Saltburn after getting out of drug rehab. Pamela has overstayed her welcome, but Elspeth won’t come right out and tell Pamela to leave. The snappy rapport between redhead Pamela and blonde Elspeth will remind “Absolutely Fabulous” sitcom fans of the rapport between “Absolutely Fabulous” substance-abusing fashionista friends Edina “Eddie” Monsoon (the redhead) and Patricia “Patsy” Stone (the blonde).

“Saltburn” unpeels the layers of Oliver, who at first seems in awe and somewhat overwhelmed to be in the presence of the Catton family’s wealth. Slowly but surely, it’s revealed that there’s a lot more to Oliver than what he first appeared to be. And there are some things he does in the movie (especially those involving bodily fluids) that are intended to make viewers uncomfortable.

Keoghan gives a fascinating performance as Oliver, who is quite the chameleon. Madekwe is compelling in his depiction of the very snarky Farleigh, Oliver’s main adversary. Pike and Oliver are also standouts for their portrayals of a mother and daughter who are caught between smug vanity and crippling self-doubt. Look beneath the physically attractive surfaces of Elspeth and Venetia, and you’ll see two women who hate that their worth is defined by how they look and how much wealth they have.

Elordi is also quite good in his role as Felix, who is shallow but is a less-toxic member of the Catton family. “Saltburn” plays with viewers’ expectations of whether or not ladies’ man Felix will acknowledge Oliver’s obvious infatuation with Felix. And if so, what will be done about it? And what if Oliver gets rejected?

“Saltburn” has some stunning cinematography (by Linus Sandgren) that alternates between bright hues of idyllic luxury and the shadowy darkness of secrets and decadence. The movie’s production design and costume design are also noteworthy. “Saltburn” has some intense emotional scenes that are well-acted with clever dialogue.

Where “Saltburn” stumbles the most is in the last 20 minutes of the movie, which will be divisive to viewers. The concluding part of “Saltburn” is very suspenseful, but when answers to mysteries are finally revealed, they are rushed through the story and just create more questions that the movie never bothers to answer. Still, there’s no denying that the cast members’ performances are worth watching. And the movie’s flaws are outnumbered by the areas where “Saltburn” excels.

Amazon MGM Studios released “Saltburn” in select U.S. cinemas on November 17, 2023, with an expansion to more U.S. cinemas on November 22, 2023. Prime Video will premiere “Saltburn” on December 22, 2023.

Review: ‘Deep Water’ (2022), starring Ben Affleck and Ana de Armas

March 17, 2022

by Carla Hay

Ana de Armas and Ben Affleck in “Deep Water” (Photo by Claire Folger/20th Century Studios/Hulu)

“Deep Water” (2022)

Directed by Adrian Lyne

Culture Representation: Taking place in New Orleans, the dramatic film “Deep Water” features a cast of predominantly white characters (with a few Latinos and African Americans) representing the middle-class and wealthy.

Culture Clash: A wealthy husband, who has an open marriage, becomes the main focus of suspicion when some of his wife’s lovers end up dead.

Culture Audience: “Deep Water” will appeal primarily to people who are fans of stars Ben Affleck and Ana de Armas, who are the main attractions in this frequently dull and formulaic crime thriller.

Jade Fernandez, Tracy Letts and Kristen Connolly in “Deep Water” (Photo by Claire Folger/20th Century Studios/Hulu)

“Deep Water” is proof that it’s not enough to have good-looking people in a stylish-looking film. It has a basic mystery that’s not very suspenseful, in addition to monotonous mind games played by the central married couple. Perhaps most disappointing of all is that “Deep Water” does nothing new or clever in the seemingly endless stream of movies about marital infidelity that causes chaos in people’s lives.

“Deep Water” director Adrian Lyne has made a career out of these types of movies, with a filmography that includes 1987’s “Fatal Attraction,” 1993’s “Indecent Proposal” and 2002’s “Unfaithful,” his previous film before “Deep Water.” Zach Helm and Sam Levinson adapted the “Deep Water” screenplay from Patricia Highsmith’s 1957 novel of the same name. Unfortunately, the movie has a drastically different ending from the book. The movie’s conclusion is intended to be shocking, but it just falls flat.

Executives at 20th Century Studios obviously thought “Deep Water” was an embarrassing dud, because the movie’s theatrical release was cancelled. “Deep Water” was then sent straight to Hulu and other Disney-owned streaming services where Hulu is not available. It’s also not a good sign that the stars of “Deep Water” have distanced themselves from “Deep Water” by not doing any full-scale publicity and promotion for the movie.

