2022 Sundance Film Festival: film slate announced

December 9, 2021

The following is a press release from the Sundance Institute:

The nonprofit Sundance Institute announced the showcase of new independent work selected across the Feature Film, Indie Episodic, and New Frontier categories for the 2022 Sundance Film Festival. The Festival will take place in Park City, Salt Lake City and the Sundance Mountain Resort in Utah, as well as digitally via our enhanced online platform at Festival.Sundance.org; on The Spaceship, a bespoke immersive platform; and in person at seven Satellite Screens venues around the country during the Festival’s second weekend. The Festival takes place January 20–30, 2022; ticket packages go on sale on December 17, 2021, at 10am MT and single film tickets go on sale January 6, 2022, at 10am MT.

Festival audiences will attend in a number of ways. Feature films will premiere in person in Utah, before premiering online with a live Q&A and premiere party on The Spaceship. Subsequent screenings will take place in-person and in on-demand windows on the platform. The New Frontier program will be globally accessible online via The Spaceship platform from January 20-28, with in-person augmentation and live performances at The Craft, a new artist-centered venue in Park City. Short films and Indie Episodic work will play in person in Utah and be available on the platform; the Shorts lineup will be announced in a December 10 news release. All in-person attendees are required to be fully vaccinated and wear masks. The latest health safety protocols for the well-being of Festival attendees is available here

The Sundance Film Festival is the flagship public program of Sundance Institute. Throughout the year, the majority of the Institute’s resources support independent artists around the world as they make and develop new work through access to Labs, direct grants, fellowships, residencies, and other strategic and tactical support.

“This year, we look forward to celebrating this generation’s most innovative storytellers as they share their work across a wide range of genres and forms,” said Sundance Institute founder and president Robert Redford. “These artists have provided a light through the darkest of times, and we look forward to welcoming their unique visions out into the world and experiencing them together.”

“I’m so impressed by, and proud of, the work that the curatorial and production teams have done to plan this Festival,” said Joana Vicente, the Institute’s CEO. “I think audiences will be extremely excited to convene and engage with the incredible stories these artists are telling.”

“We’re excited to return to our home in Utah, but also to come together in new ways,” said Festival director Tabitha Jackson. “Building on our experience last year, we’ve discovered new possibilities of convergence, and we embrace the fact that we are now an expanded community in which active participation matters, and audience presence — however it manifests — is essential to our mission.”

“This year’s program reflects the unsettling and uncertain times we’ve been living in for the past year and a half. The artists in the program, through their bold and innovative storytelling, and their sheer determination to create work in this moment, challenge us to look at the world through different lenses and examine and reevaluate how these stories impact us now and in the future,” said the Festival’s director of programming Kim Yutani.

The Festival will open on January 20, 2022, with an experiment in biodigital convergence as audiences gather online and in person for a special New Frontier presentation of Sam Green’s 32 Sounds, taking place simultaneously in Park City’s Egyptian Theatre and in The Spaceship’s Cinema House. An exciting slate of Day One films will then open the Festival in Park City: 11 features and a shorts program will illustrate the scope of Festival work across genre and form. Day One Features are EmergencyFire of LoveFreshLa Guerra CivilA Love SongMarte Um (Mars One)The PrincessTanturaWhen You Finish Saving the World, and The Worst Person in the World. Lucy and Desi is the 2022 Sundance Film Festival’s Salt Lake City Opening Night Gala Film, premiering at the Rose Wagner Performing Arts Center on January 21, 2022.

After Yang, screening in the Spotlight section, has been named the winner of the Alfred P. Sloan Feature Film Prize. 

Eight feature films have been selected for the Festival’s Satellite Screens, and will play at those seven independent arthouse cinemas across the United States for local audiences during the Festival’s closing weekend, Friday, January 28, through Sunday, January 30, 2022. The films are Alice; Emergency; Every Day in Kaimukī; Free Chol Soo Lee; Honk for Jesus, Save Your Soul; La Guerra Civil; Marte Um (Mars One); and Sirens, with additional Short Film participation to be announced. This program will play at Amherst Cinema in Amherst, Massachusetts; a/perture cinema in Winston-Salem, North Carolina; Digital Gym Cinema in San Diego, California; Indie Memphis in Memphis, Tennessee; mama.film in Lawrence, Kansas; Northwest Film Forum in Seattle, Washington; and SNF Parkway Theatre, home of the Maryland Film Festival in Baltimore, Maryland.

The full slate of works announced today includes 82 feature-length films representing 28 countries, and 39 of 92 (42%) feature film directors are first-time feature filmmakers. Fifteen of the feature films and projects announced today were supported by Sundance Institute in development through direct granting or residency labs. 

Seventy-five, or 91%, of the Festival’s feature films announced today will be world premieres.
 
These films were selected from 14,849 submissions, including 3,762 feature-length films. Of the 3,762 feature film submissions, 1,652 were from the U.S., and 2,110 were international. Director demographics are available in an editor’s note below.

U.S. DRAMATIC COMPETITION

Presenting the world premieres of fiction feature films, the Dramatic Competition offers Festivalgoers a first look at groundbreaking new voices in American independent film. Films that have premiered in this category in recent years include CODA, Passing, Minari, Never Rarely Sometimes Always, The Farewell, Clemency, Eighth Grade and Sorry to Bother You

John Boyega in “892” (Photo by Chris Witt)


892 / U.S.A. (Director and Screenwriter: Abi Damaris Corbin, Screenwriter: Kwame Kwei-Armah, Producers: Ashley Levinson, Salman Al-Rashid, Sam Frohman, Kevin Turen, Mackenzie Fargo) — When Brian Brown-Easley’s disability check fails to materialize from Veterans Affairs, he finds himself on the brink of homelessness and breaking his daughter’s heart. No other options, he walks into a Wells Fargo Bank and says “I’ve got a bomb.” Cast: John Boyega, Michael Kenneth Williams, Nicole Beharie, Connie Britton, Olivia Washington, Selenis Leyva. World Premiere.

Alice / U.S.A. (Director and Screenwriter: Krystin Ver Linden, Producer: Peter Lawson) — When a woman in servitude in 1800s Georgia escapes the 55-acre confines of her captor, she discovers the shocking reality that exists beyond the treeline…it’s 1973. Inspired by true events. Cast: Keke Palmer, Common, Jonny Lee Miller, Gaius Charles. World Premiere.

blood / U.S.A. (Director and Screenwriter: Bradley Rust Gray, Producers: David Urrutia, Bradley Rust Gray, So Yong Kim, Elika Portnoy, Alex Orlovsky, Jonathon Komack Martin) — After the death of her husband, a young woman travels to Japan where she finds solace in an old friend. But when comforting turns to affection, she realizes she must give herself permission before she can fall in love again. Cast: Carla Juri, Takashi Ueno, Gustaf Skarsgård, Futaba Okazaki, Issey Ogata. World Premiere.

Cha Cha Real Smooth / U.S.A. (Director and Screenwriter: Cooper Raiff, Producers: Dakota Johnson, Ro Donnelly, Erik Feig, Jessica Switch, Cooper Raiff) — A directionless college graduate embarks on a relationship with a young mom and her teenage daughter while learning the boundaries of his new bar mitzvah party-starting gig. Cast: Dakota Johnson, Cooper Raiff, Vanessa Burghardt, Evan Assante, Brad Garrett, Leslie Mann. World Premiere.

Dual / U.S.A. (Director and Screenwriter: Riley Stearns, Producers: Nate Bolotin, Aram Tertzakian, Lee Kim, Riley Stearns, Nick Spicer, Maxime Cottray) — After receiving a terminal diagnosis, Sarah commissions a clone of herself to ease the loss for her friends and family. When she makes a miraculous recovery, her attempt to have her clone decommissioned fails, and leads to a court-mandated duel to the death. Cast: Karen Gillan, Aaron Paul, Beulah Koale. World Premiere.

Emergency / U.S.A. (Director: Carey Williams, Screenwriter: KD Davila, Producers: Marty Bowen, Isaac Klausner, John Fischer) — Ready for a night of partying, a group of Black and Latino college students must weigh the pros and cons of calling the police when faced with an unusual emergency. Cast: RJ Cyler, Donald Watkins, Sebastian Chacon, Sabrina Carpenter. World Premiere. DAY ONE

Master / U.S.A. (Director and Screenwriter: Mariama Diallo, Producers: Joshua Astrachan, Brad Becker-Parton, Andrea Roa) — Three women strive to find their place at an elite New England university. As the insidious specter of racism haunts the campus in increasingly supernatural fashion, each fights to survive in this space of privilege. Cast: Regina Hall, Zoe Renee, Talia Ryder, Talia Balsam, Amber Gray. World Premiere.

Nanny / U.S.A. (Director and Screenwriter: Nikyatu Jusu, Producers: Nikkia Moulterie, Daniela Taplin Lundberg) — Aisha is an undocumented nanny working for a privileged couple in New York City. As she prepares for the arrival of the son she left behind in Senegal, a violent supernatural presence invades her reality, threatening the American dream she is painstakingly piecing together. Cast: Anna Diop, Michelle Monaghan, Sinqua Walls, Morgan Spector, Rose Decker, Leslie Uggams. World Premiere.

Palm Trees and Power Lines / U.S.A. (Director and Screenwriter: Jamie Dack, Screenwriter: Audrey Findlay, Producers: Leah Chen Baker, Jamie Dack) — Seventeen-year-old Lea spends her summer aimlessly tanning with her best friend, tiptoeing around her fragile mother, and getting stoned with a group of boys from school. This monotony is disrupted by an encounter with Tom, a man twice her age, who promises an alternative to Lea’s unsatisfying adolescent life. Cast: Lily McInerny, Jonathan Tucker, Gretchen Mol. World Premiere.

Watcher / U.S.A. (Director: Chloe Okuno, Screenwriter: Zack Ford, Producers: Roy Lee, Steven Schneider, Derek Dauchy, John Finemore, Aaron Kaplan, Mason Novick) — A young woman moves into a new apartment with her fiancé and is tormented by the feeling that she is being stalked by an unseen watcher in an adjacent building. Cast: Maika Monroe, Karl Glusman, Burn Gorman, Ciubuciu Bogdan Alexandru. World Premiere.

U.S. DOCUMENTARY COMPETITION

World-premiere American documentaries that illuminate the ideas, people and events that shape the present day. Films that have premiered in this category in recent years include Summer of Soul (or, When the Revolution Could Not Be Televised), Boys State, Crip Camp: A Disability Revolution, APOLLO 11, Knock Down The House, One Child Nation, American Factory, Three Identical Strangers and On Her Shoulders.

Omari Maynard and Bruce McIntyre in “Aftershock” (Photo by Kerwin Devonish)

Aftershock / U.S.A. (Directors and Producers: Paula Eiselt, Tonya Lewis Lee) — Following the preventable deaths of their partners due to childbirth complications, two bereaved fathers galvanize activists, birth-workers and physicians to reckon with one of the most pressing American crises of our time – the U.S. maternal health crisis. World Premiere.

Descendant / U.S.A. (Director: Margaret Brown, Producers: Essie Chambers, Kyle Martin) — Clotilda, the last ship carrying enslaved Africans to the United States, arrived in Alabama 40 years after African slave trading became a capital offense. It was promptly burned, and its existence denied. After a century shrouded in secrecy and speculation, descendants of the Clotilda’s survivors are reclaiming their story. World Premiere.

The Exiles / U.S.A. (Directors: Ben Klein, Violet Columbus, Producers: Maria Chiu, Ben Klein, Violet Columbus) — Documentarian Christine Choy tracks down three exiled dissidents from the Tiananmen Square massacre, in order to find closure on an abandoned film she began shooting in 1989. World Premiere.

Fire Of Love / U.S.A. (Director: Sara Dosa, Producers: Shane Boris, Ina Fichman, Sara Dosa) — Intrepid scientists and lovers Katia & Maurice Krafft died in a volcanic explosion doing the very thing that brought them together: unraveling the mysteries of volcanoes by capturing the most explosive imagery ever recorded. A doomed love triangle between Katia, Maurice and volcanoes, told through their archival footage. World Premiere. DAY ONE

Free Chol Soo Lee / U.S.A. (Directors: Julie Ha, Eugene Yi, Producers: Su Kim, Jean Tsien, Sona Jo, Julie Ha, Eugene Yi) — After a Korean immigrant is wrongly convicted of a 1973 San Francisco Chinatown gang murder, Asian Americans unite as never before to free Chol Soo Lee. A former street hustler becomes the symbol for a landmark movement. But once out, he self-destructs, threatening the movement’s legacy and the man himself. World Premiere.

I Didn’t See You There / U.S.A. (Director: Reid Davenport, Producer: Keith Wilson) — Spurred by the spectacle of a circus tent that goes up outside his Oakland apartment, a disabled filmmaker launches into an unflinching meditation on freakdom, (in)visibility, and the pursuit of individual agency. World Premiere.

The Janes / U.S.A. (Directors: Tia Lessin, Emma Pildes, Producers: Emma Pildes, Daniel Arcana, Jessica Levin) — In the spring of 1972, police raided an apartment on Chicago’s South Side. Seven women were arrested. The accused were part of a clandestine network. Using code names, blindfolds and safe houses, they built an underground service for women seeking safe, affordable, illegal abortions. They called themselves JANE. World Premiere.

Jihad Rehab / U.S.A. (Director: Meg Smaker, Producers: Meg Smaker, Bryan Storkel) — A group of Al-Qaeda members are transferred from Guantanamo to a secretive rehabilitation center for Islamic extremists. World Premiere.

TikTok, Boom. / U.S.A. (Director: Shalini Kantayya, Producers: Ross M. Dinerstein. Shalini Kantayya, Danni Mynard) — With TikTok now crowned the world’s most downloaded app, these are the personal stories of a cultural phenomenon, told through an ensemble cast of Gen-Z natives, journalists and experts alike. This film seeks to answer, ‘why is an app, best known for people dancing, the target of so much controversy?’ World Premiere.

WORLD CINEMA DRAMATIC COMPETITION

Ten films from emerging filmmaking talents around the world offer fresh perspectives and inventive styles. Films that have premiered in this category in recent years include Hive, Luzzu, The Souvenir, The Guilty, Monos, Yardie, The Nile Hilton Incident and Second Mother. 

“Brian and Charles” (Photo by courtesy of Sundance Institute)

Brian And Charles / U.K. (Director: Jim Archer, Screenwriters: David Earl, Chris Hayward, Producer: Rupert Majendie)  — A story of friendship, love, and letting go. And a 7ft tall robot that eats cabbages. A comedy shot in documentary format. Cast: David Earl, Chris Hayward, Louise Brealey, Jamie Michie, Lowri Izzard, Mari Izzard. World Premiere.

The Cow Who Sang A Song Into The Future / Chile/France/U.S.A/Germany (Director and Screenwriter: Francisca Alegría, Screenwriters: Fernanda Urrejola, Manuela Infante, Producers: Tom Dercourt, Alejandra García)  — Cecilia and her children travel to her aging father’s dairy farm after he has a heart attack. Back in her childhood home, Cecilia is met by her mother, a woman dead for many years, whose presence brings to life a painful past chorused by the natural world around them. Cast: Leonor Varela, Mia Maestro, Alfredo Castro, Marcial Tagle, Enzo Ferrada, Luis Dubó. World Premiere.

Dos Estaciones / Mexico (Director and Screenwriter: Juan Pablo González, Screenwriters: Ana Isabel Fernández, Ilana Coleman, Producers: Jamie Gonçalves, Ilana Coleman, Bruna Haddad, Makena Buchanan)  — In the bucolic hills of Mexico’s Jalisco highlands, iron-willed businesswoman Maria Garcia fights the impending collapse of her tequila factory. Cast: Teresa Sánchez, Tatín Vera, Rafaela Fuentes, Manuel García-Rulfo. World Premiere.

Gentle / Hungary (Directors: Anna Eszter Nemes, László Csuja, Screenwriters: László Csuja, Anna Eszter Nemes, Producers: András Muhi, Gábor Ferenczy)  — Edina, a female bodybuilder, is ready to sacrifice everything for the dream she shares with Adam, her partner and trainer: to win the world championship. The odd love she finds on her way there makes her see the difference between her dreams and her true self. Cast: Eszter Csonka, György Turós, Csaba Krisztik. World Premiere.

Girl Picture / Finland (Director: Alli Haapasalo, Screenwriters: Ilona Ahti, Daniela Hakulinen, Producers: Leila Lyytikäinen, Elina Pohjola)  — Mimmi, Emma and Rönkkö are girls at the cusp of womanhood, trying to draw their own contours. In three consecutive Fridays two of them experience the earth-moving effects of falling in love, while the third goes on a quest to find something she’s never experienced before: pleasure. Cast: Aamu Milonoff, Eleonoora Kauhanen, Linnea Leino. World Premiere.

Klondike / Ukraine/Turkey (Director and Screenwriter: Maryna Er Gorbach, Producers: Maryna Er Gorbach, Mehmet Bahadir Er, Sviatoslav BulakovskyI)  — The story of a Ukrainian family living on the border of Russia – Ukraine during the start of war. Irka refuses to leave her house even as the village gets captured by armed forces. Shortly after, they find themselves at the center of an air crash catastrophe on July 17, 2014. Cast: Oxana Cherkashyna, Sergey Shadrin, Oleg Scherbina, Oleg Shevchuk, Artur Aramyan, Evgenij Efremov. World Premiere.

Leonor Will Never Die / Philippines (Director and Screenwriter: Martika Ramirez Escobar, Producers: Monster Jimenez, Mario Cornejo)  — Fiction and reality blur when Leonor, a retired filmmaker, falls into a coma after a television lands on her head, compelling her to become the action hero of her unfinished screenplay. Cast: Sheila Francisco, Bong Cabrera, Rocky Salumbides, Anthony Falcon. World Premiere.

Marte Um (Mars One) / Brazil (Director and Screenwriter: Gabriel Martins, Producer: Thiago Macêdo Correia)  — In Brazil, a lower-middle-class Black family of four tries to keep their spirits up and their dreams going in the months that follow the election of a right-wing president, a man who represents everything they are not. Cast: Rejane Faria, Carlos Francisco, Camilla Souza, Cícero Lucas. World Premiere. DAY ONE

Utama / Bolivia/Uruguay/France (Director and Screenwriter: Alejandro Loayza Grisi, Producers: Santiago Loayza Grisi, Federico Moreira, Marcos Loayza, Jean-Baptiste Bailly-Maitre)  — In the Bolivian highlands, an elderly Quechua couple has been living the same daily life for years. When an uncommon long drought threatens their entire way of life, Virginio and his wife Sisa face the dilemma of resisting or being defeated by the environment and time itself. Cast: Jose Calcina, Luisa Quispe, Santos Choque. World Premiere.

You Won’t Be Alone / Australia (Director and Screenwriter: Goran Stolevski, Producers: Kristina Ceyton, Sam Jennings)  — In an isolated mountain village in 19th century Macedonia, a young feral witch accidentally kills a peasant. She assumes the peasant’s shape to see what life is like in her skin, igniting a deep-seated curiosity to experience life inside the bodies of others. Cast: Noomi Rapace, Anamaria Marinca, Alice Englert, Carloto Cotta, Félix Maritaud, Sara Klimoska. World Premiere.

WORLD CINEMA DOCUMENTARY COMPETITION

Ten documentaries by some of the boldest filmmakers working around the world today. Films that have premiered in this category in recent years include Flee, Honeyland, Sea of Shadows, Shirkers, This Is Home, Last Men in Aleppo and Hooligan Sparrow.

“All That Breathes” (Photo courtesy of Sundance Institute)

All That Breathes / India, U.K. (Director and Producer: Shaunak Sen, Producers: Aman Mann, Teddy Leifer) — Against the darkening backdrop of Delhi’s apocalyptic air and escalating violence, two brothers devote their lives to protect one casualty of the turbulent times: the bird known as the Black Kite. World Premiere.

Calendar Girls / Sweden (Directors, Screenwriters and Producers: Maria Loohufvud, Love Martinsen) — A coming-of-golden-age look at Florida’s most dedicated dance team for women over 60, shaking up the outdated image of “the little old lady,” and calling for everyone to dance their hearts out, while they still can. World Premiere.

A House Made of Splinters / Denmark (Director: Simon Lereng Wilmont, Producer: Monica Hellström) — In Eastern Ukraine, follow the daily life of children and staff in a special kind of home: an institution for children who have been removed from their homes while awaiting court custody decisions. Staff do their best to make the time children have there safe and supportive. World Premiere.

Midwives / Myanmar (Director: Snow Hnin Ei Hlaing, Producers: Bob Moore, Ulla Lehman, Mila Aung-Thwin, Snow Hnin Ei Hlaing) — Two midwives work side-by-side in a makeshift clinic in Myanmar. World Premiere.

The Mission / Finland (Director and Screenwriter: Tania Anderson, Producers: Isabella Karhu, Juho-Pekka Tanskanen) — A revelation of the inner lives of young LDS missionaries, as they leave their homes for the first time and embark upon the most emotionally, physically and psychologically challenging period of their life. World Premiere.

Nothing Compares / Ireland, U.K. (Director: Kathryn Ferguson, Producers: Eleanor Emptage, Michael Mallie) — The story of Sinéad O’Connor’s phenomenal rise to worldwide fame and subsequent exile from the pop mainstream. Focusing on Sinéad’s prophetic words and deeds from 1987 to 1993, the film reflects on the legacy of this fearless trailblazer through a contemporary feminist lens. World Premiere.

Sirens / U.S.A., Lebanon (Director, Screenwriter and Producer: Rita Baghdadi, Producer: Camilla Hall) — On the outskirts of Beirut, Lilas and Shery, co-founders and guitarists of the Middle East’s first all-female metal band, wrestle with friendship, sexuality and destruction in their pursuit of becoming thrash metal rock stars. World Premiere.

Tantura / Israel (Director and Screenwriter: Alon Schwarz, Screenwriter and Producer: Shaul Schwarz. Producer: Maiken Baird) — In 1948, the State of Israel was established and civil war broke out. Hundreds of Palestinian villages were destroyed with their inhabitants killed or exiled. The film focuses on one village: Tantura, bringing to light Israel’s founding myth and its society’s inability to come to terms with its dark past. World Premiere. DAY ONE

The Territory / Brazil/Denmark/United States (Director: Alex Pritz, Producers: Will N. Miller, Sigrid Dyekjær, Lizzie Gillett, Anonymous) — When a network of Brazilian farmers seizes a protected area of the Amazon rainforest, a young Indigenous leader and his mentor must fight back in defense of the land and an uncontacted group living deep within the forest. World Premiere.

We Met in Virtual Reality / U.K. (Director, Screenwriter and Producer: Joe Hunting) — Filmed entirely inside the world of VR, this vérité documentary captures the excitement and surprising intimacy of a burgeoning cultural movement, demonstrating the power of online connection in an isolated world. World Premiere.

NEXT

Pure, bold works distinguished by an innovative, forward-thinking approach to storytelling populate this program. Films that have premiered in this category in recent years include The Infiltrators, Searching, Skate Kitchen, A Ghost Story and Tangerine. NEXT is presented by Adobe.

Siena Marino, Steven Alonte, Brian d’Arcy James, Madeline Hudelson and Monica Barbaro in “The Cathedral” (Photo by Barton Cortright)

The Cathedral / Italy, U.S.A. (Director and Screenwriter: Ricky D’Ambrose, Producer: Graham Swon) — An only child’s account of an American family’s rise and fall over two decades. Cast: Brian d’Arcy James, Monica Barbaro, Mark Zeisler, Geraldine Singer, William Bednar-Carter. North American Premiere. Fiction.

Every Day In Kaimukī / U.S.A. (Director: Alika Tengan, Screenwriters: Naz Kawakami, Alika Tengan. Producers: Jesy Odio, Chapin Hall, Alika Tengan, Naz Kawakami) — A young man is determined to give his life meaning outside of Kaimukī, the small Hawaiian town where he grew up, even if it means leaving everything he’s ever known and loved behind. Cast: Naz Kawakami, Rina White, Holden Mandrial-Santos. World Premiere. Fiction.

