Culture Representation: Taking place in Los Angeles, the comedy film “Poolman” features a predominantly white cast of characters (with a few African Americans and Latin people) representing the working-class, middle-class and wealthy.
Culture Clash: An apartment complex’s swimming pool cleaner, who is working on an environmental documentary about Los Angeles, investigates a corruption scheme involving a city council president and a property developer.
Culture Audience: “Poolman” will appeal primarily to people are fans of the movie’s headliners and don’t mind watching a time-wasting and poorly made movie.
Chris Pine in “Poolman” (Photo courtesy of Vertical)
“Poolman” is like a flimsy and faulty floating device that’s full of holes and quickly sinks due to its sheer incompetence. This comedy noir mystery is very unamusing and incoherent. Everyone involved should be embarrassed.
“Poolman” is the feature-film directorial debut of actor Chris Pine, who stars in the movie and co-wrote (with Ian Gotler) the abysmal screenplay. “Poolman” (which takes place in Los Angeles, where the movie was filmed on location) is clearly inspired by the Oscar-winning 1974 noir mystery “Chinatown,” starring Jack Nicholson and Faye Dunaway. However, “Poolman” removes all of the good filmmaking qualities that make “Chinatown” a classic. “Poolman” had its world premiere at the 2023 Toronto International Film Festival, which clearly chose this movie because of Pine’s fame, not because of the low quality of the film.
In “Poolman,” Darren Barrenman (played by Pine) is a long-haired, scruffy, wannabe documentarian who has a day job as the swimming pool cleaner for a shabby motel-like apartment complex called the Tahitian Tiki. Darren (who is the only employee of his Awesome Aquatics business) lives in a small trailer that is awkwardly located on the side of the Tahitian Tiki’s swimming pool. Darren is dating Tahitian Tiki manager Susan Kerkovich (played by Jennifer Jason Leigh), but their relationship seems to be stuck in a rut. Darren and Susan have boring conversations that go nowhere, such as when they are in bed and talk about how the owner of their favorite chicken restaurant has recently died.
Darren has an obsession with real-life environmental activist Erin Brockovich, so he is seen typing (on a typewriter) a letter to her every day. These letters, which are read out loud in voiceovers, are quite pathetic because Darren sounds like a jilted ex-lover in these letters, even though he has apparently never met Brockovich. Darren wants to make an important environmental documentary about Los Angeles and is against any property development that might harm the environment. One of the reasons why he’s directing this documentary is so he can impress Brockovich.
Darren has three friends who are helping him with this documentary: Diane Esplinade (played by Annette Bening), who seems to be a producer, constantly rambles about New Age self-care gibberish. Jack Denisoff (played by Danny DeVito) is a cinematographer, who often likes to talk about his glory days working as a television director. Wayne (played by John Ortiz), who is a production assistant, is described as Darren’s “best friend” and a “union analyst.”
“Poolman” is so poorly written, it isn’t made immediately clear what type of relationship Diane and Jack have with emotionally immature Darren. When Diane and Jack are first seen with Darren in the movie, Diane and Jack act like they are Darren’s parents, not his documentary co-worker/friends. Darren’s relationship with “best friend” Wayne is also strange, with no backstory.
Darren makes himself a nuisance at Los Angeles City Council meetings to protest anything that he thinks will harm the environment. Darren is very suspicious of an upcoming property development called the Very Venice Housing Project. At one of these meetings, Darren is ranting about an environmental study that he has completed. The president of the Los Angeles City Council is Stephen Toronkowski (played by Stephen Tobolowsky), who sees that Darren is attempting a filibuster, so he orders Darren to stop.
A bailiff named Reggie (played by Aflamu Johnson) tries to stop Darren, but Darren assaults Reggie. Darren is arrested, but he is bailed out of jail by June Del Rey (played by DeWanda Wise), who dresses and acts like she thinks she’s in a 1940s noir film. June tells Darren that she’s Stephen’s new executive assistant and says she needs Darren’s help in exposing Stephen as a corrupt politician. Darren has a romantic attraction to June that never looks believable in this dreadful movie.
Meanwhile, Darren’s investigation involves a wealthy property developer named Theodore “Teddy” Hollandaise (played by Clancy Brown), the CEO of Big Dutch Group, the company behind the Very Venice Housing Project. There’s also another rich mogul named William Van Patterson (played by Ray Wise), who becomes part of the story. Darren and his documentary film pals get involved in amateurish and bumbling spying on suspicious characters.
Everything in “Poolman” is sloppily conceived and clumsily executed. Bening does the best that she can in a terribly written role, while the other cast members’ performances are mediocre-to-horrible. Pine constantly mugs for the camera and smirks in ways that quickly become irritating, as Darren shows how much of a moronic “investigator” he can be.
The secrets and surprise “reveals” for some of the characters just add to the movie’s idiocy. There are plenty of low-budget, independent movies that are of low quality, but “Poolman” didn’t have to be this bad, considering the well-known talent involved. All of that talent is wasted and goes down the drain quicker than obnoxious poolman Darren can empty a pool.
Vertical released “Poolman” in select U.S. cinemas on May 10, 2024.
Culture Representation: Taking place primarily in the Los Angeles area, the dramatic film “Knox Goes Away” features a predominantly white group of people (with some African American, Asians and Latinos) representing the working-class, middle-class and criminal underground.
Culture Clash: An assassin with dementia agrees to help his estranged adult son, who has murdered a man and wants to cover up the crime.
Culture Audience: “Knox Goes Away” will appeal primarily to people who are fans of the movie’s headliners and noir crime dramas, even if the movie has several plot holes and unanswered questions.
Michael Keaton in “Knox Goes Away” (Photo by Marshall Adams/Saban Films)
“Knox Goes Away” has the benefit of director/star Michael Keaton’s acting talent, but this movie about an assassin with dementia is dragged down by an uneven tone and a nonsensically convoluted screenplay with plot holes. Al Pacino has a completely useless and unnecessary role in the film. Any movie that wastes Pacino’s talent has got a lot of problems.
Directed by Keaton and written by Gregory Poirier, “Knox Goes Away” (which takes place mostly in the Los Angeles area, where the movie was filmed) tells the story of assassin John Knox (played by Keaton), who finds out early on in the story that he has Creutzfeldt-Jakob disease, which is a form of dementia. It’s a neurological disease that progresses quicker than Alzheimer’s disease. John is so paranoid about people finding out about his recent health issues, he travels by plane to San Francisco, where he meets with a medical professional named Dr. Burns (played by Paul Perri), who informs John that John has Creutzfeldt-Jakob disease. After getting this diagnosis, John is told that it will be only a matter of weeks before he loses his “normal” memory and cognitive abilities.
John (who is divorced and lives alone) is a hardened hit man who was planning to retire anyway. He now has to make arrangements to stay in an assisted living facility, since he has no family members who can take care of him. He keeps this diagnosis a secret from almost everyone he knows. For the people he does not want to tell, John says that he plans to “go away for a while.” John works for a mysterious boss named Jericho, who is never seen or heard in the movie, but Jericho’s name is mentioned several times. John agrees to do “one last job” before he retires, but he does not want to tell Jericho about this planned retirement.
It’s never stated how many years John has been a hit man, but it’s been long enough that it’s implied that it ruined John’s marriage to his ex-wife Ruby Knox (played by Marcia Gay Harden) and led to years of estrangement from their son Miles Knox (played by James Marsden), who both know about John’s past criminal activities and are aware that he’s still an assassin. John is the type of assassin who does not want to know any personal details about his targets. He frequently works with another assassin named Thomas “Tommy” Muncie (played by Ray McKinnon), who is judgmental about John’s cold detachment from their job. It’s an oddly self-righteous attitude for Thomas to have, considering that Thomas commits brutal murders for money too.
John’s “one last job” turns into a disaster. John and Thomas go to the home of their intended target: a man named Elian Zubiri (played by Edwin Garcia II), whom the assassins expect to be home alone. Thomas and John are surprised to see Elian taking a shower with a female companion, later identified as Annette Elmora (played by Nicole Reddinger), an innocent bystander who gets murdered along with Elian.
Because of John’s diminished cognitive abilites, he accidentally shoots and kills Thomas. John stages the crime scene to make the murders of Elian and Annette look like a murder-suicide committed by Elian. John then flees the scene and takes Thomas’ body with him. John later lies to Jericho by saying that Thomas never showed up for this hit job.
Shortly after that fiasco, Miles shows up unannounced at John’s home one night to confess that he has recently murdered a 32-year-old man named Andrew Palmer (played by Charles Bisset), who impregnated Miles’ 16-year-old daughter Kaylee (played by Morgan Bastin) in a sexual predator situation. Miles has a hand injury from this murder, which was committed by stabbing with a kitchen knife. Miles’ wife Cheryl Knox (played by Lela Loren) doesn’t know about this murder, and neither does anyone else at this point. What follows is a ridiculous plan that didn’t have to be as complex as it is in the movie.
Pacino has the role of John’s shady criminal friend named Xavier Crane, who is one of the few people who knows about John’s dementia. Xavier agrees to help John with a crime cover-up, but this character actually didn’t need to be in the movie at all, if John really wanted to keep his cover-up activities as secret as possible. Pacino just sort of shuffles along and mumbles in the drab and uninteresting role of Xavier.
The only other person who is close to John is a sex worker named Annie (played by Joanna Kulig), who has been meeting up with John for sessions at his home, every Tuesday for nearly four years. John is an avid book reader/collector, so he often lends books to Annie so that she can read them and tell him what she thinks about the books. It’s later mentioned in the movie that when John was in the U.S. Army, his Army buddies gave him the nickname Aristotle, because John is so intellectual and well-read. Annie and John are not in love, but they are fond of each other and have some emotional intimacy.
The “noir” tone of “Knox Goes Away” is often clumsily handled when it tries to inject some comedy, in order to make the investigating homicide police officers look idiotic. The lead investigator is Detective Emily Ikari (played by Suzy Nakamura), a jaded and sarcastic cop who always thinks she’s the smartest person in the room and spews some awkward jokes as a way to assert her authority. Nakamura is a scene stealer and has very good comedic timing, but the context in which she says these jokes are often unrealistic and cringeworthy.
For example, there’s a scene where Detective Ikari and some other cops are at the scene of a murder at the murder victim’s home. The murder victim’s body is still there. A crime scene investigation technician (played by Benita Krista Hall) tells Detective Ikari that the victim’s cell phone is locked and can only be unlocked by using facial recognition. Detective Ikari then makes a snide remark by telling the technician to do the obvious: Put the phone up to the victim’s face to unlock the phone. Making this technician look this stupid is the movie’s cheap and lazy setup to have Detective Ikari crack another “joke,” usually at the expense of a subordinate or co-worker.
“Knox Goes Away” also doesn’t do much to explain why John became an assassin. The main things that are revealed about John’s past are that he has a troubled history as a father; he used to be a deep reconnaissance officer in the U.S. Army; and he spent six years in prison for tax evasion. John is supposed to be highly intelligent (he has doctorate degrees in English literature and U.S. history), but he makes a lot of illogical decisions—and not just because of his dementia. It’s because of a weak screenplay that tries to look like it’s clever, but it’s really a long-winded excuse to show some mindless and muddled scheming that leads to a predictable ending.
Saban Films released “Knox Goes Away” in select U.S. cinemas on March 15, 2024. The movie will be released on digital and VOD on April 5, 2024.
Emily Blunt and Cillian Murphy in “Oppenheimer” (Photo by Melinda Sue Gordon/Universal Pictures)
With three awards each, Universal Pictures’ drama “Oppenheimer” (a biopic about atomic bomb creator J. Robert Oppenheimer) and FX on Hulu’s comedy series “The Bear” (about the staff and associates of a Chicago restaurant) were the top winners for the 30th Annual Screen Actors Guild Awards. The ceremony was held on February 24, 2024, at the Shrine Auditorium in Los Angeles. There was no host for the show, which was livestreamed on Netflix.
“Oppenheimer” won the prizes for Outstanding Performance by a Cast in a Motion Picture; Outstanding Performance by a Male Actor in a Leading Role (for Cillian Murphy); and Outstanding Performance by a Male Actor in a Supporting Role for Robert Downey Jr.).
“The Bear” was awarded Outstanding Performance by an Ensemble in a Comedy Series; Outstanding Performance by a Male Actor in a Comedy Series (for Jeremy Allen White); and Outstanding Performance by a Female Actor in a Comedy Series (for Ayo Edebiri).
Barbra Streisandreceived the SAG Life Achievement Award for career achievements and humanitarian accomplishments. This a non-compeitive prize whose recipient is announced several weeks before the show.
The eligiblity period for the nomnated movies and TV shows was January 1 to December 31, 2023. The awards are voted for by the union Screen Actors Guild – American Federation of Television and Radio Artists (SAG-AFTRA), which as 119,515 eligible voters, according to SAG-AFTRA.
Presenters at the show were Erika Alexander, Jennifer Aniston, Emily Blunt, Danielle Brooks, Sterling K. Brown, Michael Cera, Jessica Chastain, Bradley Cooper, Colman Domingo, Robert Downey Jr., Fran Drescher, Phil Dunster, Billie Eilish, Idris Elba, America Ferrera, Brendan Fraser, Taraji P. Henson, Troy Kotsur, Greta Lee, Melissa McCarthy, Cillian Murphy, Glen Powell, Issa Rae, Storm Reid, Margot Robbie, Tracee Ellis Ross, Alexander Skarsgård, Omar Sy, Hannah Waddingham, Naomi Watts and Jeffrey Wright.
Here is the complete list of nominees and winners for the 2024 Screen Actors Guild Awards:
*=winner
The Motion Picture Nominees are:
Outstanding Performance by a Male Actor in a Leading Role BRADLEY COOPER / Leonard Bernstein – “MAESTRO” COLMAN DOMINGO / Bayard Rustin – “RUSTIN” PAUL GIAMATTI / Paul Hunham – “THE HOLDOVERS” CILLIAN MURPHY / J. Robert Oppenheimer – “OPPENHEIMER”* JEFFREY WRIGHT / Thelonious “Monk” Ellison – “AMERICAN FICTION”
Outstanding Performance by a Female Actor in a Leading Role ANNETTE BENING / Diana Nyad – “NYAD” LILY GLADSTONE / Mollie Burkhart – “KILLERS OF THE FLOWER MOON”* CAREY MULLIGAN / Felicia Montealegre – “MAESTRO” MARGOT ROBBIE / Barbie – “BARBIE” EMMA STONE / Bella Baxter – “POOR THINGS”
Outstanding Performance by a Male Actor in a Supporting Role STERLING K. BROWN / Clifford Ellison – “AMERICAN FICTION” WILLEM DAFOE / Godwin Baxter – “POOR THINGS” ROBERT DE NIRO / William Hale – “KILLERS OF THE FLOWER MOON” ROBERT DOWNEY JR. / Lewis Strauss – “OPPENHEIMER”* RYAN GOSLING / Ken – “BARBIE”
Outstanding Performance by a Female Actor in a Supporting Role EMILY BLUNT / Kitty Oppenheimer – “OPPENHEIMER” DANIELLE BROOKS / Sofia – “THE COLOR PURPLE” PENÉLOPE CRUZ / Laura Ferrari – “FERRARI” JODIE FOSTER / Bonnie Stoll – “NYAD” DA’VINE JOY RANDOLPH / Mary Lamb – “THE HOLDOVERS”*
Outstanding Performance by a Cast in a Motion Picture AMERICAN FICTION ERIKA ALEXANDER / Coraline ADAM BRODY / Wiley Valdespino STERLING K. BROWN / Clifford Ellison KEITH DAVID / Willy the Wonker JOHN ORTIZ / Arthur ISSA RAE / Sintara Golden TRACEE ELLIS ROSS / Lisa Ellison LESLIE UGGAMS / Agnes Ellison JEFFREY WRIGHT / Thelonious “Monk” Ellison
BARBIE MICHAEL CERA / Allan WILL FERRELL / Mattel CEO AMERICA FERRERA / Gloria RYAN GOSLING / Ken ARIANA GREENBLATT / Sasha KATE MCKINNON / Barbie HELEN MIRREN / Narrator RHEA PERLMAN / Ruth ISSA RAE / Barbie MARGOT ROBBIE / Barbie
THE COLOR PURPLE HALLE BAILEY / Young Nettie FANTASIA BARRINO / Celie JON BATISTE / Grady DANIELLE BROOKS / Sofia CIARA / Nettie COLMAN DOMINGO / Mister AUNJANUE ELLIS-TAYLOR / Mama LOUIS GOSSETT, JR. / Ol’ Mister COREY HAWKINS / Harpo TARAJI P. HENSON / Shug Avery PHYLICIA PEARL MPASI / Young Celie GABRIELLA WILSON “H.E.R.” / Squeak
KILLERS OF THE FLOWER MOON TANTOO CARDINAL / Lizzie Q ROBERT DE NIRO / William Hale LEONARDO DICAPRIO / Ernest Burkhart BRENDAN FRASER / W.S. Hamilton LILY GLADSTONE / Mollie Burkhart JOHN LITHGOW / Prosecutor Peter Leaward JESSE PLEMONS / Tom White
OPPENHEIMER* CASEY AFFLECK / Boris Pash EMILY BLUNT / Kitty Oppenheimer KENNETH BRANAGH / Niels Bohr MATT DAMON / Leslie Groves ROBERT DOWNEY JR. / Lewis Strauss JOSH HARTNETT / Ernest Lawrence RAMI MALEK / David Hill CILLIAN MURPHY / J. Robert Oppenheimer FLORENCE PUGH / Jean Tatlock
The Television Program Nominees are:
Outstanding Performance by a Male Actor in a Television Movie or Limited Series MATT BOMER / Hawkins “Hawk” Fuller – “FELLOW TRAVELERS” JON HAMM / Roy Tillman – “FARGO” DAVID OYELOWO / Bass Reeves – “LAWMEN: BASS REEVES” TONY SHALHOUB / Adrian Monk – “MR. MONK’S LAST CASE: A MONK MOVIE” STEVEN YEUN / Danny Cho – “BEEF”*
Outstanding Performance by a Female Actor in a Television Movie or Limited Series UZO ADUBA / Edie Flowers – “PAINKILLER” KATHRYN HAHN / Clare Pierce – “TINY BEAUTIFUL THINGS” BRIE LARSON / Elizabeth Zott – “LESSONS IN CHEMISTRY” BEL POWLEY / Miep Gies – “A SMALL LIGHT” ALI WONG / Amy Lau – “BEEF”*
Outstanding Performance by a Male Actor in a Drama Series BRIAN COX / Logan Roy – “SUCCESSION” BILLY CRUDUP / Cory Ellison – “THE MORNING SHOW” KIERAN CULKIN / Roman Roy – “SUCCESSION” MATTHEW MACFADYEN / Tom Wambsgans – “SUCCESSION” PEDRO PASCAL / Joel – “THE LAST OF US”*
Outstanding Performance by a Female Actor in a Drama Series JENNIFER ANISTON / Alex Levy – “THE MORNING SHOW” ELIZABETH DEBICKI / Princess Diana – “THE CROWN”* BELLA RAMSEY / Ellie – “THE LAST OF US” KERI RUSSELL / Kate Wyler – “THE DIPLOMAT” SARAH SNOOK / Shiv Roy – “SUCCESSION”
Outstanding Performance by a Male Actor in a Comedy Series BRETT GOLDSTEIN / Roy Kent – “TED LASSO” BILL HADER / Barry – “BARRY” EBON MOSS-BACHRACH / Richard “Richie” Jerimovich – “THE BEAR” JASON SUDEIKIS / Ted Lasso – “TED LASSO” JEREMY ALLEN WHITE / Carmen “Carmy” Berzatto – “THE BEAR”*
Outstanding Performance by a Female Actor in a Comedy Series ALEX BORSTEIN / Susie Myerson – “THE MARVELOUS MRS. MAISEL” RACHEL BROSNAHAN / Miriam “Midge” Maisel – “THE MARVELOUS MRS. MAISEL” QUINTA BRUNSON / Janine Teagues – “ABBOTT ELEMENTARY” AYO EDEBIRI / Sydney Adamu – “THE BEAR”* HANNAH WADDINGHAM / Rebecca Welton – “TED LASSO”
Outstanding Performance by an Ensemble in a Drama Series THE CROWN KHALID ABDALLA / Dodi Fayed SEBASTIAN BLUNT / Prince Edward BERTIE CARVEL / Tony Blair SALIM DAW / Mohamed Al Fayed ELIZABETH DEBICKI / Princess Diana LUTHER FORD / Prince Harry CLAUDIA HARRISON / Princess Anne LESLEY MANVILLE / Princess Margaret ED MCVEY / Prince William JAMES MURRAY / Prince Andrew JONATHAN PRYCE / Prince Philip, Duke of Edinburgh IMELDA STAUNTON / Queen Elizabeth II MARCIA WARREN / Queen Elizabeth the Queen Mother DOMINIC WEST / Prince Charles OLIVIA WILLIAMS / Camilla Parker Bowles
THE GILDED AGE BEN AHLERS / Jack ASHLIE ATKINSON / Mamie Fish CHRISTINE BARANSKI / Agnes van Rhijn DENÉE BENTON / Peggy Scott NICOLE BRYDON BLOOM / Maud Beaton MICHAEL CERVERIS / Watson CARRIE COON / Bertha Russell KELLEY CURRAN / Mrs. Winterton TAISSA FARMIGA / Gladys Russell DAVID FURR / Dashiell Montgomery JACK GILPIN / Church WARD HORTON / Charles Fane LOUISA JACOBSON / Marian Brook SIMON JONES / Bannister SULLIVAN JONES / T. Thomas Fortune CELIA KEENAN-BOLGER / Mrs. Bruce NATHAN LANE / Ward McAllister MATILDA LAWLER / Frances Montgomery ROBERT SEAN LEONARD / Luke Forte AUDRA MCDONALD / Dorothy Scott DEBRA MONK / Armstrong DONNA MURPHY / Mrs. Astor KRISTINE NIELSEN / Mrs. Bauer CYNTHIA NIXON / Ada Brook KELLI O’HARA / Aurora Fane PATRICK PAGE / Richard Clay HARRY RICHARDSON / Larry Russell TAYLOR RICHARDSON / Bridget BLAKE RITSON / Oscar van Rhijn JEREMY SHAMOS / Mr. Gilbert DOUGLAS SILLS / Borden MORGAN SPECTOR / George Russell JOHN DOUGLAS THOMPSON / Arthur Scott ERIN WILHELMI / Adelheid
THE LAST OF US PEDRO PASCAL / Joel BELLA RAMSEY / Ellie
THE MORNING SHOW JENNIFER ANISTON / Alex Levy NICOLE BEHARIE / Christina Hunter SHARI BELAFONTE / Julia NESTOR CARBONELL / Yanko Flores BILLY CRUDUP / Cory Ellison MARK DUPLASS / Chip Black JON HAMM / Paul Marks THEO IYER / Kyle HANNAH LEDER / Isabella GRETA LEE / Stella Bak JULIANNA MARGULIES / Laura Peterson TIG NOTARO / Amanda Robinson KAREN PITTMAN / Mia Jordan REESE WITHERSPOON / Bradley Jackson
SUCCESSION* NICHOLAS BRAUN / Greg Hirsch JULIANA CANFIELD / Jess Jordan BRIAN COX / Logan Roy KIERAN CULKIN / Roman Roy DAGMARA DOMINCZYK / Karolina Novotney PETER FRIEDMAN / Frank Vernon JUSTINE LUPE / Willa MATTHEW MACFADYEN / Tom Wambsgans ARIAN MOAYED / Stewy Hosseini SCOTT NICHOLSON / Colin Stiles DAVID RASCHE / Karl Muller ALAN RUCK / Connor Roy ALEXANDER SKARSGÅRD / Lukas Matsson J. SMITH-CAMERON / Gerri Kellman SARAH SNOOK / Shiv Roy FISHER STEVENS / Hugo Baker JEREMY STRONG / Kendall Roy ZOË WINTERS / Kerry Castellabate
Outstanding Performance by an Ensemble in a Comedy Series ABBOTT ELEMENTARY QUINTA BRUNSON / Janine Teagues WILLIAM STANFORD DAVIS / Mr. Johnson JANELLE JAMES / Ava Coleman CHRIS PERFETTI / Jacob Hill SHERYL LEE RALPH / Barbara Howard LISA ANN WALTER / Melissa Schemmenti TYLER JAMES WILLIAMS / Gregory Eddie
BARRY ANTHONY CARRIGAN / NoHo Hank SARAH GOLDBERG / Sally Reed ZACHARY GOLINGER / John BILL HADER / Barry ANDRE HYLAND / Jason FRED MELAMED / Tom Posorro CHARLES PARNELL / DA Buckner STEPHEN ROOT / Monroe Fuches TOBIE WINDHAM / Damian HENRY WINKLER / Gene Cousineau ROBERT WISDOM / Jim Moss
THE BEAR* LIONEL BOYCE / Marcus JOSE CERVANTES JR. / Angel LIZA COLÓN-ZAYAS / Tina AYO EDEBIRI / Sydney Adamu ABBY ELLIOTT / Natalie “Sugar” Berzatto RICHARD ESTERAS / Manny EDWIN LEE GIBSON / Ebraheim MOLLY GORDON / Claire COREY HENDRIX / Sweeps MATTY MATHESON / Neil Fak EBON MOSS-BACHRACH / Richard “Richie” Jerimovich OLIVER PLATT / Jimmy “Cicero” Kalinowski JEREMY ALLEN WHITE / Carmen “Carmy” Berzatto
ONLY MURDERS IN THE BUILDING GERALD CAESAR / Ty MICHAEL CYRIL CREIGHTON / Howard Morris LINDA EMOND / Donna SELENA GOMEZ / Mabel Mora ALLISON GUINN / K.T. STEVE MARTIN / Charles-Haden Savage ASHLEY PARK / Kimber DON DARRYL RIVERA / Bobo PAUL RUDD / Ben Glenroy JEREMY SHAMOS / Dickie Glenroy MARTIN SHORT / Oliver Putnam MERYL STREEP / Loretta Durkin WESLEY TAYLOR / Cliff JASON VEASEY / Jonathan JESSE WILLIAMS / Tobert
TED LASSO ANNETTE BADLAND / Mae Green KOLA BOKINNI / Isaac McAdoo EDYTA BUDNIK / Jade ADAM COLBORNE / Baz Primrose PHIL DUNSTER / Jamie Tartt CRISTO FERNÁNDEZ / Dani Rojas KEVIN “KG” GARRY / Paul La Fleur BRETT GOLDSTEIN / Roy Kent BILLY HARRIS / Colin Hughes ANTHONY HEAD / Rupert Mannion BRENDAN HUNT / Coach Beard TOHEEB JIMOH / Sam Obisanya JAMES LANCE / Trent Crimm NICK MOHAMMED / Nathan Shelley JASON SUDEIKIS / Ted Lasso JEREMY SWIFT / Leslie Higgins JUNO TEMPLE / Keeley Jones HANNAH WADDINGHAM / Rebecca Welton BRONSON WEBB / Jeremy Blumenthal KATY WIX / Barbara The Stunt Ensemble Honors Nominees are:
Outstanding Action Performance by a Stunt Ensemble in a Motion Picture BARBIE GUARDIANS OF THE GALAXY VOL. 3 INDIANA JONES AND THE DIAL OF DESTINY JOHN WICK: CHAPTER 4 MISSION: IMPOSSIBLE – DEAD RECKONING PART ONE
Outstanding Action Performance by a Stunt Ensemble in a Television Series AHSOKA BARRY BEEF THE LAST OF US THE MANDALORIAN
About the Screen Actors Guild Awards® The 30th Annual Screen Actors Guild Awards®, presented by SAG-AFTRA with Screen Actors Guild Awards, LLC will be executive produced by Jon Brockett and Silent House Productions alongside producers for SAG-AFTRA JoBeth Williams, Daryl Anderson, Jason George, Elizabeth McLaughlin and Woody Schultz. The ceremony will stream live globally on Netflix Saturday, Feb. 24, 2024 at 8 p.m. ET / 5 p.m. PT from the Shrine Auditorium & Expo Hall. One of awards season’s premier events, the SAG Awards annually celebrates the outstanding motion picture and television performances of the year. Voted on by SAG-AFTRA’s robust and diverse membership of 119,000+ performers, the SAG Awards has the largest voting body on the awards circuit. Beloved for its style, simplicity, and genuine warmth, the show has become an industry favorite and one of the most prized honors since its debut in 1995.