Up until the ending, the “Deep Water” movie (which takes place in the early 2020s) adheres very closely to the book’s original story, with some modern updates and a change of location. Wealthy married couple Vic Van Allen (played by Ben Affleck) and Melinda Van Allen (played by Ana de Armas) live in New Orleans with their precocious 6-year-old daughter Trixie (played by Grace Jenkins), who has an interest in science and is somewhat fixated on the children’s song “Old McDonald.” (In the “Deep Water” book, the story takes place in a small, fictional U.S. town called Little Wesley.) The Van Allens seem to have a perfect life of privilege and leisure. Vic is a retired millionaire because he invented a computer chip that’s used in war drones. Melinda is a homemaker/socialite.

It’s common knowledge among Vic and Melinda’s close circle of friends that Vic and Melinda have an open marriage, although Vic and Melinda have never really come right out and told their friends the details of this arrangement. Melinda flaunts her extramarital affairs by inviting her lovers to the same parties where she and Vic will be. At these parties (the movie has several of these party scenes), Melinda openly flirts with her lovers and sometimes has sexual trysts with them at the parties. Vic ends up meeting these lovers and is mostly polite but distant with them.

Vic and Melinda’s close friends include musician bachelor Grant (played by Lil Rel Howery); married couple Mary Washington (played by Devyn A. Tyler) and Kevin Washington (played by Michael Scialabba); and married couple Jonas Fernandez (played by Dash Mihok) and Jen Fernandez (played by Jade Fernandez). Whenever these friends try to tactfully talk to Vic about Melinda indiscreetly showing off her lovers, Vic brushes off their concerns. Vic gives the impression that he doesn’t want to be a possessive and jealous husband, and that he and Melinda have a “don’t ask, don’t tell” agreement when it comes to any of her extramarital affairs.

During the course of the story, three of Melinda’s past and present lovers are shown in the movie: musician Joel Dash (played by Brendan Miller), who ends up moving away to New Mexico; lounge pianist Charlie De Lisle (played by Jacob Elordi), who has been giving piano lessons to Melinda; and real-estate developer Tony Cameron (played by Finn Wittrock), who is visiting the area to scout for some property. All three men are good-looking and younger than Vic, but Vic has a lot more money than they do. And at some point or another, all three of these lovers are separately invited into the Van Allen home for a social visit.

Melinda has apparently made it a habit to invite each of her extramarital lovers to parties and other social gatherings, but never so that all of the lovers are in the same place at the same time. At these events, Melinda introduces a lover as her “friend,” even though it’s obvious that he’s more than a friend. When Melinda and Vic are at these parties, Melinda spends more time and is more affectionate with her lovers than she is with her husband. Vic often just stands by and doesn’t confront her about it.

There are several scenes that show Melinda drunk at these parties, or coming home drunk, implying that she abuses alcohol. Some of the couple’s friends seem to feel sorry for Vic, because they think he doesn’t deserve to be a cuckold. More than once, Vic is told that he’s a “good guy” who’s well-respected in the community. Not much is told about Melinda’s background (she’s an immigrant who can speak English and Spanish), but several scenes in the movie show that Melinda thinks that she’s quite the seductress.

In the beginning of the movie, it’s mentioned that a man named Martin McCrae, who was one of Melinda’s lovers, has been missing for the past several weeks. Friends and acquaintances of the Van Allen spouses are gossiping that Vic could have had something to do with the disappearance. At a friend’s house party, where Melinda has invited Joel, the gossip goes into overdrive after Vic and Joel have a private conversation in the kitchen, and Vic tells Joel that he killed Martin. Joel can’t tell if Vic is joking or not, but he takes Vic’s comments as a threat, and he quickly leaves the party. Word soon spreads that Vic made this “confession,” and more people in the community begin to wonder if Vic could have murdered Martin.

Before Joel moves to New Mexico because of a job offer, he’s invited to dinner at the house of Vic and Melinda. Vic seems to delight in making Joel uncomfortable with snide remarks. Vic also makes backhanded insults at Melinda. When Vic and Joel are alone together, Vic once again tells Joel that he killed Martin by hitting Martin on the head with a hammer. However, Vic tries to make light of uneasy comments that he makes, by trying to pass them off as misguided sarcasm. Vic’s passive-aggressiveness is an obvious sign that Melinda’s extramarital affairs bother him.