Framing Agnes / Canada, U.S.A. (Director: Chase Joynt, Producers: Samantha Curley, Shant Joshi, Chase Joynt) — After discovering case files from a 1950s gender clinic, a cast of transgender actors turn a talk show inside out to confront the legacy of a young trans woman forced to choose between honesty and access. World Premiere. Documentary. 

A Love Song / U.S.A. (Director and Screenwriter: Max Walker-Silverman, Producers: Dan Janvey, Jesse Hope, Max Walker-Silverman) — Two childhood sweethearts, now both widowed, share a night by a lake in the mountains. A love story for those who are alone. Cast: Dale Dickey, Wes Studi, Michelle Wilson, Benja K. Thomas, John Way, Marty Grace Dennis. World Premiere. Fiction. DAY ONE

Mija / U.S.A. (Director: Isabel Castro, Producers: Tabs Breese, Isabel Castro, Yesenia Tlahuel) — Doris Muñoz is a young, ambitious music manager whose undocumented family depends on her ability to launch pop stars. When she loses her biggest client, Doris hustles to discover new talent and finds Jacks, another daughter of immigrants for whom “making it” isn’t just a dream: it’s a necessity. World Premiere. Documentary. 

RIOTSVILLE, USA / U.S.A. (Director: Sierra Pettengill, Producers: Sara Archambault, Jamila Wignot) — Welcome to Riotsville, a fictional town built by the U.S. military. Using footage shot by the media and government, the film explores the militarization of the police and the reaction of a nation to the uprisings of the late ’60s, creating a counter-narrative to a critical moment in American history. World Premiere. Documentary. 

Something In The Dirt / U.S.A. (Directors: Justin Benson, Aaron Moorhead, Screenwriter: Justin Benson, Producers: David Lawson, Aaron Moorhead, Justin Benson)  — When neighbors John and Levi witness supernatural events in their Los Angeles apartment building, they realize documenting the paranormal could inject some fame and fortune into their wasted lives. An ever-deeper, darker rabbit hole, their friendship frays as they uncover the dangers of the phenomena, the city, and each other. Cast: Justin Benson, Aaron Moorhead. World Premiere. Fiction.

PREMIERES

A showcase of world premieres of some of the most highly anticipated fiction and nonfiction films of the coming year. Documentaries that have screened in Premieres include The Dissident, On the Record, and Miss Americana, and past fiction features include Kajillionaire, Promising Young Woman, The Report, Late Night, and The Big Sick.

Richard Davis in “2nd Chance” (Photo courtesy of Sundance Institute)

2nd Chance / U.S.A. (Director and Screenwriter: Ramin Bahrani, Producers: Daniel Turcan, Johnny Galvin, Charles Dorfman, Ramin Bahrani, Jacob Grodnik) — Bankrupt pizzeria owner Richard Davis invented the modern-day bulletproof vest. To prove that it worked, he shot himself 192 times. He launched a multi-million-dollar company and became a cult figure among police. Davis’ rise and fall reveals a man of contradictions and the nature of power and impunity in America. World Premiere. Documentary.
 
AM I OK? / U.S.A. (Directors: Stephanie Allynne, Tig Notaro, Screenwriter: Lauren Pomerantz, Producers: Jessica Elbaum, Will Ferrell, Erik Feig, Dakota Johnson, Ro Donnelly, Lauren Pomerantz) — Lucy and Jane have been best friends for most of their lives and think they know everything there is to know about each other. But when Jane announces she’s moving to London, Lucy reveals a long-held secret. As Jane tries to help Lucy, their friendship is thrown into chaos. Cast: Dakota Johnson, Sonoya Mizuno, Jermaine Fowler, Kiersey Clemons, Molly Gordon, Sean Hayes. World Premiere. Fiction.

Brainwashed: Sex-Camera-Power / U.S.A. (Director and Producer: Nina Menkes) — Based on Nina Menkes’ acclaimed talk “Sex & Power: The Visual Language of Cinema”, a mesmerizing journey into how shot design intersects with the twin epidemics of sexual abuse/ assault and employment discrimination against women. Containing over 175 film clips, this will unalterably change the way we view and make movies. World Premiere. Documentary.

Call Jane / U.S.A. (Director: Phyllis Nagy, Screenwriters: Hayley Schore, Roshan Sethi, Producers: Robbie Brenner, David Wulf, Kevin McKeon, Lee Broda, Claude Amadeo, Michael D’Alto) — Chicago, 1968: after having a life-saving secret abortion, a suburban housewife seeks to give women access to healthy and safe abortions through an underground collective of women known as “Jane.” Cast: Elizabeth Banks, Sigourney Weaver, Chris Messina, Kate Mara, Wunmi Mosaku, Cory Michael Smith. World Premiere. Fiction.

DOWNFALL: The Case Against Boeing / U.S.A. (Director: Rory Kennedy, Screenwriters: Mark Bailey, Keven McAlester, Producers: Rory Kennedy, Mark Bailey, Sara Bernstein, Justin Wilkes, Keven McAlester, Amanda Rohlke) — An investigation of the two Boeing 737 MAX crashes that killed 346 people, exploring both the root causes and the human cost. At once a chilling portrait of a crumbling corporate culture and a fierce indictment of Wall Street’s corrupting influence. World Premiere. Documentary.

Emily the Criminal / U.S.A. (Director and Screenwriter: John Patton Ford, Producers: Tyler Davidson, Aubrey Plaza, Drew Sykes) — Down on her luck and saddled with debt, Emily gets involved in a credit card scam that pulls her into the criminal underworld of Los Angeles, ultimately leading to deadly consequences. Cast: Aubrey Plaza, Theo Rossi, Megalyn Echikunwoke, Gina Gershon. World Premiere. Fiction. 

FINAL CUT / France (Director and Screenwriter: Michel Hazanavicius, Producers: John Penotti, Noëmie Devide, Alain de la Mata, Brahim Chioua, Michel Hazanavicius, Vincent Maravalr) — Things go badly for a small film crew shooting a low-budget zombie movie when they are attacked by real zombies. Cast: Romain Duris, Bérénice Bejo, Grégory Gadebois, Finnegan Oldfield, Matilda Lutz, Raphaël Quenard. World Premiere. Fiction.

God’s Country / U.S.A. (Director: Julian Higgins, Screenwriters: Shaye Ogbonna, Julian Higgins, Producers: Miranda Bailey, Halee Bernard, Julian Higgins, Amanda Marshall) — When a grieving college professor confronts two hunters she catches trespassing on her property, she’s drawn into an escalating battle of wills with catastrophic consequences. Cast: Thandiwe Newton, Jeremy Bobb, Joris Jarsky, Jefferson White, Kai Lennox, Tanaya Beatty. World Premiere. Fiction.

Good Luck to You, Leo Grande / U.K. (Director: Sophie Hyde, Screenwriter: Katy Brand, Producers: Debbie Gray, Adrian Politowski) — Nancy Stokes, a retired school teacher, is yearning for some adventure, and some sex. Good sex. And she has a plan: she hires a young sex worker named Leo Grande. Cast: Emma Thompson, Daryl McCormack. World Premiere. Fiction.

Honk for Jesus, Save Your Soul / U.S.A. (Director and Screenwriter: Adamma Ebo, Producers: Daniel Kaluuya, Adanne Ebo, Rowan Riley, Amandla Crichlow, Jesse Burgum, Matthew Cooper) — In the aftermath of a huge scandal, Trinitie Childs, the first lady of a prominent Southern Baptist megachurch, attempts to help her pastor husband, Lee-Curtis Childs, rebuild their congregation. Cast: Regina Hall, Sterling K. Brown. World Premiere. Fiction.

jeen-yuhs: A Kanye Trilogy / U.S.A. (Directors: Clarence “Coodie” Simmons, Chike Ozah, Producers: Clarence “Coodie” Simmons, Chike Ozah, Leah Natasha Thomas) — Kanye West in three acts. The story beyond the iconic music, an intimate and empathetic chronicle featuring never-before-seen footage from 21 years in the life of a captivating figure. World Premiere. Documentary.

La Guerra Civil / U.K. (Director: Eva Longoria Bastón, Producers: Eva Longoria Bastón, Grant Best, Bernardo Ruiz, Ben Spector, Andrea Cordoba) — The epic rivalry between iconic boxers Oscar De La Hoya and Julio César Chávez in the 1990s sparked a cultural divide between Mexican nationals and Mexican-Americans. A chronicle of a battle that was more than a boxing rivalry, and examines a fascinating slice of the Latino experience in the process. World Premiere. DocumentaryDAY ONE

Living / U.K. (Director: Oliver Hermanus, Screenwriter: Kazuo Ishiguro, Producers: Stephen Woolley, Elizabeth Karlsen) — In 1952 London, veteran civil servant Williams has become a small cog in the bureaucracy of rebuilding England post-WWII. As endless paperwork piles up on his desk, he learns he has a fatal illness. Thus begins his quest to find some meaning in his life before it slips away. Cast: Bill Nighy, Aimee Lou Wood, Alex Sharp, Tom Burke. World Premiere. Fiction. 

Lucy and Desi / U.S.A (Director: Amy Poehler, Producers: Michael Rosenberg, Justin Wilkes, Nigel Sinclair, Jeanne Elfant Festa, Amy Poehler, Mark Monroe) — Lucille Ball had an immense influence on the creation of TV syndication, as she rose to become a true entrepreneur and multi-faceted mogul. Through interviews and archival, a tribute to one of the greatest trailblazers in comedy and entertainment. World Premiere. Documentary. SALT LAKE CITY OPENING NIGHT 

My Old School / U.K. (Director: Jono McLeod, Producers: John Archer, Olivia Lichtenstein) — The astonishing true story of Scotland’s most notorious imposter. It’s 1993 and 16-year-old Brandon is the new kid in school. Soon he’s top of the class, acing exams and even taking the lead in the school musical. He’s the model pupil, until he’s unmasked… Cast: Alan Cumming. World Premiere. Documentary.

The Princess / U.K. (Director: Ed Perkins, Producers: Simon Chinn, Jonathan Chinn) — Princess Diana’s story is told exclusively through contemporaneous archive creating a bold and immersive narrative of her life and death. Turning the camera back on ourselves, it also illuminates the profound impact she had and how the public’s attitude to the monarchy was, and still is, shaped by these events. World Premiere. Documentary. DAY ONE

Resurrection / U.S.A. (Director and Screenwriter: Andrew Semans, Producers: Tory Lenosky, Alex Scharfman, Drew Houpt, Lars Knudsen, Tim Headington, Lia Buman) — Margaret’s life is in order. She is capable, disciplined, and successful. Soon, her teenage daughter, who Margaret raised by herself, will be going off to a fine university, just as Margaret had intended. Everything is under control. That is, until David returns, carrying with him the horrors of Margaret’s past. Cast: Rebecca Hall, Tim Roth, Grace Kaufman, Michael Esper, Angela Wong Carbone. World Premiere. Fiction.

Sharp Stick / U.S.A. (Director and Screenwriter: Lena Dunham, Producers: Lena Dunham, Michael P. Cohen, Kevin Turen, Katia Washington) — Sarah Jo is a naive 26-year-old living on the fringes of Hollywood with her mother (longing for money) and sister (longing for exposure). She just longs to be seen. When she begins an affair with her older employer, she is thrust into an education on sexuality, loss and power. Cast: Kristine Froseth, Jon Bernthal, Scott Speedman, Lena Dunham, Taylour Paige, Jennifer Jason Leigh. World Premiere. Fiction.

To The End / U.S.A. (Director: Rachel Lears, Producers: Sabrina Schmidt Gordon) — Stopping the climate crisis is a question of political courage, and the clock is ticking. Over three years of turbulence and crisis, four remarkable young women of color fight for a Green New Deal, and ignite a historic shift in U.S. climate politics. World Premiere. Documentary. 

We Need to Talk About Cosby / U.S.A. (Director: W. Kamau Bell, Producers: Andrew Fried, Katie A. King, Geraldine L. Porras, Dane Lillegard, Sarina Roma, Jordan Wynn) — Can you separate the art from the artist? Should you even try? While there are many people about whom we could ask those questions, none pose a tougher challenge than Bill Cosby. World Premiere. Documentary.

When You Finish Saving the World / U.S.A. (Director and Screenwriter: Jesse Eisenberg, Producers: Ali Herting, Dave McCary, Emma Stone) — Evelyn and her oblivious son Ziggy seek out replacements for each other as Evelyn desperately tries to parent an unassuming teenager at her shelter, while Ziggy fumbles through his pursuit of a brilliant young woman at school. Cast: Julianne Moore, Finn Wolfhard. World Premiere. Fiction. DAY ONE

MIDNIGHT

From horror and comedy to works that defy genre classification, these films will keep you wide awake, even at the most arduous hour. Films that have premiered in this category in recent years include Hereditary, Mandy, Relic, Assassination Nation, and The Babadook.

Nadia Tereszkiewicz in “Babysitter” (Photo courtesy of Sundance Institute)


Babysitter / Canada (Director: Monia Chokri, Screenwriter: Catherine Léger, Producers: Martin Paul-Hus, Catherine Léger, Pierre-Marcel Blanchot, Fabrice Lambot) — After a sexist joke goes viral, Cédric loses his job and embarks on a therapeutic journey to free himself from sexism and misogyny. His girlfriend Nadine is exasperated by his narcissistic introspection, until they hire a mysterious and liberated babysitter to help shake things up. Cast: Patrick Hivon, Monia Chokri, Nadia Tereszkiewcz, Steve Laplante, Hubert Proulx. World Premiere. Fiction.

FRESH / U.S.A. (Director: Mimi Cave, Screenwriter: Lauryn Kahn, Producers: Adam McKay, Kevin Messick, Maeve Cullinane) — The horrors of modern dating seen through one young woman’s defiant battle to survive her new boyfriend’s unusual appetites. Cast: Daisy Edgar-Jones, Sebastian Stan, Jojo T. Gibbs, Charlotte Le Bon, Andrea Bang, Dayo Okeniyi. World Premiere. Fiction. DAY ONE

Hatching / Finland (Director: Hanna Bergholm, Screenwriter: Ilja Rautsi, Producers: Mika Ritalahti, Nico Ritalahtit) — While desperately trying to please her demanding mother, a young gymnast discovers a strange egg. She tucks it away and keeps it warm, but when it hatches, what emerges shocks everyone. Cast: Jani Volanen, Siiri Solalinna, Sophia Heikkilä, Saija Lentonen, Reino Nordin, Oiva Ollila. World Premiere. Fiction.

Meet Me In The Bathroom / U.K. (Directors: Dylan Southern, Will Lovelace, Producers: Vivienne Perry, Sam Bridger, Marisa Clifford, Thomas Benski, Danny Gabai, Suroosh Alvi) — An immersive journey through the New York music scene of the early 2000s. Set against the backdrop of 9/11, the film tells the story of how a new generation kickstarted a musical rebirth for New York City that reverberated around the world. Inspired by the book by Lizzy Goodman. World Premiere. Documentary.

PIGGY / Spain (Director and Screenwriter: Carlota Pereda, Producers: Merry Colomer, David Atlan-Jackson) — Sara deals with constant teasing from girls in her small town. But it comes to an end when a stranger kidnaps her tormentors. Sara knows more than she’s saying and must decide between speaking up and saving the girls or saying nothing to protect the strange man who spared her. Cast: Laura Galán. World Premiere. Fiction.

Speak No Evil / Denmark (Director and Screenwriter: Christian Tafdrup, Screenwriter: Mads Tafdrup, Producer: Jacob Jarek) — A Danish family visits a Dutch family they met on a holiday. What was supposed to be an idyllic weekend slowly starts unraveling as the Danes try to stay polite in the face of unpleasantness. Cast: Morten Burian, Sidsel Siem Koch, Fedja van Huêt, Karina Smulders, Liva Forsberg, Marius Damslev. World Premiere. Fiction.

SPOTLIGHT

The Spotlight section is a tribute to the cinema we love from throughout the past year. Films that have played in this category in recent years include The Biggest Little Farm, Birds of Passage, The Rider, Ida, and The Lobster.

Colin Farrell in “After Yang” (Photo by Benjamin Loeb/A24)

After Yang / U.S.A. (Director and Screenwriter: Kogonada, Producers: Andrew Goldman, Caroline Kaplan, Paul Mezey, Theresa Park)  — In the near future, a father and daughter try to save the life of Yang, their beloved robotic family member. Cast: Colin Farrell, Jodie Turner-Smith. Justin H. Min, Malea Emma Tjandrawidjaja, Haley Lu Richardson. North American Premiere. Fiction.

Happening / France (Director and Screenwriter: Audrey Diwan, Screenwriter: Alice Girard, Producers: Edouard Weil, Alice Girard)  — France, 1963. Anne is a bright student with a promising future. But when she falls pregnant, she sees the opportunity to escape the constraints of her social background disappearing. With final exams approaching and her belly growing, Anne resolves to act, even if she must risk prison to do so. Cast: Anamaria Vartolomei, Kacey Mottet-Klein, Luana Bajrami, Louise Chevillotte, Pio Marmai. Fiction.

Neptune Frost / U.S.A./Rwanda (Directors: Anisia Uzeyman, Saul Williams, Screenwriter: Saul Williams, Producers: Ezra Miller, Stephen Hendel, Dave Guenette, Maria Judice) —  In an otherworldly e-waste dump camp, a subversive hacking collective attempts a takeover of the authoritarian regime exploiting the region’s natural resources — and its people. When an intersex runaway and an escaped coltan miner find each other through cosmic forces, their connection sparks glitches within the greater divine circuitry. Cast: Cheryl Isheja, Elvis Ngabo “Bobo”, Bertrand Ninteretse “Kaya Free”, Eliane Umuhire, Rebecca Muciyo, Trésor Niyongabo. Fiction.

Three Minutes – A Lengthening / Netherlands (Director and Screenwriter: Bianca Stigter, Producer: Floor Onrust) — Three minutes of footage are the only moving images known of the Jewish inhabitants of Nasielsk in Poland before the Holocaust. An examination of that film — in color, random, full of life — reveals historical and personal dimensions. Narrated by Helena Bonham Carter. Documentary.

The Worst Person in the World / Norway (Director: Joachim Trier, Screenwriter: Eskil Vogt, Joachim Trier, Producer: Thomas Robsahm, Andrea Berentsen Ottmar) — Four years in the life of Julie, a young woman who navigates the troubled waters of her love life and struggles to find her career path, leading her to take a realistic look at who she really is. Cast: Renate Reinsve, Anders Danielsen Lie, Herbert Nordrum. Fiction. DAY ONE

KIDS

Truong Phu and Chu Diep Anh in “Maika” (Photo by Minh Cong Trang)

This section of the Festival is especially for our youngest independent film fans. Programmed in cooperation with Utah Film Center, which presents the annual Tumbleweeds Film Festival, Utah’s premiere film festival for children and youth. Films that have played in this category in recent years include The Elephant Queen, Science Fair, My Life as a Zucchini, The Eagle Huntress, and Shaun the Sheep.

Maika / Vietnam (Director and Screenwriter: Ham Tran, Producers:Jenni Trang Le, Duy Ho, Anderson Le, Bao Nguyen) — After a meteor falls to earth, 8-year-old Hung meets an alien girl from the planet Maika, searching for her lost friend. As Hung helps her otherworldly friend search, the alien inadvertently helps Hung make new friends and heal a broken heart. But danger lurks everywhere… Cast: Phu Truong, Diep Anh Tru, Tin Tin, Ngoc Tuong, Kim Nha. World Premiere. Fiction.

Summering / U.S.A. (Director: James Ponsoldt, Screenwriters: Benjamin Percy, James Ponsoldt, Producers: Peter Block, P. Jennifer Dana) — During their last days of summer and childhood — the weekend before middle school begins — four girls struggle with the harsh truths of growing up and embark on a mysterious adventure. World Premiere. Fiction.

SPECIAL SCREENINGS featuring extended conversations following the screening, to allow audiences and storytellers to connect more deeply. 

LAST FLIGHT HOME / U.S.A. (Director: Ondi Timoner, Producers: Ondi Timoner, David Turner) — An examination of Eli Timoner’s intentional death and his family’s emotional turmoil as they grapple with his decision to end his own life. The family journeys back through Eli’s remarkable, painful life to discover what true love looks like and help him shed shame he’s carried for forty years. World Premiere. Documentary.

FROM THE COLLECTION

Ariyan A. Johnson in “Just Another Girl on the I.R.T.” (Photo courtesy Miramax Films) 

Archival screenings are made possible by the Sundance Institute Collection at UCLA, and give audiences the opportunity to discover and rediscover the films that have shaped the heritage of both Sundance Institute and independent storytelling. To address the specific preservation risks posed to independent film, Sundance Institute partnered with UCLA Film & Television Archive in 1997 to form the Sundance Institute Collection at UCLA and preserves independent films supported by Sundance Institute. The Collection has grown to over 4,000 holdings representing nearly 2,300 titles. From the Collection screenings have included The Blair Witch Project, Hours and Times, River of Grass, Paris is Burning, Desert Hearts, Daughters of the Dust, El Mariachi, sex, lies, and videotape, Hoop Dreams, and Paris, Texas.

Just Another Girl on the I.R.T. / U.S.A. (Director and Screenwriter: Leslie Harris, Producers: Leslie Harris, Erwin Wilson) — A Brooklyn young woman, smart, witty, and confident, is not just another teenager on the NYC subway. Determined to make it out of her neighborhood and become a doctor, she confronts adversity while navigating challenging waters to achieve her dreams and goals… Cast: William Badget, Chequita Jackson, Ebony Jerido, Ariyan Johnson, Kevin Thigpen, Jerad Washington. 1993 Sundance Film Festival – winner of the Special Jury Prize for Outstanding Achievement in a First Feature.

Digitally restored from the original 16mm A/B negatives, and a new DCP created in collaboration between Sundance Institute, the Academy Film Archive, and UCLA Film & Television Archive.

INDIE EPISODIC PROGRAM

A dedicated showcase for emerging creators of independently produced content for episodic platforms. Past projects that have premiered within this category include Work in Progress, State of the Union, Gentefied, Wu Tang Clan: Of Mics and Men and Quarter Life Poetry. The Indie Episodic Program is presented by DoorDash.

Kate Bosworth in “Bring on the Dancing Horses” (Photo by Angela Martino)

Bring on the Dancing Horses / U.S.A. (Director and Screenwriter: Michael Polish, Producers: Kate Bosworth, Michael Polish) — An assassin is out to complete her list of targets and exact her own brand of justice. Cast: Kate Bosworth, Jasper Polish, Lance Henriksen, Happy Anderson, DJ Qualls, Thomas Francis Murphy. World Premiere. Fiction.

Chiqui / U.S.A. (Director and Screenwriter: Carlos Cardona, Producers: Daniel Fermín Pfeffer, Sophia de Baun) — It’s 1987. Chiqui and Carlos immigrate from Colombia to the United States to find a better life for themselves and their unborn son. Upon their arrival, they quickly realize that the American dream is not as easy to achieve as they thought. Cast: Brigitte Silva, Sebastián Beltranini, Catherine French, Gregg Prosser. World Premiere. Fiction.

CULTURE BEAT / U.S.A. (Directors: Andre Hyland, Kitao Sakurai, Screenwriters: Andre Hyland, Kitao Sakurai, Eric Andre, Producers: Eric Andre, Kitao Sakurai, Andre Hyland) — A show that investigates high culture institutions through the lowbrow lens of various characters. The 2021 love child of Da Ali G Show and Anthony Bourdain: No Reservations. Cast: Andre Hyland. World Premiere. Documentary.

The Dark Heart / Sweden (Director: Gustav Möller, Screenwriter: Oskar Söderlund, Producers: Anna Carlsten, Caroline Landerberg) — Sweden: in a mythological landscape, search parties roam through forests of spruce, secret conversations are whispered in open fields, and verbal duels fought on narrow country roads. A story of family feuds, inheritances and forbidden love. Cast: Aliette Opheim, Clara Christiansson Drake, Gustav Lindh, Peter Andersson. World Premiere. Fiction. 