About Silent House Group Formed in 2021 by CEO Baz Halpin, Silent House Group is comprised of three companies – Silent House Productions, Silent House Studios, and Silent House Events – which together form one of Hollywood’s most highly regarded, full-service design and production agencies focused on live and unscripted programming across all media platforms. The agency kicked off 2024 by winning the Outstanding Variety Special Creative Arts Emmy Award for their work on Carol Burnett: 90 Years of Laughter + Love, in addition to four other Emmy nominations for the special, and up next will produce the 30th Annual Screen Actors Guild Awards as Netflix’s first-ever live awards show. Most recently, the award-winning agency produced the Golden Globe-nominated blockbuster film Taylor Swift I The Eras Tour in partnership with Taylor Swift Productions and has worked with such prominent clients as Beyonce, Adele, Katy Perry, Usher, Harry Styles, Jonas Brothers, Apple, Madison Square Garden Entertainment, CNN, among many others. For more information on Silent House Group, please visit: https://www.silent-house.com.
About Netflix Netflix is one of the world’s leading entertainment services with over 247 million paid memberships in over 190 countries enjoying TV series, films and games across a wide variety of genres and languages. Members can play, pause and resume watching as much as they want, anytime, anywhere, and can change their plans at any time.
Emily Blunt and Cillian Murphy in “Oppenheimer” (Photo by Melinda Sue Gordon/Universal Pictures)
With 13 nods, the Universal Pictures drama “Oppenheimer” (a biopic of atomic bomb creator J. Robert Oppenheimer) is the top nominee for the 96th Annual Academy Awards, which will take place at the Dolby Theatre in Los Angeles on March 10, 2024. ABC will have the U.S. telecast of the show, which will be hosted by Jimmy Kimmel. The nominations were announced on January 23, 2024, by Jack Quaid and Zazie Beetz.
The nominations for “Oppenheimer” are Best Picture; Best Director (for Christopher Nolan); Best Actor (for Cillian Murphy); Best Supporting Actor (for Robert Downey Jr.); Best Supporting Actress (for Emily Blunt); Best Adapted Screenplay; Best Film Editing; Best Cinematography; Best Production Design; Best Costume Design; Best Original Score; Best Sound; and Best Visual Effects.
The other contenders for Best Picture are Orion Pictures’ comedy/drama “American Fiction,” Neon’s drama “Anatomy of a Fall,” Warner Bros. Pictures’ comedy”Barbie,” Focus Features’ comedy/drama “The Holdovers,” Apple Studios’ drama “Killers of the Flower Moon,” Netflix’s “Maestro,” A24’s drama “Past Lives,” Searchlight Pictures’ comedy/drama “Poor Things” and A24’s drama “The Zone of Interest.” As of 2022, the Academy Awards rule is that no less than 10 movies can be nominated in Best Picture.
“Poor Things” had the second-highest number of Oscar nominations this year (11 nods), followed by “Killers of the Flower Moon,” which had 10 nods. (Click here to read Culture Mix’s reviews of all these movies that are nominated for Best Picture.)
The awards are voted for by the Academy of Motion Picture Arts and Sciences. For the 2024 ceremony, eligible movies were those released in the U.S. cinemas or in their native country in 2023.
Snubs and Surprises
Ryan Gosling, Margot Robbie and Greta Gerwig on the set of “Barbie” (Photo by Jaap Buitendijk/Warner Bros. Pictures)
“Barbie” slew of Oscar nominations did not include Greta Gerwig for Best Director or Margot Robbie for Best Actress, even though Gerwig and Robbie had been widely predicted to get Oscar nods in those categories and were nominated at other major awards in those categories. However, Gerwig and Robbie each got other Oscar nominations for the movie. “Barbie” co-writers Gerwig and Noah Baumbach (who are married) were both nominated for Best Adapted Screenplay. Robbie, who is one of the four producers of “Barbie,” received a nomination for Best Picture, along with “Barbie” producers Tom Ackerley (who is Robbie’s husband), David Heyman, and Robbie Brenner. In the category for Best Actor, Leonardo DiCaprio did not get a widely predicted nomination for his starring role in “Killers of the Flower Moon.”
Movies that have been getting awards or nominations elsewhere were completely snubbed by the Academy Awards. They include the Seachlight Pictures drama “All of Us Strangers,” the Amazon MGM Studios comedy/drama “Saltburn,” the Apple TV+ documentary “Still: A Michael J. Fox Movie,” the HBO documentary “Going to Mars: The Nikki Giovanni Project” and and the Amazon MGM Studios drama “Air.”
Some of the biggest surprise nominations came from international films. France’s “Anatomy of a Fall” scored a Best Director nod for Justine Triet, when “Barbie” director Gerwig was widely predicted to be the only female nominee in that category. France’s official selection for Best International Film was not “Anatomy of a Fall” but was “The Taste of Things,” which failed to get any Oscar nominations. Netflix’s “El Conde” (from Chile) received a surprise nod for Best Cinematography, after the movie was passed over at other awards shows. “Society of the Snow” (from Spain) was expected to get nominated for Best International Film, but most awards pundits did not predict that it would also get an Oscar nod for Best Makeup and Hairstyling, which was a category where “Barbie” failed to make the Oscar shortlist and therefore couldn’t be nominated.
Speaking of “Barbie,” America Ferrera got a surprise nomination for Best Supporting Actress, when more people were predicting that Robbie would get an Oscar nomination for being an actress in the film. Another surprise was Scott George’s “Wahzhazhe (A Song for My People)” from “Killers of the Flower Moon” getting a nomination for Best Original Song, after being ignored for nominations at other awards shows. “American Fiction” composer Laura Karpman, who was also snubbed at other major awards, got a surprise Oscar nod for Best Original Score.
Diversity and Inclusion
Erika Alexander and Jeffrey Wright in “American Fiction” (Photo by Claire Folger/Orion Pictures)
Racial diversity is in every actor/actress category at 2022 Academy Awards. Black people are represented the most with “American Fiction,” which has five nominations: Best Picture; Best Actor (for Jeffrey Wright); Best Supporting Actor (for Sterling K. Brown); Best Adapted Screenplay; and Best Original Sore. “American Fiction” is based on Percival Everett’s 2001 novel “Erasure,” which is about a literature professor (played by Wright), who invents a fugitive criminal persona to write a book that becomes a surprise hit. Meanwhile, the Ugandan film “Bobi Wine: The People’s President” (co-directed by Moses Bwayo) is nominated for Best Documentary Feature Film.
The other Black people nominated for Oscars this year in acting categories are Colman Domingo of Netflix drama “Rustin” (Best Actor); Da’Vine Joy Randolph of the Focus Features drama “The Holdovers” (Best Supporting Actress); and Danielle Brooks of the Warner Bros. Pictures musical “The Color Purple” (Best Supporting Actress). For behind-the-scenes jobs, Black nominees include Kemp Powers, one of the directors for Sony Pictures Animation/Columbia Pictures’ “Spider-Man: Across the Spider-Verse”; Jon Batiste, co-writer of “It Never Went Away” from the Netflix documentary “American Symphony” (Best Original Song); Kris Bowers, co-director of The Los Angeles Times/Searchlight Pictures’ “The Last Repair Shop” (Best Documentary Short Film); Christine Turner, co-director of The New Yorker’s “The Barber of Little Rock” (Best Documentary Short Film); Misan Harriman, director of the Netflix drama “The After” (Best Live-Action Short Film); Willie Burton, audio engineer of “Oppenheimer” (Best Sound); and Andrew Roberts, visual effects on-set supervisor of “The Creator” (Best Visual Effects).
Asians were represented in the most Oscar categories with “Past Lives,” a drama about two childhood sweethearts from South Korea who are separated when the girl in the duo moves to North America with her family, and then the two former sweethearts see each other in person years later when she is married to an American man. “Past Lives” writer/director Celine Song, whose life partially inspired the movie, is nominated for Best Original Screenplay. Three movies from Japan are nominated for Oscars: “Perfect Days” (Best International Feature), “The Boy and the Heron” (Best Animated Feature) and “Godzilla Minus One” (Best Visual Effects). Meanwhile, the Indian film “To Kill a Tiger” is nominated for Best Documentary Feature Film. The Chinese films “Nǎi Nai & Wài Pó” and “Island in Between” are each nominated for Best Documentary Short Film, while Korean American director Peter Sohn received a Best Animated Feature Film nomination for Pixar’s “Elemental.”
For the first time, there are several Native Americans nominated for Academy Awards in the same year. They are all from “The Killers of the Flower Moon”: the aforementioned songwriter George; Lily Gladstone (Best Actress, the first Native American nominated in this category); and the late Robbie Robertson (Best Original Score).
Hispanic/Latino people nominated for Oscars this year included the aforementioned Ferrera from “Barbie,” plus filmmakers from “Society of the Snow” and “El Conde.” The Chilean film “The Eternal Memory” got an Oscar nod for Best Documentary Feature Film.
LGBTQ representation in the Oscar nominations can be found in the characters played by Colman in “Rustin,” Brown in “American Fiction,” Annette Bening in “Nyad” and Jodie Foster in “Nyad.” Colman and Foster are openly gay in real life.
Here is the complete list of nominations for the 2024 Academy Awards:
Best Picture
“American Fiction,” Ben LeClair, Nikos Karamigios, Cord Jefferson and Jermaine Johnson, producers
“Anatomy of a Fall,” Marie-Ange Luciani and David Thion, producers
“Barbie,” David Heyman, Margot Robbie, Tom Ackerley and Robbie Brenner, producers
“The Holdovers,” Mark Johnson, producer
“Killers of the Flower Moon,” Dan Friedkin, Bradley Thomas, Martin Scorsese and Daniel Lupi, producers
“Maestro,” Bradley Cooper, Steven Spielberg, Fred Berner, Amy Durning and Kristie Macosko Krieger, producers
“Oppenheimer,” Emma Thomas, Charles Roven and Christopher Nolan, producers
“Past Lives,” David Hinojosa, Christine Vachon and Pamela Koffler, producers
“Poor Things,” Ed Guiney, Andrew Lowe, Yorgos Lanthimos and Emma Stone, producers
“The Zone of Interest,” James Wilson, producer
Best Director
Justine Triet (“Anatomy of a Fall”)
Martin Scorsese (“Killers of the Flower Moon”)
Christopher Nolan (“Oppenheimer”)
Yorgos Lanthimos (“Poor Things”)
Jonathan Glazer (“The Zone of Interest”)
Best Actor in a Leading Role
Bradley Cooper (“Maestro”)
Colman Domingo (“Rustin”)
Paul Giamatti (“The Holdovers”)
Cillian Murphy (“Oppenheimer”)
Jeffrey Wright (“American Fiction”)
Best Actress in a Leading Role
Annette Bening (“Nyad”)
Lily Gladstone (“Killers of the Flower Moon”)
Sandra Hüller (“Anatomy of a Fall”)
Carey Mulligan (“Maestro”)
Emma Stone (“Poor Things”)
Best Actor in a Supporting Role
Sterling K. Brown (“American Fiction”)
Robert De Niro (“Killers of the Flower Moon”)
Robert Downey Jr. (“Oppenheimer”)
Ryan Gosling (“Barbie”)
Mark Ruffalo (“Poor Things”)
Best Actress in a Supporting Role
Emily Blunt (“Oppenheimer”)
Danielle Brooks (“The Color Purple”)
America Ferrera (“Barbie”)
Jodie Foster (“Nyad”)
Da’Vine Joy Randolph (“The Holdovers”)
Best Adapted Screenplay
“American Fiction,” written by Cord Jefferson
“Barbie,” written by Greta Gerwig and Noah Baumbach
“Oppenheimer,” written by Christopher Nolan
“Poor Things,” written by Tony McNamara
“The Zone of Interest,” written by Jonathan Glazer
Best Original Screenplay
“Anatomy of a Fall,” written by Justine Triet and Arthur Harari
“The Holdovers,” written by David Hemingson
“Maestro,” written by Bradley Cooper and Josh Singer
“May December,” written by Samy Burch; story by Samy Burch and Alex Mechanik
“Past Lives,” written by Celine Song
Best Cinematography
“El Conde,” Edward Lachman
“Killers of the Flower Moon,” Rodrigo Prieto
“Maestro,” Matthew Libatique
“Oppenheimer,” Hoyte van Hoytema
“Poor Things,” Robbie Ryan
Best Film Editing
“Anatomy of a Fall,” Laurent Sénéchal
“The Holdovers,” Kevin Tent
“Killers of the Flower Moon,” Thelma Schoonmaker
“Oppenheimer,” Jennifer Lame
“Poor Things,” Yorgos Mavropsaridis
Best Sound
“The Creator,” Ian Voigt, Erik Aadahl, Ethan Van der Ryn, Tom Ozanich and Dean Zupancic
“Maestro,” Steven A. Morrow, Richard King, Jason Ruder, Tom Ozanich and Dean Zupancic
“Mission: Impossible – Dead Reckoning Part One,” Chris Munro, James H. Mather, Chris Burdon and Mark Taylor
“Oppenheimer,” Willie Burton, Richard King, Gary A. Rizzo and Kevin O’Connell
“The Zone of Interest,” Tarn Willers and Johnnie Burn
Best Original Score
“American Fiction,” Laura Karpman
“Indiana Jones and the Dial of Destiny,” John Williams
“Killers of the Flower Moon,” Robbie Robertson
“Oppenheimer,” Ludwig Göransson
“Poor Things,” Jerskin Fendrix
Best Original Song
“The Fire Inside” from “Flamin’ Hot,” music and lyric by Diane Warren
“I’m Just Ken” from “Barbie,” music and lyric by Mark Ronson and Andrew Wyatt
“It Never Went Away” from “American Symphony,” music and lyric by Jon Batiste and Dan Wilson
“Wahzhazhe (A Song For My People)” from “Killers of the Flower Moon,” music and lyric by Scott George
“What Was I Made For?” from “Barbie,” music and lyric by Billie Eilish and Finneas O’Connell
Best Animated Feature Film
“The Boy and the Heron,” Hayao Miyazaki and Toshio Suzuki
“Elemental,” Peter Sohn and Denise Ream
“Nimona,” Nick Bruno, Troy Quane, Karen Ryan and Julie Zackary
“Robot Dreams,” Pablo Berger, Ibon Cormenzana, Ignasi Estapé and Sandra Tapia Díaz
“Spider-Man: Across the Spider-Verse,” Kemp Powers, Justin K. Thompson, Phil Lord, Christopher Miller and Amy Pascal
Best International Feature Film
“Io Capitano” (Italy)
“Perfect Days” (Japan)
“Society of the Snow” (Spain)
“The Teachers’ Lounge” (Germany)
“The Zone of Interest” (United Kingdom)
Best Documentary Feature
“Bobi Wine: The People’s President,” Moses Bwayo, Christopher Sharp and John Battsek
“The Eternal Memory,” Maite Alberdi
“Four Daughters,” Kaouther Ben Hania and Nadim Cheikhrouha
“To Kill a Tiger,” Nisha Pahuja, Cornelia Principe and David Oppenheim
“20 Days in Mariupol,” Mstyslav Chernov, Michelle Mizner and Raney Aronson-Rath
Best Makeup and Hairstyling
“Golda,” Karen Hartley Thomas, Suzi Battersby and Ashra Kelly-Blue
“Maestro,” Kazu Hiro, Kay Georgiou and Lori McCoy-Bell
“Oppenheimer,” Luisa Abel
“Poor Things,” Nadia Stacey, Mark Coulier and Josh Weston
“Society of the Snow,” Ana López-Puigcerver, David Martí and Montse Ribé
Best Costume Design
“Barbie,” Jacqueline Durran
“Killers of the Flower Moon,” Jacqueline West
“Napoleon,” Janty Yates and Dave Crossman
“Oppenheimer,” Ellen Mirojnick
“Poor Things,” Holly Waddington
Best Production Design
“Barbie,” production design: Sarah Greenwood; set decoration: Katie Spencer
“Killers of the Flower Moon,” production design: Jack Fisk; set decoration: Adam Willis
“Napoleon,” production design: Arthur Max; set decoration: Elli Griff
“Oppenheimer,” production design: Ruth De Jong; set decoration: Claire Kaufman
“Poor Things,” production design: James Price and Shona Heath; set decoration: Zsuzsa Mihalek
Best Visual Effects
“The Creator,” Jay Cooper, Ian Comley, Andrew Roberts and Neil Corbould
“Godzilla Minus One,” Takashi Yamazaki, Kiyoko Shibuya, Masaki Takahashi and Tatsuji Nojima
“Guardians of the Galaxy Vol. 3,” Stephane Ceretti, Alexis Wajsbrot, Guy Williams and Theo Bialek
“Mission: Impossible – Dead Reckoning Part One,” Alex Wuttke, Simone Coco, Jeff Sutherland and Neil Corbould
“Napoleon,” Charley Henley, Luc-Ewen Martin-Fenouillet, Simone Coco and Neil Corbould
Best Documentary Short Subject
“The ABCs of Book Banning,” Sheila Nevins and Trish Adlesic
“The Barber of Little Rock,” John Hoffman and Christine Turner
“Island in Between,” S. Leo Chiang and Jean Tsien
“The Last Repair Shop,” Ben Proudfoot and Kris Bowers
“Nǎi Nai & Wài Pó,” Sean Wang and Sam Davis
Best Animated Short Film
“Letter to a Pig,” Tal Kantor and Amit R. Gicelter
“Ninety-Five Senses,” Jerusha Hess and Jared Hess
“Our Uniform,” Yegane Moghaddam
“Pachyderme,” Stéphanie Clément and Marc Rius
“War Is Over! Inspired by the Music of John & Yoko,” Dave Mullins and Brad Booker
Best Live-Action Short Film
“The After,” Misan Harriman and Nicky Bentham
“Invincible,” Vincent René-Lortie and Samuel Caron
“Knight of Fortune,” Lasse Lyskjær Noer and Christian Norlyk
“Red, White and Blue,” Nazrin Choudhury and Sara McFarlane
“The Wonderful Story of Henry Sugar,” Wes Anderson and Steven Rales
Members of the “Succession” team at the 75th Primetime Emmy Awards at the Peacock Theater at L.A. Live in Los Angeles on January 15, 2024. Pictured from left to right: Alan Ruck, Sarah Snook, Alexander Skarsgård, Brian Cox, Nicholas Braun, Kieran Culkin, Matthew Macfadyen and J. Smith-Cameron. (Photo courtesy of Fox)
With six prizes each, HBO’s drama series “Succession” and FX on Hulu’s “The Bear” were the top winners at the 75th annual Primetime Emmy Awards, which were presented at the Peacock Theater at L.A. Live in Los Angeles on January 15, 2024. The ceremony was originally scheduled to take place on September 18, 2023, but was postponed due to the strikes from the Writers Guild of America and Screen Actors Guild-American Federation of Television and Radio Artists (SAG-AFTRA). Both strikes ended in 2023.