Someone who doesn’t take Vic’s wisecracks lightly is fiction author/screenwriter Don Wilson (played by Tracy Letts), who has recently moved to the area. Don has had middling success by selling a few screenplays that haven’t been made into movies yet. One of these screenplays is about a man (whom Don based on his own personality/background) who uncovers a murder conspiracy in his town.

Vic and Melinda meet Don and Don’s much-younger wife Kelly Wilson (played by Kristen Connolly) at an outdoor party attended by many of the Van Allen couple’s friends. Don likes noir mysteries, so he fancies himself to be an amateur detective. Throughout the movie, Don lets it be known to anyone who’ll listen, including Vic, that he suspects that Vic has something to do with what happened to Martin, whose murdered body is later found shot to death.

Vic’s reputation appears to be saved when another man (who’s never seen in the movie) is arrested for Martin’s murder. However, Martin isn’t the only lover of Melinda’s who ends up dead. It’s enough to say that who’s responsible for the crimes is revealed about halfway through the movie. But even if that information didn’t happen until the end of the film, there are too many obvious clues. The only mystery in the story is if the guilty party will be caught.

One of the biggest failings of “Deep Water” is how it reveals almost nothing about how and why Vic and Melinda fell in love with each other, or even how long they’ve been married. Without this context, it might be difficult for a lot of viewers to care about this couple. Vic and Melinda’s marriage is presented as just a blank void, dressed up with a superficial parade of parties, squabbling and occasional sex. (Affleck and de Armas were a couple in real life when this movie was made, but they’ve since had a breakup that reportedly wasn’t very amicable.)

Vic and Melinda tell each other “I love you” several times, but viewers don’t see any credible passion or respect between these two spouses. The only thing that viewers will find out about what retired Vic likes to do in his free time at home is that he hangs out with his pet snails that he keeps in an aquarium room. The snails are supposed to be symbolic of how Vic acts in his marriage to Melinda.

It could be a marriage of convenience. It could be that Vic and Melinda don’t want the hassle of getting a divorce. They are also devoted parents to Trixie—Vic is more patient with Trixie than Melinda is—and these spouses might not want their child to grow up with divorced parents.

Regardless of the reasons why Vic and Melinda have decided to stay married to each other, “Deep Water” is more concerned with staging repetitive scenes where Melinda tries to make Vic jealous with her lovers, and then she tries to take his mind off of her affairs by getting Vic to have sex with her. Melinda also makes rude comments to Vic such as: “Joel might be dumb, but he makes me enjoy who I am,” and “If you were married to anyone else, you’d be so fucking bored. You’d kill yourself.”

In one of the movie’s party scenes, Vic makes an attempt to show Melinda that he’s attractive to other women when he does something he almost never does at a party: He dances. And he asks Don’s wife Kelly to be his dance partner, as they twirl together and snuggle flirtatiously on the dance floor. Other people, including Melinda, notice the chemistry between Vic and Kelly. Predictably, Melinda gets jealous and tries to re-assert her status as the most desirable and sexiest woman in Vic’s life.

In addition to the superficiality of Vic and Melinda’s marriage, another aspect of “Deep Water” that makes it look phony is that the movie repeatedly tells viewers that Vic is supposed to be very rich, but Vic and Melinda apparently have no house servants, since no servants are ever seen working for this family. Melinda does the family’s cooking, which is not entirely unrealistic for someone of her marital wealth. However, Melinda being the family cook doesn’t ring true when Melinda comes across as a pampered trophy wife who can stay out all night and party with her lovers whenever she feels like it. It wouldn’t have that been hard to cast a few people as background extras to portray servants, since it’s hard to believe that Melinda and/or Vic do their own housecleaning and upkeep of their large home.

An underdeveloped characteristic of “Deep Water” that should have been explored in a more meaningful way is how some people tend to think that those who are wealthy are automatically better than people who aren’t wealthy. In the scene where Don meets Vic for the first time, Don impolitely tells Vic that Vic is probably the person most likely to have done something harmful to Martin. Grant, who is Vic’s most loyal friend, tries to diffuse the tension by smiling and saying: “The moral of the story is Vic is a genius. And he’s rich as fuck.”

Grant’s comment is a reflection of how some people think that being smart and wealthy is the equivalent of being a “good person,” without taking into account that being a “good person” has nothing to do with how much intelligence or money someone has. This false equivalence is a huge dismissal of core values that define people’s true characters and personalities. “Deep Water” seems to make a half-hearted attempt to show how some people are more likely to excuse or overlook bad conduct from someone who is intelligent and rich, but the movie ultimately takes the lazy route by just going for cheap thrills that have been in similar movies.