Instant Life / U.S.A. (Directors: Mark Becker, Aaron Schock, Producers: Mark Becker, Aaron Schock, Julie Gaynin) — Destitute without electricity and running water, Yolanda Signorelli Von Braunhut has lost control of her late husband Harold’s iconic Amazing Live Sea Monkeys novelty. Yet she alone knows their secret formula, and from her crumbling estate on the Potomac, Yolanda wages legal and existential battles to fully win them back. World Premiere. Documentary. 

My Trip to Spain / U.S.A. (Director and Screenwriter: Theda Hammel, Producers: Allie Jane Compton, John Early) — Alexis, a successful trans woman, is heading to Spain to get some cosmetic surgery. She has asked her embittered old friend Charlie to housesit while she’s away. During the handoff, he tries his best to convince her to cancel, while simultaneously pursuing a sexual liaison with her brooding gardener Bruno. Cast: John Early, Theda Hammel, Gordon Landenberger. World Premiere. Fiction. 

NEW FRONTIER

The 2022 edition of the Festival’s New Frontier section will be a fully biodigital showcase, presented simultaneously on a bespoke WebXR spatialized virtual venue, The Spaceship, that has touchpoints in a newly conceived, free-to-access venue in Park City, The Craft. Ticketed New Frontier performances will also be presented in Park City’s iconic Egyptian Theatre, with simultaneous presentations on The Spaceship.
 
The Spaceship, globally accessible via laptop or VR headset, houses spaces for Festivalgoers to see the official New Frontier lineup, interact with others and gather together to watch programs and performances in an immersive arthouse theater. This year, Sundance, working again with the creative studio Active Theory, will unveil a number of upgrades to enhance The Spaceship’s functionality and accessibility. Festival attendees, both on the ground in Park City and online, can interact with each other in avatar and maintain the sense of community that the Festival always aims to provide, including a bleeding-edge human-scale Biodigital Bridge that allows Festivalgoers in Park City to gather with those attending The Spaceship online from anywhere in the world — establishing the Festival as a metaverse that overlays the physical event with a virtual one.
 
Since 2007, the New Frontier exhibition has showcased multimedia storytelling, art installations, and biodigital performances that make use of emerging technologies like virtual reality, haptic tech and AI, among other tools. The 2022 edition is visualized as a human-scale and person-first digital experience that balances connection with a wondrous and meaningful sense of place.

The Sundance Institute New Frontier Program is supported by the John D. and Catherine T. MacArthur Foundation, Unity, Canon USA, Inc., Metaplex Studios, Rally, Adobe, Dell Technologies, and RAIR Tech.

Sam Green in “32 Sounds (Photo courtesy of Sundance Institute)


32 Sounds / U.S.A. (Lead Artist: Sam Green) — An immersive documentary and sensory film experience that explores the elemental phenomenon of sound and its power to bend time, cross borders, and profoundly shape our perception of the world around us. The film will be presented in its “live cinema” form, featuring live music and live narration. World Premiere.  DAY ONE

Atua / New Zealand (Lead Artists: Tanu Gago, Jermaine Dean, Key Collaborators: Kat Lintott, Carthew Neal, Nacoya Anderson) — Centuries ago, gender- and sexuality-diverse Pacific peoples were impacted by the arrival of Christianity. This work utilizes a Māori concept of time and space, reimagining Te Kore as a celestial being. Te Kore is the Void, a nonbinary state of chaos, abundant with possibilities and the unlimited potential for being. World Premiere. 

Child of Empire / U.K. (Lead Artists: Sparsh Ahuja, Erfan Saadati, Stephen Stephenson, Omi Zola Gupta, Key Collaborators: Sam Dalyrmple, Saadia Gardezi, Jayosmita Ganguly) — Experience the largest forced migration in human history, the 1947 Partition of India and Pakistan. Embody the childhood memories of two survivors, as they reflect on their journeys across a divided homeland. World Premiere.

Cosmogony / Switzerland (Lead Artists: Gilles Jobin, Susana Panadés Diaz, Camilo de Martino, Tristan Siodlak, Key Collaborator: Pierre-Igor Berthet) — A live digital performance in which 3 dancers are motion captured in Geneva and projected remotely in real time. North American Premiere.

Diagnosia / U.S.A. (Lead Artists: Mengtai Zhang, Lemon Guo, Producers: Mengtai Zhang, Lemon Guo, Yue Huang) — In this VR experience, the director locks us inside his teenage memories of being incarcerated in a military-operated internet addiction camp in Beijing in 2007, where internet addiction and other youth issues were treated as severe mental disorders, and sometimes by violent means. North American Premiere.

Flat Earth VR / Brazil (Lead Artist: Lucas Rizzotto) VR is known as the ultimate empathy machine that lets users experience others’ perspectives. But what happens when those perspectives are delusional? Experience the ultimate flat-earther fantasy: ascend into the stars and prove all globe-earthers wrong by taking photos of the planet as it truly is: flat like a pancake. World Premiere.

Gondwana / Australia (Lead Artists: Ben Joseph Andrews, Emma Roberts, Key Collaborators: Lachlan Sleight, Michelle Brown, The Convoy) — A durational VR experience that runs over 24 hours, and a constantly-evolving virtual ecosystem chronicling the possible futures of the world’s oldest tropical rainforest, the Daintree. Powered by climate data, each showing is unrepeatable and speculative, a meditation on time, change and loss in an irreplaceable landscape. World Premiere. 

On the Morning You Wake (To the End of the World) / U.K. (Lead Artists: Dr. Jamaica Heolimeleikalani Osorio, Mike Brett, Steve Jamison, Arnaud Colinart, Pierre Zandrowicz, Key Collaborators: Jo-Jo Ellison, Bobby Krlic)  — On a regular Saturday morning in January 2018, as Hawaiian citizens went about their daily routines, the entire state population received an SMS from the Hawaii Emergency Management Agency, which read: “BALLISTIC MISSILE THREAT INBOUND TO HAWAII. SEEK IMMEDIATE SHELTER. THIS IS NOT A DRILL.” World Premiere. 

Seven Grams / France (Lead Artist: Karim Ben Khelifa, Key Collaborators: TT Hernandez, Quentin Noirfalisse)  — An entirely new way for people to understand the human cost that went into producing their smartphones. This project brings the Democratic Republic of Congo’s tragic mining industry straight to the smartphone that its mineral resources helped make, via an app on both IOS and Android systems.  North American Premiere.

Suga’- A Live Virtual Dance Performance / U.S.A. (Lead Artist: Valencia James, Key Collaborators: Thomas Wester, Simon Boas)  — An immersive experience that features live dance performance as volumetric video in social virtual reality space. The performance weaves together movement, family stories, and cultural heritage to imagine virtual environments as a site for healing and reclamation of spaces that were historically filled with pain and injustice.

Surrogate / U.S.A. (Lead Artist: Lauren Lee McCarthy, Key Collaborators: Dorothy R. Santos, David Leonard, Stefanie Tam) — How do we relate to the future while living in a world in crisis? Amidst climate change, inequity, and pandemic, it’s no longer possible to view ourselves as separate from past and future. How much control should we have over a birthing person’s body, and a life before it’s born? North American Premiere.

The Inside World / U.S.A. (Lead Artists: Jennifer McCoy, Kevin McCoy, Key Collaborators: Annie J. Howell, Peter Rostovsky)  — The city of Las Vegas is now operated by artificial intelligence. Fourteen AI “Managers” handle every sector of the city. The problem is, one of them is secretly human… Digital Art NFTs meet gameplay in this community driven mystery. World Premiere. 

The State of Global Peace / U.S.A (Lead Artists: Daanish Masood Alavi, Key Collaborators: Igal Nassima, Erica Newman) — The prime minister of a fictitious country – played by you – is about to deliver a speech at a virtual UN General Assembly in the near future. A group of students hijacks the security system and takes over the screens, asking to have a dialogue. World Premiere. 

They Dream in My Bones – Insemnopedy II / France (Lead Artist: Faye Formisano, Key Collaborators: Ludovic De Oliveira, Lilou-Magali Robert, Cindy Coutant)  — Immersed on virtual veils, this VR360 experience tells the story of Roderick Norman, a researcher in onirogenetics, the science he founded, which makes it possible to extract dreams from an unidentified skeleton at the frontier of gender and the human.  North American Premiere.

This Is Not A Ceremony / Canada (Lead Artist: Ahnahktsipiitaa (Colin Van Loon), Key Collaborators: Olivier Leroux, James Monkman, Jessica Dymond) — Darkly humorous and occasionally caustic, this cinematic VR experience offers insights into the struggles and conflicts of growing up an Indigenous man. World Premiere. 

The Sundance Film Festival
The Sundance Film Festival has introduced global audiences to some of the most groundbreaking films of the past three decades, including Flee, CODA, Passing, Summer Of Soul (…or, When the Revolution Could Not Be Televised), Clemency, Never Rarely Sometimes Always, Zola, On The Record, Boys State, The Farewell, Honeyland, One Child Nation, The Souvenir, The Infiltrators, Sorry to Bother You, Won’t You Be My Neighbor?, Hereditary, Call Me By Your Name, Get Out, The Big Sick, Mudbound, Fruitvale Station, Whiplash, Brooklyn, Precious, The Cove, Little Miss Sunshine, An Inconvenient Truth, Napoleon Dynamite, Hedwig and the Angry Inch, Reservoir Dogs and sex, lies, and videotape
 
The Festival is a program of the non-profit Sundance Institute. 2022 Festival sponsors include: Presenting Sponsors – Acura, AMC+, Chase Sapphire, Adobe; Leadership Sponsors – Amazon Studios, DIRECTV, DoorDash, Dropbox, Netflix, Omnicom Group, WarnerMedia, XRM Media; Sustaining Sponsors – Aflac, Audible, Canada Goose, Canon U.S.A., Inc., Dell Technologies, IMDbPro, Michelob ULTRA Pure Gold, Rabbit Hole Bourbon & Rye, Southwest Airlines®, Unity Technologies, University of Utah Health, White Claw Hard Seltzer; Media Sponsors – The Atlantic, IndieWire, Los Angeles Times, NPR, Shadow and Act, Variety, Vulture. Sundance Institute recognizes critical support from the State of Utah as Festival Host State. The support of these organizations helps offset the Festival’s costs and sustain the Institute’s year-round programs for independent artists. Festival.Sundance.org

Sundance Institute
As a champion and curator of independent stories for the stage and screen, Sundance Institute provides and preserves the space for artists in film, theatre, film composing, and digital media to create and thrive.
Founded in 1981 by Robert Redford, the Institute’s signature Labs, granting, and mentorship programs, dedicated to developing new work, take place throughout the year in the U.S. and internationally. Sundance Collab, a digital community platform, brings artists together to learn from each other and Sundance advisors and connect in a creative space, developing and sharing works in progress. The Sundance Film Festival and other public programs connect audiences and artists to ignite new ideas, discover original voices, and build a community dedicated to independent storytelling. Sundance Institute has supported such projects as Clemency, Never Rarely Sometimes Always, Zola, On The Record, Boys State, The Farewell, Honeyland, One Child Nation, The Souvenir, The Infiltrators, Sorry to Bother You, Won’t You Be My Neighbor?, Hereditary, Call Me By Your Name, Get Out, The Big Sick, Mudbound, Fruitvale Station, City So Real, Top of the Lake, Between the World & Me, Wild Goose Dreams and Fun Home. Join the Sundance Institute on FacebookInstagramTwitter and YouTube.

# # #

EDITOR NOTE: DIRECTOR DEMOGRAPHICS 
The data we are sharing reflects information provided directly by the artists. Some artists chose not to self-identify in all data areas.

U.S. COMPETITION:
Dramatic: 60% or 6 of the 10 directors in this year’s U.S. Dramatic Competition identify as women; 50% or 5 of the 10 identify as people of color.
Documentary: 77% or 10 of the 13 directors in this year’s U.S. Documentary Competition identify as women; 30% or 4 of the 13 identify as people of color; 7% or 1 of the 13 identify as LGBTQ+.

WORLD COMPETITION:
Dramatic: 45% or 5 of the 11 directors in the World Dramatic Competition identify as women; 45% or 5 of the 11 identify as people of color; 9% or 1 out of 11 directors identify as LGBTQ+
Documentary: 45% or 5 of the 11 directors in the World Documentary Competition identify as women; 36% or 4 of the 11 as people of color.

FEATURE FILM SUBMISSIONS: Of the 3,762 feature film submissions, 1,665 were from the U.S. and 2,121 were international; 1,070 (28%) were directed by one or more filmmakers who identify as women; 52 (1%) were directed by one or more filmmakers who identify as non-binary individuals; 1,611 (43%) were directed by one or more filmmakers who identify as people of color; 413 (11%) were directed by one or more filmmakers who identify as LGBTQ+. 

ALL FEATURES: Of the 82 feature films, 43 (52%) were directed by one or more filmmakers identify as women; 1 (1%) was directed by one or more filmmakers who identify as non-binary individuals; 29 (35%) were directed by one or more filmmakers who identify as people of color; 8 (10%) by one or more filmmakers who identify as LGBTQ+;

NEW FRONTIER: Of the 29 lead artists across the 15-project section, 7, or 24%, identify as women; 3, or 10%, identify as non-binary; 14, or 48%, identify as people of color; 6, or 21%, identify as LGBTQ+.

INDIE EPISODIC: Of the 8 directors across the 6-project section, 1, or 12%, identifies as women; 3, or 37%, of 8 directors identify as people of color; 1, or 12%, identifies as LGBTQ+.

2021 Sundance Film Festival: film slate announced

December 15, 2020

The following is a press release from the Sundance Institute:

The nonprofit Sundance Institute announced today the showcase of new independent work selected across the Feature Film, Short Film, Indie Series and New Frontier categories for the 2021 Sundance Film Festival. The Festival will take place digitally via a feature-rich, Sundance-built online platform and in person on Satellite Screens across the country (public health permitting) from January 28-February 3, 2021. Additionally, Festival attendees can gather in virtual waiting rooms, participate in live Q&As, and congregate in new, inspired online environments to interact in a range of ways both new and familiar. The Institute shared details of how the Festival will meet audiences on the online platform and Satellite Screens earlier this month

The Sundance Film Festival is the flagship public program of Sundance Institute. Throughout the year the majority of the Institute’s resources support independent artists around the world as they make and develop new work through access to Labs, direct grants, fellowships, residencies and other strategic and tactical interventions.

“Togetherness has been an animating principle here at the Sundance Institute as we’ve worked to reimagine the Festival for 2021, because there is no Sundance without our community,” said Sundance Institute Founder and President Robert Redford. “Under Tabitha’s leadership, we’ve forged a new collective vision: one that honors the spirit and tradition of these invigorating yearly gatherings in Utah, while making room for imaginative new possibilities in a new online format.”

“Of course, the pandemic year demanded adaptation,” said Keri Putnam, Sundance Institute’s Executive Director. “On a deeper level, we also recognize the urgency of supporting independent storytellers at a time of great upheaval in the film and media fields. We’re proud this edition of the Festival is fiercely independent, and will reach people everywhere, celebrating both the theatrical experience at our Satellite Screens and streaming on our platform.”
 
“This Festival is a singular response to a singular year – both in design and curation – and we are excited about the new dimensions of possibility it will reveal. But at its core is something that speaks to our most enduring values,” said Tabitha Jackson, Director of the Sundance Film Festival. “For thousands of years humans have gathered to tell stories and make meaning. In this pandemic year we gather to celebrate a constellation of artists with unique perspectives that express this current moment and who together are saying, ‘We exist. This is who we are. And this is what we see.'”
 
“The work in this year’s program is groundbreaking, imaginative, and formally daring,” said Kim Yutani, the Festival’s Director of Programming. “With over half the program made by first-time directors, a sense of discovery remains true to us at Sundance. This year’s Festival presents irrefutable evidence that despite the challenges, the independent voice is as strong as ever.”
 
Day One films debuting on the platform to open the Festival will be Censor, CODAFleeOne for the Road, In The Same Breath, and Summer Of Soul (…Or, When The Revolution Could Not Be Televised).
 
Son of Monarchs, screening in the NEXT section, has been named the winner of the Alfred P. Sloan Feature Film Prize.

Announced today: the full 2021 slate of works, including 72 feature-length films, representing 29 countries and 38 first-time feature filmmakers. 14 films and projects announced today were supported by Sundance Institute in development, through direct granting or residency Labs. 66 of the Festival’s feature films, or 92% of the lineup announced today, will be world premieres. These films were selected from 14,092 submissions including 3,500 feature-length films. Of the feature film submissions, 1,377 were from the U.S. and 2,132 were international. Director demographics are available in an editor’s note below.

The projects confirmed for the 2021 Sundance Film Festival are:

U.S. DRAMATIC COMPETITION

Presenting the world premieres of 10 narrative feature films, the Dramatic Competition offers Festivalgoers a first look at groundbreaking new voices in American independent film. Films that have premiered in this category in recent years include Minari, Never Rarely Sometimes Always, The Farewell, Honey Boy, Clemency, Eighth Grade, and Sorry to Bother You.

“CODA” (Photo courtesy of Sundance Institute)

CODA / U.S.A. (Director and Screenwriter: Siân Heder, Producers: Philippe Rousselet, Fabrice Gianfermi, Patrick Wachsberger) — As a CODA – Child of Deaf Adults – Ruby is the only hearing person in her deaf family. When the family’s fishing business is threatened, Ruby finds herself torn between pursuing her love of music and her fear of abandoning her parents. Cast: Emilia Jones, Eugenio Derbez, Troy Kotsur, Ferdia Walsh-Peelo, Daniel Durant, and Marlee Matlin. World Premiere.DAY ONE

I Was a Simple Man
 / U.S.A. (Director and Screenwriter: Christopher Makoto Yogi, Producers: Sarah S. Kim, Christopher Makoto Yogi, Matthew Petock, Yamato Cibulka) — As a family in Hawai’i faces the imminent death of their eldest, the ghosts of the past haunt the countryside. Cast: Steve Iwamoto, Constance Wu, Kanoa Goo, Chanel Akiko Hirai, Tim Chiou, Boonyanudh Jiyarom. World Premiere

Jockey
 / U.S.A. (Director: Clint Bentley, Screenwriters: Clint Bentley, Greg Kwedar, Producers: Clint Bentley, Greg Kwedar, Nancy Schafer) — An aging jockey is determined to win one last championship, but his dream is complicated when a young rookie shows up claiming to be his son. Cast: Clifton Collins Jr., Molly Parker, Moises Arias. World Premiere

John and the Hole
 / U.S.A. (Director: Pascual Sisto, Screenwriter: Nicolás Giacobone, Producers: Elika Portnoy, Alex Orlovsky, Mike Bowes) — A nontraditional coming-of-age story, set in the unsettling reality of John, a kid who holds his family captive in a hole in the ground. Cast: Charlie Shotwell, Michael C. Hall, Jennifer Ehle, Taissa Farmiga. World Premiere

Mayday / U.S.A. (Director and Screenwriter: Karen Cinorre, Producers: Jonah Disend, Lucas Joaquin, Karen Cinorre, Sam Levy) — Ana is transported to a dreamlike and dangerous land where she joins a team of female soldiers engaged in a never-ending war along a rugged coast. Though she finds strength in this exhilarating world, she comes to realize that she’s not the killer they want her to be. Cast: Grace Van Patten, Mia Goth, Havana Rose Liu, Soko, Théodore Pellerin, Juliette Lewis. World Premiere

On the Count of Three / U.S.A. (Director: Jerrod Carmichael, Screenwriters: Ari Katcher, Ryan Welch, Producers: David Carrico, Adam Paulsen, Tom Werner, Jake Densen, Ari Katcher, Jimmy Price) — Two guns. Two best friends. And a pact to end their lives when the day is done. Cast: Jerrod Carmichael, Christopher Abbott, Tiffany Haddish, J.B. Smoove, Lavell Crawford, Henry Winkler. World Premiere

Passing
 / U.S.A. (Director and Screenwriter: Rebecca Hall, Producers: Forest Whitaker, Nina Yang Bongiovi, Margot Hand, Rebecca Hall) — Two African-American women who can “pass” as white choose to live on opposite sides of the color line in 1929 New York in an exploration of racial and gender identity, performance, obsession and repression. Based on the novella by Nella Larsen. Cast: Tessa Thompson, Ruth Negga, André Holland, Alexander Skarsgård, Bill Camp. World Premiere

Superior
 / U.S.A. (Director: Erin Vassilopoulos, Screenwriters: Erin Vassilopoulos, Alessandra Mesa, Producers: Benjamin Cohen, Grant Curatola, Patrick Donovan) — On the run, Marian returns to her hometown in upstate New York to hide out with her estranged identical twin sister, Vivian. Struggling to put the past behind her, Marian lies about the reason for her return, leaving her sister in the dark until their two worlds begin to collide. Cast: Alessandra Mesa, Ani Mesa, Pico Alexander, Jake Hoffman, Stanley Simons. World Premiere

Together Together
 / U.S.A. (Director and Screenwriter: Nikole Beckwith, Producers: Anthony Brandonisio, Daniela Taplin Lundberg, Tim Headington) — When young loner Anna is hired as the surrogate for Matt, a single man in his 40s, the two strangers come to realize this unexpected relationship will quickly challenge their perceptions of connection, boundaries and the particulars of love. Cast: Ed Helms, Patti Harrison, Tig Notaro, Julio Torres, Anna Konkle. World Premiere

Wild Indian
 / U.S.A. (Director and Screenwriter: Lyle Mitchell Corbine Jr., Producers: Lyle Mitchell Corbine Jr., Thomas Mahoney, Eric Tavitian) — Two men are inextricably bound together after covering up the savage murder of a schoolmate. After years of separation following wildly divergent paths, they must finally confront how their traumatic secret has irrevocably shaped their lives. Cast: Michael Greyeyes, Chaske Spencer, Jesse Eisenberg, Kate Bosworth, Phoenix Wilson, Julian Gopal. World Premiere

U.S. DOCUMENTARY COMPETITION

Ten world-premiere American documentaries that illuminate the ideas, people and events that shape the present day. Films that have premiered in this category in recent years include Boys State, Crip Camp: A Disability RevolutionApollo 11, Knock Down The House, One Child Nation, American FactoryThree Identical Strangers and On Her Shoulders.

