action, Alexandra Daddario, Billy Crudup, Caroline Raynaud, Collin Schiffli, Die in a Gunfight, Diego Boneta, John Ralston, Justin Chatwin, Michelle Nolden, movies, Nicola Correia-Damude, Stuart Hughes, Travis Fimmel, Wade Allain-Marcus
July 29, 2021
by Carla Hay
Directed by Collin Schiffli
Culture Representation: Taking place in an unnamed U.S. city, the action film “Die in a Gunfight” features a predominantly white cast of characters (with some Latinos, African Americans and Asians) representing the working-class, middle-class and wealthy.
Culture Clash: A ne’er-do-well heir from a wealthy media family tries to win back the heart of his ex-girlfriend, who comes from a rival media family, while a hit man and her jealous former bodyguard, who wants to marry her, get messily involved in the lives of this would-be couple.
Culture Audience: “Die in a Gunfight” will appeal primarily to people who want to watch a painfully dull and unfunny action comedy inspired by Shakespeare’s “Romeo and Juliet.”
If William Shakespeare were alive, he would retch at how “Die in a Gunfight” shamelessly steals from “Romeo and Juliet” and rots it down to the tackiest levels. It’s an action comedy that’s boring and witless. And it’s one of those mind-numbingly bad movies that doesn’t have enough of a story to fill a feature-length film, so it just bloats the movie with the cinematic equivalent of hot air.
There are some bad movies that at least should be given credit for trying to be original. However, “Die in a Gunfight”—directed and Collin Schiffli and written by Andrew Barrer and Gabriel Ferrari—has absolutely no originality in any of its ideas. In addition to the “Romeo and Juliet” storyline for the movie’s would-be couple, “Die in a Gunfight” regurgitates plots and tropes that have been seen in too many other movies.
There’s the wacky hitman. There’s the love triangle with a jealous third person who wants to tear the would-be couple apart. There’s the “snitch” who’s been targeted for a murder plot. There’s the forgettable series of gun shootouts, fist fights and chase scenes. And it’s all tangled up in moronic dialogue and substandard acting.
“Die in a Gunfight” takes place in an unnamed big U.S. city (“Die in a Gunfight” was actually filmed in Toronto), where two media mogul families have been feuding for years. Billy Crudup, an Tony-winning and Emmy-winning actor, provides anonymous voiceover narration for “Die in a Gunfight.” He spares himself the embarrassment of not appearing on camera in this messy slop of a movie. Someone must’ve called in a big favor to have an actor of Crudup’s caliber in this movie, because he’s definitely slumming it here.
As the unidentified narrator explains, the Gibbon family and the Rathcart family have been feuding with each other since 1864. That’s the year when patriarch Theodore Gibbon’s newspaper published an unflattering story about patriarch Carlton Rathcart’s shoes. An argument ensued, and Theodore shot Carlton to death. The two families became bitter enemies ever since.
In the present day, each family owns a media empire—Gibbon Telecommunications and Rathcart Corporation—that fiercely competes with each other. Two married couples currently lead these two dynasties: Henry Gibbon (played by Stuart Hughes) and Nancy Gibbon (played by Nicola Correia-Damude) for Gibbon Telecommunications, and William Rathcart (played by John Ralston) and Beatrice Rathcart (played by Michelle Nolden) for Rathcart Coportation.
The husbands are the CEOs of their repsective companies, while their wives don’t seem to work and are socialites. Henry and Nancy Gibbon have a 27-year-old son named Ben (played by Diego Boneta), while William and Beatrice Rathcart have a daughter named Mary (played by Alexandra Daddario), who’s about the same age as Ben. It should be noted that, just like their mothers, Mary and Ben don’t seem to have jobs. It would explain why Ben and Mary have way too much time on their hands to get involved in the stupid shenanigans that this movie has for them.
The jumbled storytelling in “Die in a Gunfight” doesn’t reveal this family information from the beginning. Instead, the opening scene has animation and the narrator explaining that Ben has been in about 32.8 brawls a year since he was 5 years old—and he’s lost every single one of those fights. (You’d never know it though, because Ben is a pretty boy whose face doesn’t look banged up at all.) Ben was living an aimless, detached life until he fell in love with Mary when they were in high school. Needless to say, their parents didn’t approve of their romance.
However, Mary (a privileged rebel who’s been kicked out of every private school she attended) was shipped off to boarding school in Paris. The two teens had made plans to run off together to Mexico when they got old enough to legally do what they want. Ben sent her frequent letters by email, but Mary never answered them. A heartbroken Ben assumed that Mary lost interest in him, and that ignoring his email was her way of breaking up with him. Haven’t these people heard of phones or text messages?