There’s nothing inherently wrong with the cast members’ performances, but there’s nothing that will make viewers feel any real emotional connection to any of these characters. Affleck and de Armas, regardless of their real-life romantic relationship while filming this movie, don’t have much that’s compelling about how they portray Vic and Melinda. After all, Affleck has played many privileged jerks on screen, while de Armas often has the role of a character who uses sex or sex appeal to get what she wants.

A chase scene toward the end of “Deep Water” is extremely hokey and not very believable. “Deep Water” was already paddling around in a sea of mediocrity for most of the movie. But by the time the movie reaches its terrible ending, it ruins any chances that “Deep Water” could have been a “guilty pleasure” thriller.

Hulu will premiere “Deep Water” on March 18, 2022.

Review: ‘The Very Excellent Mr. Dundee,’ starring Paul Hogan

March 6, 2021

by Carla Hay

“The Very Excellent Mr. Dundee”

Directed by Dean Murphy

Culture Representation: Taking place in Los Angeles, Melbourne and London, the comedic film “The Very Excellent Mr. Dundee” features a predominantly white cast (with a few African Americans and Latinos) portraying people who are connected in some way to Australian actor Paul Hogan, who’s best known for his “Crocodile Dundee” movies.

Culture Clash: The movie is supposed to be a tongue-in-cheek satire of all the things that go wrong when Hogan tries to make a comeback.

Culture Audience: “The Very Excellent Mr. Dundee” will appeal primarily to people who are fans of Hogan, but everything about this movie is a colossal mistake.

Paul Hogan and John Cleese in “The Very Excellent Mr. Dundee” (Photo courtesy of Lionsgate)

“The Very Excellent Mr. Dundee” is a very meta and misguided sequel in the “Crocodile Dundee” comedy franchise, made famous by star Paul Hogan, beginning with the 1986 blockbuster “Crocodile Dundee,” the first movie in the series. That movie was followed by 1988’s “Crocodile Dundee II” and 2001’s “Crocodile Dundee in Los Angeles,” with each sequel worse than its predecessor. Unfortunately, the “Crocodile Dundee” movie series is like a good meal that went rotten years ago, then retrieved from the trash, and then served up to people who never asked for this stinking mess in the first place.

In the other “Crocodile Dundee” movies, Hogan played the title character as a crocodile hunter from Outback Australia who finds himself out of his comfort zone in urban environments. In “The Very Excellent Mr. Dundee” (directed by Dean Murphy, who co-wrote the movie’s embarrassing screenplay with Robert Mond), Hogan ditches the Crocodile Dundee persona and portrays himself as a has-been actor who hasn’t been able to surpass his “Crocodile Dundee” success with anything else, and he’s persuaded to make a comeback.

You just know it’s going to be a dumb movie when Hogan’s Paul character is supposed to be getting knighted by the Queen of England. That’s something that would not happen to Hogan in real life. But it’s used as a silly plot device in the “race against time” aspect that comes toward the end of the film, which takes place mostly in Los Angeles, but also partially in Melbourne and in London.

It’s repeated throughout “The Very Excellent Mr. Dundee” that the first “Crocodile Dundee” movie was the highest-grossing independent film at that time. It’s mentioned so many times that it’s irritating, as if the filmmakers want to desperately remind viewers why Hogan was a big movie star back in the 1980s. In the movie though, Paul has a not-very-convincing “aw, shucks” humble attitude about his fame. His character claims that he’s been trying to retire for the past 20 years. Not really, because the real Paul Hogan did this very corny mess of a film as a possible comeback vehicle.

In “The Very Excellent Mr. Dundee,” Paul is a bachelor who lives in Los Angeles with his Golden Retriever dog Paddy as his only companion. The movie didn’t get too meta, because there’s no mention of the real-life Hogan’s messy divorces, including one from his former “Crocodile Dundee” co-star Linda Kozlowski. In “The Very Excellent Mr. Dundee,” Paul’s manager/agent is Angie Douglas (played by Rachael Carpani), whose late father used to be Paul’s manager and was the founder of the Douglas Management Team.

Angie is very excited to tell Paul that in six weeks, he will be knighted by the Queen of England. In the lead-up to this big event. Angie thinks it would be a good idea for Paul to get as much publicity and job opportunities as possible. This comeback attempt results in Paul making a series of disastrous public appearances that are supposed to be funny for this movie but the comedy is just dull and poorly executed.