“Ailey” (Photo by Jack Mitchell)

Ailey / U.S.A. (Director: Jamila Wignot, Producer: Lauren DeFilippo) — Alvin Ailey was a visionary artist who found salvation through dance. Told in his own words and through the creation of a dance inspired by his life, this immersive portrait follows a man who, when confronted by a world that refused to embrace him, determined to build one that would. World Premiere

All Light, Everywhere
/ U.S.A. (Director: Theo Anthony, Producers: Riel Roch-Decter, Sebastian Pardo, Jonna McKone) — An exploration of the shared histories of cameras, weapons, policing and justice. As surveillance technologies become a fixture in everyday life, the film interrogates the complexity of an objective point of view, probing the biases inherent in both human perception and the lens. World Premiere

At the Ready / U.S.A. (Director: Maisie Crow, Producers: Hillary Pierce, Maisie Crow, Abbie Perrault) — Home to one of the region’s largest law enforcement education program, students at Horizon High School in El Paso train to become police officers and Border Patrol agents as they discover the realities of their dream jobs may be at odds with the truths and people they hold most dear. World Premiere

Cusp
 / U.S.A. (Directors: Parker Hill, Isabel Bethencourt, Producers: Zachary Luke Kislevitz, Parker Hill, Isabel Bethencourt) — In a Texas military town, three teenage girls confront the dark corners of adolescence at the end of a fever dream summer. World Premiere

Homeroom
 / U.S.A. (Director: Peter Nicks, Producers: Peter Nicks, Sean Havey) — Following the class of 2020 at Oakland High School in a year marked by seismic change, exploring the emotional world of teenagers coming of age against the backdrop of a rapidly changing world. World Premiere

Rebel Hearts
 / U.S.A. (Director: Pedro Kos, Producers: Kira Carstensen, Shawnee Isaac-Smith, Judy Korin) — A group of pioneering nuns bravely stand up to the Catholic Church patriarchy, fighting for their livelihoods, convictions and equality against an all-powerful Cardinal. From marching in Selma in 1965 to the Women’s March in 2018, these women have reshaped our society with their bold acts of defiance. World Premiere

Rita Moreno: Just a Girl Who Decided to Go For It
 / U.S.A. (Director: Mariem Pérez Riera, Producers: Brent Miller, Mariem Pérez Riera, Ilia J. Vélez-Dávila) — Rita Moreno defied both her humble upbringing and relentless racism to become one of a select group who have won an Emmy, Grammy, Oscar and Tony Award. Over a seventy year career, she has paved the way for Hispanic-American performers by refusing to be pigeonholed into one-dimensional stereotypes. World Premiere

Summer Of Soul (…Or, When The Revolution Could Not Be Televised) / U.S.A. (Director: Ahmir “Questlove” Thompson, Producers: David Dinerstein, Robert Fyvolent, Joseph Patel) — During the same summer as Woodstock, over 300,000 people attended the Harlem Cultural Festival, celebrating African American music and culture, and promoting Black pride and unity. The footage from the festival sat in a basement, unseen for over 50 years, keeping this incredible event in America’s history lost – until now. World Premiere. DAY ONE

Try Harder!
 / U.S.A. (Director: Debbie Lum, Producers: Debbie Lum, Lou Nakasako, Nico Opper) — In a universe where cool kids are nerds, the orchestra is world class and being Asian American is the norm, seniors at Lowell High School compete for the top prize: admission to the college of their dreams. World Premiere

Users
 / U.S.A., Mexico (Director: Natalia Almada, Producers: Elizabeth Lodge Stepp, Josh Penn) — A mother wonders, will my children love their perfect machines more than they love me, their imperfect mother? She switches on a smart-crib lulling her crying baby to sleep. This perfect mother is everywhere. She watches over us, takes care of us. We listen to her. We trust her. World Premiere

WORLD CINEMA DRAMATIC COMPETITION

“The Dog Who Wouldn’t Be Quiet” (Photo courtesy of Sundance Institute)

Ten films from emerging filmmaking talents around the world offer fresh perspectives and inventive styles. Films that have premiered in this category in recent years include The Souvenir, The Guilty, Monos, YardieThe Nile Hilton Incident and Second Mother.

The Dog Who Wouldn’t Be Quiet / Argentina (Director: Ana Katz, Screenwriters: Ana Katz, Gonzalo Delgado, Producers: Laura Huberman, Ana Katz) — Sebastian, a man in his thirties, works a series of temporary jobs and he embraces love at every opportunity. He transforms, through a series of short encounters, as the world flirts with possible apocalypse. Cast: Daniel Katz, Julieta Zylberberg, Valeria Lois, Mirella Pascual, Carlos Portaluppi. World Premiere

El Planeta
 / U.S.A., Spain (Director and Screenwriter: Amalia Ulman, Producers: Amalia Ulman, Kathleen Heffernan, Kweku Mandela) — Amidst the devastation of post-crisis Spain, mother and daughter bluff and grift to keep up the lifestyle they think they deserve, bonding over common tragedy and an impending eviction. Cast: Amalia Ulman, Ale Ulman, Nacho Vigalondo, Zhou Chen, Saoirse Bertram. World Premiere

Fire in the Mountains
 / India (Director and Screenwriter: Ajitpal Singh, Producers: Ajay Rai, Alan McAlex) — A mother toils to save money to build a road in a Himalayan village to take her wheelchair-bound son for physiotherapy, but her husband, who believes that an expensive religious ritual is the remedy, steals her savings. Cast: Vinamrata Rai, Chandan Bisht, Mayank Singh Jaira, Harshita Tewari, Sonal Jha. World Premiere

Hive
 / Kosovo, Switzerland, Macedonia, Albania (Director and Screenwriter: Blerta Basholli, Producers: Yll Uka, Valon Bajgora, Agon Uka) — Fahrije’s husband has been missing since the war in Kosovo. She sets up her own small business to provide for her kids, but as she fights against a patriarchal society that does not support her, she faces a crucial decision: to wait for his return, or to continue to persevere. Cast: Yllka Gashi, Çun Lajçi, Aurita Agushi, Kumrije Hoxha, Adriana Matoshi, Kaona Sylejmani. World Premiere

Human Factors
 / Germany, Italy, Denmark (Director and Screenwriter: Ronny Trocker, Producers: Susanne Mann, Paul Zischler, Martin Rehbock) — A mysterious housebreaking exposes the agony of an exemplary middle class family. Cast: Sabine Timoteo, Mark Waschke, Jule Hermann, Wanja Valentin Kube, Hannes Perkmann, Daniel Séjourné. World Premiere 

Luzzu / Malta (Director and Screenwriter: Alex Camilleri, Producers: Rebecca Anastasi, Ramin Bahrani, Alex Camilleri, Oliver Mallia) — Jesmark, a struggling fisherman on the island of Malta, is forced to turn his back on generations of tradition and risk everything by entering the world of black market fishing to provide for his girlfriend and newborn baby. Cast: Jesmark Scicluna, Michela Farrugia, David Scicluna. World Premiere

One for the Road/ China, Hong Kong, Thailand (Director: Baz Poonpiriya, Screenwriters: Baz Poonpiriya, Nottapon Boonprakob, Puangsoi Aksornsawang, Producer: Wong Kar Wai) — Boss is a consummate ladies’ man, a free spirit and a bar owner in NYC. One day, he gets a surprise call from Aood, an estranged friend who has returned home to Thailand. Dying of cancer, Aood enlists Boss’ help to complete a bucket list – but both are hiding something. Cast: Tor Thanapob, Ice Natara, Violette Wautier, Aokbab Chutimon, Ploi Horwang, Noon Siraphun. World Premiere. DAY ONE

The Pink Cloud / Brazil (Director and Screenwriter: Iuli Gerbase, Producer: Patricia Barbieri) — A mysterious and deadly pink cloud appears across the globe, forcing everyone to stay home. Strangers at the outset, Giovana and Yago try to invent themselves as a couple as years of shared lockdown pass. While Yago is living in his own utopia, Giovana feels trapped deep inside. Cast: Renata de Lélis, Eduardo Mendonça. World Premiere

Pleasure
 / Sweden, Netherlands, France (Director and Screenwriter: Ninja Thyberg, Producers: Eliza Jones, Markus Waltå, Erik Hemmendorff) — A 20-year-old girl moves from her small town in Sweden to LA for a shot at a career in the adult film industry. Cast: Sofia Kappel, Revika Anne Reustle, Evelyn Claire, Chris Cock, Dana DeArmond, Kendra Spade. World Premiere 

Prime Time / Poland (Director: Jakub Piątek, Screenwriters: Jakub Piątek, Łukasz Czapski, Producer: Jakub Razowski) — On the last day of 1999, 20-year-old Sebastian locks himself in a TV studio. He has two hostages, a gun, and an important message for the world. The story of the attack explores a rebel’s extreme measures and last resort. Cast: Bartosz Bielenia, Magdalena Popławska, Andrzej Kłak, Małgorzata Hajewska-Krzysztofik, Dobromir Dymecki, Monika Frajczyk. World Premiere

WORLD CINEMA DOCUMENTARY COMPETITION

“Faya Dahi (Photo by Jessica Beshir)

Ten documentaries by some of the boldest filmmakers working around the world today. Films that have premiered in this category in recent years include Honeyland, Sea of ShadowsShirkers, This is HomeLast Men in Aleppo and Hooligan Sparrow.

Faya Dayi / Ethiopia, U.S.A. (Director, Screenwriter and Producer: Jessica Beshir) — A spiritual journey into the highlands of Harar, immersed in the rituals of khat, a leaf Sufi Muslims chewed for centuries for religious meditations – and Ethiopia’s most lucrative cash crop today. A tapestry of intimate stories offers a window into the dreams of youth under a repressive regime. World Premiere

Flee / Denmark, France, Sweden, Norway (Director: Jonas Poher Rasmussen, Producers: Monica Hellström, Signe Byrge Sørensen) — Amin arrived as an unaccompanied minor in Denmark from Afghanistan. Today, he is a successful academic and is getting married to his long-time boyfriend. A secret he has been hiding for 20 years threatens to ruin the life he has built. World Premiere. DAY ONE

Inconvenient Indian / Canada (Director and Screenwriter: Michelle Latimer, Producers: Stuart Henderson, Justine Pimlott, Jesse Wente) — An examination of Thomas King’s brilliant dismantling of North America’s colonial narrative, which reframes history with the powerful voices of those continuing the tradition of Indigenous resistance. International Premiere

Misha and the Wolves
 / United Kingdom, Belgium (Director and Screenwriter: Sam Hobkinson, Producers: Poppy Dixon, Al Morrow, Matthew Wells, Gregory Zalcman, Jürgen Buedts) — A woman’s Holocaust memoir takes the world by storm, but a fallout with her publisher-turned-detective reveals her story as an audacious deception created to hide a darker truth. World Premiere

The Most Beautiful Boy in the World
 / Sweden (Directors: Kristina Lindström, Kristian Petri, Producer: Stina Gardell) — Swedish actor/musician Björn Andresen’s life was forever changed at the age of 15, when he played Tadzio, the object of Dirk Bogarde’s obsession in Death in Venice – a role which led Italian maestro Luchino Visconti to dub him “the world’s most beautiful boy.” World Premiere

Playing With Sharks / Australia (Director and Screenwriter: Sally Aitken, Producer: Bettina Dalton) — Valerie Taylor is a shark fanatic and an Australian icon – a marine maverick who forged her way as a fearless diver, cinematographer and conservationist. She filmed the real sharks for Jaws and famously wore a chainmail suit, using herself as shark bait, changing our scientific understanding of sharks forever. World Premiere

President
 / Denmark, U.S.A., Norway (Director: Camilla Nielsson, Producers: Signe Byrge Sørensen, Joslyn Barnes) — Zimbabwe is at a crossroads. The leader of the opposition MDC party, Nelson Chamisa, challenges the old guard ZANU-PF led by Emmerson Mnangagwa, known as “The Crocodile.” The election tests both the ruling party and the opposition – how do they interpret principles of democracy in discourse and in practice? World Premiere

Sabaya 
/ Sweden (Director and Screenwriter: Hogir Hirori, Producers: Antonio Russo Merenda, Hogir Hirori) — With just a mobile phone and a gun, Mahmud, Ziyad and their group risk their lives trying to save Yazidi women and girls being held by ISIS as Sabaya (abducted sex slaves) in the most dangerous camp in the Middle East, Al-Hol in Syria. World Premiere

Taming the Garden 
/ Switzerland, Germany, Georgia (Director Salomé Jashi, Producers: Vadim Jendreyko, Erik Winker, Martin Roelly, Salomé Jashi) — A poetic ode to the rivalry between men and nature. World Premiere

Writing With Fire / India (Directors and Producers: Rintu Thomas, Sushmit Ghosh) — In a cluttered news landscape dominated by men, emerges India’s only newspaper run by Dalit women. Armed with smartphones, Chief Reporter Meera and her journalists break traditions on the frontlines of India’s biggest issues and within the confines of their own homes, redefining what it means to be powerful. World Premiere

NEXT

Pure, bold works distinguished by an innovative, forward-thinking approach to storytelling populate this program. Films that have premiered in this category in recent years include The InfiltratorsSearchingSkate KitchenA Ghost Story and Tangerine. NEXT presented by Adobe.

“The Blazing World” (Photo courtesy of Sundance Institute)


The Blazing World / U.S.A. (Director: Carlson Young, Screenwriters: Carlson Young, Pierce Brown, Producers: Brinton Bryan, Elizabeth Avellán) — Decades after the accidental drowning of her twin sister, a self-destructive young woman returns to her family home, finding herself drawn to an alternate dimension where her sister may still be alive. Cast: Udo Kier, Carlson Young, Dermot Mulroney, Vinessa Shaw, John Karna, Soko. World Premiere

Cryptozoo 
/ U.S.A. (Director and Screenwriter: Dash Shaw, Producers: Kyle Martin, Jane Samborski, Bill Way, Tyler Davidson) — As cryptozookeepers struggle to capture a Baku (a legendary dream-eating hybrid creature) they begin to wonder if they should display these rare beasts in the confines of a cryptozoo, or if these mythical creatures should remain hidden and unknown. Cast: Lake Bell, Michael Cera, Angeliki Papoulia, Zoe Kazan, Peter Stormare, Grace Zabriskie. World Premiere

First Date 
/ U.S.A. (Directors and Screenwriters: Manuel Crosby, Darren Knapp, Producers: Brandon Kraus, Manuel Crosby, Darren Knapp, Lucky McKee, Charles Horak) — Conned into buying a shady ’65 Chrysler, Mike’s first date with the girl-next-door, Kelsey, implodes as he finds himself targeted by criminals, cops, and a crazy cat lady. A night fueled by desire, bullets and burning rubber makes any other first date seem like a walk in the park. Cast: Tyson Brown, Shelby Duclos, Jesse Janzen, Nicole Berry, Ryan Quinn Adams, Brandon Kraus. World Premiere

Ma Belle, My Beauty / U.S.A., France (Director and Screenwriter: Marion Hill, Producers: Ben Matheny, Kelsey Scult, Marion Hill) — A surprise reunion in southern France reignites passions and jealousies between two women who were formerly polyamorous lovers. Cast: Idella Johnson, Hannah Pepper, Lucien Guignard, Sivan Noam Shimon. World Premiere

R#J 
/ U.S.A. (Director: Carey Williams, Screenwriters: Carey Williams, Rickie Castaneda, Alex Sobolev, Producers: Timur Bekmambetov, Igor Tsay, John J. Kelly, Alex Sobolev, Anna Soboleva) — A re-imagining of Romeo and Juliet, taking place through their cell phones, in a mash-up of Shakespearean dialogue with current social media communication. Cast: Camaron Engels, Francesca Noel, David Zayas, Diego Tinoco, Siddiq Saunderson, Russell Hornsby. World Premiere

Searchers/ U.S.A. (Director: Pacho Velez, Producers: Pacho Velez, Joe Poletto, Cathy Tankosic, Sam Roseme)  In encounters alternately humorous and touching, a diverse set of New Yorkers navigate their preferred dating apps in search of their special someone.World Premiere

Son of Monarchs 
/Mexico, U.S.A. (Director and Screenwriter: Alexis Gambis, Producers: Abraham Dayan, Maria Altamirano) — After his grandmother’s death, a Mexican biologist living in New York returns to his hometown, nestled in the majestic monarch butterfly forests of Michoacán. The journey forces him to confront past traumas and reflect on his hybrid identity, sparking a personal and spiritual metamorphosis. Cast: Tenoch Huerta Mejía, Alexia Rasmussen, Lázaro Gabino Rodríguez, Noé Hernández, Paulina Gaitán, William Mapother. Alfred P. Sloan Feature Film Prize

Strawberry Mansion/ U.S.A. (Directors and Screenwriters: Albert Birney, Kentucker Audley, Producers: Taylor Shung, Sarah Winshall, Emma Hannaway, Matisse Rifai) — In a world where the government records and taxes dreams, an unassuming dream auditor gets swept up in a cosmic journey through the life and dreams of an aging eccentric named Bella. Together, they must find a way back home. Cast: Penny Fuller, Kentucker Audley, Grace Glowicki, Reed Birney, Linas Phillips, Constance Shulman. World Premiere

We’re All Going to the World’s Fair
 / U.S.A. (Director and Screenwriter: Jane Schoenbrun, Producers: Sarah Winshall, Carlos Zozaya) — A teenage girl becomes immersed in an online role-playing game. Cast: Anna Cobb, Michael J. Rogers. World Premiere

PREMIERES

A showcase of world premieres of some of the most highly anticipated fiction and nonfiction films of the coming year.. Films that have premiered across the Documentary Premieres category include The Dissident, On the Record, and Miss Americana, and in Premieres past titles include Kajillionaire, Promising Young Woman, The Report, Late Night, The Big Sick and Call Me By Your Name.

“Amy Tan: Unintended Memoir” (Photo courtesy of KPJR Films)

Amy Tan: Unintended Memoir / U.S.A. (Director: James Redford, Producers: Karen Pritzker, Cassandra Jabola) — Amy Tan has established herself as one of America’s most respected literary voices. Born to Chinese immigrant parents, it would be decades before the author of The Joy Luck Club would fully understand the inherited trauma rooted in the legacies of women who survived the Chinese tradition of concubinage. World Premiere, Documentary

Bring Your Own Brigade / U.S.A. (Director and Screenwriter: Lucy Walker, Producers: Lucy Walker, Julian Cautherley, Holly Becker, Lyn Lear) — A character-driven verité and revelatory investigation takes us on a journey embedded with firefighters and residents on a mission to understand the causes of historically large wildfires and how to survive them, discovering that the solution has been here all along. World Premiere, Documentary

Eight for Silver/ U.S.A., France (Director and Screenwriter: Sean Ellis, Producers: Mickey Liddell, Pete Shilaimon, Sean Ellis) — In the late 1800s, a man arrives in a remote country village to investigate an attack by a wild animal but discovers a much deeper, sinister force that has both the manor and the townspeople in its grip. Cast: Boyd Holbrook, Kelly Reilly, Alistair Petrie, Roxane Duran, Aine Rose Daly. World Premiere, Narrative

How it Ends/ U.S.A. (Directors, Screenwriters and Producers: Daryl Wein, Zoe Lister-Jones) — On the last day on Earth, one woman goes on a journey through LA to make it to her last party before the world ends, running into an eclectic cast of characters along the way. Cast: Zoe Lister-Jones, Cailee Spaeny, Olivia Wilde, Fred Armisen, Helen Hunt, Lamorne Morris. World Premiere, Narrative

In The Earth 
/ United Kingdom (Director and Screenwriter: Ben Wheatley, Producer: Andy Starke) — As a disastrous virus grips the planet, a scientist and a park scout venture deep into the forest for a routine equipment run. Through the night, their journey becomes a terrifying voyage through the heart of darkness as the forest comes to life around them. Cast: Joel Fry, Ellora Torchia, Hayley Squires, Reece Shearsmith. World Premiere, Narrative

In The Same Breath / U.S.A. (Director: Nanfu Wang, Producers: Nanfu Wang, Jialing Zhang, Julie Goldman, Christopher Clements, Carolyn Hepburn) — How did the Chinese government turn pandemic coverups in Wuhan into a triumph for the Communist party? An essential narrative of firsthand accounts of the coronavirus, and a revelatory examination of how propaganda and patriotism shaped the outbreak’s course – both in China and in the U.S. World Premiere, Documentary.DAY ONE 

Land / U.S.A. (Director: Robin Wright, Screenwriters: Jesse Chatham, Erin Dignam, Producers: Allyn Stewart, Lora Kennedy, Leah Holzer, Peter Saraf) – The poignant story of one woman’s search, in the aftermath of an unfathomable event, for meaning in the vast and harsh American wilderness. Cast: Robin Wright, Demián Bichir, Kim Dickens. World Premiere, Narrative

Marvelous and The Black Hole / U.S.A. (Director and Screenwriter: Kate Tsang, Producer: Carolyn Mao) — A teenage delinquent befriends a surly magician who helps her navigate her inner demons and dysfunctional family with sleight of hand magic, in a coming-of-age comedy that touches on unlikely friendships, grief, and finding hope in the darkest moments. Cast: Miya Cech, Rhea Perlman, Leonardo Nam, Kannon Omachi, Paulina Lule, Keith Powell. World Premiere, Narrative

Mass / U.S.A. (Director and Screenwriter: Fran Kranz, Producers: Fran Kranz, Casey Wilder Mott, JP Ouellette, Dylan Matlock) — Years after a tragic shooting, the parents of both the victim and the perpetrator meet face-to-face. Cast: Jason Isaacs, Ann Dowd, Martha Plimpton, Reed Birney. World Premiere, Narrative

My Name is Pauli Murray 
/ U.S.A. (Directors: Betsy West, Julie Cohen, Producer: Talleah Bridges McMahon) — Overlooked by history, Pauli Murray was a legal trailblazer whose ideas influenced RBG’s fight for gender equality and Thurgood Marshall’s landmark civil rights arguments. Featuring never-before-seen footage and audio recordings, a portrait of Murray’s impact as a non-binary Black luminary: lawyer, activist, poet, and priest who transformed our world. World Premiere, Documentary

Philly D.A. 
/ U.S.A. (Created By: Ted Passon, Yoni Brook, Nicole Salazar, Producers: Ted Passon, Yoni Brook, Nicole Salazar, Josh Penn, Michael Gottwald) — A groundbreaking inside look at the long shot election and tumultuous first term of Larry Krasner, Philadelphia’s unapologetic District Attorney, and his experiment to upend the criminal justice system from the inside out. World Premiere, Episodic Documentary

Prisoners of the Ghostland/U.S.A. (Director: Sion Sono, Screenwriters: Aaron Hendry, Reza Sixo Safai, Producers: Michael Mendelsohn, Laura Rister, Ko Mori, Reza Sixo Safai, Nate Bolotin) — A notorious criminal is sent to rescue an abducted woman who has disappeared into a dark supernatural universe. They must break the evil curse that binds them and escape the mysterious revenants that rule the Ghostland, an East-meets-West vortex of beauty and violence. Cast: Nicolas Cage, Sofia Boutella, Nick Cassavetes, Bill Moseley, Tak Sakaguchi, Yuzuka Nakaya. World Premiere, Narrative

The Sparks Brothers 
/ United Kingdom (Director: Edgar Wright, Producers: Nira Park, Edgar Wright, George Hencken, Laura Richardson) — How can one rock band be successful, underrated, hugely influential, and criminally overlooked all at the same time? Take a musical odyssey through five weird and wonderful decades with brothers Ron & Russell Mael, celebrating the inspiring legacy of Sparks: your favorite band’s favorite band. World Premiere, Documentary

Street Gang: How We Got To Sesame Street 
/ U.S.A. (Director: Marilyn Agrelo, Producers: Trevor Crafts, Ellen Scherer Crafts, Lisa Diamond) — How did a group of rebels create the world’s most famous street? In 1969 New York, this “gang” of mission-driven artists, writers and educators catalyzed a moment of civil awakening, transforming it into Sesame Street, one of the most influential and impactful television programs in history. World Premiere, Documentary

MIDNIGHT

From horror and comedy to works that defy genre classification, these films will keep you wide awake, even at the most arduous hour. Films that have premiered in this category in recent years include RelicGreener Grass, Hereditary, Assassination Nation, and The Babadook.