The prizes for “Succession” included Outstanding Drama Series (for the show’s final season), while “The Bear” won Outstanding Comedy Series for the show’s first season. Following close behind, with five Primetime Emmy wins, was Netflix’s “Beef,” whose prizes included Outstanding Limited or Anthology Series. Anthony Anderson hosted the ceremony, which Fox televised live in the United States. The show is presented by the Television Academy, which votes for the nominees and the winners.
The Governors Award (a non-competitive category) went to the Gay & Lesbian Alliance Against Defamation (GLAAD), with GLAAD president Sarah Kate Ellis accepting the award.
In addition, the ceremony had several skits featuring cast member reunions of popular TV series from the past 75 years. These on-stage reunions were for:
“Martin” ( Martin Lawrence, Tisha Campbell, Carl Anthony Payne II and Tichina Arnold)
“Ally McBeal” (Calista Flockhart, Greg Germann, Peter MacNicol and Gil Bellows)
“Saturday Night Live” (Tina Fey and Amy Poehler)
“All in the Family” (Rob Reiner and Sally Struthers)
“American Horror Story” (Connie Britton and Dylan McDermott)
“Grey’s Anatomy” (Ellen Pompeo, Katherine Heigl, Justin Chambers, James Pickens Jr. and Chandra Wilson)
“The Sopranos” (Lorraine Bracco and Michael Imperioli)
Presenters at the show were host Anderson, Christina Applegate, Carol Burnett, Peter Dinklage, Colman Domingo, Hannah Waddingham, Tom Hiddleston, Ke Huy Quan, Joan Collins, Taraji P. Henson, Jon Hamm, Natasha Lyonne, Tracee Ellis Ross, Jason Bateman, Marla Gibbs, Quinta Brunson, Stephen Colbert, Jon Cryer, Sheryl Lee Ralph, Arsenio Hall, Jodie Foster, Ken Jeong, Joel McHale and Pedro Pascal.
Charlie Puth and husband-and-wife duo The War and Treaty performed for the “In Memoriam” segment that paid tribute to notable people in the TV industry who passed away since the previous Primetime Emmys ceremony.
Jesse Collins, Dionne Harmon and Jeannae Rouzan-Clay of Jesse Collins Entertainment were executive producers of the 75th Emmy Awards.
Members of “The Bear” cast at the 75th Primetime Emmy Awards at the Peacock Theater at L.A. Live in Los Angeles on January 15, 2024. Pictured from left to right: Abby Elliott, Oliver Platt, Edwin Lee Gibson, Liza Colon-Zayas, Ebon Moss-Bachrach, Ayo Edebiri, Jeremy Allen White, Lionel Boyce and Matty Matheson. (Photo courtesy of Fox)
Here is the complete list of nominees and winners for the 75th annual Primetime Emmy Awards:
*=winner
Outstanding Drama Series
“Andor” (Disney+)
“Better Call Saul” (AMC)
“The Crown” (Netflix)
“House of the Dragon” (Max)
“The Last of Us” (HBO)
“Succession” (HBO)*
“The White Lotus” (HBO)
“Yellowjackets” (Showtime)
Outstanding Comedy Series
“Abbott Elementary” (ABC)
“Barry” (HBO)
“The Bear” (FX on Hulu)*
“Jury Duty” (Amazon Freevee)
“The Marvelous Mrs. Maisel” (Prime Video)
“Only Murders in the Building” (Hulu)
“Ted Lasso” (Apple TV+)
“Wednesday” (Netflix)
Outstanding Limited or Anthology Series
“Beef” (Netflix)*
“Dahmer – Monster: The Jeffrey Dahmer Story” (Netflix)
“Daisy Jones & the Six” (Prime Video)
“Fleishman Is in Trouble” (FX on Hulu)
“Obi-Wan Kenobi” (Disney+)
Outstanding Lead Actor in a Drama Series
Jeff Bridges (“The Old Man”)
Brian Cox (“Succession”)
Kieran Culkin (“Succession”)*
Bob Odenkirk (“Better Call Saul”)
Pedro Pascal (“The Last of Us”)
Jeremy Strong (“Succession”)
Outstanding Lead Actress in a Drama Series
Sharon Horgan (“Bad Sisters”)
Melanie Lynskey (“Yellowjackets”)
Elisabeth Moss (“The Handmaid’s Tale”)
Bella Ramsey (“The Last of Us”)
Keri Russell (“The Diplomat”)
Sarah Snook (“Succession”)*
Outstanding Lead Actor in a Comedy Series
Bill Hader (“Barry”)
Jason Segel (“Shrinking”)
Martin Short (Only Murders in the Building”)
Jason Sudeikis (Ted Lasso”)
Jeremy Allen White (“The Bear”)*
Outstanding Lead Actress in a Comedy Series
Christina Applegate (“Dead to Me”)
Rachel Brosnahan (“The Marvelous Mrs. Maisel”)
Quinta Brunson (“Abbott Elementary”)*
Natasha Lyonne (“Poker Face”)
Jenna Ortega (“Wednesday”)
Oustanding Lead Actor in a Limited or Anthology Series or Movie
Taron Egerton (“Black Bird”)
Kumail Nanjiani (“Welcome to Chippendales”)
Evan Peters (“Dahmer – Monster: The Jeffrey Dahmer Story”)
Daniel Radcliffe (“Weird: The Al Yankovic Story”)
Michael Shannon (“George & Tammy”)
Steven Yeun (“Beef”)*
Outstanding Lead Actress in a Limited or Anthology Series or Movie
Lizzy Caplan (“Fleishman Is in Trouble”)
Jessica Chastain (“George & Tammy”)
Dominique Fishback (“Swarm”)
Kathryn Hahn (“Tiny Beautiful Things”)
Riley Keough (“Daisy Jones & the Six”)
Ali Wong (“Beef”)*
Outstanding Talk Series
“The Daily Show With Trevor Noah” (Comedy Central)*
“Jimmy Kimmel Live!” (ABC)
“Late Night With Seth Meyers” (NBC)
“The Late Show With Stephen Colbert” (CBS)
“The Problem With Jon Stewart” (Apple YV+)
Outstanding Reality Competition Program
“The Amazing Race” (CBS)
“RuPaul’s Drag Race”(MTV)*
“Survivor” (CBS)
“Top Chef” (Bravo)
“The Voice” (NBC)
Outstanding Supporting Actress in a Drama Series
Jennifer Coolidge (“The White Lotus”)*
Elizabeth Debicki (“The Crown”)
Meghann Fahy (“The White Lotus”)
Sabrina Impacciatore (“The White Lotus”)
Aubrey Plaza (“The White Lotus”)
Rhea Seehorn (“Better Call Saul”)
J. Smith-Cameron (“Succession”)
Simona Tabasco (“The White Lotus”)
Outstanding Supporting Actor in a Drama Series
Murray Bartlett (“Welcome to Chippendales”)
Paul Walter Hauser (“Black Bird”)*
Richard Jenkins (“Dahmer – Monster: The Jeffrey Dahmer Story”)
Joseph Lee (“Beef”)
Ray Liotta (“Black Bird”)
Young Mazino (“Beef”)
Jesse Plemons (Love & Death”)
Outstanding Supporting Actress in a Comedy Series
Alex Borstein (“The Marvelous Mrs. Maisel”)
Ayo Edebiri (“The Bear”)*
Janelle James (“Abbott Elementary”)
Sheryl Lee Ralph (“Abbott Elementary”)
Juno Temple (“Ted Lasso”)
Hannah Waddingham (“Ted Lasso”)
Jessica Williams (“Shrinking”)
Outstanding Supporting Actor in a Comedy Series
Anthony Carrigan (“Barry”)
Phil Dunster (“Ted Lasso”)
Brett Goldstein (“Ted Lasso”)
James Marsden (“Jury Duty”)
Ebon Moss-Bachrach (“The Bear”)*
Tyler James Williams (“Abbott Elementary”)
Henry Winkler (“Barry”)
Outstanding Supporting Actress in a Limited or Anthology Series or Movie
Annaleigh Ashford (“Welcome to Chippendales”)
Maria Bello (“Beef”)
Claire Danes (“Fleishman Is in Trouble”)
Juliette Lewis (“Welcome to Chippendales”)
Camila Morrone (“Daisy Jones & The Six”)
Niecy Nash-Betts (“Dahmer – Monster: The Jeffrey Dahmer Story”)*
Merritt Wever “(“Tiny Beautiful Things”)
Outstanding Supporting Actor in a Limited or Anthology Series or Movie
Murray Bartlett (“Welcome to Chippendales”)
Paul Walter Hauser (“Black Bird”)*
Richard Jenkins (“Dahmer – Monster: The Jeffrey Dahmer Story”)
Joseph Lee (“Beef”)
Ray Liotta (“Black Bird”)
Young Mazino (“Beef”)
Jesse Plemons (Love & Death”)
Outstanding Scripted Variety Series
“A Black Lady Sketch Show” (HBO)
“Last Week Tonight With John Oliver” (HBO)*
“Saturday Night Live” (NBC)
Outstanding Directing for a Comedy Series
“Barry” • Wow • Directed by Bill Hader
“The Bear“ • Review • Directed by Christopher Storer*
“The Marvelous Mrs. Maisel” • Four Minutes • Directed by Amy Sherman-Palladino
“The Ms. Pat Show” • Don’t Touch My Hair • Directed by Mary Lou Belli
“Ted Lasso” • So Long, Farewell • Directed by Declan Lowney
“Wednesday” • Wednesday’s Child Is Full Of Woe • Directed by Tim Burton
Outstanding Directing for a Drama Series
“Andor” • Rix Road • Directed by Benjamin Caron
“Bad Sisters” • The Prick • Directed by Dearbhla Walsh
“The Last Of Us” • Long, Long Time • Directed by Peter Hoar
“Succession” • America Decides • Directed by Andrij Parekh
“Succession” • Connor’s Wedding • Directed by Mark Mylod*
“Succession” • Living+ • Directed by Lorene Scafaria
“The White Lotus” • Arrivederci • Directed by Mike White
Outstanding Directing for a Limited or Anthology Series or Movie
“Beef” • Figures of Light • Directed by Lee Sung Jin*
“Beef” • The Great Fabricator • Directed by Jake Schreier
“Dahmer – Monster: The Jeffrey Dahmer Story” • Bad Meat • Directed by Carl Franklin
“Dahmer – Monster: The Jeffrey Dahmer Story” • Silenced • Directed by Paris Barclay
“Fleishman Is In Trouble” • Me-Time • Directed by Valerie Faris, Jonathan Dayton
“Prey” • Hulu • Directed by Dan Trachtenberg
Outstanding Writing for a Comedy Series
“Barry” • Wow • Written by Bill Hader
“The Bear“ • System • Written by Christopher Storer*
“Jury Duty” • Ineffective Assistance • Written by Mekki Leeper
Only Murders In The Building • I Know Who Did It • Written by John Hoffman, Matteo Borghese, and Rob Turbovsky
“The Other Two” • Cary & Brooke Go To An AIDS Play • Written by Chris Kelly and Sarah Schneider
“Ted Lasso” • So Long, Farewell • Written by Brendan Hunt Joe Kelly, and Jason Sudeikis
Outstanding Writing for a Drama Series
“Andor” • One Way Out Written by Beau Willimon
“Bad Sisters” • The Prick • Written by Sharon Horgan, Dave Finkel, and Brett Baer
“Better Call Saul” • Point And Shoot • Written by Gordon Smith
“Better Call Saul” • Saul Gone • Written by Peter Gould
“The Last Of Us” • Long, Long Time • Written by Craig Mazin
“Succession” • Connor’s Wedding • Written by Jesse Armstrong*
“The White Lotus” • Arrivederci • Written by Mike White
Outstanding Writing for a Limited Series or Anthology Series or Movie
“Beef” • The Birds Don’t Sing, They Screech In Pain • Written by Lee Sung Jin
“Fire Island” • Written by Joel Kim Booster
“Fleishman Is In Trouble” • Me-Time • Written by Taffy Brodesser-Akner
“Prey” • Written by Patrick Aison; Story by Dan Trachtenberg
“Swarm” • Stung • Written by Janine Nabers; Story and Teleplay by Donald Glover
“Weird: The Al Yankovic Story” • Written by Al Yankovic and Eric Appel
Outstanding Writing for a Variety Special
“The Daily Show With Trevor Noah” (Comedy Central)
The following is a combination of press releases from the Critics Choice Association:
Ana Cruz Kayne, Sharon Rooney, Alexandra Shipp, Margot Robbie, Hari Nef and Emma Mackey in “Barbie” (Photo courtesy of Warner Bros. Pictures)
The Critics Choice Association (CCA) announced the film category nominees for the 29th annual Critics Choice Awards. The winners will be revealed at the star-studded gala hosted by Chelsea Handler, which will broadcast LIVE on The CW on Sunday, January 14, 2024 (7:00 – 10:00 pm ET – delayed PT, check local listings).
“Barbie” leads this year’s film contenders, earning 18 nominations overall. In addition to Best Picture, Best Comedy, and Best Hair and Makeup nods, the film racked up several acting nominations including Best Actress for Margot Robbie, Best Supporting Actor for Ryan Gosling and Best Supporting Actress for America Ferrera. Ariana Greenblatt is also up for Best Young Actor/Actress, and the cast garnered a Best Acting Ensemble nomination. Greta Gerwig earned a nod for Best Director and both Gerwig and Noah Baumbach are contenders for Best Original Screenplay. Rodrigo Prieto was nominated for Best Cinematography while Sarah Greenwood and Katie Spencer are up for Best Production Design, along with Nick Houy for Best Editing and Jacqueline Durran for Best Costume Design. Several of the film’s hit songs received nominations as well including “Dance the Night,” “I’m Just Ken,” and “What Was I Made For,” while Mark Ronson and Andrew Wyatt were nominated for Best Score.
Also up for Best Picture are “Oppenheimer” and “Poor Things,” which each garnered an outstanding 13 nominations, along with “Killers of the Flower Moon” which collected 12 nominations. Rounding out the Best Picture category are “American Fiction,” “Maestro,” “Past Lives,” “Saltburn,” “The Color Purple” and “The Holdovers”.
“We are so excited to celebrate this year’s remarkable projects, performances, and the people who made it all possible at the 29th Annual Critics Choice Awards,” said CCA CEO Joey Berlin. “This year saw an incredible number of blockbuster hits and beautiful stories brought to life in these exceptional films.”
The 29th annual Critics Choice Awards will air live on The CW from 7:00 – 10:00 pm ET (delayed PT, check local listings). The Critics Choice Awards are bestowed annually to honor the finest in cinematic and television achievement. Historically, they are the most accurate predictor of Academy Award nominations.
As previously announced, “The Morning Show” leads the television contenders for the 29th annual Critics Choice Awards with six nominations. In addition to Best Drama Series, the show earned several acting nominations including Best Actress in a Drama Series for both Jennifer Aniston and Reese Witherspoon. Billy Crudup was nominated for Best Supporting Actor in a Drama Series, while Nicole Beharie and Karen Pittman both earned nods for Best Supporting Actress in a Drama Series.
The Critics Choice Association (CCA) announced the TV category nominees for the 29th Annual Critics Choice Awards. The winners will be revealed at the star-studded Critics Choice Awards gala hosted by Chelsea Handler, which will broadcast LIVE on The CW on Sunday, January 14, 2024 (7:00 – 10:00 pm ET – delayed PT, check local listings).
“The Morning Show” (Apple TV+) leads the television contenders for the 29th annual Critics Choice Awards with six nominations. In addition to Best Drama Series, the show earned several acting nominations including Best Actress in a Drama Series for both Jennifer Aniston and Reese Witherspoon. Billy Crudup was nominated for Best Supporting Actor in a Drama Series, while Nicole Beharie and Karen Pittman both earned nods for Best Supporting Actress in a Drama Series.
“Succession” (HBO | Max) followed with an impressive five nominations overall, including Best Drama Series. Kieran Culkin and Jeremy Strong are both nominated in the Best Actor in a Drama Series category, while Sarah Snook garnered a nomination for Best Actress in a Drama Series and Matthew MacFadyen is up for Best Supporting Actor in a Drama Series.
“A Small Light” (National Geographic), “Abbott Elementary” (ABC), “Beef” (Netflix), “Lessons In Chemistry” (Apple TV+), “Loki” (Disney+), “Reservation Dogs” (FX), and “The Bear” (FX) tied with four nominations each.
The 29th annual Critics Choice Awards will air live on The CW from 7:00 – 10:00 pm ET (delayed PT, check local listings). The Critics Choice Awards are bestowed annually to honor the finest in cinematic and television achievement. Historically, they are the most accurate predictor of Academy Award nominations. The 29th annual Critics Choice Awards show will be executive-produced by Bob Bain Productions and Berlin Entertainment. The Critics Choice Awards are represented by Dan Black at Greenberg Traurig, LLP.
Sponsors of the Awards include Champagne Collet, Delta Air Lines, FIJI Water, Milagro Tequila, d’Arenberg and Maison L’Envoyé wines.
Follow the 29th annual Critics Choice Awards on Twitter and Instagram @CriticsChoice and on Facebook/CriticsChoiceAwards. Join the conversation using #CriticsChoiceAwards.
ABOUT THE CRITICS CHOICE ASSOCIATION (CCA)
The Critics Choice Association is the largest critics organization in the United States and Canada, representing more than 600 media critics and entertainment journalists. It was established in 2019 with the formal merger of the Broadcast Film Critics Association and the Broadcast Television Journalists Association, recognizing the intersection between film, television, and streaming content. For more information, visit: www.CriticsChoice.com.
ABOUT THE CW NETWORK
The CW Network, LLC is one of America’s major broadcast networks and reaches 100% of US television households. The CW delivers 15 hours of primetime entertainment programming per week in addition to over 300 hours of sports per year as the broadcast home to LIV Golf, ACC football and basketball games, “Inside the NFL,” WWE NXT beginning in 2024 and NASCAR Xfinity Series beginning in 2025. The fully ad-supported CW App, with more than 96 million downloads to date, is available for free to consumers on all major platforms and is home to the latest episodes and seasons of The CW’s primetime programming, live streaming of LIV Golf tournaments and a library of entertaining film and television content for on-demand viewing. The CW is 75%-owned by Nexstar Media Group, Inc. (NASDAQ: NXST), a leading diversified media company and largest CW affiliate group with 42 CW and CW Plus affiliates, covering 39% of the population. For more information about The CW, please visit www.cwtv.com.
FILM NOMINATIONS FOR THE 29TH ANNUAL CRITICS CHOICE AWARDS
BEST PICTURE
American Fiction
Barbie
The Color Purple
The Holdovers
Killers of the Flower Moon
Maestro
Oppenheimer
Past Lives
Poor Things
Saltburn
BEST ACTOR
Bradley Cooper – Maestro
Leonardo DiCaprio – Killers of the Flower Moon
Colman Domingo – Rustin
Paul Giamatti – The Holdovers
Cillian Murphy – Oppenheimer
Jeffrey Wright – American Fiction
BEST ACTRESS
Lily Gladstone – Killers of the Flower Moon
Sandra Hüller – Anatomy of a Fall
Greta Lee – Past Lives
Carey Mulligan – Maestro
Margot Robbie – Barbie
Emma Stone – Poor Things
BEST SUPPORTING ACTOR
Sterling K. Brown – American Fiction
Robert De Niro – Killers of the Flower Moon
Robert Downey Jr. – Oppenheimer
Ryan Gosling – Barbie
Charles Melton – May December
Mark Ruffalo – Poor Things
BEST SUPPORTING ACTRESS
Emily Blunt – Oppenheimer
Danielle Brooks – The Color Purple
America Ferrera – Barbie
Jodie Foster – Nyad
Julianne Moore – May December
Da’Vine Joy Randolph – The Holdovers
BEST YOUNG ACTOR/ACTRESS
Abby Ryder Fortson – Are You There God? It’s Me, Margaret.
Ariana Greenblatt – Barbie
Calah Lane – Wonka
Milo Machado Graner – Anatomy of a Fall
Dominic Sessa – The Holdovers
Madeleine Yuna Voyles – The Creator
BEST ACTING ENSEMBLE
Air
Barbie
The Color Purple
The Holdovers
Killers of the Flower Moon
Oppenheimer
BEST DIRECTOR
Bradley Cooper – Maestro
Greta Gerwig – Barbie
Yorgos Lanthimos – Poor Things
Christopher Nolan – Oppenheimer
Alexander Payne – The Holdovers
Martin Scorsese – Killers of the Flower Moon
BEST ORIGINAL SCREENPLAY
Samy Burch – May December
Alex Convery – Air
Bradley Cooper & Josh Singer – Maestro
Greta Gerwig & Noah Baumbach – Barbie
David Hemingson – The Holdovers
Celine Song – Past Lives
BEST ADAPTED SCREENPLAY
Kelly Fremon Craig – Are You There God? It’s Me, Margaret.