Paul has a son his early 20s called Chase (played by Jacob Elordi), whose vaguely written and brief role in the movie just seems to be about displaying his toned physique, since Chase is shown leading a workout class in Paul’s backyard. Paul and Chase do not have a convincing father/son bond in the film, even though they’re supposed to have a good relationship with each other. Therefore, it seems that Elordi was just put in the film so the movie could attract viewers who know him for “The Kissing Booth” movies.

Paul also has a 9-year-old granddaughter named Lucy (played by Charlotte Stent), who lives in Australia. (Lucy’s parents are not seen, heard or mentioned in the film.) In one scene in the movie, Paul does a video chat with Lucy, who is rehearsing for her school play. Lucy and Paul adore each other, but she’s a little sad that he won’t be able to see her in her play because it’s on the same day of his knighthood ceremony in London.

Several real-life celebrities portray themselves in this movie. Some have supporting roles, while others have quick cameos. Olivia Newton-John has a supporting role as a friend of Paul’s. She invites Paul and Angie to a “Grease” charity event that she’s hosting with John Travolta. The real Travolta was smart enough to stay away from this movie, so don’t expect any surprise cameos from him. A fictional nun named Sister Mary Murphy (played by Dorothy Adams) runs the charity that’s supposed to benefit from the “Grease” event.

John Cleese does a parody of himself, as a washed-up comedian who’s become a rideshare driver to pay his bills. Guess who ends up being Paul’s driver in this movie? Cleese’s immense talent is squandered in this very tacky role that makes him look like a fool. Chevy Chase portrays himself in scenes where he meets up with Paul in restaurants, offers advice, and gets more praise and attention than Paul does. All of these scenes are uninteresting and often awkward.

“The Very Excellent Mr. Dundee” pokes fun at Hogan’s “has-been status” in a scene where he’s visiting a movie studio lot while a group of tourists are nearby on a guided tour. The tour guide points out Hogan to the tourists, but they don’t care. This happens a few more times in other places, but this stale and unimaginative joke wasn’t even that funny the first time it was in the movie.

Another running gag in the movie that falls flat is that a group of fast-talking producers keep approaching Paul in various places to persuade him to do another “Crocodile Dundee” movie. One of these producers suggests that Will Smith could play Paul’s son in this proposed movie. Paul says no for a reason that’s obvious, but no one but Paul says it out loud in these meetings: Will Smith is black. When Paul says it, the producers act horrified and tell Paul that he comes across as racist.

Paul being misunderstood as “racist” is used in another badly written scene, where John drives Paul to the “Grease” charity event, but John accidentally drops Paul off at the fictional Black Talent Awards, which is supposed to be like the BET Awards. In a live TV interview on the red carpet, Paul says to the reporter: “I’m here to help the little people. I’m here to help those less fortunate than I am.”

Naturally, Paul’s condescending remarks come across as racist. And since he said these comments live on TV, he gets immediate backlash on social media and on the red carpet. Before things get more hostile for Paul at this award show, John sheepishly goes up to Paul and tells him that the “Grease” charity event is actually at another building nearby. The movie makes Paul look so clueless that he didn’t notice all the Black Talent Awards logos when he arrived on the red carpet.

More mishaps occur that make Paul look like he’s rude to unsuspecting people, but they’re really just “accidents.” There’s an incident where he’s accused of being cruel to tourist children. And then at the “Grease” charity event, Paul ends up on stage, and there’s a disruption involving a flying object that hits Sister Mary, and he gets blamed for it. All of these gags are so dumb, contrived and the epitome of horrendous slapstick.

“The Very Excellent Mr. Dundee” also introduces a very annoying and unnecessary character named Luke Clutterbuck (played by Nate Torrence), a self-described “mama’s boy” who’s originally from Indiana. Luke was a wedding photographer in Indiana, until he decided to move to Los Angeles to become part of the paparazzi. Paul first meets Luke when Luke falls out of a tree in Paul’s backyard, in Luke’s desperate attempt to get paparazzi photos. Luke gets more and more insufferable as the story goes on.

Wayne Knight portrays a version of himself, as a theater actor who asks Paul for a temporary place to stay because Wayne’s wife Carol (played by Julia Morris) has kicked Wayne out of their house. Wayne is rehearsing for an upcoming musical, so there are some excruciating scenes of Paul being interrupted or frustrated by Wayne loudly singing or doing other musical-related things in the house at inconvenient moments. It’s the type of comedy that most sitcoms would reject.