“Coming Home in the Dark” (Photo courtesy of Goldfish Creative)

Censor / United Kingdom (Director: Prano Bailey-Bond, Screenwriters: Prano Bailey-Bond, Anthony Fletcher, Producer: Helen Jones) — When film censor Enid discovers an eerie horror that speaks directly to her sister’s mysterious disappearance, she resolves to unravel the puzzle behind the film and its enigmatic director – a quest blurring the lines between fiction and reality in terrifying ways. Cast: Niamh Algar, Nicholas Burns, Vincent Franklin, Sophia La Porta, Adrian Schiller, Michael Smiley. World Premiere. DAY ONE

Coming Home in the Dark / New Zealand (Director: James Ashcroft, Screenwriters: Eli Kent, James Ashcroft, Producers: Mike Minogue, Catherine Fitzgerald, Desray Armstrong) — A family’s outing descends into terror when teacher Alan Hoaganraad, his wife Jill and stepsons Maika and Jordon explore an isolated coastline. An unexpected meeting with a pair of drifters, the enigmatic psychopath Mandrake and his accomplice Tubs, thrusts the family into a nightmare when they find themselves captured. Cast: Daniel Gillies, Erik Thomson, Miriama McDowell, Matthias Luafutu. World Premiere

A Glitch in the Matrix / U.S.A. (Director: Rodney Ascher, Producer: Ross M. Dinerstein) — A multi-media exploration of simulation theory – an idea as old as Plato’s Republic and as current as Elon Musk’s Twitter feed – through the eyes of those who suspect our world isn’t real. Part sci-fi mind-scrambler, part horror story, this is a digital journey to the limits of radical doubt. World Premiere

Knocking / Sweden (Director: Frida Kempff, Screenwriter: Emma Broström, Producer: Erik Andersson) — When Molly moves into her new apartment after a tragic accident, a strange noise from upstairs begins to unnerve her. As its intensity grows, she confronts her neighbors – but no one seems to hear what she is hearing. Cast: Cecilia Milocco. World Premiere

Mother Schmuckers / Belgium (Directors and Screenwriters: Lenny Guit, Harpo Guit, Producers: David Borgeaud, Erika Meda) — Issachar & Zabulon, two brothers in their twenties, are supremely stupid and never bored, as madness is part of their daily lives. When they lose their mother’s beloved dog, they have 24 hours to find it – or she will kick them out. Cast: Harpo Guit, Maxi Delmelle, Claire Bodson, Mathieu Amalric, Habib Ben Tanfous. World Premiere

Violation / Canada (Directors, Screenwriters and Producers: Madeleine Sims-Fewer, Dusty Mancinelli) — A troubled woman on the edge of divorce returns home to her younger sister after years apart. But when her sister and brother-in-law betray her trust, she embarks on a vicious crusade of revenge. Cast: Madeleine Sims-Fewer, Anna Maguire, Jesse LaVercombe, Obi Abili, Jasmin Geljo, Cynthia Ashperger. International Premiere

SPOTLIGHT

The Spotlight program is a tribute to the cinema we love from throughout the past year. Films that have played in this category in recent years include The Biggest Little Farm, The Death of Stalin, The Rider, Ida and The Lobster.

“Night of the Kings” (Photo courtesy of Sundance Institute)

Night of the Kings / France, Ivory Coast, Canada, Senegal (Director and Screenwriter: Philippe Lacôte, Producers: Delphine Jaquet, Yanick Létourneau, Ernest Konan, Yoro Mbaye) — A young man is sent to La Maca, a prison on the Ivory Coast in the middle of the forest ruled by its prisoners. With the red moon rising, he is designated by the Boss to be the new “Roman” and must tell a story to the other prisoners. Cast: Koné Bakary, Steve Tientcheu, Digbeu Jean Cyrille, Rasmané Ouédraogo, Issaka Sawadogo, Denis Lavant

The World to Come / U.S.A. (Director: Mona Fastvold, Screenwriters: Ron Hansen, Jim Shepard, Producers: Casey Affleck, Whitaker Lader, Pamela Koffler, David Hinojosa, Margarethe Baillou) — Somewhere along the mid-nineteenth century American East Coast frontier, two neighboring couples battle hardship and isolation, witnessed by a splendid yet testing landscape, challenging them both physically and psychologically. Cast: Katherine Waterston, Vanessa Kirby, Casey Affleck, Christopher Abbott. North American Premiere

SPECIAL SCREENINGS

Life in a Day 2020/ United Kingdom, U.S.A. (Director: Kevin Macdonald, Producers: Jack Arbuthnott, Tim Partridge) — An extraordinary, intimate, global portrait of life on our planet, filmed by thousands of people across the world, on a single day: 25th July 2020. World Premiere

NEW FRONTIER

Since its launch, the Sundance Film Festival’s New Frontier has served as a showcase for dynamic, innovative work at the crossroads of film, art, and technology. At the Festival’s 2021 edition, a global audience will be able to engage with the works, the artists, and fellow Festivalgoers via a bespoke spatialized platform, developed in partnership with digital experience agency Active Theory and accessible via computer and VR headsets. The New Frontier Gallery hosts the complete slate of live performances, AR, VR, and other emerging media works. Cinema House is the Festival’s social, fully immersive cinema, and Film Party is an interactive bar with 6 screens and more intimate rooms available to the entire community of accredited Festivalgoers so that all can safely gather together, connecting via avatar with proximity audio and video chat.

2020 saw that the entire world can shift and leave humanity in an entirely new state of being. As we stand on the precipice of a new era, we need our artists and visionaries to illuminate the way forward,” said Shari Frilot, Senior Programmer and New Frontier Chief Curator. “The lineup of new media works this year challenge what we once knew to be true. Their works glisten with world building wisdom, and offer time machines that extract the cancer of colonial narratives planted deep within our biology.”

Frilot added, “More than ever, we need to gather our community in a meaningful way. This is why New Frontier has built three spatialized digital venues that orbit the earth right alongside the International Space Station. And at any time, Festivalgoers can take leave of the mothership to visit the astronauts aboard the Station, in the immersive experience Space Explorers: The ISS Experience, co-directed by Félix Lajeunesse and Paul Raphaël, or spend a night on earth, bar hopping in Amsterdam through IDFA DocLab’s do {not} play.

The Sundance Institute New Frontier Program is supported by the John D. and Catherine T. MacArthur Foundation, Unity Technologies, Adobe, Dell Technologies, The Walt Disney Studios’ StudioLAB, and Oculus from Facebook.

“4 Feet High VR” (Photo by Natalia Roca)

4 Feet High VR / Argentina, France (Lead Artists: María Belén Poncio, Rosario Perazolo Masjoan, Damian Turkieh, Ezequiel Lenardón, Key Collaborators: Marie Blondiaux, Marcos Rostagno, Eugenia Foguel, Matias Benedetti, Manuel Yeri, Martin Lopez Funes, Guillermo Mena) — Juana, a 17-year-old wheelchair user, aims to explore her sexuality but is ashamed of her body. Trying to find her place in a new high school, she will go through failure, friendship, fear and politics until she builds her own pride. Cast: Marisol Agostina Irigoyen, Florencia Licera, Marcio Ramses, Natalia Di Cienzo, Francisca Spinotti.

7 Sounds/ U.S.A. (Lead Artist: Sam Green, Key Collaborator: JD Samson) — An immersive live-streamed audio-video work exploring the universal influence of sound, weaving seven specific audio recordings into a meditation on the power of sound to bend time, cross borders, and profoundly shape our perception.

Beyond the Breakdown/ U.S.A. (Lead Artists: Tony Patrick, Lauren Lee McCarthy, Grace Lee, Key Collaborators: Jesse Cahn Thompson, Aldo Velasco) — Imagining alternate narratives for our near-future reality, inside a browser designed to hack our normal online behaviors and cultivate collaborative spaces for self-reflection and renewal.

The Changing Same: Episode 1 / U.S.A. (Lead Artists: Michèle Stephenson, Joe Brewster, Yasmin Elayat, Key Collaborators: James George, Alexander Porter, Rad Mora, Elliott Mitchell) — An immersive, episodic virtual reality experience where the participant travels through time and space to witness the connected historical experiences of racial injustice in America. A respectful, haunting story infused with magical realism and Afrofuturism about the uninterrupted cycle of the 400-year history of racial terror — past and present.

Fortune!/ France, Canada (Lead Artists: Brett Gaylor, Nicolas Bourniquel, Arnaud Colinart, Key Collaborators: Marianne Lévy-Leblond, Rob McLaughlin, Dash Spielgeman, Rolito, Clement Chériot) — Money, from bills to coins, has no intrinsic value beyond what we’ve collectively agreed to grant it. However, there’s no denying that money governs our lives. This series of animated documentary shorts in AR for smartphones, tablets and social media platforms, explores that relationship. Cast: Frank Bourassa.

Namoo / U.S.A. (Lead Artist: Erick Oh, Key Collaborators: Maureen Fan, Larry Cutler, Eric Darnell, Kane Lee, David Kahn) — A narrative poem brought to life as an animated VR film, and an ode to a grandfather’s passing, this story follows the journey of a budding artist – and his tree of life – from beginning to end.

Nightsss/ Poland (Lead Artists: Weronika Lewandowska, Sandra Frydrysiak, Key Collaborators: Marcin Macuk, Piotr Apostel, Kaya Kołodziejczyk, Marek Straszak, Arek Zub, Przemek Danowski) — A virtual erotic poem created in artistic animation with ASMR and interactive elements, immersing the viewer in the sensual experience of poetry and dance.

Prison X – Chapter 1 : The Devil and The Sun/ Australia, Bolivia, India (Lead Artists: Violeta Ayala, Alap Parikh, Maria Corvera Vargas, Roly Elias, Key Collaborators: Daniel Fallshaw, Rilda Paco Alvarado, Alberto Santiago) — Heavy doors open and you are swept into an infamous Bolivian jail, where you live among devils, saints, wicked characters, corrupt prison guards and even a Western filmmaker. In Prison X, inhabit the dreams and nightmares of the Neo-Andean underworld. Cast: Violeta Ayala, Genesis Owusu, Celina Debassey, Anamaria Gómez Jaramillo, Jesse Odom, Nicole Ukelele.

Rich Kids: A History of Shopping Malls in Tehran / United Kingdom, Iran (Lead Artists: Javaad Alipoor, Kirsty Housley, Key Collaborator: Nick Sweeting) — A darkly comedic, urgent new play about entitlement, consumption and digital technology, exploring the ubiquitous feeling that our societies are falling apart through the story of two young members of the Iranian elite, asking what their deaths tell us about climate change, social collapse and Instagram. Cast: Javaad Alipoor, Peyvand Sadeghian.  

Secret Garden / U.S.A. (Lead Artist: Stephanie Dinkins, Key Collaborators: Ethan Edwards, John Fitzgerald, Matthew Niederhauser, Danielle McPhatter, Sidney San Martín, Kate Stevenson, Adaora Udoji, Chris White) — An immersive web experience and installation, illuminating the power and resilience in Black women’s stories. Interactive audio vignettes generate a multi-generational narrative that collapses past, present, and future. Cast: Dayne Board, Erlene Curry, Tianna Mendez, Melissa Moore, Brandi Porter, Lisa Sainville.

Tinker / U.S.A. (Lead Artist: Lou Ward, Key Collaborators: Shimon Alkon, Lara Bucarey, Avril Martinez, Aileen Paron, Anthony Alan Garcia, Roberto Tan, Cristopher David, Neil Realubit, Anton Arcega, David Conklin, Evan Chavez) — What happens when the memories we spend a lifetime creating begin to disappear? Step inside the Grandfather’s workshop to discover this answer for yourself. In this live, bespoke unscripted performance, reimagine what it means to play, to connect and to hold fast to the memories we create. Cast: Randy Dixon.  

To Miss The Ending/ United Kingdom (Lead Artists: Anna West, David Callanan, Key Collaborators: Jamie Finlay, Steph Clarke, Dan Tucker)— A VR cubicle of cardboard boxes begins to glitch, revealing an empty dark space in front of you – until something glimmers in the distance, a wave of blue flooding towards you. A chorus of real memories and imagined futures expands, until only the largest memories are left. Cast: Charlotte Berry, Michael Dodds, Houmi Miura, Ben Kulvichit, Anna West.

Traveling the Interstitium with Octavia Butler/ U.S.A. (Lead Artists: Sophia Nahli Allison, idris brewster, Stephanie Dinkins, Ari Melenciano, Terence Nance, Key Collaborators: Yance Ford, Sharon Chang, Kamal Sinclair) — Inspired by the ideas of Octavia Butler, voyaging into the interstitium: a liminal space, a cultural memory, containing the remnants of our ancestors, a place of refuge, a place of recentering, a portal into an alternate dimension.

Weirdo Night/ U.S.A. (Lead Artists: Jibz Cameron, Mariah Garnett) — A filmed edition, hosted by Dynasty Handbag, of the wildly popular, underground, eponymous live performance and comedy event that, until COVID-19, was held monthly in Los Angeles. Cast: Patti Harrison, Smiling Beth, Morgan Bassichis, Sarah Squirm, Hedia Maron, Blasia Discoteca.

SHORTS

Fifty short films will play in the Festival, from 27 countries and chosen from 9,933 submissions – 4,587 from the U.S. and 5,368 international. The Institute’s support for short films extends internationally and year-round, with select Festival shorts presented as a traveling program, virtually in 2020, at theaters in the U.S., Canada and Europe each year, and short films and filmmakers taking part in regional online Master Classes geared towards supporting emerging shorts-makers in several cities. Among the shorts the Festival has shown in recent years are So What If The Goats DieFauve, Aziza, Ghosts of Sugar Land, Thunder Road, Whiplash, Sister and Brotherhood.

“In a year unlike any other, short films are still going strong with art and craft unique to the form. We are thrilled to share a lineup with a wild range of characters, styles, ideas and emotions to our audience, wherever you may be,” said Mike Plante, Senior Programmer, Short Film.

The 2021 Sundance Film Festival Short Film program is presented by Southwest Airlines.

U.S. Fiction

“Ava From My Class” (Photo courtesy of Sundance Institute)

Ava From My Class/ U.S.A., South Korea (Director: Youmin Kang, Screenwriters: Youmin Kang, Soomin Kang) — Anna thinks Ava is the best actress in her class. International Premiere

Bambirak / U.S.A., Germany (Director and Screenwriter: Zamarin Wahdat) — When Kati stows away in her father’s truck, Faruk must juggle his responsibilities as a single dad while holding down his first job in a new country. As their relationship deepens, a brush with covert racism tests their bond. North American Premiere

BJ’s Mobile Gift Shop/ U.S.A. (Director and Screenwriter: Jason Park) — A young Korean-American hustler runs throughout the city of Chicago making sales out of his “mobile gift shop.” World Premiere

Bruiser/ U.S.A. (Director: Miles Warren, Screenwriters: Miles Warren, Ben Medina) — After his father gets into a fight at a bowling alley, Darious begins to investigate the limitations of his own manhood. World Premiere

Don’t Go Tellin’ Your Momma/ U.S.A., Germany, France, Italy (Directors and Screenwriters: Topaz Jones, rubberband.) — In 1970, Black educators in Chicago developed an alphabet flashcard set to provide Black-centered teaching materials to the vastly white educational landscape and the Black ABCs were born. Fifty years later, twenty-six scenes provide an update to their meanings. World Premiere

Doublespeak / U.S.A. (Director and Screenwriter: Hazel McKibbin) — A young woman grapples with the aftermath of reporting sexual harassment in the workplace.

i ran from it and was still in it/ U.S.A. (Director and Screenwriter: Darol Olu Kae) — A poetic meditation on familial loss and separation, and the love that endures against dispersion.

In the Air Tonight/ U.S.A. (Director and Screenwriter: Andrew Norman Wilson) — An insider’s take on the meaning behind Phil Collins’ 1980 single “In the Air Tonight.”

LATA / U.S.A., India (Director: Alisha Mehta, Screenwriters: Alisha Mehta, Mireya Martinez) — Lata, a 23 year old domestic worker, navigates her way through an upper class home in South Mumbai. Doors consistently open and close, giving Lata selective access to the various contending realities that occupy this space.

Raspberry/ U.S.A. (Director and Screenwriter: Julian Doan) — A son struggles to say goodbye to his dead father. World Premiere

The Touch of the Master’s Hand/ U.S.A. (Director and Screenwriter: Gregory Barnes) — Troubled by an unnatural temptation, a young Mormon missionary must confess the humiliating depths of his pornography addiction. World Premiere

White Wedding / U.S.A. (Director and Screenwriter: Melody C Roscher) — Amidst a racially tense Southern wedding, a biracial bride has the chance to confront her estranged Black father after accidentally hiring his wedding band to perform. World Premiere

Wiggle Room / U.S.A. (Directors and Screenwriters: Sam Guest, Julia Baylis) — Determined to save her wheelchair ramp from repossession, Daisy confronts the shady insurance agent who owes her money. World Premiere

Yoruga / U.S.A., Colombia (Director and Screenwriter: Federico Torrado Tobón) — A lonely old man pays a visit to Yoruga, one of the last animals on Earth. World Premiere 

You Wouldn’t Understand/ U.S.A. (Director: Trish Harnetiaux, Screenwriters: Trish Harnetiaux, Jacob A. Ware) — An idyllic picnic of one is upended after the arrival of a stranger.

International Fiction

“The Affected” (Photo by Torjus Thesen)

The Affected / Norway (Director: Rikke Gregersen, Screenwriters: Rikke Gregersen, Trond Arntzen) — Minutes before takeoff, a situation occurs, preventing an airplane from departing: in an attempt to prevent the deportation of one passenger, another refuses to sit down – forcing the pilot to take a political stand.

Black Bodies / Canada (Director and Screenwriter: Kelly Fyffe-Marshall) — A Black man laments as he comes face-to-face with the realities of being Black in the 21st century. International Premiere 

The Criminals/ France, Romania, Turkey (Director and Screenwriter: Serhat Karaaslan) — In a town in Turkey, a young couple is looking for some privacy. They are rejected from the hotels because they do not have a marriage certificate. When they think they found a way, the situation gets out of hand. World Premiere 

Excuse Me, Miss, Miss, Miss/ Philippines (Director: Sonny Calvento, Screenwriter: Arden Rod Condez) — Vangie, a miserable contractual sales lady, is about to lose her job. But in her desperate attempt to convince her boss not to sack her, Vangie uncovers the ultimate jaw-dropping secret to regularization.

Five Tiger / South Africa (Director and Screenwriter: Nomawonga Khumalo) — A god-fearing woman in present-day South Africa finds herself in a transactional relationship as she tries to support her sick husband and daughter. North American Premiere

Flex/ Sweden (Directors and Screenwriters: Josefin Malmen, David Strindberg) — He may be god enough, but is he good enough? A slightly surreal comedic exploration of the fine line between a bodybuilder’s self-loathing and self-loving.

Like the Ones I Used to Know/ Canada (Director and Screenwriter: Annie St-Pierre) — December 24, 1983, 10:50 p.m.: Julie and her cousins ate too much sugar, Santa Claus is late. Denis, alone in his car, is anxious at the idea of setting foot in his ex-in-law’s house to pick up his children. World Premiere

Lizard/ United Kingdom (Director: Akinola Davies, Jr., Screenwriter: The Davies Brothers) — Juwon, an 8-year-old girl with an ability to sense danger, gets ejected from Sunday school service. She unwittingly witnesses the underbelly in and around a megachurch in Lagos. International Premiere

The Longest Dream I Remember / Mexico (Director: Carlos Lenin, Screenwriters: Carlos Lenin, Isa Mora Vera) — As Tania leaves her hometown, she must confront what her absence will mean in the search for her disappeared father. World Premiere

Mountain Cat / Mongolia, United Kingdom (Director and Screenwriter: Lkhagvadulam Purev-Ochir) — A troubled girl is coerced into seeing a shaman. Trapped by the ancient beliefs that pacify her mother, she finds peace in the physical realm, unleashing her repressed, youthful spirit on the shaman when she realizes his true identity. U.S. Premiere

Unliveable / Brazil (Directors and Screenwriters: Matheus Farias, Enock Carvalho) — In Brazil, where a trans person is murdered every three days, Marilene searches for her daughter Roberta, a trans woman who is missing. While running out of time, she discovers one hope for the future. North American Premiere

The Unseen River / Vietnam, Laos (Director and Screenwriter: Phạm Ngọc Lân) — Stories told along the river: a woman reunites with her ex-lover at a hydroelectric plant; meanwhile, a young man travels downstream to a temple in search of a cure for his insomnia.

We’re Not Animals / France (Director and Screenwriter: Noé Debré) — His ex Marie became an Instagram star (thanks to an activist group focused on the female orgasm). Depressed, Igor believes this is a deliberate campaign to prevent him from finding someone else. World Premiere

Non-Fiction

“A Concerto Is a Conversation” (Photo courtesy of Sundance Institute)

A Concerto Is a Conversation / U.S.A. (Directors: Ben Proudfoot, Kris Bowers) — A virtuoso jazz pianist and film composer tracks his family’s lineage through his 91-year-old grandfather from Jim Crow Florida to the Walt Disney Concert Hall.

Dear Philadelphia/ U.S.A., United Kingdom (Director: Renee Osubu) — With the help of their family, friends, and faith, three fathers unravel the incomparable partnership of forgiveness and community in North Philadelphia. International Premiere

The Field Trip/ U.S.A. (Directors: Meghan O’Hara, Mike Attie, Rodrigo Ojeda-Beck) — A group of fifth graders learn what it takes to get ahead in the modern American workplace. World Premiere

My Own Landscapes / France (Director: Antoine Chapon) — Before going to war, a former military game designer made video game scenarios that prepared soldiers for cultural shocks and healed trauma. Once back from the war, his relationship with his identity, with life and with the video game changed.

The Rifleman / U.S.A. (Director: Sierra Pettengill, Screenwriters: Daniel Garber, Sierra Pettengill) — Told entirely through archival material, tracing Harlon Carter, considered the “father of the modern NRA,” across the decades, revealing the links between the National Rifle Association, the U.S. Border Patrol, and gun culture.

Snowy/ U.S.A. (Directors: Kaitlyn Schwalje, Alex Wolf Lewis) — Snowy, a 4-inch-long pet turtle, has lived an isolated life in the family basement. With help from a team of experts and his caretaker, Uncle Larry, we ask: Can Snowy be happy and what would it take? World Premiere

Spirits and Rocks: an Azorean Myth/ Switzerland, Portugal (Director: Aylin Gökmen) — On a volcanic island, inhabitants are caught in an unending cycle: the threat of impending eruptions, and the burden of past traumas, loom over them. Some draw upon myth and religious beliefs to interpret their precarious situation; others demonstrate resilience. International Premiere

Tears Teacher/ Japan (Director: Noemie Nakai) — Yoshida is a self-proclaimed “tears teacher.” A firm believer that regular crying promotes healthier living, he’s made it his mission to make more people weep.

This is the Way We Rise / U.S.A. (Director: Ciara Lacy) — An exploration into the creative process, following Native Hawaiian slam poet Jamaica Heolimeleikalani Osorio, as her art is reinvigorated by her calling to protect sacred sites atop Maunakea, Hawai`i.

To Know Her / U.S.A., Hong Kong (Director: Natalie Chao) — A poetic exploration of the camera’s gaze and a family’s relationship with the filmmaker’s mother. International Premiere

When We Were Bullies/ U.S.A., Germany (Director and Screenwriter: Jay Rosenblatt) — A mind-boggling “coincidence” leads the filmmaker to track down his fifth grade class – and fifth grade teacher – to examine their memory of and complicity in a bullying incident fifty years ago. World Premiere

Up at Night / Democratic Republic of the Congo, Belgium (Director and Screenwriter: Nelson Makengo) — As dusk fades and another night without electricity falls, Kinshasa’s neighborhoods reveal an unstable environment of violence, political conflict and uncertainty over the building of the Grand Inga 3 hydroelectric dam, promising a permanent source of energy to the Congo. U.S. Premiere

Animation

“The Fire Next Time” (Photo courtesy of Sundance Institute)

The Fire Next Time/ United Kingdom (Director: Renaldho Pelle, Screenwriter: Kerry Jade Kolbe) — Rioting spreads as social inequality causes tempers in a struggling community to flare, but the oppressive environment takes on a life of its own as the shadows of the housing estate close in.

Forever/ U.S.A. (Director and Screenwriter: Mitch McGlocklin) — A life insurance company uses an AI algorithm to determine the risk of a new applicant. The subsequent denial sparks a period of introspection for the individual in question.

The Fourfold/ Canada (Director and Screenwriter: Alisi Telengut) — An exploration of the indigenous worldview and wisdom based on ancient shamanistic traditions and animistic beliefs in Siberia and Mongolia. With hand-crafted animation, a testament of reclaiming animism for environmental ethics and non-human materialities.

Ghost Dogs/ U.S.A. (Director: Joe Cappa, Screenwriters: Joe Cappa, J.W. Hallford) — A family’s new rescue pup is terrorized by deceased pets in this mind-bending horror.