A flashback shows that a depressed Ben, sometime in his mid-20s, ended up going to Mexico by himself. He was about to hang himself from a tree, but there was a mishap and he tumbled down a cliff and right into a guy around his age named Mukul (played by Wade Allain-Marcus), who was being held at gunpoint by a thug who was about to execute Mukul. This random tumble ended up saving Mukul’s life because it also knocked the gun out of the thug’s hand, and Mukul was able to chase him away his would-be killer.
Seven months later, Mukul and Ben became best friends who vowed not to tell anyone the real way that they met. Mukul moved to the U.S. with Ben, where they are seen in the present day crashing a high-society party that’s being held at a mansion. At this party are Mary, Ben’s parents and Mary’s parents. Mary’s parents are predictably annoyed that Ben is there.
Ben hasn’t seen Mary in years, but they look at each other as if they still have have a romantic spark between them. They don’t talk for long, and their conversation is awkward and uncomfortable. Ben and Mukul decide to leave the party, but not before they steal a bunch of fur coats as they exit the mansion.
Ben sees Mary again at a nightclub, where she is trying to avoid someone from her past: Terrence Uberahl (played by Justin Chatwin), who used to be her bodyguard hired by her father. Terrence currently works as a corporate executive/fixer for William Rathcraft. But what Terrence really wants is to marry Mary.
Terrence isn’t afraid to tell Mary that he’s in love with her, but it’s not real love. It’s an obsession. At a private back room in the nightclub, Terrence (whose persona is a mixture of sleazy and dorky) proposes marriage to Mary. He even bought her a diamond engagement ring. Mary is turned off because she’s never been interested in Terrence and never gave him an indication that she wanted to be his romantic partner. Mary immediately says no to this marriage proposal.
Meanwhile, Ben has found himself in another private back room in the nightclub. He’s randomly ended up in the room with a horny married couple named Wayne McCarty (played by Travis Fimmel) and Barbie McCarty (played by Emmanuelle Chriqui), who soon make it known to Ben that they’re swingers. Wayne (who has an unhinged demeanor throughout the movie) encourages Barbie to try to seduce Ben, because apparently Wayne likes to watch Barbie be with other men.
Here’s the awful dialogue that’s in this scene: Wayne tells Ben, “My wife thinks you’re cute—like a rabbit.” Wayne tells Barbie, “Why don’t you go over there and play with your new pet rabbit?” Ben tries to fend off Barbie’s advances, but Wayne gets offended.
Wayne asks Ben how Ben wants to die. Ben replies, “I want to die in a gunfight.” The next thing you know, Wayne gets in a fist fight with Ben. And since the movie’s narrator has already stated that Ben always loses in fights, viewers already know how this brawl is going to end. But before that happens, Wayne kisses Ben on the mouth during the fight.
Not long after this bizarre encounter, Ben and Mary rekindle their romance. It’s about the same time that Mary’s ruthless father is about to possibly experience a scandal that could ruin him financially and send him to prison. A Rathcart Corporation employee named Pamela Corbett-Ragsdale (played by Caroline Raynaud) is about to come forward in a press conference with some bombshell information about the company that directly implicates William Rathcart.
In a private meeting between William and his lackey Terrence, William orders Terrence to hire a hit man to murder Pamela before this whistleblower press conference can happen. Guess which hit man gets hired for the job? Terrence also uses this deadly assignment as an opportunity to ask William for his blessing to marry Mary. William doesn’t seem thrilled with the idea of having Terrence as a son-in-law, but he says he will approve of the marriage if Pamela is murdered.
The rest of the movie is a tedious and irritating dump of bad ideas and even worse acting. Fimmel is the only one in the cast who makes an attempt to have a little campy fun in what he must have surely known was a stinker of a film. However, the rest of the cast members just embarrass themselves with acting that is either too stiff or too hammy. The characters of Barbie and Mukul are completely useless.
The action sequences, which should be among this movie’s biggest assets, are uninteresting and sloppy. As for the movie’s romance, it’s the epitome of empty and shallow. It doesn’t help that Boneta and Daddario do not have convincing chemistry with each other. The only thing that really dies in “Die in a Gunfight” is the expectation that this movie will get better as it goes along, because the ending is just atrocious and the worst part of this idiotic movie.
Lionsgate released “Die in a Gunfight” in select U.S. cinemas, on digital and VOD on July 16, 2021, and on Blu-ray and DVD on July 20, 2021.