Ben Swanton, DOC NYC, documentaries, film festivals, Joe Piscatella, Mai Khoi, Mai Khoi & the Dissidents, movies, music, New York City, reviews, Vietnam
November 18, 2019
by Carla Hay
“Mai Khoi & the Dissidents”
Directed by Joe Piscatella
Vietnamese with subtitles
World premiere at DOC NYC in New York City on November 13, 2019.
There have been many pop stars who have changed their safe, politically neutral images to making music that’s edgy or politically controversial. But what if a pop star does that and is then persecuted by the government? That’s what Vietnamese singer Mai Khoi has experienced, according to this compelling film that clocks in at a brisk 70 minutes. This documentary chronicles her ongoing struggles in fighting that persecution and for her rights to freedom of expression.
She first became famous in Vietnam for doing fluffy, inoffensive pop songs. In 2010, Vietnam Television awarded her the prizes of Album of the Year and Song of the Year (for “Viet Nam”). But, as she says in the documentary about her former life as a pop star: “I felt comfortable having a lot of money, but I felt something missing inside me.” Her Australian husband, Ben Swanton, a fellow left-wing social activist whom she married in 2013, says: “She caused a major national scandal when she said that she didn’t want to get married and have children.”
She caused another scandal with her song “Selfie Orgasm,” which essentially dropped the final bomb in her “safe” pop-star image. Khoi says that the song was a social commentary on narcissism, but it was eventually banned by Zing, which is the Vietnamese version of YouTube. By then, a political fire had been began to roar inside her, and she ran for political office as an independent, for a seat in the National Assembly of Vietnam. However, the Vietnamese government, specifically the Vietnamese Fatherland Front, made sure that her name was left off of the ballot.
Khoi’s 2016 meeting with then-U.S. president Barack Obama when he visited Vietnam made her even more of an enemy to the Vietnamese government, she says in the movie. In March 2016, the police raided her concert in Saigon, and she’s been banned from performing in Vietnam. But in one scene in the movie, she does a secret show anyway, and braces herself for the consequences. Viewers see in the film that the government’s reaction is swift and severe: In retaliation for Khoi doing the secret show, the government forced her landlord to evict her. One of the people interviewed in the documentary is Nguyen Qui Duc, also known as radical blogger Anh Chi, who says he’s also been harassed by the Vietnamese government for speaking out against the government.
The movie also shows her botched attempt to hang a banner saying “Keep the Internet Free” from the Long Biên Bridge in Hanoi. She dropped the banner into the Red River after only five minutes, out of fear of being arrested. However, that experience perhaps emboldened her to do an even more daring protest publicity stunt.
The election of Donald Trump as U.S. president added more fuel to her fire. In 2017, when Trump visited Vietnam for the first time as U.S. president, she made headlines around the world for holding a banner up as his motorcade passed by on the streets of Hanoi. The banner said, “Piss on you Trump,” with “iss” crossed out to read “Peace on You Trump.” She was quickly visited by the police, who harassed her. Some of the harassment was caught on camera, but the police eventually forced the cameraperson to stop filming. Despite the police attempting to silence Khoi, her protest achieved its goal of international attention, since video of Khoi holding up the banner became a viral sensation.
A great deal of the movie also documents the recording of Khoi’s first album with her all-male band the Dissidents, whose members all have left-leaning political beliefs, but some of them express a certain trepidation about how being in the band will make them targets of harassment from the government. The musicianship isn’t particuarly impressive, but the album isn’t about crafting catchy pop songs, and the song lyrics clearly mean more to the band than the music.
It’s not a spoiler to say the “Mai Khoi & the Dissidents” album was released in 2017. The album, which was picked up by a Norwegian record company to be released in Norway, became only the second album from a Vietnamese artist to be released outside of Vietnam, according to the documentary. Khoi also received the Human Rights Award from the Oslo Freedom Forum, but the Vietnam government censored this news in the BBC report that was televised in Vietnam.
As a documentary, “Mai Khoi & the Dissidents” is at its most riveting when it conveys the fear and tension after Khoi does something to agitate the Vietnam government. It leaves viewers wondering what’s going to happen next, and what kind of harassment Khoi will experience. What’s less interesting is footage of Khoi and her bandmates in the recording studio, because the musicianship is, frankly, mediocre.
There’s a poignant scene at the end of the film when Khoi seriously contemplates moving from Vietnam to Australia, even though she would be leaving her entire biological family behind. You’ll have to see the movie to find out what she decided in her dilemma to leave Vietnam or stay. The biggest downside to this movie is that in the unpredictable world of a firebrand like Mai Khoi, she’ll inevitably make headlines again for bold and risk-taking activism, and this documentary will then be rendered very outdated.