GNT / Australia (Directors and Screenwriters: Sara Hirner, Rosemary Vasquez-Brown) — Glenn is a woman on an unwholesome mission, but just how far will she go to conquer the clique – and social media at large?

KKUM/South Korea, U.S.A. (Director and Screenwriter: Kang-min Kim) — My mother’s dreams have always been strong premonitions for important moments in my life. I rely on her dreams more than any religion.

Little Miss Fate/ Switzerland (Director and Screenwriter: Joder von Rotz) — When the opportunity arises, Little Miss Fate slips into the role of the world leader. Unintentionally she creates a monster, which greedily wants to suck up all the love of the world. Overwhelmed by the rapid development, she loses control.

Misery Loves Company/ U.S.A., South Korea (Director: Sasha Lee, Screenwriters: Sasha Lee, Yejin Choi) — As Seolgi is lying on a grass field with friends, a shooting star falls, and dark, intrusive thoughts hit her. Her melancholy blooms into bright and colorful “flower people,” dancing and wishing for a meteorite to end the world.

Souvenir Souvenir/ France (Director and Screenwriter: Bastien Dubois) — For ten years, I’ve pretended to make a movie out of my grandfather’s Algerian war souvenirs. Today, I’m not sure I want to hear what he has to say.

Trepanation/ U.S.A. (Director: Nick Flaherty) — What was once familiar is now unrecognizable. All previous desires are overshadowed by the need to disappear completely.

INDIE SERIES PROGRAM

A dedicated showcase for emerging creators of independently produced episodic content for broadcast, web, and streaming platforms. Previously Indie Episodic. Past projects that have premiered within this category include Work in Progress, State of the Union, Gentefied, Wu Tang Clan: Of Mics and Men and Quarter Life Poetry. The Indie Series Program is presented by DoorDash.

“Seeds of Deceit” (Photo by Sjors Mosman and Kevin Vidal)

4 Feet High/ Argentina, France (Directors: María Belén Poncio, Rosario Perazolo Masjoan, Executive Producers: Ezequiel Lenardón, Marie Blondiaux) — Juana, a 17-year-old wheelchair user, aims to explore her sexuality but is ashamed of her body. Trying to find her place in a new high school, she will go through failure, friendship, fear and politics until she builds her own pride. Cast: Marisol Agostina Irigoyen, Florencia Licera, Marcio Ramses, Natalia Di Cienzo, Francisca Spinotti. World Premiere

Seeds of Deceit/Netherlands (Director: Miriam Guttmann, Executive Producers: Monique Busman, Michiel van Erp, Judith Reuten) — The revelation that Dr. Karbaat clandestinely used his own semen to inseminate more than 65 of his patients shocked the world. A vivid portrayal of how that happened and all the ways it haunts those affected: the emotional trauma of coming to terms with a changed life, a new identity. World Premiere

These Days / U.S.A. (Director and Screenwriter: Adam Brooks) — Mae, lonely and self-isolating, navigates the world of online dating during the early days of quarantine. Her first attempt is a comic disaster; then, she meets Will and her world begins to change in unexpected ways. Cast: Marianne Rendón, William Jackson Harper, Amy Brenneman, Parker Young. World Premiere 

Would You Rather/ France, Germany (Creators: Lise Akoka, Romane Guéret, Executive Producer: Pierre Grimaus, Jean Dathanat) — Sixteen-year-olds Shaï, Djeneba, Aladi, and Ismaël grew up in a working-class Paris neighborhood. Together, they watch hours drift by, cracking jokes, and playing their favorite game, “Would you rather?” As the group’s equilibrium suddenly shifts, they have to start making choices – in their lives and their game. Cast: Fanta Kebe, Shirel Nataf, Zakaria Lazab, Mouctar Diawara. North American Premiere

The Sundance Film Festival®
The Sundance Film Festival has introduced global audiences to some of the most groundbreaking films of the past three decades, including Clemency, Never Rarely Sometimes Always, Zola, On The Record, Boys State, The Farewell, Honeyland, One Child Nation, The Souvenir, The Infiltrators, Sorry to Bother You, Won’t You Be My Neighbor?, Hereditary, Call Me By Your Name, Get Out, The Big Sick, Mudbound, Fruitvale Station, WhiplashBrooklynPreciousThe CoveLittle Miss SunshineAn Inconvenient TruthNapoleon DynamiteHedwig and the Angry InchReservoir Dogs and sex, lies, and videotape. The Festival is a program of the non-profit Sundance Institute. 2021 Festival sponsors to date include: Presenting Sponsors – Acura, SundanceTV, Chase Sapphire, Adobe; Leadership Sponsors – Amazon Studios, AT&T, DoorDash, Dropbox, Netflix, Omnicom Group, Southwest Airlines® , WarnerMedia; Sustaining Sponsors – AMC, Audible, Canada Goose, Canon U.S.A., Inc., Dell Technologies, Documentary Plus, GEICO, IMDbPro, Stella Artois®, Unity Technologies, University of Utah Health, White Claw Hard Seltzer, Zoom; Media Sponsors – The Atlantic, IndieWire, Los Angeles Times, NPR, The New York Times, Variety, Vulture, The Wall Street Journal. Sundance Institute recognizes critical support from the State of Utah as Festival Host State. The support of these organizations helps offset the Festival’s costs and sustain the Institute’s year-round programs for independent artists. sundance.org/festival

Sundance Institute
As a champion and curator of independent stories for the stage and screen, the nonprofit Sundance Institute provides and preserves the space for artists in film, theatre, film composing, and digital media to create and thrive. Founded in 1981 by Robert Redford, the Institute’s signature Labs, granting, and mentorship programs which are dedicated to developing new work and take place throughout the year in the U.S. and internationally, are supported largely through contributed revenue.Sundance Co//ab, a digital community platform, brings artists together to learn from each other and Sundance Advisors and connect in a creative space, developing and sharing works in progress. The Sundance Film Festival and other public programs connect audiences and artists to ignite new ideas, discover original voices, and build a community dedicated to independent storytelling. Sundance Institute has supported such projects as Clemency, Never Rarely Sometimes AlwaysZola, On The Record, Boys State, The Farewell, HoneylandOne Child NationThe Souvenir, The Infiltrators, Sorry to Bother You, Won’t You Be My Neighbor?, Hereditary, Call Me By Your Name, Get Out, The Big Sick, Mudbound, Fruitvale StationCity So Real, Top of the Lake, Between the World & Me, Wild Goose Dreams and Fun Home. Join Sundance Institute on FacebookInstagramTwitter and YouTube.

# # #

EDITOR NOTE: DIRECTOR DEMOGRAPHICS
The data we are sharing reflects information provided directly by the artists. Some artists chose to not self identify in all data areas.

FULL SLATE: Across 140 films and projects, 50%, or 70, were directed by one or more women; 4% or 6, were directed by one or more non-binary individuals; 51%, or 71, were directed by one or more artists of color; 15% or 21 by one or more people who identify as LGBTQ+. 

U.S. COMPETITION:

Dramatic: 50% of the 10 directors in this year’s U.S. Dramatic Competition identify as women; 40% as BIPOC.

Documentary: 64% of the 11 directors in this year’s U.S. Documentary Competition identify as women; 73% as BIPOC; 9% as LGBTQ+. 

WORLD COMPETITION:

Dramatic: 50% of the 10 World Dramatic Competition identify as women.

Documentary: 50% of the 12 directors in the World Documentary Competition identify as women.

FEATURE FILM SUBMISSIONS: Of the feature film submissions, 1,377 were from the U.S. and 2,132 were international; 27% were directed by one or more women; 2% were directed by one or more non-binary individuals; 42% were directed by one or more filmmakers who identify as BIPOC; 11% by one or more filmmakers who identify as LGBTQ+.

ALL FEATURES: Of the 72 feature films, 47% were directed by one or more women; 3% were directed by one or more non-binary individuals; 43% were directed by one or more filmmakers who identify as BIPOC; 8% by one or more filmmakers who identify as LGBTQ+.

NEW FRONTIER: Of the 32 artists across the 14-project section, 44% identify as women, 9% as non-binary, 44% as BIPOC, and 22% as LGBTQ+.

SHORTS: Comprising 50 films, 48% or 24 of all short films announced today chose to indicate they were directed by one or more women; 2% or 1 was directed by one or more non-binary individuals; 64% or 32 were directed by one or more artists of color; 20% or 10 by one or more people who identify as LGBTQ+. Of the 60 directors across the section, 42% indicated they identify as women, 2% as non-binary, 56% as BIPOC, and 20% as LGBTQ+.

January 12, 2021 UPDATE:

The nonprofit Sundance Institute today adds two more world premiere feature films  to the 2021 Sundance Film Festival lineup. The 2021 Festival will take place digitally via a feature-rich, Sundance-built online platform and in person on Satellite Screens across the country (public health permitting) from January 28-February 3, 2021. Tickets for these additions are now on sale at festival.sundance.org.
 
“We are delighted to welcome these powerful works into our program,” said Festival Director Tabitha Jackson, “In a year where our Festival already exemplifies the vanguard of bold, visionary storytelling from around the world, they help further expand our boundaries.”

The latest films confirmed to join the 2021 Sundance Film Festival slate are:
 
PREMIERES SECTION
 
Judas and the Black Messiah / U.S.A. (Director: Shaka King, Screenwriters: Will Berson, Shaka King, Producers: Ryan Coogler, Charles D. King, Shaka King) — FBI informant William O’Neal infiltrates the Illinois Black Panther party when J. Edgar Hoover fears charismatic leader Chairman Fred Hampton will emerge as a Black Messiah. O’Neal lives in fear of discovery and cannot escape the deadly trajectory of his betrayal. Cast: Daniel Kaluuya, Lakeith Stanfield, Jesse Plemons, Dominique Fishback, Lil Rel Howery, Martin Sheen. World Premiere
 
Judas and the Black Messiah will premiere on Monday, February 1 at 6:00 p.m. Mountain Time on the digital platform, and will also play at the following Satellite Screens:
 
THE PLAZA THEATER PRESENTED BY ATLANTA FILM SOCIETY
1049 Ponce de Leon Ave NE, Atlanta, GA, 30306
 
DAD’S GARAGE DRIVE-IN PRESENTED BY ATLANTA FILM SOCIETY
569 Ezzard St SE , Atlanta, GA, 30312
 
JOURDAN-BACHMAN PIONEER FARMS PRESENTED BY AUSTIN FILM SOCIETY
10621 Pioneer Farms Drive, Austin, TX, 78754
 
SIDEWALK DRIVE-IN
1801 1st Ave. N. , Birmingham, AL, 35203
 
SIDEWALK FILM CENTER AND CINEMA
1821 2nd Ave N, Birmingham, AL, 35203
 
SPOTLIGHT CINEMAS CAPITAL 8 PRESENTED BY THE LUMINAL THEATER
201 Columbia Mall Blvd, Suite 211, Columbia, SC, 29223
 
THE TEXAS THEATRE PRESENTED BY AVIATION CINEMAS
231 W. Jefferson Blvd., Dallas, TX, 75208
 
MOONSTRUCK DRIVE-IN PRESENTED BY HOUSTON CINEMA ARTS SOCIETY
100 Bringhurst St, Houston, TX, 77020
 
FILMSCENE AT THE CHAUNCEY
404 E. College St, #100, Iowa City, IA, 52240
 
THE SPEED ART MUSEUM
2035 S. 3rd Street, Louisville, KY, 40208
 
MALCO SUMMER DRIVE-IN PRESENTED BY INDIE MEMPHIS
5310 Summer Ave, Memphis, TN, 38122
 
RIVERVIEW THEATER PRESENTED BY FILMNORTH
3800 42nd Ave S, Minneapolis, MN, 55406
 
BELCOURT DRIVE-IN
2102 Belcourt Ave, Nashville, TN, 37212
 
THE LOFT OPEN AIR CINEMA
3233 East Speedway Blvd., Tucson, AZ, 85716
 
ADMIRAL TWIN DRIVE-IN PRESENTED BY CIRCLE CINEMA
7355 E Easton St, Tulsa, OK, 74115
 
CIRCLE CINEMA
10 S Lewis Ave, Tulsa, OK, 74104
 
STARLITE DRIVE-IN PRESENTED BY MAMA.FILM
3900 S Hydraulic Ave, Wichita, KS, 67216
 
WORLD DOCUMENTARY COMPETITION SECTION
 
Captains of Zaatari / Egypt (Director and Producer: Ali El Arabi) — Mahmoud and Fawzi, two best friends trapped in Zaatari Refugee Camp in Jordan, dream of becoming professional football players. When a world renowned sports academy scout visits the camp, both have a chance to make their dreams come true. World Premiere
 
Captains of Zaatari will premiere on Sunday, January 31 at 6:00 p.m. Mountain Time on the Festival’s digital platform.

With today’s stats, the program includes 73 feature-length films, representing 30 countries and 39 first-time feature filmmakers. 14 films and projects announced today were supported by Sundance Institute in development, through direct granting or residency Labs. 68 of the Festival’s feature films, or 93% of the lineup announced today, will be world premieres. These films were selected from 14,092 submissions including 3,500 feature-length films. Of the feature film submissions, 1,377 were from the U.S. and 2,132 were international. Director demographics are available in an editor’s note below.



The Sundance Film Festival®
The Sundance Film Festival has introduced global audiences to some of the most groundbreaking films of the past three decades, including Clemency, Never Rarely Sometimes Always, Zola, On The Record, Boys State, The Farewell, Honeyland, One Child Nation, The Souvenir, The Infiltrators, Sorry to Bother You, Won’t You Be My Neighbor?, Hereditary, Call Me By Your Name, Get Out, The Big Sick, Mudbound, Fruitvale Station, WhiplashBrooklynPreciousThe CoveLittle Miss SunshineAn Inconvenient TruthNapoleon DynamiteHedwig and the Angry InchReservoir Dogs and sex, lies, and videotape. The Festival is a program of the non-profit Sundance Institute. 2021 Festival sponsors to date include: Presenting Sponsors – Acura, SundanceTV, Chase Sapphire, Adobe; Leadership Sponsors – Amazon Studios, AT&T, DoorDash, Dropbox, Netflix, Omnicom Group, Southwest Airlines® , WarnerMedia; Sustaining Sponsors – AMC, Audible, Canada Goose, Canon U.S.A., Inc., Dell Technologies, Documentary Plus, GEICO, IMDbPro, Stella Artois®, Unity Technologies, University of Utah Health, White Claw Hard Seltzer, Zoom; Media Sponsors – The Atlantic, IndieWire, Los Angeles Times, NPR, The New York Times, Variety, Vulture, The Wall Street Journal. Sundance Institute recognizes critical support from the State of Utah as Festival Host State. The support of these organizations helps offset the Festival’s costs and sustain the Institute’s year-round programs for independent artists. sundance.org/festival
 
Sundance Institute
As a champion and curator of independent stories for the stage and screen, the nonprofit Sundance Institute provides and preserves the space for artists in film, theatre, film composing, and digital media to create and thrive. Founded in 1981 by Robert Redford, the Institute’s signature Labs, granting, and mentorship programs which are dedicated to developing new work and take place throughout the year in the U.S. and internationally, are supported largely through contributed revenue. Sundance Co//ab, a digital community platform, brings artists together to learn from each other and Sundance Advisors and connect in a creative space, developing and sharing works in progress. The Sundance Film Festival and other public programs connect audiences and artists to ignite new ideas, discover original voices, and build a community dedicated to independent storytelling. Sundance Institute has supported such projects as Clemency, Never Rarely Sometimes AlwaysZola, On The Record, Boys State, The Farewell, HoneylandOne Child NationThe Souvenir, The Infiltrators, Sorry to Bother You, Won’t You Be My Neighbor?, Hereditary, Call Me By Your Name, Get Out, The Big Sick, Mudbound, Fruitvale StationCity So Real, Top of the Lake, Between the World & Me, Wild Goose Dreams and Fun Home. Join Sundance Institute on FacebookInstagramTwitter and YouTube.

# # #


EDITOR NOTE: DIRECTOR DEMOGRAPHICS
The data we are sharing reflects information provided directly by the artists. Some artists chose to not self identify in all data areas.
 
FULL SLATE: Across 141 films and projects, 49%, or 69, were directed by one or more women; 4% or 6, were directed by one or more non-binary individuals; 50%, or 71, were directed by one or more artists of color; 15% or 21 by one or more people who identify as LGBTQ+.
 
U.S. COMPETITION:
Dramatic: 50% of the 10 directors in this year’s U.S. Dramatic Competition identify as women; 40% as BIPOC. Documentary: 64% of the 11 directors in this year’s U.S. Documentary Competition identify as women; 73% as BIPOC; 9% as LGBTQ+.
 
WORLD COMPETITION:
Dramatic: 50% of the 10 World Dramatic Competition identify as women.
Documentary: 42% of the 12 directors in the World Documentary Competition identify as women.
 
FEATURE FILM SUBMISSIONS: Of the feature film submissions, 1,377 were from the U.S. and 2,132 were international; 27% were directed by one or more women; 2% were directed by one or more non-binary individuals; 42% were directed by one or more filmmakers who identify as BIPOC; 11% by one or more filmmakers who identify as LGBTQ+.
 
ALL FEATURES: Of the 73 feature films, 45% were directed by one or more women; 3% were directed by one or more non-binary individuals; 42% were directed by one or more filmmakers who identify as BIPOC; 8% by one or more filmmakers who identify as LGBTQ+.
 
NEW FRONTIER: Of the 32 artists across the 14-project section, 44% identify as women, 9% as non-binary, 44% as BIPOC, and 22% as LGBTQ+.
 
SHORTS: Comprising 50 films, 48% or 24 of all short films announced today chose to indicate they were directed by one or more women; 2% or 1 was directed by one or more non-binary individuals; 64% or 32 were directed by one or more artists of color; 20% or 10 by one or more people who identify as LGBTQ+. Of the 60 directors across the section, 42% indicated they identify as women, 2% as non-binary, 56% as BIPOC, and 20% as LGBTQ+.

2020 Sundance Film Festival: winners announced

February 1, 2020

The winners of the 2020 Sundance Film Festival were announced in its annual award ceremony, held this year on February 1 in Park City, Utah. The annual festival, which is presented by the Sundance Institute in Park City, runs from January 23 to February 2 this year.

In addition, the Sundance Film Festival announced at the award ceremony that Tabitha Jackson is replacing John Cooper as Sundance Film Festival Director.  Jackson was Director of the Sundance Institute’s Documentary Film Program since 2014. Cooper, who was in the position since 2008, is stepping down to pursue other opportunities. He will continue to be a part of the Sundance Institute as director of special projects.

Here is the complete list of winners:

U.S. DRAMATIC COMPETITION

Minari
Steven Yeun  (pictured at right) in “Minari” (Photo courtesy of Sundance Institute)

Grand Jury Prize: “Minari”

Audience Award: “Minari”

Directing: Radha Blank, “The 40-Year-Old Version”

Waldo Salt Screenwriting Award: Edson Oda, “Nine Days”

Special Jury Award for Ensemble Cast: “Charm City Kings”

Special Jury Auteur Award: Josephine Decker, “Shirley”

Special Jury Award for Neorealism: Eliza Hittman, “Never Rarely Sometimes Always”

U.S. DOCUMENTARY COMPETITION

Steven Garza in “Boys State” (Photo by Thorsten Thielow).

Grand Jury Prize: “Boys State”

Audience Award: “Crip Camp”

Directing: Garrett Bradley, “Time”

Special Jury Award for Emerging Filmmaker: Arthur Jones, “Feels Good Man”

Special Jury Award for Social Impact Filmmaking: Elyse Steinberg, Josh Kriegman, Eli Despres, “The Fight”

Special Jury Award for Editing: Tyler H. Walk, “Welcome to Chechnya”

Special Jury Award for Innovation in Nonfiction Storytelling: Kirsten Johnson, “Dick Johnson Is Dead”

WORLD CINEMA DRAMATIC COMPETITION

Sadaf Asgari in “Yalda, a Night for Forgiveness” (Photo courtesy of Sundance Institute.)

Grand Jury Prize: “Yalda, a Night for Forgiveness”

Audience Award: “Identifying Features”

Directing Award: Maïmouna Doucouré, “Cuties”

Special Jury Award for Acting: Ben Whishaw, “Surge”

Special Jury Award for Visionary Filmmaking: Lemohang Jeremiah Mosese, “This Is Not a Burial, It’s a Resurrection”

Special Jury Award for Best Screenplay: Fernanda Valadez & Astrid Rondero. “Identifying Features”

WORLD CINEMA DOCUMENTARY COMPETITION

Epicentro” (Photo by Hubert Sauper)

Grand Jury Prize: “Epicentro”

Audience Award: “The Reason I Jump”

Directing Award: Iryna Tsilyk, “The Earth is Blue as an Orange”

Special Jury Award for Editing: Mila Aung Thwin, Sam Soko, Ryan Mullins, “Softie”

Special Jury Award for Cinematography: Micrea Topoleanu, Radu Ciorniciuc, “Acasa, My Home”

Special Jury Award for Creative Storytelling: Benjamin Ree, “The Painter and the Thief”

OTHER AWARDS

Christian Vásquez and Armando Espitia in “I Carry You With Me” (Photo by Alejandro López)

NEXT Audience Award: “I Carry You With Me”

NEXT Innovator Award: “I Carry You With Me”

Alfred P. Sloan Feature Film Prize: “Tesla”

Sundance Institute NHK Award: Kirsten Tan, “Higher”

Sundance Institute/Amazon Studios Producers Award for Narrative Features: Huriyyah Muhammad, “Farewell Amor”

Sundance Institute/Amazon Studios Producers Award for Documentary Features: Diane Becker & Melanie Miller of Fishbowl Films, “Whirlybird”

Sundance Institute/Adobe Mentorship Award for Editing Documentary: Carla Gutierrez

Sundance Institute/Adobe Mentorship Award for Editing Narrative: Affonso Gonçalves

2020 Sundance Film Festival: film slate announced

December 4, 2019

Sundance Film Festival

The following is a press release from the Sundance Institute:

The nonprofit Sundance Institute announced the showcase of new independent feature films selected across all categories for the 2020 Sundance Film Festival. The Festival hosts screenings in Park City, Salt Lake City and at Sundance Mountain Resort, from January 23–February 2, 2020. The Sundance Film Festival is Sundance Institute’s flagship public program, widely regarded as the largest American independent film festival and attended by more than 120,000 people and 1,300 accredited press, and powered by more than 2,000 volunteers last year.

Sundance Institute also presents public programs throughout the year and around the world, including Festivals in Hong Kong and London, an international short film tour, an indigenous shorts program, a free summer screening series in Utah, and more. Alongside these public programs, the majority of the nonprofit Institute’s resources support independent artists around the world as they make and develop new work, via Labs, direct grants, fellowships, residencies and other strategic and tactical interventions.

Robert Redford, President and Founder of Sundance Institute, said, “Independent artists create and enrich global culture. Their art, which we’re proud to present, can entertain – and much more: it can, illuminate, agitate, and empower. This year’s Festival is full of films that showcase myriad ways for stories to drive change, across hearts, minds, and societies.”

Keri Putnam, Executive Director of Sundance Institute, said, “At this year’s Festival, we’ll explore the theme of “imagined futures,” inside the theaters and in the conversations sparked by the work we are presenting. We believe diverse stories from independent artists around the world open us up to new perspectives and possibilities – at a time when fresh thinking and dialogue is urgently needed.”

John Cooper, Director of the Sundance Film Festival, said, “The program this year, my last as Director, is a celebration: of art and artists, yes, but also of the community that makes the annual pilgrimage to Park City to see the most exciting new work being made today. Watching this group expand and thrive over the years has been exhilarating and wildly rewarding. Our 2020 Festival’s lively and visionary crop of artists has a contagious passion, and I can’t wait to watch the world meet their work.”