Andrew Haigh – All of Us Strangers
Cord Jefferson – American Fiction
Tony McNamara – Poor Things
Christopher Nolan – Oppenheimer
Eric Roth & Martin Scorsese – Killers of the Flower Moon
BEST CINEMATOGRAPHY
Matthew Libatique – Maestro
Rodrigo Prieto – Barbie
Rodrigo Prieto – Killers of the Flower Moon
Robbie Ryan – Poor Things
Linus Sandgren – Saltburn
Hoyte van Hoytema – Oppenheimer
BEST PRODUCTION DESIGN
Suzie Davies, Charlotte Dirickx – Saltburn
Ruth De Jong, Claire Kaufman – Oppenheimer
Jack Fisk, Adam Willis – Killers of the Flower Moon
Sarah Greenwood, Katie Spencer – Barbie
James Price, Shona Heath, Szusza Mihalek – Poor Things
Adam Stockhausen, Kris Moran – Asteroid City
BEST EDITING
William Goldenberg – Air
Nick Houy – Barbie
Jennifer Lame – Oppenheimer
Yorgos Mavropsaridis – Poor Things
Thelma Schoonmaker – Killers of the Flower Moon
Michelle Tesoro – Maestro
BEST COSTUME DESIGN
Jacqueline Durran – Barbie
Lindy Hemming – Wonka
Francine Jamison-Tanchuck – The Color Purple
Holly Waddington – Poor Things
Jacqueline West – Killers of the Flower Moon
Janty Yates, David Crossman – Napoleon
BEST HAIR AND MAKEUP
Barbie
The Color Purple
Maestro
Oppenheimer
Poor Things
Priscilla
BEST VISUAL EFFECTS
The Creator
Guardians of the Galaxy Vol. 3
Mission: Impossible – Dead Reckoning Part One
Oppenheimer
Poor Things
Spider-Man: Across the Spider-Verse
BEST COMEDY
American Fiction
Barbie
Bottoms
The Holdovers
No Hard Feelings
Poor Things
BEST ANIMATED FEATURE
The Boy and the Heron
Elemental
Nimona
Spider-Man: Across the Spider-Verse
Teenage Mutant Ninja Turtles: Mutant Mayhem
Wish
BEST FOREIGN LANGUAGE FILM
Anatomy of a Fall
Godzilla Minus One
Perfect Days
Society of the Snow
The Taste of Things
The Zone of Interest
BEST SONG
“Dance the Night” – Barbie
“I’m Just Ken” – Barbie
“Peaches” – The Super Mario Bros. Movie
“Road to Freedom” – Rustin
“This Wish” – Wish
“What Was I Made For” – Barbie
BEST SCORE
Jerskin Fendrix – Poor Things
Michael Giacchino – Society of the Snow
Ludwig Göransson – Oppenheimer
Daniel Pemberton – Spider-Man: Across the Spider-Verse
Robbie Robertson – Killers of the Flower Moon
Mark Ronson, Andrew Wyatt – Barbie
NOMINATIONS BY FILM FOR THE 29TH ANNUAL CRITICS CHOICE AWARDS
AIR – 3
Best Acting Ensemble
Best Original Screenplay – Alex Convery
Best Editing – William Goldenberg
ALL OF US STRANGERS – 1
Best Adapted Screenplay – Andrew Haigh
AMERICAN FICTION – 5
Best Picture
Best Actor – Jeffrey Wright
Best Supporting Actor – Sterling K. Brown
Best Adapted Screenplay – Cord Jefferson
Best Comedy
ANATOMY OF A FALL – 3
Best Actress – Sandra Hüller
Best Young Actor/Actress – Milo Machado Graner
Best Foreign Language Film
ARE YOU THERE GOD? IT’S ME, MARGARET. – 2
Best Young Actor/Actress – Abby Ryder Fortson
Best Adapted Screenplay – Kelly Fremon Craig
ASTEROID CITY – 1
Best Production Design – Adam Stockhausen, Kris Moran
BARBIE – 18
Best Picture
Best Actress – Margot Robbie
Best Supporting Actor – Ryan Gosling
Best Supporting Actress – America Ferrera
Best Young Actor/Actress – Ariana Greenblatt
Best Acting Ensemble
Best Director – Greta Gerwig
Best Original Screenplay – Greta Gerwig & Noah Baumbach
Best Cinematography – Rodrigo Prieto
Best Production Design – Sarah Greenwood, Katie Spencer
Best Editing – Nick Houy
Best Costume Design – Jacqueline Durran
Best Hair and Makeup
Best Comedy
Best Song – “Dance the Night”
Best Song – “I’m Just Ken”
Best Song – “What Was I Made For”
Best Score – Mark Ronson, Andrew Wyatt
BOTTOMS – 1
Best Comedy
ELEMENTAL – 1
Best Animated Feature
GODZILLA MINUS ONE – 1
Best Foreign Language Film
GUARDIANS OF THE GALAXY VOL. 3 – 1
Best Visual Effects
KILLERS OF THE FLOWER MOON – 12
Best Picture
Best Actor – Leonardo DiCaprio
Best Actress – Lily Gladstone
Best Supporting Actor – Robert De Niro
Best Acting Ensemble
Best Director – Martin Scorsese
Best Adapted Screenplay – Eric Roth & Martin Scorsese
Best Cinematography – Rodrigo Prieto
Best Production Design – Jack Fisk, Adam Willis
Best Editing – Thelma Schoonmaker
Best Costume Design – Jacqueline West
Best Score – Robbie Robertson
MAESTRO – 8
Best Picture
Best Actor – Bradley Cooper
Best Actress – Carey Mulligan
Best Director – Bradley Cooper
Best Original Screenplay – Bradley Cooper & Josh Singer
Best Cinematography – Matthew Libatique
Best Editing – Michelle Tesoro
Best Hair and Makeup
MAY DECEMBER – 3
Best Supporting Actor – Charles Melton
Best Supporting Actress – Julianne Moore
Best Original Screenplay – Samy Burch
MISSION: IMPOSSIBLE – DEAD RECKONING PART ONE – 1
Best Visual Effects
NAPOLEON – 1
Best Costume Design – Janty Yates, David Crossman
NIMONA – 1
Best Animated Feature
NO HARD FEELINGS – 1
Best Comedy
NYAD – 1
Best Supporting Actress – Jodie Foster
OPPENHEIMER – 13
Best Picture
Best Actor – Cillian Murphy
Best Supporting Actor – Robert Downey Jr.
Best Supporting Actress – Emily Blunt
Best Acting Ensemble
Best Director – Christopher Nolan
Best Adapted Screenplay – Christopher Nolan
Best Cinematography – Hoyte van Hoytema
Best Production Design – Ruth De Jong, Claire Kaufman
Best Editing – Jennifer Lame
Best Hair and Makeup
Best Visual Effects
Best Score – Ludwig Göransson
PAST LIVES – 3
Best Picture
Best Actress – Greta Lee
Best Original Screenplay – Celine Song
PERFECT DAYS – 1
Best Foreign Language Film
POOR THINGS – 13
Best Picture
Best Actress – Emma Stone
Best Supporting Actor – Mark Ruffalo
Best Director – Yorgos Lanthimos
Best Adapted Screenplay – Tony McNamara
Best Cinematography – Robbie Ryan
Best Production Design – James Price, Shona Heath, Szusza Mihalek
Best Editing – Yorgos Mavropsaridis
Best Costume Design – Holly Waddington
Best Hair and Makeup
Best Visual Effects
Best Comedy
Best Score – Jerskin Fendrix
PRISCILLA – 1
Best Hair and Makeup
RUSTIN – 2
Best Actor – Colman Domingo
Best Song – “Road to Freedom”
SALTBURN – 3
Best Picture
Best Cinematography – Linus Sandgren
Best Production Design – Suzie Davies, Charlotte Dirickx
SOCIETY OF THE SNOW – 2
Best Foreign Language Film
Best Score – Michael Giacchino
SPIDER-MAN: ACROSS THE SPIDER-VERSE – 3
Best Visual Effects
Best Animated Feature
Best Score – Daniel Pemberton
TEENAGE MUTANT NINJA TURTLES: MUTANT MAYHEM – 1
Best Animated Feature
THE BOY AND THE HERON – 1
Best Animated Feature
THE COLOR PURPLE – 5
Best Picture
Best Supporting Actress – Danielle Brooks
Best Acting Ensemble
Best Costume Design – Francine Jamison-Tanchuck
Best Hair and Makeup
THE CREATOR – 2
Best Young Actor/Actress – Madeleine Yuna Voyles
Best Visual Effects
THE HOLDOVERS – 8
Best Picture
Best Actor – Paul Giamatti
Best Supporting Actress – Da’Vine Joy Randolph
Best Young Actor/Actress – Dominic Sessa
Best Acting Ensemble
Best Director – Alexander Payne
Best Original Screenplay – David Hemingson
Best Comedy
THE SUPER MARIO BROS. MOVIE – 1
Best Song – “Peaches”
THE TASTE OF THINGS – 1
Best Foreign Language Film
THE ZONE OF INTEREST – 1
Best Foreign Language Film
WISH – 2
Best Animated Feature
Best Song – “This Wish”
WONKA – 2
Best Young Actor/Actress – Calah Lane
Best Costume Design – Lindy Hemming
TELEVISION NOMINATIONS FOR THE 29th ANNUAL CRITICS CHOICE AWARDS
BEST DRAMA SERIES
The Crown (Netflix)
The Diplomat (Netflix)
The Last of Us (HBO | Max)
Loki (Disney+)
The Morning Show (Apple TV+)
Star Trek: Strange New Worlds (Paramount+)
Succession (HBO | Max)
Winning Time: The Rise of the Lakers Dynasty (HBO | Max)
BEST ACTOR IN A DRAMA SERIES
Kieran Culkin – Succession (HBO | Max)
Tom Hiddleston – Loki (Disney+)
Timothy Olyphant – Justified: City Primeval (FX)
Pedro Pascal – The Last of Us (HBO | Max)
Ramón Rodríguez – Will Trent (ABC)
Jeremy Strong – Succession (HBO | Max)
BEST ACTRESS IN A DRAMA SERIES
Jennifer Aniston – The Morning Show (Apple TV+)
Aunjanue Ellis – Justified: City Primeval (FX)
Bella Ramsey – The Last of Us (HBO | Max)
Keri Russell – The Diplomat (Netflix)
Sarah Snook – Succession (HBO | Max)
Reese Witherspoon – The Morning Show (Apple TV+)
BEST SUPPORTING ACTOR IN A DRAMA SERIES
Khalid Abdalla – The Crown (Netflix)
Billy Crudup – The Morning Show (Apple TV+)
Ron Cephas Jones – Truth Be Told (Apple TV+)
Matthew MacFadyen – Succession (HBO | Max)
Ke Huy Quan – Loki (Disney+)
Rufus Sewell – The Diplomat (Netflix)
BEST SUPPORTING ACTRESS IN A DRAMA SERIES
Nicole Beharie – The Morning Show (Apple TV+)
Elizabeth Debicki – The Crown (Netflix)
Sophia Di Martino – Loki (Disney+)
Celia Rose Gooding – Star Trek: Strange New Worlds (Paramount+)
Karen Pittman – The Morning Show (Apple TV+)
Christina Ricci – Yellowjackets (Showtime)
BEST COMEDY SERIES
Abbott Elementary (ABC)
Barry (HBO | Max)
The Bear (FX)
The Marvelous Mrs. Maisel (Prime Video)
Poker Face (Peacock)
Reservation Dogs (FX)
Shrinking (Apple TV+)
What We Do in the Shadows (FX)
BEST ACTOR IN A COMEDY SERIES
Bill Hader – Barry (HBO | Max)
Steve Martin – Only Murders in the Building (Hulu)
Kayvan Novak – What We Do in the Shadows (FX)
Drew Tarver – The Other Two (HBO | Max)
Jeremy Allen White – The Bear (FX)
D’Pharaoh Woon-A-Tai – Reservation Dogs (FX)
BEST ACTRESS IN A COMEDY SERIES
Rachel Brosnahan – The Marvelous Mrs. Maisel (Prime Video)
Quinta Brunson – Abbott Elementary (ABC)
Ayo Edebiri – The Bear (FX)
Bridget Everett – Somebody Somewhere (HBO | Max)
Devery Jacobs – Reservation Dogs (FX)
Natasha Lyonne – Poker Face (Peacock)
BEST SUPPORTING ACTOR IN A COMEDY SERIES
Phil Dunster – Ted Lasso (Apple TV+)
Harrison Ford – Shrinking (Apple TV+)
Harvey Guillén – What We Do in the Shadows (FX)
James Marsden – Jury Duty (Amazon Freevee)
Ebon Moss-Bachrach – The Bear (FX)
Henry Winkler – Barry (HBO | Max)
BEST SUPPORTING ACTRESS IN A COMEDY SERIES
Paulina Alexis – Reservation Dogs (FX)
Alex Borstein – The Marvelous Mrs. Maisel (Prime Video)
Janelle James – Abbott Elementary (ABC)
Sheryl Lee Ralph – Abbott Elementary (ABC)
Meryl Streep – Only Murders in the Building (Hulu)
Jessica Williams – Shrinking (Apple TV+)
BEST LIMITED SERIES
Beef (Netflix)
Daisy Jones & the Six (Prime Video)
Fargo (FX)
Fellow Travelers (Showtime)
Lessons in Chemistry (Apple TV+)
Love & Death (HBO | Max)
A Murder at the End of the World (FX)
A Small Light (National Geographic)
BEST MOVIE MADE FOR TELEVISION
The Caine Mutiny Court-Martial (Showtime)
Finestkind (Paramount+)
Mr. Monk’s Last Case: A Monk Movie (Peacock)
No One Will Save You (Hulu)
Quiz Lady (Hulu)
Reality (HBO | Max)
BEST ACTOR IN A LIMITED SERIES OR MOVIE MADE FOR TELEVISION
Matt Bomer – Fellow Travelers (Showtime)
Tom Holland – The Crowded Room (Apple TV+)
David Oyelowo – Lawmen: Bass Reeves (Paramount+)
Tony Shalhoub – Mr. Monk’s Last Case: A Monk Movie (Peacock)
Kiefer Sutherland – The Caine Mutiny Court-Martial (Showtime)
Steven Yeun – Beef (Netflix)
BEST ACTRESS IN A LIMITED SERIES OR MOVIE MADE FOR TELEVISION
Kaitlyn Dever – No One Will Save You (Hulu)
Carla Gugino – The Fall of the House of Usher (Netflix)
Brie Larson – Lessons in Chemistry (Apple TV+)
Bel Powley – A Small Light (National Geographic)
Sydney Sweeney – Reality (HBO | Max)
Juno Temple – Fargo (FX)
Ali Wong – Beef (Netflix)
BEST SUPPORTING ACTOR IN A LIMITED SERIES OR MOVIE MADE FOR TELEVISION
Jonathan Bailey – Fellow Travelers (Showtime)
Taylor Kitsch – Painkiller (Netflix)
Jesse Plemons – Love & Death (HBO | Max)
Lewis Pullman – Lessons in Chemistry (Apple TV+)
Liev Schreiber – A Small Light (National Geographic)
Justin Theroux – White House Plumbers (HBO | Max)
BEST SUPPORTING ACTRESS IN A LIMITED SERIES OR MOVIE MADE FOR TELEVISION
Maria Bello – Beef (Netflix)
Billie Boullet – A Small Light (National Geographic)
Willa Fitzgerald – The Fall of the House of Usher (Netflix)
Aja Naomi King – Lessons in Chemistry (Apple TV+)
Mary McDonnell – The Fall of the House of Usher (Netflix)
Camila Morrone – Daisy Jones & the Six (Prime Video)
BEST FOREIGN LANGUAGE SERIES
Bargain (Paramount+)
The Glory (Netflix)
The Good Mothers (Hulu)
The Interpreter of Silence (Hulu)
Lupin (Netflix)
Mask Girl (Netflix)
Moving (Hulu)
BEST ANIMATED SERIES
Bluey (Disney+)
Bob’s Burgers (Fox)
Harley Quinn (HBO | Max)
Scott Pilgrim Takes Off (Netflix)
Star Trek: Lower Decks (Paramount+)
Young Love (HBO | Max)
BEST TALK SHOW
The Graham Norton Show (BBC America)
Jimmy Kimmel Live! (ABC)
The Kelly Clarkson Show (NBC)
Last Week Tonight with John Oliver (HBO | Max)
Late Night with Seth Meyers (NBC)
The Late Show with Stephen Colbert (CBS)
BEST COMEDY SPECIAL
Mike Birbiglia: The Old Man and the Pool (Netflix)
Alex Borstein: Corsets & Clown Suits (Prime Video)
John Early: Now More Than Ever (HBO | Max)
John Mulaney: Baby J (Netflix)
Trevor Noah: Where Was I (Netflix)
Wanda Sykes – I’m an Entertainer (Netflix)
NOMINATIONS BY PROGRAM FORTHE 29TH ANNUAL CRITICS CHOICE AWARDS
A MURDER AT THE END OF THE WORLD (FX) – 1
Best Limited Series
A SMALL LIGHT (National Geographic) – 4
Best Limited Series
Best Actress in a Limited Series or Movie Made for Television – Bel Powley
Best Supporting Actor in a Limited Series or Movie Made for Television – Liev Schreiber
Best Supporting Actress in a Limited Series or Movie Made for Television – Billie Boullet
ABBOTT ELEMENTARY (ABC) – 4
Best Comedy Series
Best Actress in a Comedy Series – Quinta Brunson
Best Supporting Actress in a Comedy Series – Janelle James
Best Supporting Actress in a Comedy Series – Sheryl Lee Ralph
ALEX BORSTEIN: CORSETS & CLOWN SUITS (Prime Video) – 1
Best Comedy Special
BARGAIN (Paramount+) – 1
Best Foreign Language Series
BARRY (HBO | Max) – 3
Best Comedy Series
Best Actor in a Comedy Series – Bill Hader
Best Supporting Actor in a Comedy Series – Henry Winkler
BEEF (Netflix) – 4
Best Limited Series
Best Actor in a Limited Series or Movie Made for Television – Steven Yeun
Best Actress in a Limited Series or Movie Made for Television – Ali Wong
Best Supporting Actress in a Limited Series or Movie Made for Television – Maria Bello
BLUEY (Disney+) – 1
Best Animated Series
BOB’S BURGERS (Fox) – 1
Best Animated Series
DAISY JONES & THE SIX (Prime Video) – 2
Best Limited Series
Best Supporting Actress in a Limited Series or Movie Made for Television – Camila Morrone
THE FALL OF THE HOUSE OF USHER (Netflix) – 1
Best Actress in a Limited Series or Movie Made for Television – Carla Gugino
FARGO (FX) – 2
Best Limited Series
Best Actress in a Limited Series or Movie Made for Television – Juno Temple
FELLOW TRAVELERS (Showtime) – 3
Best Limited Series
Best Actor in a Limited Series or Movie Made for Television – Matt Bomer
Best Supporting Actor in a Limited Series or Movie Made for Television – Jonathan Bailey
FINESTKIND (Paramount+) – 1
Best Movie Made for Television
HARLEY QUINN (HBO | Max) – 1
Best Animated Series
JIMMY KIMMEL LIVE! (ABC) – 1
Best Talk Show
JOHN EARLY: NOW MORE THAN EVER (HBO | Max) – 1
Best Comedy Special
JOHN MULANEY: BABY J (Netflix) – 1
Best Comedy Special
JURY DUTY (Amazon Freevee) – 1
Best Supporting Actor in a Comedy Series – James Marsden
JUSTIFIED: CITY PRIMEVAL (FX ) – 2
Best Actor in a Drama Series – Timothy Olyphant
Best Actress in a Drama Series – Aunjanue Ellis
LAST WEEK TONIGHT WITH JOHN OLIVER (HBO | Max) – 1
Best Talk Show
LATE NIGHT WITH SETH MEYERS (NBC) – 1
Best Talk Show
LAWMEN: BASS REEVES (Paramount+) – 1
Best Actor in a Limited Series or Movie Made for Television – David Oyelowo
LESSONS IN CHEMISTRY (Apple TV+) – 4
Best Limited Series
Best Actress in a Limited Series or Movie Made for Television – Brie Larson
Best Supporting Actor in a Limited Series or Movie Made for Television – Lewis Pullman
Best Supporting Actress in a Limited Series or Movie Made for Television – Aja Naomi King
LOKI (Disney+) – 4
Best Drama Series
Best Actor in a Drama Series – Tom Hiddleston
Best Supporting Actor in a Drama Series – Ke Huy Quan
Best Supporting Actress in a Drama Series – Sophia Di Martino
LOVE & DEATH (HBO | Max) – 2
Best Limited Series
Best Supporting Actor in a Limited Series or Movie Made for Television – Jesse Plemons
LUPIN (Netflix) – 1
Best Foreign Language Series
MASK GIRL (Netflix) – 1
Best Foreign Language Series
MIKE BIRBIGLIA: THE OLD MAN AND THE POOL (Netflix) – 1
Best Comedy Special
MOVING (Hulu) – 1
Best Foreign Language Series
MR. MONK’S LAST CASE: A MONK MOVIE (Peacock) – 2
Best Movie Made for Television
Best Actor in a Limited Series or Movie Made for Television – Tony Shalhoub
NO ONE WILL SAVE YOU (Hulu) – 2
Best Movie Made for Television
Best Actress in a Limited Series or Movie Made for Television – Kaitlyn Dever
ONLY MURDERS IN THE BUILDING (Hulu) – 2
Best Actor in a Comedy Series – Steve Martin
Best Supporting Actress in a Comedy Series – Meryl Streep
PAINKILLER (Netflix) – 1
Best Supporting Actor in a Limited Series or Movie Made for Television – Taylor Kitsch
POKER FACE (Peacock) – 2
Best Comedy Series
Best Actress in a Comedy Series – Natasha Lyonne
QUIZ LADY (Hulu) – 1
Best Movie Made for Television
REALITY (HBO | Max) – 2
Best Movie Made for Television
Best Actress in a Limited Series or Movie Made for Television – Sydney Sweeney
RESERVATION DOGS (FX) – 4
Best Comedy Series
Best Actor in a Comedy Series – D’Pharaoh Woon-A-Tai
Best Actress in a Comedy Series – Devery Jacobs
Best Supporting Actress in a Comedy Series – Paulina Alexis
SCOTT PILGRIM TAKES OFF (Netflix) – 1
Best Animated Series
SHRINKING (Apple TV+) – 3
Best Comedy Series
Best Supporting Actor in a Comedy Series – Harrison Ford
Best Supporting Actress in a Comedy Series – Jessica Williams
SOMEBODY SOMEWHERE (HBO | Max) – 1
Best Actress in a Comedy Series – Bridget Everett
STAR TREK: LOWER DECKS (Paramount+) – 1
Best Animated Series
STAR TREK: STRANGE NEW WORLDS (Paramount+) – 2
Best Drama Series
Best Supporting Actress in a Drama Series – Celia Rose Gooding
SUCCESSION (HBO | Max) – 5
Best Drama Series
Best Actor in a Drama Series – Kieran Culkin
Best Actor in a Drama Series – Jeremy Strong
Best Actress in a Drama Series – Sarah Snook
Best Supporting Actor in a Drama Series – Matthew MacFadyen
TED LASSO (Apple TV+) – 1
Best Supporting Actor in a Comedy Series – Phil Dunster
THE BEAR (FX) – 4
Best Comedy Series
Best Actor in a Comedy Series – Jeremy Allen White
Best Actress in a Comedy Series – Ayo Edebiri
Best Supporting Actor in a Comedy Series – Ebon Moss-Bachrach
THE CAINE MUTINY COURT-MARTIAL (Showtime) – 2
Best Movie Made for Television
Best Actor in a Limited Series or Movie Made for Television – Kiefer Sutherland
THE CROWDED ROOM (Apple TV+) – 1
Best Actor in a Limited Series or Movie Made for Television – Tom Holland
THE CROWN (Netflix) – 3
Best Drama Series
Best Supporting Actor in a Drama Series – Khalid Abdalla
Best Supporting Actress in a Drama Series – Elizabeth Debicki
THE DIPLOMAT (Netflix) – 3
Best Drama Series
Best Actress in a Drama Series – Keri Russell
Best Supporting Actor in a Drama Series – Rufus Sewell
THE FALL OF THE HOUSE OF USHER (Netflix) – 2
Best Supporting Actress in a Limited Series or Movie Made for Television – Willa Fitzgerald
Best Supporting Actress in a Limited Series or Movie Made for Television – Mary McDonnell
THE GLORY (Netflix) – 1
Best Foreign Language Series
THE GOOD MOTHERS (Hulu) – 1
Best Foreign Language Series
THE GRAHAM NORTON SHOW (BBC America) – 1
Best Talk Show
THE INTERPRETER OF SILENCE (Hulu) – 1
Best Foreign Language Series
THE KELLY CLARKSON SHOW (NBC) – 1
Best Talk Show
THE LAST OF US (HBO | Max) – 3
Best Drama Series
Best Actor in a Drama Series – Pedro Pascal
Best Actress in a Drama Series – Bella Ramsey
THE LATE SHOW WITH STEPHEN COLBERT (CBS) – 1
Best Talk Show
THE MARVELOUS MRS. MAISEL (Prime Video) – 3
Best Comedy Series
Best Actress in a Comedy Series – Rachel Brosnahan
Best Supporting Actress in a Comedy Series – Alex Borstein
THE MORNING SHOW (Apple TV+) – 6
Best Drama Series
Best Actress in a Drama Series – Jennifer Aniston
Best Actress in a Drama Series – Reese Witherspoon
Best Supporting Actor in a Drama Series – Billy Crudup
Best Supporting Actress in a Drama Series – Nicole Beharie
Best Supporting Actress in a Drama Series – Karen Pittman
THE OTHER TWO (HBO | Max) – 1
Best Actor in a Comedy Series – Drew Tarver
TREVOR NOAH: WHERE WAS I (Netflix) – 1
Best Comedy Special
TRUTH BE TOLD (Apple TV+) – 1
Best Supporting Actor in a Drama Series – Ron Cephas Jones
WANDA SYKES: I’M AN ENTERTAINER (Netflix) – 1
Best Comedy Special
WHAT WE DO IN THE SHADOWS (FX) – 3
Best Comedy Series
Best Actor in a Comedy Series – Kayvan Novak
Best Supporting Actor in a Comedy Series – Harvey Guillén
WHITE HOUSE PLUMBERS (HBO | Max) – 1
Best Supporting Actor in a Limited Series or Movie Made for Television – Justin Theroux
WILL TRENT (ABC) – 1
Best Actor in a Drama Series – Ramón Rodríguez
WINNING TIME: THE RISE OF THE LAKERS DYNASTY (HBO | Max) – 1
Best Drama Series
YELLOWJACKETS (Showtime) – 1
Best Supporting Actress in a Drama Series – Christina Ricci
YOUNG LOVE (HBO | Max) – 1
Best Animated Series
TELEVISION NOMINATIONS BY COMPANY FORTHE 29TH ANNUAL CRITICS CHOICE AWARDS
SZA at the 64th Annua Grammy Awards in Los Angeles on April 3, 2022. (Photo by Francis Specker/CBS)
The following is a press release from The Recording Academy:
Topping the list of nominees for the 66th Annual GRAMMY Awards® are SZA (9), Phoebe Bridgers (7), Serban Ghenea (7), Victoria Monét (7), Jack Antonoff (6), Jon Batiste (6), boygenius (6), Brandy Clark (6), Miley Cyrus (6), Billie Eilish (6), Olivia Rodrigo (6), and Taylor Swift (6). As the only peer-voted music award, the GRAMMY Awards® are selected by the Recording Academy®’s voting membership body of music makers, who represent all genres and creative disciplines, including recording artists, songwriters, composers, producers, mixers, and engineers. The nominees were announced via a livestream event on live.grammy.com.