Australian actors Luke Hemsworth, Costas Mandylor and Luke Bracey all have cameos as themselves doing red-carpet interviews. Australian comedian Jim Jeffries also portrays himself in a quick appearance. They either praise or give mild insults about Paul. Nothing is funny in these bits.

And it should come as no surprise that bachelor Paul gets a potential love interest. Olivia sets him up on a blind date with someone she knows named Ella (played by Kerry Armstrong). Paul quips, “I haven’t been on a date since a man walked on the moon.” That’s news to Hogan’s real-life ex-wives.

“The Very Excellent Mr. Dundee” is so badly made that it seems like many of the celebrities in the movie might have committed to it without seeing the script first and/or did the movie as a big favor to Hogan. No one should tell Hogan when he should retire. But “The Very Excellent Mr. Dundee” is such an atrocious dud, it’s all the proof anyone needs that the “Crocodile Dundee” movie series needs to be retired once and for all.

Lionsgate released “The Very Excellent Mr. Dundee” in select U.S. cinemas and on digital and VOD on December 11, 2020. The movie was released on Blu-ray and DVD on February 12, 2021.

Review: ‘2 Hearts,’ starring Jacob Elordi, Tiera Skovbye, Adan Canto and Radha Mitchell

October 18, 2020

by Carla Hay

“2 Hearts”

Directed by Lance Hool

Culture Representation: Taking place in various parts of North America, the romantic drama “2 Hearts” has a predominantly white cast (with some Latinos, African Americans and Asians) representing the middle-class and wealthy.

Culture Clash: Two couples from two different generations experience health problems that have far-reaching effects on them and other people.

Culture Audience: “2 Hearts” will appeal primarily to people who like very sappy tearjerkers.

Adan Canto and Radha Mitchell in “2 Hearts” (Photo courtesy of Freestyle Digital Media)

Even though the romantic drama “2 Hearts” is based on a true story, there’s a cloying sheen to the movie that makes the people look too glossy to be authentic. The entire movie looks like actors trying their best to re-enact what they think the real people actually went through, instead of giving naturalistic performances that transform these actors into believable people on screen. It doesn’t help that much of the dialogue sounds like it’s from a TV soap opera or a Hallmark TV movie. “2 Hearts” certainly has an inspiring message. It’s just unfortunate that it’s delivered in a very uninspired and trite manner by a very corny screenplay and some awkward acting.

According to the production notes for “2 Hearts” (a movie that takes place in various parts of North America over five decades), the movie originally had what director Lance Hool says was “a very long and accurate screenplay” that went through several rewrites and was eventually rejected. Lance Hool’s daughter Veronica Hool and Robin U. Russin ended up writing the screenplay that was used for the movie. And it’s that screenplay which is the movie’s weakest link.

Lance Hool produced “2 Hearts” with his brother Conrad Hool, and they both run the movie’s production company Silver Lion Films. Conrad’s daughter Carla Hool was the casting director for “2 Hearts.” It’s unknown if having all of these family members involved in making “2 Hearts” could have clouded their objectivity in critiquing another family member’s work on the screenplay. But somewhere along the line, the producers didn’t have enough fortitude to take a good, hard look at the screenplay written by Veronica Hool and Russin and ask for major improvements before this film got made.

The entire movie has major tonal problems, by trying to be a screwball romantic comedy in some scenes, and yet in other scenes, it’s a weepy medical drama. “2 Hearts” is mostly a drama, but its attempts at comedy fall very hard and very flat. The decision to have one of the characters narrate the film in an irritating way is an example of how it’s sometimes better for movies to “show, not tell.”

And there’s a “twist” in the movie that is completely unnecessary. At best, this twist looks like the screenwriters needed more scenes to fill up the movie and make it closer to a typical feature length of 90 to 120 minutes. At worst, this twist is smarmy emotional manipulation, just for the sake of shocking an audience and making sensitive viewers cry. By the time the twist is revealed in the last third of the movie, astute viewers have already figured out how the two couples who are the movie’s four main characters are connected to each other.

“2 Hearts” switches back and forth in telling the stories of these two couples, but the movie is narrated by Chris Gregory (played by Jacob Elordi), the male partner from the younger couple. Chris is a tall, good-looking, athletic guy who’s 18 or 19 years old, with a goofy personality and a “puppy dog” type of enthusiasm toward life. At the beginning of the movie, Chris is seen being rushed into an emergency room. His girlfriend Samantha, nicknamed Sam (played by Tiera Skovbye), and Chris’ older brother Colin (played by Jordan Burtchett) are frantically running next to the gurney that’s carrying Chris into an examination room, until Sam and Colin aren’t allowed to go any further into the room.