Announced today: 118 feature-length films, representing 27 countries and 44 first-time feature filmmakers. Of the 65 directors in all four competition categories, comprising 56 films, 46% are women, 38% are people of color, and 12% are LGBTQ+. In the U.S. Dramatic Competition, 47% of the directors iare women; 53% are people of color; 5% are LGBTQ+. In this year’s U.S. Documentary Competition, 45% are women; 23% are people of color; 23% are LGBTQ+. 44%, or 52, of all films announced today were directed by one or more women; 34%, or 40, were directed by one or more filmmaker of color; 15% or 18 by one or more people who are LGBTQ+. 23 films announced today were supported by Sundance Institute in development, whether through direct granting or residency Labs. 107 of the Festival’s feature films, or 91% of the lineup announced today, will be world premieres.

These films were selected from a record high of 15,100 submissions including 3,853 feature-length films. Of the feature film submissions, 1,698 were from the U.S. and 2,155 were international; 29% were directed by one or more women; 40% were directed by one or more filmmaker of color; 15% by one or more people who identify as LGBTQ+.

In 2019, the Festival drew more than 122,000 attendees from 48 U.S. states and 53 other countries, generated $182.5 million in economic activity for the state of Utah and supported 11,900 local jobs. The 2021 Sundance Film Festival will take place January 21–31, 2021.

More lineup announcements, including Shorts, Indie Episodic and New Frontier, are forthcoming; watch sundance.org/festival.

The feature films confirmed for the 2020 Sundance Film Festival are:

U.S. DRAMATIC COMPETITION

Presenting the world premieres of 16 narrative feature films, the Dramatic Competition offers Festivalgoers a first look at groundbreaking new voices in American independent film. Films that have premiered in this category in recent years include The Farewell, Honey Boy, Clemency, Eighth Grade, Sorry to Bother You and The Miseducation of Cameron Post. 47% of the directors in this year’s U.S. Dramatic Competition are women; 52% are people of color; 5% are LGBTQ+.

Jahi Di’Allo Winston in “Charm City Kings” (Photo by William Gray)

The 40-Year-Old Version / U.S.A. (Director and screenwriter: Radha Blank, Producers: Lena Waithe, Radha Blank, Inuka Bacote-Capiga, Jennifer Semler, Rishi Rijani) — A down-on-her-luck New York playwright decides to reinvent herself and salvage her artistic voice the only way she knows how: by becoming a rapper at age 40. Cast: Radha Blank, Peter Kim, Oswin Benjamin, Reed Birney, Imani Lewis, T.J. Atoms. World Premiere

BLAST BEAT / U.S.A. (Director: Esteban Arango, Screenwriters: Erick Castrillon & Esteban Arango, Producers: Charles D. King, Poppy Hanks, Erick Castrillon, Ty Walker) — After their family emigrates from Colombia during the summer of ‘99, a metalhead science prodigy and his deviant younger brother do their best to adapt to new lives in America. Cast: Moises Arias, Mateo Arias, Daniel Dae Kim, Kali Uchis, Diane Guerrero, Wilmer Valderrama. World Premiere

Charm City Kings / U.S.A. (Director: Angel Manuel Soto, Screenwriters: Sherman Payne, Chris Boyd & Kirk Sullivan, Barry Jenkins, Producers: Caleeb Pinkett, Clarence Hammond, Marc Bienstock) — Mouse desperately wants to join The Midnight Clique, the infamous Baltimore dirt bike riders who rule the summertime streets. When Midnight’s leader, Blax, takes 14-year-old Mouse under his wing, Mouse soon finds himself torn between the straight-and-narrow and a road filled with fast money and violence. Cast: Jahi Di’Allo Winston, Meek Mill, Will Catlett, Teyonah Parris, Donielle Tremaine Hansley, Kezii Curtis. World Premiere

Dinner in America / U.S.A. (Director and screenwriter: Adam Rehmeier, Producers: Ben Stiller, Nicholas Weinstock, David Hunter, Ross Putman, John Covert, Sam Slater) — An on-the-lam punk rocker and a young woman obsessed with his band go on an unexpected and epic journey together through the decaying suburbs of the American Midwest. Cast: Kyle Gallner, Emily Skeggs, Pat Healy, Griffin Gluck, Lea Thompson, Mary Lynn Rajskub. World Premiere

The Evening Hour / U.S.A. (Director: Braden King, Screenwriter: Elizabeth Palmore, Producers: Lucas Joaquin, Braden King, Derrick Tseng) — Cole Freeman maintains an uneasy equilibrium in his rural Appalachian town, looking after the old and infirm while selling their excess painkillers to local addicts. But when an old friend returns with plans that upend the fragile balance and identity he’s so painstakingly crafted, Cole is forced to take action. Cast: Philip Ettinger, Stacy Martin, Cosmo Jarvis, Michael Trotter, Kerry Bishé, Lili Taylor. World Premiere

Farewell Amor / U.S.A. (Director and screenwriter: Ekwa Msangi, Producers: Huriyyah Muhammad, Sam Bisbee, Josh Penn) — Reunited after a 17 year separation, Walter, an Angolan immigrant, is joined in the U.S. by his wife and teenage daughter. Now absolute strangers sharing a one-bedroom apartment, they discover a shared love of dance that may help overcome the emotional distance between them. Cast: Ntare Guma Mbaho Mwine, Zainab Jah, Jayme Lawson, Joie Lee, Marcus Scribner, Nana Mensah. World Premiere

Minari / U.S.A. (Director and screenwriter: Lee Isaac Chung, Producers: Dede Gardner, Jeremy Kleiner, Christina Oh) — David, a 7-year-old Korean-American boy, gets his life turned upside down when his father decides to move their family to rural Arkansas and start a farm in the mid-1980s, in this charming and unexpected take on the American Dream. Cast: Steven Yeun, Han Yeri, Youn Yuh Jung, Will Patton, Alan Kim, Noel Kate Cho. World Premiere

Miss Juneteenth / U.S.A. (Director and screenwriter: Channing Godfrey Peoples, Producers: Neil Creque Williams, Jeanie Igoe, James M. Johnston, Toby Halbrooks, Theresa Steele, Tim Headington) — Turquoise, a former beauty queen turned hardworking single mother, prepares her rebellious teenage daughter for the “Miss Juneteenth” pageant, hoping to keep her from repeating the same mistakes in life that she did. Cast: Nicole Beharie, Kendrick Sampson, Alexis Chikaeze, Lori Hayes, Marcus Maudlin. World Premiere

Never Rarely Sometimes Always / U.S.A. (Director and screenwriter: Eliza Hittman, Producers: Adele Romanski, Sara Murphy, Rose Garnett) — An intimate portrayal of two teenage girls in rural Pennsylvania. Faced with an unintended pregnancy and a lack of local support, Autumn and her cousin Skylar embark on a brave, fraught journey across state lines to New York City. Cast: Sidney Flanigan, Talia Ryder, Théodore Pellerin, Ryan Eggold, Sharon Van Etten. World Premiere

Nine Days / U.S.A. (Director and screenwriter: Edson Oda, Producers: Jason Michael Berman, Mette Marie Kongsved, Matthew Lindner, Laura Tunstall, Datari Turner) — In a house distant from the reality we know, a reclusive man interviews prospective candidates—personifications of human souls—for the privilege that he once had: to be born. Cast: Winston Duke, Zazie Beetz, Benedict Wong, Bill Skarsgård, Tony Hale, David Rysdahl. World Premiere. Dolby Institute Fellowship

Palm Springs / U.S.A. (Director: Max Barbakow, Screenwriter: Andy Siara, Producers: Andy Samberg, Becky Sloviter, Akiva Schaffer, Jorma Taccone, Dylan Sellers, Chris Parker) — When carefree Nyles and reluctant maid of honor Sarah have a chance encounter at a Palm Springs wedding, things get complicated the next morning when they find themselves unable to escape the venue, themselves, or each other. Cast: Andy Samberg, Cristin Milioti, J.K. Simmons, Meredith Hagner, Camila Mendes, Peter Gallagher. World Premiere

Save Yourselves! / U.S.A. (Directors and Screenwriters: Alex Fischer, Eleanor Wilson, Producers: Kara Durrett, Mandy Tagger, Adi Ezroni) — A young Brooklyn couple head upstate to disconnect from their phones and reconnect with themselves. Cut off from their devices, they miss the news that the planet is under attack. Cast: Sunita Mani, John Reynolds, Ben Sinclair, Johanna Day, John Early, Gary Clark. World Premiere

Shirley / U.S.A. (Director: Josephine Decker, Screenwriter: Sarah Gubbins, Producers: Christine Vachon, David Hinojosa, Sue Naegle, Sarah Gubbins, Jeffrey Soros, Simon Horsman) — A young couple moves in with the famed author, Shirley Jackson, and her Bennington College professor husband, Stanley Hyman, in the hope of starting a new life but instead find themselves fodder for a psycho-drama that inspires Shirley’s next novel. Cast: Elisabeth Moss, Michael Stuhlbarg, Odessa Young, Logan Lerman. World Premiere

Sylvie’s Love / U.S.A. (Director and screenwriter: Eugene Ashe, Producers: Nnamdi Asomugha, Gabrielle Glore, Jonathan Baker, Matthew Thurm) — Years after their summer romance comes to an end, an aspiring television producer and a talented musician cross paths, only to find their feelings for each other never changed. With their careers taking them in different directions, they must choose what matters most. Cast: Tessa Thompson, Nnamdi Asomugha, Eva Longoria, Aja Naomi King, Wendi Mclendon-Covey, Jemima Kirke. World Premiere

Wander Darkly / U.S.A. (Director and screenwriter: Tara Miele, Producers: Lynette Howell Taylor, Samantha Housman, Shivani Rawat, Monica Levinson) — New parents Adrienne and Matteo are forced to reckon with trauma amidst their troubled relationship. They must revisit the memories of their past and unravel haunting truths in order to face their uncertain future. Cast: Sienna Miller, Diego Luna, Beth Grant, Aimee Carrero, Tory Kittles, Vanessa Bayer. World Premiere

Zola / U.S.A. (Director: Janicza Bravo, Screenwriters: Janicza Bravo, Jeremy O. Harris, Producers: Christine Vachon, David Hinojosa, Vince Jolivette, Elizabeth Haggard, Dave Franco, Gia Walsh) 2015: @zolarmoon tweets “wanna hear a story about why me & this bitch here fell out???????? It’s kind of long but full of suspense.” Two girls bond over their “hoeism” and become fast friends. What’s supposed to be a trip from Detroit to Florida turns into a weekend from hell. Cast: Taylour Paige, Riley Keough, Nicholas Braun, Colman Domingo. World Premiere

U.S. DOCUMENTARY COMPETITION

Sixteen world-premiere American documentaries that illuminate the ideas, people and events that shape the present day. Films that have premiered in this category in recent years include Apollo 11, Knock Down The House, One Child Nation, American Factory, Three Identical Strangers and On Her Shoulders. 45% of the directors in this year’s U.S. Documentary Competition are women; 23% are people of color; 23% are LGBTQ+.

Bruce Lee in “Be Water” (Photo courtesy of Sundance Institute)

A Thousand Cuts / U.S.A., Philippines (Director and screenwriter: Ramona S. Diaz, Producers: Ramona S. Diaz, Leah Marino, Julie Goldman, Chris Clements, Carolyn Hepburn) — Nowhere is the worldwide erosion of democracy, fueled by social media disinformation campaigns, more starkly evident than in the authoritarian regime of Philippine President Rodrigo Duterte. Journalist Maria Ressa places the tools of the free press—and her freedom—on the line in defense of truth and democracy. World Premiere

Be Water / U.S.A., United Kingdom (Director: Bao Nguyen, Producer: Julia Nottingham) — In 1971, after being rejected by Hollywood, Bruce Lee returned to his parents’ homeland of Hong Kong to complete four iconic films. Charting his struggles between two worlds, this portrait explores questions of identity and representation through the use of rare archival, interviews with loved ones and Bruce’s own writings. World Premiere

Bloody Nose, Empty Pockets / U.S.A. (Directors: Bill Ross, Turner Ross, Producers: Michael Gottwald, Chere Theriot) — In the shadows of the bright lights of Las Vegas, it’s last call for a beloved dive bar known as the Roaring 20s. A document of real people, in an unreal situation, facing an uncertain future: America at the end of 2016. World Premiere

Boys State / U.S.A. (Directors: Jesse Moss, Amanda McBaine, Producers: Amanda McBaine, Jesse Moss) — In an unusual experiment, a thousand 17-year-old boys from Texas join together to build a representative government from the ground up. World Premiere

Code for Bias / U.S.A., United Kingdom, China (Director, screenwriter and producer: Shalini Kantayya) — Exploring the fallout of MIT Media Lab researcher Joy Buolamwini’s startling discovery that facial recognition does not see dark-skinned faces accurately, and her journey to push for the first-ever legislation in the U.S. to govern against bias in the algorithms that impact us all. World Premiere

The Cost of Silence / U.S.A. (Director: Mark Manning, Producers: Mark Manning, Langdon Page, Reuben Aaronson) — An industry insider exposes the devastating consequences of the Deepwater Horizon oil spill and uncovers systemic corruption between government and industry to silence the victims of a growing public health disaster. Stakes could not be higher as the Trump administration races to open the entire U.S. coastline to offshore drilling. World Premiere

Crip Camp / U.S.A. (Directors: Nicole Newnham, Jim LeBrecht, Producers: Sara Bolder, Jim LeBrecht, Nicole Newnham) — Down the road from Woodstock in the early 1970s, a revolution blossomed in a ramshackle summer camp for disabled teenagers, transforming their young lives and igniting a landmark movement. World Premiere. DAY ONE

Dick Johnson Is Dead / U.S.A. (Director: Kirsten Johnson, Screenwriters: Nels Bangerter, Kirsten Johnson, Producers: Katy Chevigny, Marilyn Ness) — With this inventive portrait, a cameraperson seeks a way to keep her 86-year-old father alive forever. Utilizing moviemaking magic and her family’s dark humor, she celebrates Dr. Dick Johnson’s last years by staging fantasies of death and beyond. Together, dad and daughter confront the great inevitability awaiting us all. World Premiere

Feels Good Man / U.S.A. (Director: Arthur Jones, Producers: Giorgio Angelini, Caryn Capotosto, Aaron Wickenden) — When indie comic character Pepe the Frog becomes an unwitting icon of hate, his creator, artist Matt Furie, fights to bring Pepe back from the darkness and navigate America’s cultural divide. World Premiere

The Fight / U.S.A. (Directors: Elyse Steinberg, Josh Kriegman, Eli Despres, Producers: Elyse Steinberg, Josh Kriegman, Eli Despres, Maya Seidler, Peggy Drexler, Kerry Washington) — Inside the ACLU, a team of scrappy lawyers battle Trump’s historic assault on civil liberties. World Premiere

Mucho Mucho Amor / U.S.A. (Directors: Cristina Costantini, Kareem Tabsch, Producer: Alex Fumero) — Once the world’s most famous astrologer, Walter Mercado seeks to resurrect a forgotten legacy. Raised in the sugar cane fields of Puerto Rico, Walter grew up to become a gender non-conforming, cape-wearing psychic whose televised horoscopes reached 120 million viewers a day for decades before he mysteriously disappeared. World Premiere

Spaceship Earth / U.S.A. (Director: Matt Wolf, Producers: Stacey Reiss, Matt Wolf) — In 1991 a group of countercultural visionaries built an enormous replica of earth’s ecosystem called Biosphere 2. When eight “biospherians” lived sealed inside, they faced ecological calamities and cult accusations. Their epic adventure is a cautionary tale but also a testament to the power of small groups reimagining the world. World Premiere

Time / U.S.A. (Director: Garrett Bradley, Producers: Lauren Domino, Kellen Quinn, Garrett Bradley) Fox Rich, indomitable matriarch and modern-day abolitionist, strives to keep her family together while fighting for the release of her incarcerated husband. An intimate, epic, and unconventional love story, filmed over two decades. World Premiere

Us Kids / U.S.A. (Director: Kim A. Snyder, Producers: Kim A. Snyder, Maria Cuomo Cole, Lori Cheatle) — Determined to turn unfathomable tragedy into action, the teenage survivors of Parkland, Florida catalyze a powerful, unprecedented youth movement that spreads with lightning speed across the country, as a generation of mobilized youth take back democracy in this powerful coming-of-age story. World Premiere

Welcome to Chechnya / U.S.A. (Director: David France, Producers: Alice Henty, David France, Askold Kurov, Joy A. Tomchin) — This searing investigative work shadows a group of activists risking unimaginable peril to confront the ongoing anti-LGBTQ pogrom raging in the repressive and closed Russian republic. Unfettered access and a remarkable approach to protecting anonymity exposes this under-reported atrocity–and an extraordinary group of people confronting evil. World Premiere

Whirlybird / U.S.A. (Director: Matt Yoka, Producers: Diane Becker, Matt Yoka) — Soaring above the chaotic spectacle of ‘80s and ‘90s Los Angeles, a young couple revolutionized breaking news with their brazen helicopter reporting. Culled from this news duo’s sprawling video archive is a poignant L.A. story of a family in turbulence hovering over a city unhinged. World Premiere

WORLD CINEMA DRAMATIC COMPETITION

Twelve films from emerging filmmaking talents around the world offer fresh perspectives and inventive styles. Films that have premiered in this category in recent years include The Souvenir, The Guilty, Monos, Yardie, The Nile Hilton Incident and Second Mother.

Fathia Youssouf, Medina El Aidi-Azouni, Esther Gohourou, Ilanah Cami-Goursolas, Myriam Hamma, Demba Diaw, and Maimouna Gueye in “Cuties” (Photo courtesy of Sundance Institute)

Charter / Sweden (Director and screenwriter: Amanda Kernell, Producers: Lars G. Lindström, Eva Åkergren) — After a recent and difficult divorce, Alice hasn’t seen her children in two months as she awaits a custody verdict. When her son calls her in the middle of the night, Alice takes action, abducting the children on an illicit charter trip to the Canary Islands. Cast: Ane Dahl Torp, Troy Lundkvist, Tintin Poggats Sarri, Sverrir Gudnasson, Eva Melander, Siv Erixon. World Premiere

Cuties / France (Director and screenwriter: Maïmouna Doucouré, Producer: Zangro) — Amy, 11 years old, meets a group of dancers called “Cuties.” Fascinated, she initiates herself to a sensual dance, hoping to join their band and escape family dysfunction. Cast: Fathia Youssouf, Médina El Aidi-Azouni, Esther Gohourou, Ilanah Cami-Goursolas, Myriam Hamma, Maïmouna Gueye. World Premiere. DAY ONE

Exil / Germany, Belgium, Kosovo (Director and screenwriter: Visar Morina, Producers: Janine Jackowski, Jonas Dornbach, Maren Ade) — A chemical engineer feeling discriminated against and bullied at work plunges into an identity crisis. Cast: Mišel Matičević, Sandra Hüller. World Premiere

High Tide / Argentina (Director and screenwriter: Verónica Chen, Producers: Esteban Mentasti, Hori Mentasti) — Laura is spending a few days at her beach house to supervise the construction of a barbecue shed. One afternoon, she seduces the chief builder, who never returns. Over the following days, the builders continually invade her home – until Laura grows ferocious. Cast: Gloria Carrá, Jorge Sesán, Cristian Salguero, Mariana Chaud, Camila Fabbri, Héctor Bordoni. World Premiere

Jumbo / France, Luxembourg, Belgium (Director and screenwriter: Zoé Wittock, Producers: Anaïs Bertrand, Annabella Nezri, Gilles Chanial) — Jeanne, a shy young woman, works in an amusement park. Fascinated with carousels, she still lives at home with her mother. That’s when Jeanne meets Jumbo, the park’s new flagship attraction… Cast: Noémie Merlant, Emmanuelle Bercot, Sam Louwyck. World Premiere

Luxor / Egypt, United Kingdom (Director and screenwriter: Zeina Durra, Producers: Mohamed Hefzy, Mamdouh Saba, Gianluca Chakra, Hisham Alghanim) — When British aid worker Hana returns to Luxor, a sleepy city on the banks of the Nile, she comes across Sultan, a talented archeologist and former lover. As she wanders, haunted by the familiar place, she struggles to reconcile the choices of the past with the uncertainty of the present. Cast: Andrea Riseborough, Karim Saleh, Michael Landes, Sherine Reda, Salima Ikram, Shahira Fahmy. World Premiere

Possessor / Canada, United Kingdom (Director and screenwriter: Brandon Cronenberg, Producers: Niv Fichman, Andrew Starke, Kevin Krikst, Fraser Ash) — Vos is a corporate agent who uses brain-implant technology to inhabit other people’s bodies, driving them to commit assassinations for the benefit of the company. When something goes wrong on a routine job, she finds herself trapped inside a man whose identity threatens to obliterate her own. Cast: Andrea Riseborough, Christopher Abbott, Rossif Sutherland, Tuppence Middleton, Sean Bean, Jennifer Jason Leigh. World Premiere

Sin Señas Particulares / Mexico, Spain (Director: Fernanda Valadez, Screenwriters: Fernanda Valadez, Astrid Rondero, Producers: Astrid Rondero, Fernanda Valadez, Jack Zagha, Yossy Zagha) Magdalena makes a journey to find her son, gone missing on his way to the Mexican border with the US. Her odyssey takes her to meet Miguel, a man recently deported from the U.S. They travel together, Magdalena looking for her son, and Miguel hoping to see his mother again. Cast: Mercedes Hernández, David Illescas, Juan Jesús Varela, Ana Laura Rodríguez, Laura Elena Ibarra, Xicoténcatl Ulloa. World Premiere

Summer White (Blanco de Verano) / Mexico (Director: Rodrigo Ruiz Patterson, Screenwriters: Rodrigo Ruiz Patterson, Raúl Sebastián Quintanilla, Producer: Alejandro Cortés Rubiales) ― Rodrigo is a solitary teenager, a king in the private world he shares with his mother. Things change when she takes her new boyfriend home to live. He must decide if he fights for his throne and crushes the happiness of the person he loves the most. Cast: Adrián Rossi, Sophie Alexander-Katz, Fabián Corres. World Premiere

Surge / United Kingdom (Director: Aneil Karia, Screenwriters: Rupert Jones, Rita Kalnejais, Producers: Julia Godzinskaya, Sophie Vickers) ― A man goes on a bold and reckless journey of self-liberation through London. After he robs a bank he releases a wilder version of himself, ultimately experiencing what it feels like to be alive. Cast: Ben Whishaw, Ellie Haddington, Ian Gelder, Jasmine Jobson. World Premiere

This Is Not a Burial, It’s a Resurrection / Lesotho, South Africa, Italy (Director and screenwriter: Lemohang Jeremiah Mosese, Producers: Cait Pansegrouw, Elias Ribeiro) — When her village is threatened with forced resettlement due to reservoir construction, an 80-year-old widow finds a new will to live and ignites the spirit of resilience within her community. In the final dramatic moments of her life, Mantoa’s legend is forged and made eternal. Cast: Mary Twala Mhlongo, Jerry Mofokeng Wa Makheta, Makhoala Ndebele, Tseko Monaheng, Siphiwe Nzima. International Premiere

Yalda, a Night for Forgiveness / Iran, France, Germany, Switzerland (Director and screenwriter: Massoud Bakhshi, Producers: Jacques Bidou, Marianne Dumoulin) — Maryam accidentally killed her husband Nasser and is sentenced to death. The only person who can save her is Mona, Nasser’s daughter. All Mona has to do is appear on a TV show and forgive Maryam. But forgiveness proves difficult when they are forced to relive the past. Cast: Sadaf Asgari, Behnaz Jafari, Babak Karimi, Fereshteh Sadr Orafaee, Forough Ghajebeglou, Fereshteh Hosseini. International Premiere

WORLD CINEMA DOCUMENTARY COMPETITION

Twelve documentaries by some of the most courageous and extraordinary international filmmakers working today. Films that have premiered in this category in recent years include Honeyland, Sea of Shadows, Shirkers, This is Home , Last Men in Aleppo and Hooligan Sparrow.