“We are thrilled to kick off GRAMMY® season with this year’s diverse and genre-bending slate of nominees, representing the best of their craft and an incredible year of music,” said Harvey Mason jr, CEO of the Recording Academy. “From breakthrough acts to legacy artists, we are amazed by all the musicians recognized for their outstanding contributions to music today. We can’t wait to spotlight these remarkable creators and celebrate another amazing year in music on Feb. 4.”
This year’s eligibility period includes recordings released between Oct. 1, 2022 – Sept. 15, 2023. The final round of GRAMMY voting, which will determine GRAMMY recipients, will take place Dec. 14, 2023 – Jan. 4, 2024. The 66th Annual GRAMMY Awards will return to Los Angeles’ Crypto.com Arena on Feb. 4, 2024, and will broadcast live on the CBS Television Network and stream live and on-demand on Paramount+ at 8-11:30 p.m. ET/5-8:30 p.m. PT. Prior to the Telecast, the GRAMMY Awards Premiere Ceremony® will be held at Peacock Theater at 12:30 p.m. PT and will be streamed live on live.GRAMMY.com and the Recording Academy’s YouTube channel. The 66th Annual GRAMMY Awards will be produced by Fulwell 73 Productions for the Recording Academy. Ben Winston, Raj Kapoor and Jesse Collins are executive producers.
The following is a sampling of nominations from the 66th Annual GRAMMY Awards’ 94 Categories. For a complete nominations list, visit GRAMMY.com.
General Field
1. Record Of The Year
Award to the Artist and to the Producer(s), Recording Engineer(s) and/or Mixer(s) and mastering engineer(s), if other than the artist.
Worship Jon Batiste Jon Batiste, Jon Bellion, Pete Nappi & Tenroc, producers; Serban Ghenea & Pete Nappi, engineers/mixers; Chris Gehringer, mastering engineer
Not Strong Enough boygenius boygenius & Catherine Marks, producers; Owen Lantz, Catherine Marks, Mike Mogis, Bobby Mota, Kaushlesh “Garry” Purohit & Sarah Tudzin, engineers/mixers; Pat Sullivan, mastering engineer
Flowers Miley Cyrus Kid Harpoon & Tyler Johnson, producers; Michael Pollack, Brian Rajaratnam & Mark “Spike” Stent, engineers/mixers; Joe LaPorta, mastering engineer
What Was I Made For? [From The Motion Picture “Barbie”] Billie Eilish Billie Eilish & FINNEAS, producers; Billie Eilish, Rob Kinelski & FINNEAS, engineers/mixers; Chris Gehringer, mastering engineer
On My Mama Victoria Monét Deputy, Dernst Emile II & Jeff Gitelman, producers; Patrizio Pigliapoco & Todd Robinson, engineers/mixers; Colin Leonard, mastering engineer
Vampire Olivia Rodrigo Dan Nigro, producer; Serban Ghenea, Michael Harris, Chris Kasych, Daniel Nigro & Dan Viafore, engineers/mixers; Randy Merrill, mastering engineer
Anti-Hero Taylor Swift Jack Antonoff & Taylor Swift, producers; Jack Antonoff, Serban Ghenea, Laura Sisk & Lorenzo Wolff, engineers/mixers; Randy Merrill, mastering engineer
Kill Bill SZA Rob Bisel & Carter Lang, producers; Rob Bisel, engineer/mixer; Dale Becker, mastering engineer
2. Album Of The Year
Award to Artist(s) and to Featured Artist(s), Songwriter(s) of new material, Producer(s), Recording Engineer(s), Mixer(s) and Mastering Engineer(s) credited with 20% or more playing time of the album.
World Music Radio Jon Batiste Jon Batiste, Jon Bellion, Nick Cooper, Pete Nappi & Tenroc, producers; Jon Batiste, Pete Nappi, Kaleb Rollins, Laura Sisk & Marc Whitmore, engineers/mixers; Jon Batiste, Jon Bellion, Jason Cornet & Pete Nappi, songwriters; Chris Gehringer, mastering engineer
the record boygenius boygenius & Catherine Marks, producers; Owen Lantz, Will Maclellan, Catherine Marks, Mike Mogis, Bobby Mota, Kaushlesh “Garry” Purohit & Sarah Tudzin, engineers/mixers; Julien Baker, Phoebe Bridgers & Lucy Dacus, songwriters; Pat Sullivan, mastering engineer
Endless Summer Vacation Miley Cyrus Kid Harpoon, Tyler Johnson & Mike Will Made-It, producers; Pièce Eatah, Craig Frank, Paul David Hager, Stacy Jones, Brian Rajaratnam & Mark “Spike” Stent, engineers/mixers; Miley Cyrus, Gregory Aldae Hein, Thomas Hull, Tyler Johnson, Michael Len Williams II & Michael Pollack, songwriters; Joe LaPorta, mastering engineer
Did You Know That There’s A Tunnel Under Ocean Blvd Lana Del Rey Jack Antonoff, Zach Dawes, Lana Del Rey & Drew Erickson, producers; Jack Antonoff, Michael Harris, Dean Reid & Laura Sisk, engineers/mixers; Jack Antonoff, Lana Del Rey & Mike Hermosa, songwriters; Ruairi O’Flaherty, mastering engineer
The Age Of Pleasure Janelle Monáe Sensei Bueno, Nate “Rocket” Wonder & Nana Kwabena, producers; Mick Guzauski, Nate “Rocket” Wonder, Jayda Love, Janelle Monáe & Yáng Tan, engineers/mixers; Jarrett Goodly, Nathaniel Irvin III, Janelle Monáe Robinson & Nana Kwabena Tuffuor, songwriters; Dave Kutch, mastering engineer
GUTS Olivia Rodrigo Daniel Nigro, producer; Serban Ghenea, Sterling Laws, Mitch McCarthy, Daniel Nigro, Dave Schiffman, Mark “Spike” Stent, Sam Stewart & Dan Viafore, engineers/mixers; Daniel Nigro & Olivia Rodrigo, songwriters; Randy Merrill, mastering engineer
Midnights Taylor Swift Jack Antonoff & Taylor Swift, producers; Jack Antonoff, Zem Audu, Serban Ghenea, David Hart, Mikey Freedom Hart, Sean Hutchinson, Ken Lewis, Michael Riddleberger, Laura Sisk & Evan Smith, engineers/mixers; Jack Antonoff & Taylor Swift, songwriters; Randy Merrill, mastering engineer
SOS SZA Rob Bisel, ThankGod4Cody & Carter Lang, producers; Rob Bisel, engineer/mixer; Rob Bisel, Cody Fayne, Carter Lang & Solána Rowe, songwriters; Dale Becker, mastering engineer
3. Song Of The Year
A Songwriter(s) Award. A song is eligible if it was first released or if it first achieved prominence during the Eligibility Year. (Artist names appear in parentheses.) Singles or Tracks only.
A&W Jack Antonoff, Lana Del Rey & Sam Dew, songwriters (Lana Del Rey)
Anti-Hero Jack Antonoff & Taylor Swift, songwriters (Taylor Swift)
Butterfly Jon Batiste & Dan Wilson, songwriters (Jon Batiste)
Dance The Night (From Barbie The Album) Caroline Ailin, Dua Lipa, Mark Ronson & Andrew Wyatt, songwriters (Dua Lipa)
Flowers Miley Cyrus, Gregory Aldae Hein & Michael Pollack, songwriters (Miley Cyrus)
Kill Bill Rob Bisel, Carter Lang & Solána Rowe, songwriters (SZA)
Vampire Daniel Nigro & Olivia Rodrigo, songwriters (Olivia Rodrigo)
What Was I Made For? [From The Motion Picture “Barbie”] Billie Eilish O’Connell & Finneas O’Connell, songwriters (Billie Eilish)
4. Best New Artist
This category recognizes an artist whose eligibility-year release(s) achieved a breakthrough into the public consciousness and notably impacted the musical landscape.
Gracie Abrams Fred again.. Ice Spice Jelly Roll Coco Jones Noah Kahan Victoria Monét The War And Treaty
5. Producer Of The Year, Non-Classical
A Producer’s Award. (Artists names appear in parentheses.)
Jack Antonoff
• Being Funny In A Foreign Language (The 1975) (A)
• Did You Know That There’s A Tunnel Under Ocean Blvd (Lana Del Rey) (A)
• Midnights (Taylor Swift) (A)
Dernst “D’Mile” Emile II
• JAGUAR II (Victoria Monét) (A)
Hit-Boy
• Bus Stop (Don Toliver Featuring Brent Faiyaz) (T)
• Just Face It (Dreamville With Blxst) (T)
• Kings Disease III (Nas) (A)
• Magic 3 (Nas) (A)
• Magic 2 (Nas) (A)
• Slipping Into Darkness (Hit-Boy & The Alchemist) (S)
Actual Life 3 (January 1 – September 9 2022) Fred again..
Kx5 Kx5
Quest For Fire Skrillex
Field 2: Rock, Metal & Alternative Music
13. Best Rock Performance
For new vocal or instrumental solo, duo/group or collaborative rock recordings.
Sculptures Of Anything Goes Arctic Monkeys
More Than A Love Song Black Pumas
Not Strong Enough Boygenius
Rescued Foo Fighters
Lux Æterna Metallica
14. Best Metal Performance
For new vocal or instrumental solo, duo/group or collaborative metal recordings.
Bad Man Disturbed
Phantom Of The Opera Ghost
72 Seasons Metallica
Hive Mind Slipknot
Jaded Spiritbox
15. Best Rock Song
A Songwriter(s) Award. Includes Rock, Hard Rock and Metal songs. A song is eligible if it was first released or if it first achieved prominence during the Eligibility Year. (Artist names appear in parentheses.) Singles or Tracks only.
Angry Mick Jagger, Keith Richards & Andrew Watt, songwriters (The Rolling Stones)
Ballad Of A Homeschooled Girl Daniel Nigro & Olivia Rodrigo, songwriters (Olivia Rodrigo)
Emotion Sickness Dean Fertita, Joshua Homme, Michael Shuman, Jon Theodore & Troy Van Leeuwen, songwriters (Queens Of The Stone Age)
Rescued Dave Grohl, Rami Jaffee, Nate Mendel, Chris Shiflett & Pat Smear, songwriters (Foo Fighters)
16. Best Rock Album
For albums containing greater than 75% playing time of new rock, hard rock or metal recordings.
But Here We Are Foo Fighters
Starcatcher Greta Van Fleet
72 Seasons Metallica
This Is Why Paramore
In Times New Roman… Queens Of The Stone Age
17. Best Alternative Music Performance
For new vocal or instrumental solo, duo/group or collaborative Alternative music recordings.
Belinda Says Alvvays
Body Paint Arctic Monkeys
Cool About It boygenius
A&W Lana Del Rey
This Is Why Paramore
18. Best Alternative Music Album
Vocal or Instrumental.
The Car Arctic Monkeys
The Record boygenius
Did You Know That There’s A Tunnel Under Ocean Blvd Lana Del Rey
Cracker Island Gorillaz
I Inside The Old Year Dying PJ Harvey
Field 3: R&B, Rap & Spoken Word Poetry
19. Best R&B Performance
For new vocal or instrumental R&B recordings.
Summer Too Hot Chris Brown
Back To Love Robert Glasper Featuring SiR & Alex Isley
ICU Coco Jones
How Does It Make You Feel Victoria Monét
Kill Bill SZA
20. Best Traditional R&B Performance
For new vocal or instrumental traditional R&B recordings.
Simple Babyface Featuring Coco Jones
Lucky Kenyon Dixon
Hollywood Victoria Monét Featuring Earth, Wind & Fire & Hazel Monét
Good Morning PJ Morton Featuring Susan Carol
Love Language SZA
21. Best R&B Song
A Songwriter(s) Award. A song is eligible if it was first released or if it first achieved prominence during the Eligibility Year. (Artist names appear in parentheses.) Singles or Tracks only.
Back To Love Darryl Andrew Farris, Robert Glasper & Alexandra Isley, songwriters (Robert Glasper Featuring SiR & Alex Isley)
ICU Darhyl Camper Jr., Courtney Jones, Raymond Komba & Roy Keisha Rockette, songwriters (Coco Jones)
On My Mama Dernst Emile II, Jeff Gitelman, Victoria Monét, Kyla Moscovich, Jamil Pierre & Charles Williams, songwriters (Victoria Monét)
Snooze Kenny B. Edmonds, Blair Ferguson, Khris Riddick-Tynes, Solána Rowe & Leon Thomas, songwriters (SZA)
22. Best Progressive R&B Album
For albums containing greater than 75% playing time of newly recorded progressive vocal tracks derivative of R&B.
Since I Have A Lover 6LACK
The Love Album: Off The Grid Diddy
Nova Terrace Martin And James Fauntleroy
The Age Of Pleasure Janelle Monáe
SOS SZA
23. Best R&B Album
For albums containing greater than 75% playing time of new R&B recordings.
Girls Night Out Babyface
What I Didn’t Tell You (Deluxe) Coco Jones
Special Occasion Emily King
JAGUAR II Victoria Monét
CLEAR 2: SOFT LIFE EP Summer Walker
24. Best Rap Performance
For a Rap performance. Singles or Tracks only.
The Hillbillies Baby Keem Featuring Kendrick Lamar
Love Letter Black Thought
Rich Flex Drake & 21 Savage
SCIENTISTS & ENGINEERS Killer Mike Featuring André 3000, Future And Eryn Allen Kane
Players Coi Leray
25. Best Melodic Rap Performance
For a solo or collaborative performance containing both elements of R&B melodies and Rap.
Sittin’ On Top Of The World Burna Boy Featuring 21 Savage
Attention Doja Cat
Spin Bout U Drake & 21 Savage
All My Life Lil Durk Featuring J. Cole
Low SZA
26. Best Rap Song
A Songwriter(s) Award. A song is eligible if it was first released or if it first achieved prominence during the Eligibility Year. (Artist names appear in parentheses.) Singles or Tracks only.
Attention Rogét Chahayed, Amala Zandile Dlamini & Ari Starace, songwriters (Doja Cat)
Barbie World [From Barbie The Album] Isis Naija Gaston, Ephrem Louis Lopez Jr. & Onika Maraj, songwriters (Nicki Minaj & Ice Spice Featuring Aqua)
Just Wanna Rock Mohamad Camara, Symere Woods & Javier Mercado, songwriters (Lil Uzi Vert)
Rich Flex Brytavious Chambers, Isaac “Zac” De Boni, Aubrey Graham, J. Gwin, Anderson Hernandez, Michael “Finatik” Mule & Shéyaa Bin Abraham-Joseph, songwriters (Drake & 21 Savage)
SCIENTISTS & ENGINEERS Andre Benjamin, Paul Beauregard, James Blake, Michael Render, Tim Moore & Dion Wilson, songwriters (Killer Mike Featuring André 3000, Future And Eryn Allen Kane)
27. Best Rap Album
For albums containing greater than 75% playing time of new rap recordings.
Her Loss Drake & 21 Savage
MICHAEL Killer Mike
HEROES & VILLIANS Metro Boomin
King’s Disease III Nas
UTOPIA Travis Scott
28. Best Spoken Word Poetry Album
For albums containing greater than 50% playing time of new spoken word poetry recordings.
A-You’re Not Wrong B-They’re Not Either: The Fukc-It Pill Revisited Queen Sheba
For Your Consideration’24 -The Album Prentice Powell and Shawn William
Grocery Shopping With My Mother Kevin Powell
The Light Inside J. Ivy
When The Poems Do What They Do Aja Monet
Field 4: Jazz, Traditional Pop, Contemporary Instrumental & Musical Theater
29. Best Jazz Performance
For new vocal or instrumental solo, duo/group or collaborative jazz recordings.
Movement 18′ (Heroes) Jon Batiste
Basquiat Lakecia Benjamin
Vulnerable (Live) Adam Blackstone Featuring The Baylor Project & Russell Ferranté
But Not For Me Fred Hersch & Esperanza Spalding
Tight Samara Joy
30. Best Jazz Vocal Album
For albums containing greater than 75% playing time of new vocal jazz recordings.
For Ella 2 Patti Austin Featuring Gordon Goodwin’s Big Phat Band
Alive At The Village Vanguard Fred Hersch & Esperanza Spalding
Lean In Gretchen Parlato & Lionel Loueke
Mélusine Cécile McLorin Salvant
How Love Begins Nicole Zuraitis
31. Best Jazz Instrumental Album
For albums containing greater than 75% playing time of new instrumental jazz recordings.
The Source Kenny Barron
Phoenix Lakecia Benjamin
Legacy: The Instrumental Jawn Adam Blackstone
The Winds Of Change Billy Childs
Dream Box Pat Metheny
32. Best Large Jazz Ensemble Album
For albums containing greater than 75% playing time of new ensemble jazz recordings.
Dynamic Maximum Tension Darcy James Argue’s Secret Society
Basie Swings The Blues The Count Basie Orchestra Directed By Scotty Barnhart
Olympians Vince Mendoza & Metropole Orkest
The Charles Mingus Centennial Sessions Mingus Big Band
33. Best Latin Jazz Album
For vocal or instrumental albums containing greater than 75% playing time of newly recorded material. The intent of this category is to recognize recordings that represent the blending of jazz with Latin, Iberian-American, Brazilian, and Argentinian tango music.
Quietude Eliane Elias
My Heart Speaks Ivan Lins With The Tblisi Symphony Orchestra
Vox Humana Bobby Sanabria Multiverse Big Band
Cometa Luciana Souza & Trio Corrente
El Arte Del Bolero Vol. 2 Miguel Zenón & Luis Perdomo
34. Best Alternative Jazz Album
For vocal or instrumental albums containing greater than 75% playing time of new Alternative jazz recordings.
Love In Exile Arooj Aftab, Vijay Iyer, Shahzad Ismaily
Quality Over Opinion Louis Cole
SuperBlue: The Iridescent Spree Kurt Elling, Charlie Hunter, SuperBlue
Live At The Piano Cory Henry
The Omnichord Real Book Meshell Ndegeocello
35. Best Traditional Pop Vocal Album
For albums containing greater than 75% playing time of new traditional pop recordings.
To Steve With Love: Liz Callaway Celebrates Sondheim Liz Callaway
Pieces Of Treasure Rickie Lee Jones
Bewitched Laufey
Holidays Around The World Pentatonix
Only The Strong Survive Bruce Springsteen
Sondheim Unplugged (The NYC Sessions), Vol. 3 (Various Artists)
36. Best Contemporary Instrumental Album
For albums containing greater than 75% playing time of new contemporary instrumental recordings.
As We Speak Béla Fleck, Zakir Hussain, Edgar Meyer, Featuring Rakesh Chaurasia
On Becoming House Of Waters
Jazz Hands Bob James
The Layers Julian Lage
All One Ben Wendel
37. Best Musical Theater Album
For albums containing greater than 51% playing time of new recordings. Award to the principal vocalist(s), and the album producer(s) of 50% or more playing time of the album. The lyricist(s) and composer(s) of 50 % or more of a score of a new recording are eligible for an Award if any previous recording of said score has not been nominated in this category.
Kimberly Akimbo John Clancy, David Stone & Jeanine Tesori, producers; Jeanine Tesori, composer; David Lindsay-Abaire, lyricist (Original Broadway Cast)
Parade Micaela Diamond, Alex Joseph Grayson, Jake Pedersen & Ben Platt, principal vocalists; Jason Robert Brown & Jeffrey Lesser, producers; Jason Robert Brown, composer & lyricist (2023 Broadway Cast)
Shucked Brandy Clark, Jason Howland, Shane McAnally & Billy Jay Stein, producers; Brandy Clark & Shane McAnally, composers/lyricists (Original Broadway Cast)
Some Like It Hot Christian Borle, J. Harrison Ghee, Adrianna Hicks & NaTasha Yvette Williams, principal vocalists; Mary-Mitchell Campbell, Bryan Carter, Scott M. Riesett, Charlie Rosen & Marc Shaiman, producers; Scott Wittman, lyricist; Marc Shaiman, composer & lyricist (Original Broadway Cast)
Sweeney Todd: The Demon Barber Of Fleet Street Annaleigh Ashford & Josh Groban, principal vocalists; Thomas Kail & Alex Lacamoire, producers (Stephen Sondheim, composer & lyricist) (2023 Broadway Cast)
Field 5: Country & American Roots Music
38. Best Country Solo Performance
For new vocal or instrumental solo country recordings.