What caused this medical emergency? And what were the results after Chris got medical treatment at the hospital? Those answers don’t come until the last third of the movie, but from then on, the movie has already telegraphed that Chris is not as healthy as he first appears to be in the first two-thirds of the film.

And then, when the movie introduces viewers to the other couple in the story, and it’s shown that the male partner in that couple also has health problems, it’s very easy to see where this movie is going to go. Perhaps if “2 Hearts” didn’t show Chris’ medical crisis so early in the story, the connection between the couples wouldn’t be so obvious.

Until then, it’s an often-tedious march to that inevitable “reveal,” which is not the same as the manipulative “twist” in the story. The “reveal” is obvious and necessary. The “twist” is not obvious and is very unnecessary. Until the “twist” and the “reveal” happen, the majority of “2 Hearts” is about showing how these two couples, who don’t know each other, met and fell in love with their respective partners.

Chris and Sam, the couple from the emergency-room scene, met because they’re students at Loyola University, a Jesuit college in New Orleans, not to be confused with Loyola University Maryland in Baltimore, which is Chris’ hometown. When Chris and Sam meet in 2007, he is a freshman, and she is a senior at the university. They both come from loving, middle-class families.

The other two lovebirds are Jorge Bolivar (played by Adan Canto) and Leslie Folk (played by Radha Mitchell), who met on a Pan Am flight in the 1970s, when Leslie was a flight attendant and Jorge was a passenger. Jorge comes from a wealthy Cuban family that owns a mega-successful rum company. (The Jorge character is based on the real-life Jorge Bacardi.)

Jorge and Leslie, who were both in their 30s when they met, have a “meet cute” moment when Jorge asks Leslie to hold his hand during takeoff because he pretends to be nervous about flying. After some hesitation, she grants his request. And it’s clear from the way that they look at each other that it won’t take them long to get together.

When the subject of drinking alcohol comes up during the flight (since Jorge is supposedly nervous about flying), Leslie tells Jorge that her favorite brand of rum is Bolivar, and he gives her his business card. That’s how she finds out that he comes from the wealthy family that owns the Bolivar rum company. Who really knows if that happened in real life? But it’s one of those moments that looks like it was created for the movie.

Although Jorge and Leslie are both based in Miami, they have a long-distance courtship because they both travel a lot for their jobs. As soon as they begin dating, Jorge often shows up unannounced at destinations where Leslie will be, and he expects her to drop any plans she had so that she can spend all of her free time hanging out with him. While many people would be creeped-out by this presumptive and stalker-ish behavior, Leslie finds it charming and romantic. It probably doesn’t hurt that Jorge is handsome and rich.

And Jorge doesn’t tell Leslie his medical secret until long after they start dating. He’s had a serious lung disease since childhood. His lung problem is so serious that doctors had told his parents that Jorge wouldn’t live past the age of 12. Jorge has had numerous surgeries, and parts of his lungs were removed when he was an undergraduate student at Stanford University. After Jorge and Leslie get married, they have problems conceiving children. (In real life, Jorge was diagnosed with primary ciliary dyskinesia when he was in his 50s, but prior to that, he was misdiagnosed as having cystic fibrosis.)

Chris and Sam’s romance is more carefree than Jorge and Leslie’s. That is, until Chris ends up in the hospital. Chris and Sam’s “meet cute” moment happens as he accidentally bumps into her while he’s leaving a classroom and as she’s entering the same room. Chris makes a profuse apology, which she accepts, and he looks at her as if it’s “love at first sight,” as she makes her way to a seat.

It’s a scene that’s sure to induce eyerolls because it’s so mawkish, as Chris literally stops in front of the class to stare at her. He’s so entranced that the teacher asks Chris if he is staying or leaving. Sam notices that Chris is staring at her, and she smiles in the way that women do when they know that someone is immediately infatuated with them.

The next time Chris and Sam see each other, he literally bumps into her again. This time, it’s in a hallway, where Sam is putting up flyers for a fledgling student group she’s started called Safety Patrol. It’s a volunteer rideshare service for the university’s students to call if they need a safe ride somewhere. Chris gives Sam a mild critique of the Safety Patrol flyers that she’s put up on a bulletin board, by telling her that the flyers should be less intimidating and more welcoming.

It’s his way of flirting with Sam, who already can tell that Chris is very attracted to her. Chris ends up being the first volunteer to join the Safety Patrol. It also motivates Chris to get his driver’s license. And through their Safety Patrol activities, Sam and Chris get closer to each other and fall in love.