In Your Love Tyler Childers
Buried Brandy Clark
Fast Car Luke Combs
The Last Thing On My Mind Dolly Parton
White Horse Chris Stapleton
39. Best Country Duo/Group Performance
For new vocal or instrumental duo/group or collaborative country recordings.
High Note Dierks Bentley Featuring Billy Strings
Nobody’s Nobody Brothers Osborne
I Remember Everything Zach Bryan Featuring Kacey Musgraves
Kissing Your Picture (Is So Cold) Vince Gill & Paul Franklin
Save Me Jelly Roll With Lainey Wilson
We Don’t Fight Anymore Carly Pearce Featuring Chris Stapleton
40. Best Country Song
A Songwriter(s) Award. A song is eligible if it was first released or if it first achieved prominence during the Eligibility Year. (Artist names appear in parentheses.) Singles or Tracks only.
Buried Brandy Clark & Jessie Jo Dillon, songwriters (Brandy Clark)
In Your Love Tyler Childers & Geno Seale, songwriters (Tyler Childers)
Last Night John Byron, Ashley Gorley, Jacob Kasher Hindlin & Ryan Vojtesak, songwriters (Morgan Wallen)
White Horse Chris Stapleton & Dan Wilson, songwriters (Chris Stapleton)
41. Best Country Album
For albums containing greater than 75% playing time of new country recordings.
Rolling Up The Welcome Mat Kelsea Ballerini
Brothers Osborne Brothers Osborne
Zach Bryan Zach Bryan
Rustin’ In The Rain Tyler Childers
Bell Bottom Country Lainey Wilson
42. Best American Roots Performance
For new vocal or instrumental American Roots recordings. This is for performances in the style of any of the subgenres encompassed in the American Roots Music field including bluegrass, blues, folk or regional roots. Award to the artist(s).
Butterfly Jon Batiste
Heaven Help Us All The Blind Boys Of Alabama
Inventing The Wheel Madison Cunningham
You Louisiana Man Rhiannon Giddens
Eve Was Black Allison Russell
43. Best Americana Performance
For new vocal or instrumental Americana performance. Award to the artist(s).
Friendship The Blind Boys Of Alabama
Help Me Make It Through The Night Tyler Childers
Dear Insecurity Brandy Clark Featuring Brandi Carlile
King Of Oklahoma Jason Isbell And The 400 Unit
The Returner Allison Russell
44. Best American Roots Song
A Songwriter(s) Award. Includes Americana, bluegrass, traditional blues, contemporary blues, folk or regional roots songs. A song is eligible if it was first released or if it first achieved prominence during the Eligibility Year. (Artist names appear in parentheses.) Singles or Tracks only.
Blank Page Michael Trotter Jr. & Tanya Trotter, songwriters (The War And Treaty)
California Sober Aaron Allen, William Apostol & Jon Weisberger, songwriters (Billy Strings Featuring Willie Nelson)
Cast Iron Skillet Jason Isbell, songwriter (Jason Isbell And The 400 Unit)
Dear Insecurity Brandy Clark & Michael Pollack, songwriters (Brandy Clark Featuring Brandi Carlile)
The Returner Drew Lindsay, JT Nero & Allison Russell, songwriters (Allison Russell)
45. Best Americana Album
For albums containing greater than 75% playing time of new vocal or instrumental Americana recordings.
Brandy Clark Brandy Clark
The Chicago Sessions Rodney Crowell
You’re The One Rhiannon Giddens
Weathervanes Jason Isbell And The 400 Unit
The Returner Allison Russell
46. Best Bluegrass Album
For albums containing greater than 75% playing time of new vocal or instrumental bluegrass recordings.
Radio John: Songs of John Hartford Sam Bush
Lovin’ Of The Game Michael Cleveland
Mighty Poplar Mighty Poplar
Bluegrass Willie Nelson
Me/And/Dad Billy Strings
City Of Gold Molly Tuttle & Golden Highway
47. Best Traditional Blues Album
For albums containing greater than 75% playing time of new vocal or instrumental traditional blues recordings.
Ridin’ Eric Bibb
The Soul Side Of Sipp Mr. Sipp
Life Don’t Miss Nobody Tracy Nelson
Teardrops For Magic Slim Live At Rosa’s Lounge John Primer
All My Love For You Bobby Rush
48. Best Contemporary Blues Album
For albums containing greater than 75% playing time of new vocal or instrumental contemporary blues recordings.
Death Wish Blues Samantha Fish And Jesse Dayton
Healing Time Ruthie Foster
Live In London Christone “Kingfish” Ingram
Blood Harmony Larkin Poe
LaVette! Bettye LaVette
49. Best Folk Album
For albums containing greater than 75% playing time of new vocal or instrumental folk recordings.
Traveling Wildfire Dom Flemons
I Only See The Moon The Milk Carton Kids
Joni Mitchell At Newport [Live] Joni Mitchell
Celebrants Nickel Creek
Jubilee Old Crow Medicine Show
Seven Psalms Paul Simon
Folkocracy Rufus Wainwright
50. Best Regional Roots Music Album
For albums containing greater than 75% playing time of new vocal or instrumental regional roots music recordings.
New Beginnings Buckwheat Zydeco Jr. & The Legendary Ils Sont Partis Band
Live At The 2023 New Orleans Jazz & Heritage Festival Dwayne Dopsie & The Zydeco Hellraisers
Live: Orpheum Theater Nola Lost Bayou Ramblers & Louisiana Philharmonic Orchestra
Made In New Orleans New Breed Brass Band
Too Much To Hold New Orleans Nightcrawlers
Live At The Maple Leaf The Rumble Featuring Chief Joseph Boudreaux Jr.
Field 6: Gospel & Contemporary Christian Music
51. Best Gospel Performance/Song
This award is given to the artist(s) and songwriter(s) (for new compositions) for the best traditional Christian, roots gospel or contemporary gospel single or track.
God Is Good Stanley Brown Featuring Hezekiah Walker, Kierra Sheard & Karen Clark Sheard; Stanley Brown, Karen V Clark Sheard, Kaylah Jiavanni Harvey, Rodney Jerkins, Elyse Victoria Johnson, J Drew Sheard II, Kierra Valencia Sheard & Hezekiah Walker, songwriters
Feel Alright (Blessed) Erica Campbell; Erica Campbell, Warryn Campbell, William Weatherspoon, Juan Winans & Marvin L. Winans, songwriters
Lord Do It For Me (Live) Zacardi Cortez; Marcus Calyen, Zacardi Cortez & Kerry Douglas, songwriters
God Is Melvin Crispell III
All Things Kirk Franklin; Kirk Franklin, songwriter
52. Best Contemporary Christian Music Performance/Song
This award is given to the artist(s) and songwriter(s) (for new compositions) for the best contemporary Christian music single or track, (including pop, rap/hip-hop, Latin, or rock.)
Thank God I Do Lauren Daigle; Lauren Daigle & Jason Ingram, songwriters
Love Me Like I Am for KING & COUNTRY Featuring Jordin Sparks
Your Power Lecrae & Tasha Cobbs Leonard
God Problems Maverick City Music, Chandler Moore & Naomi Raine; Daniel Bashta, Chris Davenport, Ryan Ellis & Naomi Raine, songwriters
53. Best Gospel Album
For albums containing greater than 75% playing time of newly recorded, vocal, traditional or contemporary/R&B gospel music recordings.
I Love You Erica Campbell
Hymns (Live) Tasha Cobbs Leonard
The Maverick Way Maverick City Music
My Truth Jonathan McReynolds
All Things New: Live In Orlando Tye Tribbett
54. Best Contemporary Christian Music Album
For albums containing greater than 75% playing time of newly recorded, vocal, contemporary Christian music, including pop, rap/hip hop, Latin, or rock recordings.
My Tribe Blessing Offor
Emanuel Da’ T.R.U.T.H.
Lauren Daigle Lauren Daigle
Church Clothes 4 Lecrae
I Believe Phil Wickham
55. Best Roots Gospel Album
For albums containing greater than 75% playing time of newly recorded, vocal, traditional/roots gospel music, including country, Southern gospel, bluegrass, and Americana recordings.
Tribute To The King The Blackwood Brothers Quartet
Echoes Of The South Blind Boys Of Alabama
Songs That Pulled Me Through The Tough Times Becky Isaacs Bowman
Meet Me At The Cross Brian Free & Assurance
Shine: The Darker The Night The Brighter The Light Gaither Vocal Band
Field 7: Latin, Global, Reggae & New Age, Ambient, or Chant
56. Best Latin Pop Album
For albums containing greater than 75% playing time of new Latin pop recordings.
La Cuarta Hoja Pablo Alborán
Beautiful Humans, Vol. 1 AleMor
A Ciegas Paula Arenas
La Neta Pedro Capó
Don Juan Maluma
X Mí (Vol. 1) Gaby Moreno
57. Best Música Urbana Album
For albums containing greater than 75% playing time of new Música Urbana recordings.
SATURNO Rauw Alejandro
MAÑANA SERÁ BONITO Karol G
DATA Tainy
58. Best Latin Rock or Alternative Album
For albums containing greater than 75% playing time of new Latin rock or alternative recordings.
MARTÍNEZ Cabra
Leche De Tigre Diamante Eléctrico
Vida Cotidiana Juanes
De Todas Las Flores Natalia Lafourcade
EADDA9223 Fito Paez
59. Best Música Mexicana Album (Including Tejano)
For albums containing greater than 75% playing time of new regional Mexican (banda, norteño, corridos, gruperos, mariachi, ranchera and Tejano) recordings.
Bordado A Mano Ana Bárbara
La Sánchez Lila Downs
Motherflower Flor De Toloache
Amor Como En Las Películas De Antes Lupita Infante
GÉNESIS Peso Pluma
60. Best Tropical Latin Album
For albums containing greater than 75% playing time of new tropical Latin recordings.
Siembra: 45º Aniversario (En Vivo en el Coliseo de Puerto Rico, 14 de Mayo 2022) Rubén Blades Con Roberto Delgado & Orquesta
Voy A Ti Luis Figueroa
Niche Sinfónico Grupo Niche Y Orquesta Sinfónica Nacional de Colombia
VIDA Omara Portuondo
MIMY & TONY Tony Succar, Mimy Succar
Escalona Nunca Se Había Grabado Así Carlos Vives
61. Best Global Music Performance
For new vocal or instrumental Global music recordings.
Abundance In Millets Falu & Gaurav Shah (Featuring PM Narendra Modi)
Pashto Béla Fleck, Edgar Meyer & Zakir Hussain Featuring Rakesh Chaurasia
Todo Colores Ibrahim Maalouf Featuring Cimafunk & Tank And The Bangas
62. Best African Music Performance
Amapiano ASAKE & Olamide
City Boys Burna Boy
UNAVAILABLE Davido Featuring Musa Keys
Rush Ayra Starr
Water Tyla
63. Best Global Music Album
For albums containing greater than 75% playing time of new vocal or instrumental Global Music recordings.
Epifanías Susana Baca
History Bokanté
I Told Them… Burna Boy
Timeless Davido
This Moment Shakti
64. Best Reggae Album
For albums containing greater than 75% playing time of new reggae recordings.
Born For Greatness Buju Banton
Simma Beenie Man
Cali Roots Riddim 2023 Collie Buddz
No Destroyer Burning Spear
Colors Of Royal Julian Marley & Antaeus
65. Best New Age, Ambient, or Chant Album
For albums containing greater than 75% playing time of new vocal or instrumental new age recordings.
Aquamarine Kirsten Agresta-Copely
Moments Of Beauty Omar Akram
Some Kind Of Peace (Piano Reworks) Ólafur Arnalds
Ocean Dreaming Ocean David Darling & Hans Christian
So She Howls Carla Patullo Featuring Tonality And The Scorchio Quartet
Field 8: Children’s, Comedy, Audio Books, Visual Media & Music Video/Film
66. Best Children’s Music Album
For albums containing greater than 75% playing time of new musical or spoken word recordings that are created and intended specifically for children.
Ahhhhh! Andrew & Polly
Ancestars Pierce Freelon & Nnenna Freelon
Hip Hope For Kids! DJ Willy Wow!
Taste The Sky Uncle Jumbo
We Grow Together Preschool Songs 123 Andrés
67. Best Comedy Album
For albums containing greater than 75% playing time of new recordings.
I Wish You Would Trevor Noah
I’m An Entertainer Wanda Sykes
Selective Outrage Chris Rock
Someone You Love Sarah Silverman
What’s In A Name? Dave Chappelle
68. Best Audio Book, Narration, and Storytelling Recording
Big Tree Meryl Streep
Boldly Go: Reflections On A Life Of Awe And Wonder William Shatner
The Creative Act: A Way Of Being Rick Rubin
It’s Ok To Be Angry About Capitalism Senator Bernie Sanders
The Light We Carry: Overcoming In Uncertain Times Michelle Obama
69. Best Compilation Soundtrack For Visual Media
Award to the principal artist(s) and/or ‘in studio’ producer(s) of a majority of the tracks on the album. In the absence of both, award to the one or two individuals proactively responsible for the concept and musical direction of the album and for the selection of artists, songs and producers, as applicable. Award also goes to appropriately credited music supervisor(s).
AURORA (Daisy Jones & The Six)
Barbie The Album (Various Artists)
Black Panther: Wakanda Forever – Music From And Inspired By (Various Artists)
Guardians of the Galaxy, Vol. 3: Awesome Mix, Vol. 3 (Various Artists)
Weird: The Al Yankovic Story Weird Al Yankovic
70. Best Score Soundtrack For Visual Media (Includes Film And Television)
Award to Composer(s) for an original score created specifically for, or as a companion to, a current legitimate motion picture, television show or series, or other visual media.
Barbie Mark Ronson & Andrew Wyatt, composers
Black Panther: Wakanda Forever Ludwig Göransson, composer
The Fabelmans John Williams, composer
Indiana Jones And The Dial Of Destiny John Williams, composer
Oppenheimer Ludwig Göransson, composer
71. Best Score Soundtrack for Video Games and Other Interactive Media
Award to Composer(s) for an original score created specifically for, or as a companion to, video games and other interactive media.
Call Of Duty®: Modern Warfare II Sarah Schachner, composer
God Of War Ragnarök Bear McCreary, composer
Hogwarts Legacy Peter Murray, J Scott Rakozy & Chuck E. Myers “Sea”, composers
Star Wars Jedi: Survivor Stephen Barton & Gordy Haab, composers
A Songwriter(s) award. For a song (melody & lyrics) written specifically for a motion picture, television, video games or other visual media, and released for the first time during the Eligibility Year. (Artist names appear in parentheses.) Singles or Tracks only.)
Barbie World [From “Barbie The Album”] Naija Gaston, Ephrem Louis Lopez Jr. & Onika Maraj, songwriters (Nicki Minaj & Ice Spice Featuring Aqua)
Dance The Night [From “Barbie The Album”] Caroline Ailin, Dua Lipa, Mark Ronson & Andrew Wyatt, songwriters (Dua Lipa)
I’m Just Ken [From “Barbie The Album”] Mark Ronson & Andrew Wyatt, songwriters (Ryan Gosling)
Lift Me Up [From “Black Panther: Wakanda Forever – Music From And Inspired By”] Ryan Coogler, Ludwig Göransson, Robyn Fenty & Temilade Openiyi, songwriters (Rihanna)
What Was I Made For? [From “Barbie The Album”] Billie Eilish O’Connell & Finneas O’Connell, songwriters (Billie Eilish)
73. Best Music Video
Award to the artist, video director, and video producer.
I’m Only Sleeping (The Beatles) Em Cooper, video director; Jonathan Clyde, Sophie Hilton, Sue Loughlin & Laura Thomas, video producers
In Your Love Tyler Childers Bryan Schlam, video director; Kacie Barton, Silas House, Nicholas Robespierre, Ian Thornton & Whitney Wolanin, video producers
What Was I Made For Billie Eilish Billie Eilish, video director; Michelle An, Chelsea Dodson & David Moore, video producers
Count Me Out Kendrick Lamar Dave Free & Kendrick Lamar, video directors; Jason Baum & Jamie Rabineau, video producers
Rush Troye Sivan Gordon Von Steiner, video director; Kelly McGee, video producer
74. Best Music Film
For concert/performance films or music documentaries. Award to the artist, video director, and video producer.
Moonage Daydream (David Bowie) Brett Morgen, video director; Brett Morgen, video producer
How I’m Feeling Now Lewis Capaldi Joe Pearlman, video director; Sam Bridger, Isabel Davis & Alice Rhodes, video producers
Live From Paris, The Big Steppers Tour Kendrick Lamar Mike Carson, Dave Free & Mark Ritchie, video directors; Cornell Brown, Debra Davis, Jared Heinke & Jamie Rabineau, video producers
I Am Everything (Little Richard) Lisa Cortés, video director; Caryn Capotosto, Lisa Cortés, Robert Friedman & Liz Yale Marsh, video producers
Dear Mama (Tupac Shakur) Allen Hughes, video director; Joshua Garcia, Loren Gomez, James Jenkins & Stef Smith, video producers
Field 9: Package, Notes & Historical
75. Best Recording Package
The Art Of Forgetting Caroline Rose, art director (Caroline Rose)
Cadenza 21′ Hsing-Hui Cheng, art director (Ensemble Cadenza 21′)
Electrophonic Chronic Perry Shall, art director (The Arcs)
Gravity Falls Iam8bit, art director (Brad Breeck)
Migration Yu Wei, art director (Leaf Yeh)
Stumpwork Luke Brooks & James Theseus Buck, art directors (Dry Cleaning)
76. Best Boxed Or Special Limited Edition Package
The Collected Works Of Neutral Milk Hotel Jeff Mangum, Daniel Murphy & Mark Ohe, art directors (Neutral Milk Hotel)
For The Birds: The Birdsong Project Jeri Heiden & John Heiden, art directors (Various Artists)
Gieo Duy Dao, art director (Ngot)
Inside: Deluxe Box Set Bo Burnham & Daniel Calderwood, art directors (Bo Burnham)
Words & Music, May 1965 – Deluxe Edition Masaki Koike, art director (Lou Reed)
77. Best Album Notes
Evenings At The Village Gate: John Coltrane With Eric Dolphy (Live) Ashley Kahn, album notes writer (John Coltrane & Eric Dolphy)
I Can Almost See Houston: The Complete Howdy Glenn Scott B. Bomar, album notes writer (Howdy Glenn)
Mogadishu’s Finest: The Al Uruba Sessions Vik Sohonie, album notes writer (Iftin Band)
Playing For The Man At The Door: Field Recordings From The Collection Of Mack McCormick, 1958–1971 Jeff Place & John Troutman, album notes writers (Various Artists)
Written In Their Soul: The Stax Songwriter Demos Robert Gordon & Deanie Parker, album notes writers (Various Artists)
78. Best Historical Album
Fragments – Time Out Of Mind Sessions (1996-1997): The Bootleg Series, Vol. 17 Steve Berkowitz & Jeff Rosen, compilation producers; Steve Addabbo, Greg Calbi, Steve Fallone, Chris Shaw & Mark Wilder, mastering engineers (Bob Dylan)
The Moaninest Moan Of Them All: The Jazz Saxophone of Loren McMurray, 1920-1922 Colin Hancock, Meagan Hennessey & Richard Martin, compilation producers; Richard Martin, mastering engineer; Richard Martin, restoration engineer (Various Artists)
Playing For The Man At The Door: Field Recordings From The Collection Of Mack McCormick, 1958–1971 Jeff Place & John Troutman, compilation producers; Randy LeRoy & Charlie Pilzer, mastering engineers; Mike Petillo & Charlie Pilzer, restoration engineers (Various Artists)
Words & Music, May 1965 – Deluxe Edition Laurie Anderson, Don Fleming, Jason Stern, Matt Sulllivan & Hal Willner, compilation producers; John Baldwin, mastering engineer; John Baldwin, restoration engineer (Lou Reed)
Written In Their Soul: The Stax Songwriter Demos Robert Gordon, Deanie Parker, Cheryl Pawelski, Michele Smith & Mason Williams, compilation producers; Michael Graves, mastering engineer; Michael Graves, restoration engineer (Various Artists)
Field 10: Production, Engineering, Composition & Arrangement
79. Best Engineered Album, Non-Classical
An Engineer’s Award. (Artists names appear in parentheses.)
Desire, I Want To Turn Into You Macks Faulkron, Daniel Harle, Caroline Polachek & Geoff Swan, engineers; Mike Bozzi & Chris Gehringer, mastering engineers (Caroline Polachek)
History Nic Hard, engineer; Dave McNair, mastering engineer (Bokanté)
JAGUAR II John Kercy, Kyle Mann, Victoria Monét, Patrizio “Teezio” Pigliapoco, Neal H Pogue & Todd Robinson, engineers; Colin Leonard, mastering engineer (Victoria Monét)
Multitudes Michael Harris, Robbie Lackritz, Joseph Lorge & Blake Mills, engineers (Feist)
The Record Owen Lantz, Will Maclellan, Catherine Marks, Mike Mogis, Bobby Mota, Kaushlesh “Garry” Purohit & Sarah Tudzin, engineers; Pat Sullivan, mastering engineer (boygenius)
80. Best Engineered Album, Classical
An Engineer’s Award. (Artist names appear in parentheses.)
The Blue Hour Patrick Dillett, Mitchell Graham, Jesse Lewis, Kyle Pyke, Andrew Scheps & John Weston, engineers; Helge Sten, mastering engineer (Shara Nova & A Far Cry)
Contemporary American Composers David Frost & Charlie Post, engineers; Silas Brown, mastering engineer (Riccardo Muti & Chicago Symphony Orchestra)
Fandango Alexander Lipay & Dmitriy Lipay, engineers; Alexander Lipay & Dmitriy Lipay, mastering engineers (Gustavo Dudamel, Anne Akiko Meyers, Gustavo Castillo & Los Angeles Philharmonic)
Sanlikol: A Gentleman Of Istanbul – Symphony For Strings, Percussion, Piano, Oud, Ney & Tenor Christopher Moretti & John Weston, engineers; Shauna Barravecchio & Jesse Lewis, mastering engineers (Mehmet Ali Sanlikol, George Lernis & A Far Cry)
Tchaikovsky: Symphony No. 5 & Schulhoff: Five Pieces Mark Donahue, engineer; Mark Donahue, mastering engineer (Manfred Honeck & Pittsburgh Symphony Orchestra)
Field 10: Production, Engineering, Composition & Arrangement
81. Producer Of The Year, Classical
A Producer’s Award. (Artist names appear in parentheses.)
David Frost The American Project (Yuja Wang, Teddy Abrams, Louisville Orchestra) (A) Arc II – Ravel, Brahms, Shostakovich (Orion Weiss) (A) Blanchard: Champion (Yannick Nézet-Séguin, Latonia Moore, Ryan Speedo Green, Eric Owens, Stephanie Blythe, Metropolitan Opera Chorus & Orchestra) (A) Contemporary American Composers (Riccardo Muti & Chicago Symphony Orchestra) (A) The Guitar Player (Mattias Schulstad) (A) Mysterium (Anne Akiko Meyers, Grant Gershon & Los Angeles Master Chorale) (A) Verdi: Rigoletto (Daniele Rustioni, Piotr Beczala, Quinn Kelsey, Rosa Feola, Varduhi Abrahamyan, Andrea Mastroni, The Metropolitan Opera Chorus & Orchestra) (A)
Morten Lindberg An Old Hall Ladymass (Catalina Vicens & Trio Mediæval) (A) Thoresen: Lyden Av Arktis – La Terra Meravigliosa (Christian Kluxen & Arktisk Filharmoni) (A) The Trondheim Concertos (Sigurd Imsen & Baroque Ensemble Of The Trondheim Symphony Orchestra) (A) Yggdrasil (Tove Ramlo-Ystad & Cantus) (A)
Dmitriy Lipay Adès: Dante (Gustavo Dudamel & Los Angeles Philharmonic) (A) Fandango (Gustavo Dudamel, Anne Akiko Meyers & Los Angeles Philharmonic) (A) Price: Symphony No. 4; Dawson: Negro Folk Symphony (Yannick Nézet-Séguin & Philadelphia Orchestra) (A) Rachmaninoff: The Piano Concertos & Paganini Rhapsody (Yuja Wang, Gustavo Dudamel & Los Angeles Philharmonic) (A) Walker: Lyric For Strings; Folksongs For Orchestra; Lilacs For Voice & Orchestra; Dawson: Negro Folk Symphony (Asher Fisch & Seattle Symphony) (A)
Elaine Martone Ascenso (Santiago Cañón-Valencia) (A) Berg: Three Pieces From Lyric Suite; Strauss: Suite From Der Rosenkavalier (Franz Welser-Möst & The Cleveland Orchestra) (A) Between Breaths (Third Coast Percussion) (A) Difficult Grace (Seth Parker Woods) (A) Man Up / Man Down (Constellation Men’s Ensemble) (A) Prokofiev: Symphony No. 5 (Franz Welser-Möst & The Cleveland Orchestra) (A) Rachmaninoff & Gershwin: Transcriptions By Earl Wild (John Wilson) (A) Sirventés – Music From The Iranian Female Composers Association (Brian Thornton, Katherine Bormann, Alicia Koelz, Eleisha Nelson, Amahl Arulanadam & Nathan Petipas) (A) Walker: Antifonys; Lilacs; Sinfonias Nos. 4 & 5 (Franz Welser-Möst & The Cleveland Orchestra) (A)
Brian Pidgeon Fuchs: Orchestral Works, Vol. 1 (John Wilson & Sinfonia Of London) (A) Music For Strings (John Wilson & Sinfonia Of London) (A) Nielsen: Violin Concerto; Symphony No. 4 (James Ehnes, Edward Gardner & Bergen Philharmonic Orchestra) (A) Pierre Sancan – A Musical Tribute (Jean-Efflam Bavouzet, Yan Pascal Tortelier & BBC Philharmonic) (A) Poulenc: Orchestral Works (Bramwell Tovey & BBC Concert Orchestra) (A) Rachmaninoff: Symphony No. 3; Voclaise; The Isle Of The Dead (John Wilson & Sinfonia Of London) (A) Schubert: Symphonies, Vol. 3 (Edward Gardner & City Of Birmingham Symphony Orchestra) (A) Shostakovich: Symphonies Nos. 12 & 15 (John Storgårds & BBC Philharmonic) (A) Tchaikovsky: Orchestral Works (Alpesh Chauhan & BBC Scottish Symphony Orchestra) (A)
82. Best Remixed Recording
(A Remixer’s Award. (Artists names appear in parentheses for identification.) Singles or Tracks only.)
Wagging Tongue (Wet Leg Remix) Wet Leg, remixers (Depeche Mode)
Workin’ Hard (Terry Hunter Remix) Terry Hunter, remixer (Mariah Carey)
83. Best Immersive Audio Album
For vocal or instrumental albums in any genre. Must be commercially released for physical sale or on an eligible streaming or download service and must provide a new immersive mix of four or more channels. Award to the immersive mix engineer, immersive producer (if any) and immersive mastering engineer (if any).
Act 3 (Immersive Edition) Ryan Ulyate, immersive mix engineer; Michael Romanowski, immersive mastering engineer; Ryan Ulyate, immersive producer (Ryan Ulyate)
Blue Clear Sky Chuck Ainlay, immersive mix engineer; Michael Romanowski, immersive mastering engineer; Chuck Ainlay, immersive producer (George Strait)
The Diary Of Alicia Keys George Massenburg & Eric Schilling, immersive mix engineers; Michael Romanowski, immersive mastering engineer; Alicia Keys & Ann Mincieli, immersive producers (Alicia Keys)
God Of War Ragnarök (Original Soundtrack) Eric Schilling, immersive mix engineer; Michael Romanowski, immersive mastering engineer; Kellogg Boynton, Peter Scaturro & Herbert Waltl, immersive producers (Bear McCreary)
Silence Between Songs Aaron Short, immersive mastering engineer (Madison Beer)
84. Best Instrumental Composition
A Composer’s Award for an original composition (not an adaptation) first released during the Eligibility Year. Singles or Tracks only.
Amerikkan Skin Lakecia Benjamin, composer (Lakecia Benjamin Featuring Angela Davis)
Can You Hear The Music Ludwig Göransson, composer (Ludwig Göransson)
Cutey And The Dragon Gordon Goodwin & Raymond Scott, composers (Quartet San Francisco Featuring Gordon Goodwin’s Big Phat Band)
Helena’s Theme John Williams, composer (John Williams)
Motion Edgar Meyer, composer (Béla Fleck, Edgar Meyer & Zakir Hussain Featuring Rakesh Chaurasia)
85. Best Arrangement, Instrumental or A Cappella
An Arranger’s Award. (Artist names appear in parentheses.) Singles or Tracks only.
Angels We Have Heard On High Nkosilathi Emmanuel Sibanda, arranger (Just 6)
Can You Hear The Music Ludwig Göransson, arranger (Ludwig Göransson)
Folsom Prison Blues John Carter Cash, Tommy Emmanuel, Markus Illko, Janet Robin & Roberto Luis Rodriguez, arrangers (The String Revolution Featuring Tommy Emmanuel)
I Remember Mingus Hilario Duran, arranger (Hilario Duran And His Latin Jazz Big Band Featuring Paquito D’Rivera)
Paint It Black Esin Aydingoz, Chris Bacon & Alana Da Fonseca, arrangers (Wednesday Addams)
86. Best Arrangement, Instruments and Vocals
An Arranger’s Award. (Artist names appear in parentheses.) Singles or Tracks only.
April In Paris Gordon Goodwin, arranger (Patti Austin Featuring Gordon Goodwin’s Big Phat Band)
Com Que Voz (Live) John Beasley & Maria Mendes, arrangers (Maria Mendes Featuring John Beasley & Metropole Orkest)
In The Wee Small Hours Of The Morning Erin Bentlage, Jacob Collier, Sara Gazarek, Johnaye Kendrick & Amanda Taylor, arrangers (säje Featuring Jacob Collier)
Lush Life Kendric McCallister, arranger (Samara Joy)
Field 11: Classical
87. Best Orchestral Performance
Award to the Conductor and to the Orchestra.
Adès: Dante Gustavo Dudamel, conductor (Los Angeles Philharmonic)
Bartók: Concerto For Orchestra; Four Pieces Karina Canellakis, conductor (Netherlands Radio Philharmonic Orchestra)
Price: Symphony No. 4; Dawson: Negro Folk Symphony Yannick Nézet-Séguin, conductor (The Philadelphia Orchestra)
Scriabin: Symphony No. 2; The Poem Of Ecstasy JoAnn Falletta, conductor (Buffalo Philharmonic Orchestra)
Stravinsky: The Rite Of Spring Esa-Pekka Salonen, conductor (San Francisco Symphony)
88. Best Opera Recording
Award to the Conductor, Album Producer(s) and Principal Soloists, and to the Composer and Librettist (if applicable) of a world premiere Opera recording only.
Blanchard: Champion Yannick Nézet-Séguin, conductor; Ryan Speedo Green, Latonia Moore & Eric Owens; David Frost, producer (The Metropolitan Opera Orchestra; The Metropolitan Opera Chorus)
Corigliano: The Lord Of Cries Gil Rose, conductor; Anthony Roth Costanzo, Kathryn Henry, Jarrett Ott & David Portillo; Gil Rose, producer (Boston Modern Orchestra Project & Odyssey Opera Chorus)
Little: Black Lodge Timur; Andrew McKenna Lee & David T. Little, producers (The Dime Museum; Isaura String Quartet)
89. Best Choral Performance
Award to the Conductor, and to the Choral Director and/or Chorus Master where applicable and to the Choral Organization/Ensemble.
Carols After A Plague Donald Nally, conductor (The Crossing)
The House Of Belonging Craig Hella Johnson, conductor (Miró Quartet; Conspirare)
Ligeti: Lux Aeterna Esa-Pekka Salonen, conductor (San Francisco Symphony Chorus)
Rachmaninoff: All-Night Vigil Steven Fox, conductor (The Clarion Choir)
Saariaho: Reconnaissance Nils Schweckendiek, conductor (Uusinta Ensemble; Helsinki Chamber Choir)
90. Best Chamber Music/Small Ensemble Performance
For new recordings of works with chamber or small ensemble (twenty-four or fewer members, not including the conductor). One Award to the ensemble and one Award to the conductor, if applicable.
American Stories Anthony McGill & Pacifica Quartet
Beethoven For Three: Symphony No. 6, ‘Pastorale’ And Op. 1, No. 3 Yo-Yo Ma, Emanuel Ax & Leonidas Kavakos
Between Breaths Third Coast Percussion
Rough Magic Roomful Of Teeth
Uncovered, Vol. 3: Coleridge-Taylor Perkinson, William Grant Still & George Walker Catalyst Quartet
Field 11: Classical
91. Best Classical Instrumental Solo
Award to the Instrumental Soloist(s) and to the Conductor when applicable.
Adams, John Luther: Darkness And Scattered Light Robert Black
Akiho: Cylinders Andy Akiho
The American Project Yuja Wang; Teddy Abrams, conductor (Louisville Orchestra)
Difficult Grace Seth Parker Woods
Of Love Curtis Stewart
92. Best Classical Solo Vocal Album
Award to: Vocalist(s), Collaborative Artist(s) (Ex: pianists, conductors, chamber groups) Producer(s), Recording Engineers/Mixers with greater than 50% playing time of new material.
Because Reginald Mobley, soloist; Baptiste Trotignon, pianist
Broken Branches Karim Sulayman, soloist; Sean Shibe, accompanist
40@40 Laura Strickling, soloist; Daniel Schlosberg, pianist
Rising Lawrence Brownlee, soloist; Kevin J. Miller, pianist
Walking In The Dark Julia Bullock, soloist; Christian Reif, conductor (Philharmonia Orchestra)
93. Best Classical Compendium
Award to the Artist(s) and to the Album Producer(s) and Engineer(s) of over 50% playing time of the album, and to the Composer and Librettist (if applicable) with over 50% playing time of a world premiere recording only.
Fandango Anne Akiko Meyers; Gustavo Dudamel, conductor; Dmitriy Lipay, producer
Julius Eastman, Vol. 3: If You’re So Smart, Why Aren’t You Rich? Christopher Rountree, conductor; Lewis Pesacov, producer
Mazzoli: Dark With Excessive Bright Peter Herresthal; Tim Weiss, conductor; Hans Kipfer, producer
Passion For Bach And Coltrane Alex Brown, Harlem Quartet, Imani Winds, Edward Perez, Neal Smith & A.B. Spellman; Silas Brown & Mark Dover, producers
Sculptures Andy Akiho; Andy Akiho & Sean Dixon, producers
Zodiac Suite Aaron Diehl Trio & The Knights; Eric Jacobsen, conductor; Aaron Diehl & Eric Jacobsen, producers
94. Best Contemporary Classical Composition
A Composer’s Award. (For a contemporary classical composition composed within the last 25 years, and released for the first time during the Eligibility Year.) Award to the librettist, if applicable.
Adès: Dante Thomas Adès, composer (Gustavo Dudamel & Los Angeles Philharmonic)
Akiho: In That Space, At That Time Andy Akiho, composer (Andy Akiho, Ankush Kumar Bahl & Omaha Symphony)
Brittelle: Psychedelics William Brittelle, composer (Roomful Of Teeth)
Mazzoli: Dark With Excessive Bright Missy Mazzoli, composer (Peter Herresthal, James Gaffigan & Bergen Philharmonic)
Montgomery: Rounds Jessie Montgomery, composer (Awadagin Pratt, A Far Cry & Roomful Of Teeth)
Culture Representation: Taking place from August 7 to August 9, 2023, at the SoFi Stadium in Inglewood, California, the concert documentary film “Taylor Swift: The Eras Tour” features a predominantly white group of people (with some black people, Latinos and Asians) who are concert performers or audience members at a Taylor Swift concert.
Culture Clash: Music superstar Taylor Swift gives her last 2023 U.S. concert on her 2023-2024 “The Eras Tour,” where she performs songs from every era of her career so far, including songs about her relationship breakups and personal problems.
Culture Audience: Besides appealing to the obvious target audience of Taylor Swift fans, “Taylor Swift: The Eras Tour” will appeal primarily to people who enjoy watching high-energy and stylish pop concerts.
Taylor Swift in “Taylor Swift: The Eras Tour” (Photo courtesy of AMC Theatres Distribution)
“Taylor Swift: The Eras Tour” shows an artist in full command of her craft and stage presence. Even if you don’t particularly care for Taylor Swift’s music, this concert documentary radiates positive energy. However, the on-stage talk seems too rehearsed. Swift is known for reinventing herself through her music (she has done albums of country music, pop music and folk music), but she has maintained a public persona that’s a mixture being of confident celebrity and being a relatable “regular person” who confesses her insecurities and failings in her songs.
Directed by Sam Wrench, “Taylor Swift: The Eras Tour” is a documentary showing highlights from concerts that Swift performed on her mega-successful The Eras Tour. The concerts took place at the SoFi Stadum in Inglewood, California, from August 7 to August 9, 2023. There is no backstage or off-stage footage, until the end credits, when there are clips of her rehearsing and footage of fans in the parking lots of her concerts. Except for the end credits, which has “Long Live (Taylor’s Version)” as the song playing in the background, this is a concert film from start to finish.
Wrench has directed several other concert documentaries, including 2022’s “BTS: Permission to Dance on Stage – LA,” “Lizzo: Live in Concert” and 2023’s “Billie Eilish: Live at the O2” and “Brandi Carlile: In the Canyon Haze – Live from Laurel Canyon.” His experience with concert documentaries is very apparent in this slickly helmed film that has plenty of close-ups of Swift smirking and preening for the cameras like a diva in total control of her audience and very aware of where each camera is on stage. She plays acoustic guitar on many of the songs and occasionally plays piano.
The movie opens with giant billowing orange-red fabric engulfing the stage and looking like giant flower petals before Swift emerges like a sparkly butterfly in her sequin-filled leotard and Christian Louboutin boots. The part of the stage that extends to the audience is shaped like an electric guitar. During this 168-minute movie, Swift performs hits from every album she recorded up until The Eras tour: From her self-titled 2006 debut album (released when she was 16 years old) to her 2022 “Midnights” album. Each era is named after one of her albums. On stage, she’s flanked by a small army of musicians and diverse backup dancers.
There are expected numerous wardrobe changes for Swift during the show—her outfits are either close-fitting, sparkly pop star gear or romantic-looking frilly dresses—from designers such as Robert Cavalli, Alberta Ferretti and Atelier Versace. She also gives the predictable declarations of gratitude to the fans for all of their support. The song-and-dance numbers are well-choreographed and enjoyable to watch. However, even though Swift has won numerous awards in her life, she’s never going to win any awards for Dancer of the Year.
Early on in the concert, Swift points an index finger at the audience and swerves around the stage to get people to scream wherever she’s pointing. She then flexes up one of her arm muscles and coos to the stadium full of adoring fans: “You just made me feel so powerful. I guess I’m trying to say, ‘You’re making me feel like the man.'” And (you guessed it), she then performs her hit “The Man.”
For someone who is famous for pouring her personal life into her songs, Swift doesn’t get too personal when she talks to the audience in between songs. During this concert, the most that she will mention about her personal thoughts is saying when she wrote her Grammy-winning 2020 “Folklore” album, she decided to make it a concept album of a fantasy world of imaginary Victorian-era characters, in order to forget that she was a “lonely millennial covered in cat hair” (she famously has cats as pets) and “watching 700 hours of TV.”
But it seems somewhat misleading for Swift to describe herself as a lovelorn bachelorette when she wrote “Folklore.” At the time, she was in a committed relationship with British actor Joe Alwyn, who co-wrote and co-produced several of the album’s songs under the pseudonym William Bowery. Swift and Alwyn began dating in 2016, and they split up in early 2023.
You’d have to be completely cut off from pop culture not to have heard at least one of Swift’s catchy songs. It’s why people who don’t really like Swift’s music have to admit that she has a knack for writing songs that stick in people’s heads. This concert flm is also a good overview of how she’s evolved from a teenage country singer writing songs about high school romance (“You Belong With Me”) to an adult pop star cursing when expressing dark and angry thoughts (“Vigilante Shit”). A high point of the concert is a very rousing rendition of “Bad Blood” that will get most viewers, at the bare minimum, moving their heads or feet in time to the music.
The concert has some visual effects that look very impressive in a movie. Before the “Reputation” Era part of the concert begins, a giant snake hologram appears to take over the stage. Before the “Midnights” Era part of the concert begins, Swift jumps into a chasm on the stage, with the visual effects making it look like she’s swimming in a pool underneath the stage. The stage design includes some stylish props, including a moss-covered piano for her “Evermore” Era songs. For “Look What You Made Me Do,” her backup dancers are in plexiglass cages that are meant to make them look like toy dolls in boxes.
“Taylor Swift: The Eras Tour” breaks tradition with most concert documentaries released in cinemas because it’s distributed by AMC Theatres Distribution (owned by cinema company AMC Entertainment) instead of a movie studio or a special-events movie company such as Fathom Events or Trafalgar Releasing. AMC worked with sub-distribution partners to bring the movie to its rival cinema companies, such as Regal and Cinemark. In Europe, “Taylor Swift: The Eras Tour” is at Odeon Cinemas. Pre-sales have guaranteed that “Taylor Swift: The Eras Tour” movie is a blockbuster hit.
What does this mean for the future of concert documentaries? Movie theater companies can now bypass movie studios by distributing movies themselves and thereby not have to share the ticket revenue with movie studios. Likewise, artists can keep their rights to their concert films, instead of selling the rights to a movie studio that can distribute these films. Swift’s trailblazing success with “Taylor Swift: The Eras Tour” will ensure that other artists will follow the same business model. “Renaissance: A Film by Beyoncé” (a concert documentary from Beyoncé’s 2023 “Renaissance” tour) is already set for release through a similar deal with AMC, on December 1, 2023.
“Taylor Swift: The Eras Tour” is pure escapism, full of glitz and glamour. Don’t expect to hear any sob stories or political rants from Swift on stage, because that’s not what her fans want when they see her in concert. On the other hand, everything she says and does on stage looks so calculated, there aren’t any moments that truly look spontaneous. Swift also mentions the words “SoFi Stadium” so many times during the show, you have to wonder if she got paid extra money for this brand promotion.
Even when Swift goes to the front of the stage to embrace a girl (who’s about 5 or 6 years old) in the audience, it looks like this girl was chosen well in advance. (And based on her front row seat, whoever brought this girl to the concert paid enough money to ensure this kid would be seen by Swift on stage.) It would’ve been more admirable if Swift did something like that for a fan who didn’t have such privileged seating.
Swift shows a little too much neediness for the audience to adore her while not particularly opening up to the audience on a personal level in return. It’s the type of concert where she could say the exact same things but just change the name of the location to wherever she happens to be doing the concert. That’s a “cut and paste” style to performing live—not making each concert audience feel truly unique.
“Taylor Swift: The Eras Tour” is enjoyable to watch but it will not go down in history as one of the all-time greatest concert films. The best concert films (such as 1970’s “Woodstock,” 1978’s “The Last Waltz” or 2021’s “Summer of Soul”) are transformative experiences that go beyond what a well-oiled machine looks like. “Taylor Swift: The Eras Tour” is a well-oiled machine that gets the job done in delivering entertaining and mostly uplifting hits but doesn’t give any further insight into the artist’s soul.
Here is the song list for “Taylor Swift: The Eras Tour”:
“Lover” Era “Miss Americana & the Heartbreak Prince” (intro) “Cruel Summer” “The Man” “You Need to Calm Down” “Lover”
“Fearless” Era “Fearless” “You Belong With Me” “Love Story”
“Evermore” Era “Willow” “Marjorie” “Champagne Problems” “Tolerate It”
“Reputation” Era “…Ready for It?” “Delicate” “Don’t Blame Me” “Look What You Made Me Do”
“Speak Now” Era “Enchanted”
“Red” Era “22” “We Are Never Ever Getting Back Together” “I Knew You Were Trouble”
“Folklore” Era “The 1” “Betty” “The Last Great American Dynasty” “August” “Illicit Affairs” “My Tears Ricochet”
“1989” Era “Style” “Blank Space” “Shake It Off” “Bad Blood”
AMC Theatres Distribution released “Taylor Swift: The Eras Tour” on October 13, 2023. An extended version of the movie will be released on digital and VOD on December 13, 2023.
Members of the “Everything Everywhere All at Once” team, pictured clockwise, from left: Jamie Lee Curtis, James Hong, Michelle Yeoh, Jonathan Wong, Stephanie Hsu, Daniel Scheinert, Daniel Kwan and Ke Huy Quan at the 95th annual Academy Awards at the Dolby Theatre in Los Angeles on March 12, 2023. (Photo courtesy of ABC)
With seven Oscars, including Best Picture, A24’s sci-fi/action film “Everything Everywhere All at Once” was the top winner for the 95th annual Academy Awards, which took place at the Dolby Theatre in Los Angeles on March 12, 2023. ABC had the live U.S. telecast of the show, which was hosted by Jimmy Kimmel. “Everything Everywhere All at Once,” which had 11 nominations, also won Oscars for Best Director (for Daniel Kwan and Daniel Scheinert); Best Actress (for Michelle Yeoh); Best Supporting Actress (for Jamie Lee Curtis); Best Suporting Actor (for Ke Huy Quan); Best Film Editing; and Best Original Screenplay. “Everything Everywhere All at Once” is about a Chinese American family traveling through multiple time eras, identities and universes.
Netflix’s German-language World War I drama “All Quiet on the Western Front” won four Oscars: Best International Feature Film, Best Cinematography, Best Production Design and Best Original Score. Going into the ceremony, “All Quiet on the Western Front” had nine Oscar nominations. Searchlight Pictures’ 1920s Irish comedy/drama “The Banshees of Inisherin” also garnered nine nominations, but didn’t win any Oscars. For the first time in Oscar history, the category for Best Picture is now required to have no less than 10 nominations per year.
The only other movie to win more than one Oscar this year was the A24 drama “The Whale,” which won the prizes for Best Actor (for Brendan Fraser) and Best Makeup and Hairstyling. In the movie, Fraser portrays an extremely obsese man who is dying. For his role in “The Whale,” Fraser wore prosthetic makeup from the neck down.