When Chris and Sam first met, she was casually dating someone named Brad, who is never seen or heard in the movie. Sam and Brad didn’t have a serious-enough relationship where they were committed to each other. Brad is mentioned a few times in the movie, and then he’s never mentioned again.

Sam also opens up to Chris about why the Safety Patrol program is important to her. Two years before, Sam’s mother was in a serious car accident that left her in a coma. Sam prayed that if her mother got out of the coma and recovered, Sam would do everything possible to help other people. Her mother came out of the coma and recovered, and Sam came up with the Safety Patrol idea as a way to keep her promise to God.

Chris and Sam’s relationship provides most of the movie’s comic relief, but Chris is written as a character who tries too hard to be funny, so his personality can become grating after a while. There’s a scene where Chris and Sam tell each other what kind of music they have on their iPods, and they alternate between teasing and praising each other about some of their musical choices. It’s meant to be cute and humorous, but it just comes across as very contrived and awkward.

There’s also an extensive Safety Patrol scene where Sam and Chris pick up three different passengers at different times on the same night. All three passengers are eventually crammed into the back of the car: a drunk sorority girl (played by Georgia Bradner), who inevitably vomits; a stoner surfer dude (played by Neil Webb); and an uptight nerd (played by Doralynn Mui), who refuses to let anyone touch the suitcase she has. This is where the movie tries to be a screwball comedy, but it doesn’t fit the tone of the rest of the story.

Chris’ often-annoying narration constantly interjects in scenes and disrupts the flow of the movie. It’s the equivalent of someone sitting near you and making constant, unsolicited comments while you’re trying to watch a movie. And because Chris is written as a goofball, a lot of his corny humor doesn’t work well for the more serious scenes that he narrates. It’s not the actor’s fault. It’s the fault of how this substandard screenplay was written.

In addition to their health problems that reach a crisis level, Chris and Jorge have something else in common: They both have tense relationships with their demanding fathers. Chris’ father Eric (played by Tahmoh Penikett) is the type of parent who, instead of comforting Chris when Chris found out that he didn’t get accepted into his first-choice university, tells Chris: “Maybe you should’ve worked harder at it.” Jorge’s father Jose (played by Steve Bacic) expects Jorge to go on strenuous business trips that aren’t necessarily good for Jorge’s health.

Jose also doesn’t really approve of Leslie because she isn’t Hispanic. And when Leslie and Jorge get married, Jorge’s parents aren’t at the wedding. It’s not stated if Jorge’s parents refused an invitation or simply weren’t invited, but it’s clear that his parents didn’t approve of the marriage. Jorge’s mother, who is barely seen in the movie, appears briefly in a hospital scene when Jorge had his lung surgery while he was a Stanford student.

Chris is the youngest of three sons. He and his older brother Colin (the middle child) both attend Loyola University, which was not Chris’ first choice. Eldest son John (played by Anthony Konechny) is the “golden child” who attends an unnamed university that’s considered more prestigious, and this university was Chris’ first choice.

Chris had high hopes of going to the same university as John, who is clearly the favorite child of their father. Chris’ mother Grace (played by Kari Matchett) is the type of parent who is compassionate and tries not to treat one child as being “better” than the other. Not surprisingly, Chris is closer to his mother than he is to his father. Despite this family tension, Chris’ family is still tight-knit and supportive of each other.

The acting in “2 Hearts” is mediocre at best, although Canto does try very hard to show range as someone who is stricken with a very serious illness. However, the way that many lines are written in this movie just reek of something that could have been in a TV soap opera. There’s a scene where Jorge says that Leslie reminds him of a peanut, so he calls her “my peanut” as a term of endearment. Try not to retch.

To its credit, the movie makes great use of showing romantic locations. There are many scenes that take place on gorgeous beaches (such as in Hawaii) or luxurious resort getaways, thanks to all the traveling that Jorge and Leslie and do and Jorge’s ability to stay at top-tier hotels. But these are superficial visuals that can’t quite make up for all the ways that “2 Hearts” is lacking in doing justice to this inspiring story.

The most problematic part of the “2 Hearts” screenplay is that unnecessary “twist.” It cheapens the movie’s message, and it’s borderline insulting to the real life-or-death situations that were experienced by the people on whom this story is based. And ultimately, it sinks what could have been a much better movie if it had a quality screenplay and a more talented cast.

Freestyle Digital Media released “2 Hearts” in U.S. cinemas on October 16, 2020.