The Academy Awards (or Oscars) are voted on and presented by the Academy of Motion Picture Arts and Sciences. The 2003 Oscar ceremony telecast was overseen by executive producer/showrunner Glenn Weiss, executive producer/showrunner Ricky Kirshner and executive producer Molly McNearney.
Artists at the show who performed the five Oscar-nominated songs were Sofia Carson and Diane Warren ( “Applause” from “Tell It Like a Woman”); David Byrne, Stephanie Hsu and Son Lux (“This Is a Life” from “Everything Everywhere All at Once” ); Kaala Bhairava and Rahul Sipligunj (“Naatu Naatu” from “RRR”); Lady Gaga (“Hold My Hand” from “Top Gun: Maverick”); and Rihanna (“Lift Me Up” from “Black Panther: Wakanda Forever”). “Naatu Naatu” won the Oscar, which went to songwriters M.M. Keeravaani and Chandrabose.
Presenters at the ceremony were Riz Ahmed, Halle Bailey, Antonio Banderas, Elizabeth Banks, Halle Berry, Emily Blunt, Jessica Chastain, John Cho, Jennifer Connelly, Paul Dano, Ariana DeBose, Cara Delevingne, Harrison Ford, Morgan Freeman, Andrew Garfield, Hugh Grant, Danai Gurira, Salma Hayek Pinault, Kate Hudson, Samuel L. Jackson, Dwayne Johnson, Michael B. Jordan, Mindy Kaling, Nicole Kidman, Troy Kotsur, Eva Longoria, Julia Louis-Dreyfus, Andie MacDowell, Jonathan Majors, Melissa McCarthy, Janelle Monáe, Elizabeth Olsen, Deepika Padukone, Pedro Pascal, Florence Pugh, Margot Robbie, Zoe Saldaña, Ahmir “Questlove” Thompson, John Travolta, Sigourney Weaver and Donnie Yen.
Ke Huy Quan, Michelle Yeoh, Brendan Fraser and Jamie Lee Curtis at the 95th annual Academy Awards at the Dolby Theatre in Los Angeles on March 12, 2023. (Photo courtesy of ABC)
Here is the complete list of winners and nominees for the 2023 Academy Awards:
*=winner
Best Picture
“All Quiet on the Western Front,” Malte Grunert, Producer
“Avatar: The Way of Water,” James Cameron and Jon Landau, Producers
“The Banshees of Inisherin,” Graham Broadbent, Pete Czernin and Martin McDonagh, Producers
“Elvis,” Baz Luhrmann, Catherine Martin, Gail Berman, Patrick McCormick and Schuyler Weiss, Producers
“Everything Everywhere All at Once,” Daniel Kwan, Daniel Scheinert and Jonathan Wang, Producers*
“The Fabelmans,” Kristie Macosko Krieger, Steven Spielberg and Tony Kushner, Producers
“TÁR,” Todd Field, Alexandra Milchan and Scott Lambert, Producers
“Top Gun: Maverick,” Tom Cruise, Christopher McQuarrie, David Ellison and Jerry Bruckheimer, Producers
“Triangle of Sadness,” Erik Hemmendorff and Philippe Bober, Producers
“Women Talking,” Dede Gardner, Jeremy Kleiner and Frances McDormand, Producers
Best Director
Martin McDonagh (“The Banshees of Inisherin”)
Daniel Kwan, Daniel Scheinert (“Everything Everywhere All at Once”)*
Steven Spielberg (“The Fabelmans”)
Todd Field (“TÁR”)
Ruben Östlund (“Triangle of Sadness”)
Best Lead Actor
Austin Butler (“Elvis”)
Colin Farrell (“The Banshees of Inisherin”)
Brendan Fraser (“The Whale”)*
Paul Mescal (“Aftersun”)
Bill Nighy (“Living”)
Best Lead Actress
Cate Blanchett (“TÁR”)
Ana de Armas (“Blonde”)
Andrea Riseborough (“To Leslie”)
Michelle Williams (“The Fabelmans”)
Michelle Yeoh (“Everything Everywhere All at Once”)*
Best Supporting Actor
Brendan Gleeson (“The Banshees of Inisherin”)
Brian Tyree Henry (“Causeway”)
Judd Hirsch (“The Fabelmans”)
Barry Keoghan (“The Banshees of Inisherin”)
Ke Huy Quan (“Everything Everywhere All at Once”)*
Best Supporting Actress
Angela Bassett (“Black Panther: Wakanda Forever”)
Hong Chau (“The Whale”)
Kerry Condon (“The Banshees of Inisherin”)
Jamie Lee Curtis (“Everything Everywhere All at Once”)*
Stephanie Hsu (“Everything Everywhere All at Once”)
Best Adapted Screenplay
“All Quiet on the Western Front,” Screenplay by Edward Berger, Lesley Paterson & Ian Stokell
“Glass Onion: A Knives Out Mystery,” Written by Rian Johnson
“Living,” Written by Kazuo Ishiguro
“Top Gun: Maverick,” Screenplay by Ehren Kruger and Eric Warren Singer and Christopher McQuarrie; Story by Peter Craig and Justin Marks
“Women Talking,” Screenplay by Sarah Polley*
Best Original Screenplay
“The Banshees of Inisherin,” Written by Martin McDonagh
“Everything Everywhere All at Once,” Written by Daniel Kwan & Daniel Scheinert*
“The Fabelmans,” Written by Steven Spielberg & Tony Kushner
“TÁR,” Written by Todd Field
“Triangle of Sadness,” Written by Ruben Östlund
Best Cinematography
“All Quiet on the Western Front,” James Friend*
“Bardo, False Chronicle of a Handful of Truths,” Darius Khondji
“Elvis,” Mandy Walker
“Empire of Light,” Roger Deakins
“Tár,” Florian Hoffmeister
Best Film Editing
“The Banshees of Inisherin,” Mikkel E.G. Nielsen
“Elvis,” Matt Villa and Jonathan Redmond
“Everything Everywhere All at Once,” Paul Rogers*
“TÁR,” Monika Willi
“Top Gun: Maverick,” Eddie Hamilton
Best Original Score
“All Quiet on the Western Front,” Volker Bertelmann*
“Babylon,” Justin Hurwitz
“The Banshees of Inisherin,” Carter Burwell
“Everything Everywhere All at Once,” Son Lux
“The Fabelmans,” John Williams
Best Sound
“All Quiet on the Western Front,” Viktor Prášil, Frank Kruse, Markus Stemler, Lars Ginzel and Stefan Korte
“Avatar: The Way of Water,” Julian Howarth, Gwendolyn Yates Whittle, Dick Bernstein, Christopher Boyes, Gary Summers and Michael Hedges
“The Batman,” Stuart Wilson, William Files, Douglas Murray and Andy Nelson
“Elvis,” David Lee, Wayne Pashley, Andy Nelson and Michael Keller
“Top Gun: Maverick,” Mark Weingarten, James H. Mather, Al Nelson, Chris Burdon and Mark Taylor*
Best Original Song
“Applause” from “Tell It Like a Woman,” Music and Lyric by Diane Warren
“Hold My Hand” from “Top Gun: Maverick,” Music and Lyric by Lady Gaga and BloodPop
“Lift Me Up” from “Black Panther: Wakanda Forever,” Music by Tems, Rihanna, Ryan Coogler and Ludwig Goransson; Lyric by Tems and Ryan Coogler
“Naatu Naatu” from “RRR,” Music by M.M. Keeravaani; Lyric by Chandrabose*
“This Is a Life” from “Everything Everywhere All at Once,” Music by Ryan Lott, David Byrne and Mitski; Lyric by Ryan Lott and David Byrne
Best Animated Feature Film
“Guillermo del Toro’s Pinocchio,” Guillermo del Toro, Mark Gustafson, Gary Ungar and Alex Bulkley*
“Marcel the Shell With Shoes On,” Dean Fleischer Camp, Elisabeth Holm, Andrew Goldman, Caroline Kaplan and Paul Mezey
“Puss in Boots: The Last Wish,” Joel Crawford and Mark Swift
“The Sea Beast,” Chris Williams and Jed Schlanger
“Turning Red,” Domee Shi and Lindsey Collins
Best International Feature Film
“All Quiet on the Western Front” (Germany)*
“Argentina, 1985” (Argentina)
“Close” (Belgium)
“EO” (Poland)
“The Quiet Girl” (Ireland)
Best Documentary Feature Film
“All That Breathes,” Shaunak Sen, Aman Mann and Teddy Leifer
“All the Beauty and the Bloodshed,” Laura Poitras, Howard Gertler, John Lyons, Nan Goldin and Yoni Golijov
“Fire of Love,” Sara Dosa, Shane Boris and Ina Fichman
“A House Made of Splinters,” Simon Lereng Wilmont and Monica Hellström
“Navalny,” Daniel Roher, Odessa Rae, Diane Becker, Melanie Miller and Shane Boris*
Best Makeup and Hairstyling
“All Quiet on the Western Front,” Heike Merker and Linda Eisenhamerová
“The Batman,” Naomi Donne, Mike Marino and Mike Fontaine
“Black Panther: Wakanda Forever,” Camille Friend and Joel Harlow
“Elvis,” Mark Coulier, Jason Baird and Aldo Signoretti
“The Whale,” Adrien Morot, Judy Chin and Anne Marie Bradley*
Best Costume Design
“Babylon,” Mary Zophres
“Black Panther: Wakanda Forever,” Ruth Carter*
“Elvis,” Catherine Martin
“Everything Everywhere All at Once,” Shirley Kurata
“Mrs. Harris Goes to Paris,” Jenny Beavan
Best Production Design
“All Quiet on the Western Front,” Production Design: Christian M. Goldbeck; Set Decoration: Ernestine Hipper*
“Avatar: The Way of Water,” Production Design: Dylan Cole and Ben Procter; Set Decoration: Vanessa Cole
“Babylon,” Production Design: Florencia Martin; Set Decoration: Anthony Carlino
“Elvis,” Production Design: Catherine Martin and Karen Murphy; Set Decoration: Bev Dunn
“The Fabelmans,” Production Design: Rick Carter; Set Decoration: Karen O’Hara
Best Visual Effects
“All Quiet on the Western Front,” Frank Petzold, Viktor Müller, Markus Frank and Kamil Jafar
“Avatar: The Way of Water,” Joe Letteri, Richard Baneham, Eric Saindon and Daniel Barrett*
“The Batman,” Dan Lemmon, Russell Earl, Anders Langlands and Dominic Tuohy
“Black Panther: Wakanda Forever,” Geoffrey Baumann, Craig Hammack, R. Christopher White and Dan Sudick
“Top Gun: Maverick,” Ryan Tudhope, Seth Hill, Bryan Litson and Scott R. Fisher
Best Documentary Short Film
“The Elephant Whisperers,” Kartiki Gonsalves and Guneet Monga*
“Haulout,” Evgenia Arbugaeva and Maxim Arbugaev
“How Do You Measure a Year?” Jay Rosenblatt
“The Martha Mitchell Effect,” Anne Alvergue and Beth Levison
“Stranger at the Gate,” Joshua Seftel and Conall Jones
Best Animated Short Film
“The Boy, the Mole, the Fox and the Horse,” Charlie Mackesy and Matthew Freud*
“The Flying Sailor,” Amanda Forbis and Wendy Tilby
“Ice Merchants,” João Gonzalez and Bruno Caetano
“My Year of Dicks,” Sara Gunnarsdóttir and Pamela Ribon
“An Ostrich Told Me the World Is Fake and I Think I Believe It,” Lachlan Pendragon
Stephanie Hsu, Michelle Yeoh and Ke Huy Quan in “Everything Everywhere All at Once” (Photo by Allyson Riggs/A24)
With 11 nominations, A24’s sci-fi/action film “Everything Everywhere All at Once” is the top contender for the 95th annual Academy Awards, which will take place at the Dolby Theatre in Los Angeles on March 12, 2023. ABC will have the live U.S. telecast of the show, which will be hosted by Jimmy Kimmel. Netflix’s German-language World War I drama “All Quiet on the Western Front” and Searchlight Pictures’ 1920s Irish comedy/drama “The Banshees of Inisherin” garnered nine nominations each. All three films are nominated for Best Picture, a category that—for the first time in Oscar history—is now required to have no less than 10 nominations per year.
The other nominations for Best Picture for the 2023 Academy Awards are 20th Century Studios’ sci-fi epic “Avatar: The Way of Water,” Warner Bros. Pictures’ drama “Elvis,” Universal Pictures’ drama “The Fabelmans,” Focus Features’ drama “TÁR,” Paramount Pictures’ action film “Top Gun: Maverick,” Neon’s comedy/drama “Triangle of Sadness” and Orion Pictures’ drama “Women Talking.”
The Academy Awards (or Oscars) are voted on and presented by the Academy of Motion Pictures Arts and Sciences. The 95th annual televised Oscar ceremony will be headed by executive producers/showrunners Glenn Weiss and Ricky Kirshner and executive producer Molly McNearney.
Snubs and Surprises
Columbia Pictures’ action film “The Woman King,” which has been getting nominations (mostly for lead actress Viola Davis) at other awards shows, was completely shut out of the Oscar nominations. Also getting snubbed was Danielle Deadwyler, who has been getting nominated elsewhere for her lead actress performance in the Orion Pictures drama “Till,” which failed to get any Oscar nominations. And although James Cameron got a Best Picture nod for being a producer of “Avatar: The Way of Water,” he missed out on getting a Best Director nomination for the movie, even though he’s been nominated for Best Director at most other major award shows.
Surprises included a Best Actress nomination for Andrea Riseborough of the Momentum Pictures drama “To Leslie,” which has not been getting nominated at any other major award shows, except for the Film Independent Spirit Awards, where Riseborough was nominated for Best Lead Performance. “All Quiet on the Western Front” received nine Oscar nominations, which has never happened before for a German-language film. The only other major award show that has given “All Quiet on the Western Front” several nominations is the British Academy Film Awards (BAFTAs), which bestowed 14 nominations on the movie.
Here is the complete list of nominees for the 2023 Academy Awards:
Best Picture
“All Quiet on the Western Front,” Malte Grunert, Producer
“Avatar: The Way of Water,” James Cameron and Jon Landau, Producers
“The Banshees of Inisherin,” Graham Broadbent, Pete Czernin and Martin McDonagh, Producers
“Elvis,” Baz Luhrmann, Catherine Martin, Gail Berman, Patrick McCormick and Schuyler Weiss, Producers
“Everything Everywhere All at Once,” Daniel Kwan, Daniel Scheinert and Jonathan Wang, Producers
“The Fabelmans,” Kristie Macosko Krieger, Steven Spielberg and Tony Kushner, Producers
“TÁR,” Todd Field, Alexandra Milchan and Scott Lambert, Producers
“Top Gun: Maverick,” Tom Cruise, Christopher McQuarrie, David Ellison and Jerry Bruckheimer, Producers
“Triangle of Sadness,” Erik Hemmendorff and Philippe Bober, Producers
“Women Talking,” Dede Gardner, Jeremy Kleiner and Frances McDormand, Producers
Best Director
Martin McDonagh (“The Banshees of Inisherin”)
Daniel Kwan, Daniel Scheinert (“Everything Everywhere All at Once”)
Steven Spielberg (“The Fabelmans”)
Todd Field (“TÁR”)
Ruben Östlund (“Triangle of Sadness”)
Best Lead Actor
Austin Butler (“Elvis”)
Colin Farrell (“The Banshees of Inisherin”)
Brendan Fraser (“The Whale”)
Paul Mescal (“Aftersun”)
Bill Nighy (“Living”)
Best Lead Actress
Cate Blanchett (“TÁR”)
Ana de Armas (“Blonde”)
Andrea Riseborough (“To Leslie”)
Michelle Williams (“The Fabelmans”)
Michelle Yeoh (“Everything Everywhere All at Once”)
Best Supporting Actor
Brendan Gleeson (“The Banshees of Inisherin”)
Brian Tyree Henry (“Causeway”)
Judd Hirsch (“The Fabelmans”)
Barry Keoghan (“The Banshees of Inisherin”)
Ke Huy Quan (“Everything Everywhere All at Once”)
Best Supporting Actress
Angela Bassett (“Black Panther: Wakanda Forever”)
Hong Chau (“The Whale”)
Kerry Condon (“The Banshees of Inisherin”)
Jamie Lee Curtis (“Everything Everywhere All at Once”)
Stephanie Hsu (“Everything Everywhere All at Once”)
Best Adapted Screenplay
“All Quiet on the Western Front,” Screenplay by Edward Berger, Lesley Paterson & Ian Stokell
“Glass Onion: A Knives Out Mystery,” Written by Rian Johnson
“Living,” Written by Kazuo Ishiguro
“Top Gun: Maverick,” Screenplay by Ehren Kruger and Eric Warren Singer and Christopher McQuarrie; Story by Peter Craig and Justin Marks
“Women Talking,” Screenplay by Sarah Polley
Best Original Screenplay
“The Banshees of Inisherin,” Written by Martin McDonagh
“Everything Everywhere All at Once,” Written by Daniel Kwan & Daniel Scheinert
“The Fabelmans,” Written by Steven Spielberg & Tony Kushner
“Tár,” Written by Todd Field
“Triangle of Sadness,” Written by Ruben Östlund
Best Cinematography
“All Quiet on the Western Front”, James Friend
“Bardo, False Chronicle of a Handful of Truths,” Darius Khondji
“Elvis,” Mandy Walker
“Empire of Light,” Roger Deakins
“Tár,” Florian Hoffmeister
Best Film Editing
“The Banshees of Inisherin,” Mikkel E.G. Nielsen
“Elvis,” Matt Villa and Jonathan Redmond
“Everything Everywhere All at Once,” Paul Rogers
“TÁR,” Monika Willi
“Top Gun: Maverick,” Eddie Hamilton
Best Original Score
“All Quiet on the Western Front,” Volker Bertelmann
“Babylon,” Justin Hurwitz
“The Banshees of Inisherin,” Carter Burwell
“Everything Everywhere All at Once,” Son Lux
“The Fabelmans,” John Williams
Best Sound
“All Quiet on the Western Front,” Viktor Prášil, Frank Kruse, Markus Stemler, Lars Ginzel and Stefan Korte
“Avatar: The Way of Water,” Julian Howarth, Gwendolyn Yates Whittle, Dick Bernstein, Christopher Boyes, Gary Summers and Michael Hedges
“The Batman,” Stuart Wilson, William Files, Douglas Murray and Andy Nelson
“Elvis,” David Lee, Wayne Pashley, Andy Nelson and Michael Keller
“Top Gun: Maverick,” Mark Weingarten, James H. Mather, Al Nelson, Chris Burdon and Mark Taylor
Best Original Song
“Applause” from “Tell It Like a Woman,” Music and Lyric by Diane Warren
“Hold My Hand” from “Top Gun: Maverick,” Music and Lyric by Lady Gaga and BloodPop
“Lift Me Up” from “Black Panther: Wakanda Forever,” Music by Tems, Rihanna, Ryan Coogler and Ludwig Goransson; Lyric by Tems and Ryan Coogler
“Naatu Naatu” from “RRR,” Music by M.M. Keeravaani; Lyric by Chandrabose
“This Is a Life” from “Everything Everywhere All at Once,” Music by Ryan Lott, David Byrne and Mitski; Lyric by Ryan Lott and David Byrne
Best Animated Feature Film
“Guillermo del Toro’s Pinocchio,” Guillermo del Toro, Mark Gustafson, Gary Ungar and Alex Bulkley
“Marcel the Shell With Shoes On,” Dean Fleischer Camp, Elisabeth Holm, Andrew Goldman, Caroline Kaplan and Paul Mezey
“Puss in Boots: The Last Wish,” Joel Crawford and Mark Swift
“The Sea Beast,” Chris Williams and Jed Schlanger
“Turning Red,” Domee Shi and Lindsey Collins
Best International Feature Film
“All Quiet on the Western Front” (Germany)
“Argentina, 1985” (Argentina)
“Close” (Belgium)
“EO” (Poland)
“The Quiet Girl” (Ireland)
Best Documentary Feature Film
“All That Breathes,” Shaunak Sen, Aman Mann and Teddy Leifer
“All the Beauty and the Bloodshed,” Laura Poitras, Howard Gertler, John Lyons, Nan Goldin and Yoni Golijov
“Fire of Love,” Sara Dosa, Shane Boris and Ina Fichman
“A House Made of Splinters,” Simon Lereng Wilmont and Monica Hellström
“Navalny,” Daniel Roher, Odessa Rae, Diane Becker, Melanie Miller and Shane Boris
Best Makeup and Hairstyling
“All Quiet on the Western Front,” Heike Merker and Linda Eisenhamerová
“The Batman,” Naomi Donne, Mike Marino and Mike Fontaine
“Black Panther: Wakanda Forever,” Camille Friend and Joel Harlow
“Elvis,” Mark Coulier, Jason Baird and Aldo Signoretti
“The Whale,” Adrien Morot, Judy Chin and Anne Marie Bradley
Best Costume Design
“Babylon,” Mary Zophres
“Black Panther: Wakanda Forever,” Ruth Carter
“Elvis,” Catherine Martin
“Everything Everywhere All at Once,” Shirley Kurata
“Mrs. Harris Goes to Paris,” Jenny Beavan
Best Production Design
“All Quiet on the Western Front,” Production Design: Christian M. Goldbeck; Set Decoration: Ernestine Hipper
“Avatar: The Way of Water,” Production Design: Dylan Cole and Ben Procter; Set Decoration: Vanessa Cole
“Babylon,” Production Design: Florencia Martin; Set Decoration: Anthony Carlino
“Elvis,” Production Design: Catherine Martin and Karen Murphy; Set Decoration: Bev Dunn
“The Fabelmans,” Production Design: Rick Carter; Set Decoration: Karen O’Hara
Best Visual Effects
“All Quiet on the Western Front,” Frank Petzold, Viktor Müller, Markus Frank and Kamil Jafar
“Avatar: The Way of Water,” Joe Letteri, Richard Baneham, Eric Saindon and Daniel Barrett
“The Batman,” Dan Lemmon, Russell Earl, Anders Langlands and Dominic Tuohy
“Black Panther: Wakanda Forever,” Geoffrey Baumann, Craig Hammack, R. Christopher White and Dan Sudick
“Top Gun: Maverick,” Ryan Tudhope, Seth Hill, Bryan Litson and Scott R. Fisher
Best Documentary Short Film
“The Elephant Whisperers,” Kartiki Gonsalves and Guneet Monga
“Haulout,” Evgenia Arbugaeva and Maxim Arbugaev
“How Do You Measure a Year?” Jay Rosenblatt
“The Martha Mitchell Effect,” Anne Alvergue and Beth Levison
“Stranger at the Gate,” Joshua Seftel and Conall Jones
Best Animated Short Film
“The Boy, the Mole, the Fox and the Horse,” Charlie Mackesy and Matthew Freud
“The Flying Sailor,” Amanda Forbis and Wendy Tilby
“Ice Merchants,” João Gonzalez and Bruno Caetano
“My Year of Dicks,” Sara Gunnarsdóttir and Pamela Ribon
“An Ostrich Told Me the World Is Fake and I Think I Believe It,” Lachlan Pendragon