The Earth Is Blue as an Orange” (Photo courtesy of the Sundance Institute)

Acasa, My Home / Romania, Germany, Finland (Director: Radu Ciorniciuc, Screenwriters: Lina Vdovii, Radu Ciorniciuc, Producer: Monica Lazurean-Gorgan) — In the wilderness of the Bucharest Delta, nine children and their parents lived in perfect harmony with nature for 20 years–until they are chased out and forced to adapt to life in the big city. World Premiere

The Earth Is Blue as an Orange / Ukraine, Lithuania (Director: Iryna Tsilyk, Producers: Anna Kapustina, Giedrė Žickytė) — To cope with the daily trauma of living in a war zone, Anna and her children make a film together about their life among surreal surroundings. World Premiere

Epicentro / Austria, France, U.S.A. (Director and screenwriter: Hubert Sauper, Producers: Martin Marquet, Daniel Marquet, Gabriele Kranzelbinder, Paolo Calamita) — Cuba is well known as a so-called time capsule. The place where the New World was discovered has become both a romantic vision and a warning. With ongoing global cultural and financial upheavals, large parts of the world could face a similar kind of existence. World Premiere

Influence / South Africa, Canada (Directors and Screenwriters: Diana Neille, Richard Poplak, Producers: Bob Moore, Neil Brandt) — Charting the recent advancements in weaponized communication by investigating the rise and fall of the world’s most notorious public relations and reputation management firm: the British multinational Bell Pottinger. World Premiere

Into the Deep / Denmark (Director: Emma Sullivan, Producers: Mette Heide, Roslyn Walker) — In 2016, a young Australian filmmaker began documenting amateur inventor Peter Madsen. One year in, Madsen brutally murdered Kim Wall aboard his homemade submarine. An unprecedented revelation of a killer and the journey his young helpers take as they reckon with their own complicity and prepare to testify. World Premiere

The Mole Agent / Chile (Director and screenwriter: Maite Alberdi, Producer: Marcela Santibañez) — When a family becomes concerned about their mother’s well-being in a retirement home, private investigator Romulo hires Sergio, an 83 year-old man who becomes a new resident–and a mole inside the home, who struggles to balance his assignment with becoming increasingly involved in the lives of several residents. World Premiere

Once Upon a Time in Venezuela / Venezuela, United Kingdom, Brazil, Austria (Director: Anabel Rodríguez Ríos, Screenwriters: Anabel Rodríguez Ríos, Sepp R. Brudermann, Producer: Sepp R. Brudermann) — Once upon a time, the Venezuelan village of Congo Mirador was prosperous, alive with fisherman and poets. Now it is decaying and disintegrating–a small but prophetic reflection of Venezuela itself. World Premiere

The Painter and the Thief / Norway (Director: Benjamin Ree, Producer: Ingvil Giske) — An artist befriends the drug addict and thief who stole her paintings. She becomes his closest ally when he is severely hurt in a car crash and needs full time care, even if her paintings are not found. But then the tables turn. World Premiere. DAY ONE

The Reason I Jump / United Kingdom (Director: Jerry Rothwell, Producers: Jeremy Dear, Stevie Lee, Al Morrow) — Based on the book by Naoki Higashida this immersive film explores the experiences of nonspeaking autistic people around the world. World Premiere

Saudi Runaway / Switzerland (Director and screenwriter: Susanne Regina Meures, Producer: Christian Frei) — Amjad, a young, fearless woman from Saudi Arabia, is tired of being controlled by the state and patronized by her family. With an arranged marriage imminent, a life without rights and free will seems inevitable. Amjad decides to escape. An unprecedented view inside the world’s most repressive patriarchy. World Premiere

Softie / Kenya (Director and screenwriter: Sam Soko, Producers: Toni Kamau, Sam Soko) — Boniface Mwangi is daring and audacious, and recognized as Kenya’s most provocative photojournalist. But as a father of three young children, these qualities create tremendous turmoil between him and his wife Njeri. When he wants to run for political office, he is forced to choose: country or family? World Premiere

The Truffle Hunters / Italy, U.S.A., Greece (Directors: Michael Dweck, Gregory Kershaw, Producers: Michael Dweck, Gregory Kershaw) — In the secret forests of Northern Italy, a dwindling group of joyful old men and their faithful dogs search for the world’s most expensive ingredient, the white Alba truffle. Their stories form a real-life fairy tale that celebrates human passion in a fragile land that seems forgotten in time. World Premiere

NEXT

Pure, bold works distinguished by an innovative, forward-thinking approach to storytelling populate this program. Digital technology paired with unfettered creativity promises that the films in this section will shape a “greater” next wave in American cinema. Films that have premiered in this category in recent years include The Infiltrators, Searching, Skate Kitchen , A Ghost Story and Tangerine. NEXT presented by Adobe.

“Summertime” (Photo by John Schmidt)

Beast Beast / U.S.A. (Director and screenwriter: Danny Madden, Producers: Benjamin Wiessner, Matt Miller, Tara Ansley) — Three interwoven stories of youths navigating identity, first love, petty crime, and gun violence in a southern American town. Cast: Shirley Chen, Will Madden, Jose Angeles, Courtney Dietz, Daniel Rashid. World Premiere

Black Bear / U.S.A. (Director and screenwriter: Lawrence Michael Levine, Producers: Julie Christeas, Jonathan Blitstein, Rick Bosner, Aubrey Plaza, Lawrence Michael Levine, Sophia Takal) — At a remote lake house, a filmmaker plays a calculated game of desire and jealousy in the pursuit of a work of art that blurs the boundaries between autobiography and invention. Cast: Aubrey Plaza, Christopher Abbott, Sarah Gadon. World Premiere

I Carry You With Me / U.S.A., Mexico (Director: Heidi Ewing, Screenwriters: Heidi Ewing, Alan Page Arriaga, Producers: Mynette Louie, Heidi Ewing) — An epic love story spanning decades is sparked by a chance encounter between two men in provincial Mexico. Based on a true story, ambition and societal pressure propel an aspiring chef to leave his soulmate and make the treacherous journey to New York, where life will never be the same. Cast: Armando Espitia, Christian Vázquez, Michelle Rodríguez, Ángeles Cruz, Arcelia Ramírez, Michelle González. World Premiere

The Killing of Two Lovers / U.S.A. (Director and screenwriter: Robert Machoian, Producers: Scott Christopherson, Clayne Crawford, Robert Machoian) — David desperately tries to keep his family of six together during a separation from his wife. They both agree to see other people but David struggles to grapple with his wife’s new relationship. Cast: Clayne Crawford, Sepideh Moafi, Chris Coy, Aver Pizzuto, Arri Graham, Ezra Graham. World Premiere

La Leyenda Negra / U.S.A. (Director and screenwriter: Patricia Vidal Delgado, Producers: Alicia Herder, Marcel Perez) — In Compton, a soon-to-be undocumented teenager fights for her right to stay in America while risking her family, her friendships, and her first love. Cast: Monica Betancourt, Kailei Lopez, Irlanda Moreno, Justin Avila, Sammy Flores, Juan Reynoso. World Premiere

The Mountains Are a Dream That Call to Me / U.S.A. (Director and screenwriter: Cedric Cheung-Lau, Producers: Alexandra Byer, Madeleine Askwith) — On the Annapurna Massif, Tukten, a young Nepali man setting off for a new life as a laborer in Dubai, encounters an older Australian woman who causes him to change course and discover his homeland in a new light. Cast: Sanjay Lama Dong, Alice Cummins. World Premiere

Omniboat: A Fast Boat Fantasia / U.S.A. (Directors and Screenwriters: The Daniels, Hannah Fidell, Alexa Lim Haas, Lucas Leyva, Olivia Lloyd, Jillian Mayer, The Meza Brothers, Terence Nance, Brett Potter, Dylan Redford, Xander Robin, Julian Yuri Rodriguez, Celia Rowlson-Hall, Producers: Olivia Lloyd, Matthew Perniciaro, Michael Sherman, Taylor Shung) — It’s not just a speed boat ride, it’s a Miami adventure. Cast: Mel Rodriguez, Finn Wolfhard, Casey Wilson, Adam Devine, Jessica Williams, Robert Redford. World Premiere

Some Kind of Heaven / U.S.A. (Director: Lance Oppenheim, Producers: Darren Aronofsky, Kathleen Lingo, Melissa Oppenheim Lano, Pacho Velez, Jeffrey Soros, Simon Horsman) — Behind the gates of a palm tree-lined fantasyland, four residents of America’s largest retirement community, The Villages, FL, strive to find happiness and meaning. World Premiere

Spree / U.S.A. (Director: Eugene Kotlyarenko, Screenwriters: Gene McHugh, Eugene Kotlyarenko, Producers: Matthew Budman, Sumaiya Kaveh, John Lang, Eugene Kotlyarenko) — Kurt Kunkle, a rideshare driver thirsty for followers, has figured out a deadly plan to go viral. As his disturbing livestream is absurdly embraced by the social media hellscape, a comedienne emerges as the only hope to stop this rampage. Cast: Joe Keery, Sasheer Zamata, David Arquette, Kyle Mooney, Mischa Barton, Josh Ovalle. World Premiere

Summertime / U.S.A. (Director: Carlos Lopez Estrada, Screenwriters: Dave Harris, 19 Get Lit Poets, Producers: Kimberly Stuckwisch, Jeffrey Soros, Alisa Tager, Simon Horsman, Diane Luby Lane) — In the heat of the summer, the lives of 25 strangers collide. A love letter to Los Angeles written and performed by a collective of young spoken word poets. Cast: 19 Get Lit Poets. World Premiere. DAY ONE

PREMIERES

A showcase of world premieres of some of the most highly anticipated narrative films of the coming year. Films that have premiered in this category in recent years include The Report, Late Night, The Big Sick and Call Me By Your Name.

Glenn Close and Mila Kunis in “Four Good Days” (Photo by Igor Jadue Lillo)

Downhill / U.S.A. (Directors: Nat Faxon, Jim Rash, Screenwriters: Jesse Armstrong, Nat Faxon, Jim Rash, Producers: Anthony Bregman, Julia Louis-Dreyfus, Stefanie Azpiazu, Erik Hemmendorff, Ruben Östlund) Barely escaping an avalanche during a family ski vacation in the Alps, a married couple is thrown into disarray as they are forced to reevaluate their lives and how they feel about each other. Cast: Julia Louis-Dreyfus, Will Ferrell, Zach Woods, Zoë Chao, Miranda Otto. World Premiere

Dream Horse / United Kingdom (Director: Euros Lyn, Screenwriter: Neil McKay, Producers: Katherine Butler, Tracy O’Riordan) — Jan, a cleaner and bartender, decides on a whim to breed a race horse in her Welsh village. As the horse rises through the ranks against all odds, Jan and the townspeople are pitted against the racing elite in a nail-biting race for the national championship. Cast: Toni Collette, Damian Lewis. World Premiere

Falling / Canada, United Kingdom, Denmark (Director and screenwriter: Viggo Mortensen, Producers: Viggo Mortensen, Daniel Bekerman, Chris Curling) — When 80-year-old independent farmer Willis travels to Los Angeles for an indefinite stay with son John and his family, two very different worlds collide. Mentally declining, Willis’ abrasiveness is both caustic and funny, bringing old wounds from the past and years of mutual mistrust to the surface. Cast: Lance Henriksen, Viggo Mortensen, Terry Chen, Sverrir Gudnason, Hannah Gross, Laura Linney. World Premiere. CLOSING NIGHT

The Father / United Kingdom, France (Director: Florian Zeller, Screenwriters: Christopher Hampton, Florian Zeller, Producers: Philippe Carcassonne, Jean-Louis Livi, David Parfitt) — Anthony is 80 years old. He lives alone in London and refuses the nurses that his daughter tries to impose upon him. Yet help is becoming more pressing, as she has decided to move to Paris. At once comedic and profound, this is a moving story of our human condition. Cast: Anthony Hopkins, Olivia Colman, Mark Gatiss, Imogen Poots, Rufus Sewell, Olivia Williams. World Premiere

Four Good Days / U.S.A. (Director: Rodrigo Garcia, Screenwriters: Rodrigo Garcia, Eli Saslow, Producers: Jon Avnet, Marina Grasic, Jake Avnet, Jai Khanna, Rodrigo Garcia, Sage Scroope) — Ten years of opioids have left Molly’s life in shambles. A new drug may give her a chance to break free if she is able to stay clean for four days, with the help of her mother Deb, a tough, clear-eyed woman. Their love will be tested to the limits. Cast: Glenn Close, Mila Kunis, Stephen Root, Joshua Leonard. World Premiere

The Glorias / U.S.A. (Director: Julie Taymor, Screenwriters: Julie Taymor, Sarah Ruhl, Producers: Alex Saks, Lynn Hendee) — An equal rights crusader, journalist and activist: Gloria Steinem embodies these and more. From her role in the revolutionary women’s rights movement to her travels throughout the U.S. and around the world, Steinem has made an everlasting mark on modern history. A nontraditional chronicle of a trailblazing life. Cast: Julianne Moore, Alicia Vikander, Bette Midler, Janelle Monae, Timothy Hutton, Lorraine Toussaint. World Premiere

Herself / Ireland, United Kingdom (Director: Phyllida Lloyd, Screenwriters: Clare Dunne, Malcolm Campbell, Producers: Rory Gilmartin, Ed Guiney, Sharon Horgan) — Struggling to provide her daughters with a safe, happy home, Sandra decides to build one – from scratch. Using all her ingenuity to make her ambitious dream a reality, Sandra draws together a community to lend a helping hand to build her house and ultimately recover her own sense of self. Cast: Clare Dunne, Harriet Walter, Conleth Hill. World Premiere

Horse Girl / U.S.A. (Director: Jeff Baena, Screenwriters: Jeff Baena, Alison Brie, Producers: Alana Carithers, Jeff Baena, Alison Brie) — A socially awkward woman with a fondness for arts and crafts, horses, and supernatural crime shows finds her increasingly lucid dreams trickling into her waking life. Cast: Alison Brie, Debby Ryan, John Reynolds, Molly Shannon, John Ortiz, Jay Duplass. World Premiere

Ironbark / United Kingdom (Director: Dominic Cooke, Screenwriter: Tom O’Connor, Producers: Adam Ackland, Ben Browning, Ben Pugh, Rory Aitken) — The true story of a British businessman unwittingly recruited into one of the greatest international conflicts in history. Forming an unlikely partnership with a Soviet officer hoping to prevent a nuclear confrontation, the two men work together to provide the crucial intelligence used to defuse the Cuban Missile Crisis. Cast: Benedict Cumberbatch, Merab Ninidze, Rachel Brosnahan, Jessie Buckley. World Premiere

Kajillionaire / U.S.A. (Director and screenwriter: Miranda July, Producers: Dede Gardner, Jeremy Kleiner) — Low-stakes grifters, Old Dolio and her parents invite a chipper young woman into their insular clan, only to have their entire world turned upside down. Cast: Evan Rachel Wood, Gina Rodriguez, Richard Jenkins, Debra Winger. World Premiere

The Last Shift / U.S.A. (Director and screenwriter: Andrew Cohn, Producers: Albert Berger, Ron Yerxa, Sam Bisbee, Alex Lipschultz, Bert Kern) — Stanley, an aging fast food worker, prepares to work his final graveyard shift after 38 years. When he’s asked to train his replacement, Jevon, Stanley’s weekend takes an unexpected turn. Cast: Richard Jenkins, Shane Paul McGhie, Da’Vine Joy Randolph, Birgundi Baker, Allison Tolman, Ed O’Neill. World Premiere

The Last Thing He Wanted / U.S.A. (Director: Dee Rees, Screenwriters: Marco Vallalobos, Dee Rees, Producers: Cassian Elwes, Dee Rees) — A veteran D.C. journalist loses the thread of her own narrative when a guilt-propelled errand for her father thrusts her from byline to unwitting subject in the very story she’s trying to break. Adapted from the Joan Didion novel of the same title. Cast: Anne Hathaway, Ben Affleck, Willem Dafoe, Rosie Perez. World Premiere

Lost Girls / U.S.A. (Director: Liz Garbus, Screenwriter: Michael Werwie, Producers: Anne Carey, Kevin McCormick) — When Mari Gilbert’s daughter disappears, police inaction drives her own investigation into the gated Long Island community where Shannan was last seen. Committed to finding the truth, her search brings attention to over a dozen murdered sex workers Mari will not let the world forget. Inspired by true events. Cast: Amy Ryan, Thomasin McKenzie, Lola Kirke, Oona Laurence, Gabriel Byrne, Miriam Shor. World Premiere

The Nest / United Kingdom, Canada (Director and screenwriter: Sean Durkin, Producers: Ed Guiney, Derrin Schlesinger, Rose Garnett, Sean Durkin, Amy Jackson, Christina Piovesan) — Charismatic entrepreneur, Rory, relocates his family to England with dreams of profiting from booming 1980’s London. But as his wife, Allison, struggles to adapt, and the promise of a lucrative new beginning starts to unravel, the couple have to face the unwelcome truths lying beneath the surface of their marriage. Cast: Jude Law, Carrie Coon, Charlie Shotwell, Oona Roche. World Premiere

Promising Young Woman / U.S.A. (Director and screenwriter: Emerald Fennell, Producers: Margot Robbie, Tom Ackerly, Josey McNamara, Ben Browning, Ashley Fox, Emerald Fennell) — Everyone said Cassie was a promising young woman… until something abruptly derailed her future. Nothing in Cassie’s life is as it appears: she’s smart, cunning, and living a double life by night. Now, Cassie has a chance to right the wrongs of the past in this thrilling take on revenge. Cast: Carey Mulligan, Bo Burnham, Alison Brie, Connie Britton, Adam Brody, Jennifer Coolidge. World Premiere

Sergio / U.S.A. (Director: Greg Barker, Screenwriter: Craig Borten, Producers: Brent Travers, Daniel Dreifuss, Wagner Moura) — A sweeping drama set in the chaotic aftermath of the U.S. invasion of Iraq, where the life of top UN diplomat Sergio Vieira de Mello hangs in the balance during the most treacherous mission of his career. Cast: Wagner Moura, Ana de Armas, Garret Dillahunt, Will Dalton, Bradley Whitford, Brían F. O’Byrne. World Premiere

Tesla / U.S.A. (Director and screenwriter: Michael Almereyda, Producers: Avi Lerner, Jeffery Greenstein, Uri Singer, Christa Campbell, Lati Grobman, Isen Robbins) — Highlighting the Promethean struggles of Nikola Tesla, as he attempts to transcend entrenched technology–including his own previous work–by pioneering a system of wireless energy that will change the world. Cast: Ethan Hawke, Kyle MacLachlan, Eve Hewson, Jim Gaffigan, Hannah Gross, Josh Hamilton. World Premiere. Alfred P. Sloan Feature Film Prize

Uncle Frank / U.S.A. (Director and screenwriter: Alan Ball, Producers: Alan Ball, Peter Macdissi, Michael Costigan, Jay Van Hoy, Bill Block, Stephanie Meurer) — In 1973, when 18-year-old Beth and her uncle Frank take a road trip from Manhattan to Creekville, South Carolina for the family patriarch’s funeral, they’re unexpectedly joined by Frank’s lover Walid. A story about family, forgiveness, and our inherent power to choose who we want to be. Cast: Paul Bettany, Sophia Lillis, Peter Macdissi, Steve Zahn, Judy Greer, Margo Martindale. World Premiere

Wendy / U.S.A. (Director: Benh Zeitlin, Screenwriters: Benh Zeitlin, Eliza Zeitlin, Producers: Dan Janvey, Josh Penn, Paul Mezey, Becky Glupczynski) — Lost on a mysterious island where aging and time have come unglued, Wendy must fight to save her family, her freedom, and the joyous spirit of youth from the deadly peril of growing up. The classic story of Peter Pan is wildly reimagined in this ragtag epic. Cast: Devin France, Yashua Mack, Gage Naquin, Gavin Naquin, Ahmad Cage, Krzysztof Meyn. World Premiere. Dolby Institute Fellowship

Worth / U.S.A. (Director: Sara Colangelo, Screenwriter: Max Borenstein) — Kenneth Feinberg, a powerful D.C. lawyer appointed Special Master of the 9/11 Fund, fights off the cynicism, bureaucracy, and politics associated with administering government funds and, in doing so, discovers what life is worth. Based on true events. Cast: Michael Keaton, Stanley Tucci, Amy Ryan, Tate Donovan, Talia Balsam, Laura Benanti. World Premiere

DOCUMENTARY PREMIERES

Renowned filmmakers and films about far-reaching subjects comprise this section highlighting our ongoing commitment to documentaries. Films that have premiered in this category in recent years include Ask Dr. Ruth, Won’t You Be My Neighbor?, RBG, An Inconvenient Sequel and The Hunting Ground.

“Miss Americana” (Photo courtesy of Sundance Institute)

Aggie / U.S.A. (Director and screenwriter: Catherine Gund, Producers: Catherine Gund, Tanya Selvaratnam) — An exploration of the nexus of art, race, and justice through the story of art collector and philanthropist Agnes Gund who sold Roy Lichtenstein’s painting “Masterpiece” in 2017 for $165 million to start the Art for Justice Fund to end mass incarceration. Cast: Agnes Gund, Darren Walker, Ava DuVernay, Thelma Golden, John Waters, Glenn Ligon. World Premiere

Assassins / U.S.A. (Director: Ryan White, Producers: Jessica Hargrave, Ryan White) — True crime meets global spy thriller in this gripping account of the assassination of Kim Jong-nam, the half brother of the North Korean leader. The film follows the trial of the two female assassins, probing the question: Were the women trained killers or innocent pawns of North Korea? World Premiere

Disclosure: Trans Lives On Screen / U.S.A. (Director: Sam Feder, Producers: Amy Scholder, Sam Feder) — An investigation of how Hollywood’s fabled stories have deeply influenced how Americans feel about transgender people, and how transgender people have been taught to feel about themselves. Cast: Laverne Cox, Mj Rodriguez, Lilly Wachowski, Yance Ford, Chaz Bono, Jamie Clayton. World Premiere

The Dissident / U.S.A. (Director: Bryan Fogel, Screenwriters: Mark Monroe, Bryan Fogel, Producers: Bryan Fogel, Jake Swantko, Mark Monroe, Thor Halvorssen) — When Washington Post journalist Jamal Khashoggi disappears after entering Saudi Arabia’s consulate in Istanbul, his fiancée and dissidents around the world are left to piece together the clues to a brutal murder and expose a global cover up perpetrated by the very country he loved. World Premiere

Giving Voice / U.S.A. (Directors: James D. Stern, Fernando Villena, Producers: James D. Stern, Karen Bove, Fernando Villena, Schoen Smith, Craig Piligian) — Every year, thousands of high schoolers enter the August Wilson monologue competition for a chance to perform on Broadway. This film follows these students, examining how Wilson and his characters speak to a new generation, inspiring them to listen to his words and find their own voice. World Premiere

The Go-Go’s / U.S.A., Ireland, Canada (Director: Alison Ellwood, Producers: Trevor Birney, Corey Russell, Eimhear O’Neill) — As the first all-female band to play their instruments, write their songs and have a No. 1 album, The Go-Go’s made history. Underpinned by candid testimonies, this film chronicles the meteoric rise to fame of a band born in the LA punk scene who became a pop phenomenon. Cast: Charlotte Caffey, Belinda Carlisle, Gina Schock, Kathy Valentine, Jane Wiedlin. World Premiere

Happy Happy Joy Joy – The Ren & Stimpy Story / U.S.A. (Directors and Screenwriters: Ron Cicero, Kimo Easterwood, Producer: Ron Cicero) — Exploring the rise and fall of the groundbreaking animated series Ren & Stimpy and its controversial creator, John Kricfalusi, through archival footage, show artwork and interviews with the artists, actors and executives behind the show. Cast: John Kricfalusi, Robyn Byrd, Vanessa Coffey, Chris Reccardi, Richard Pursel, Bobby Lee. World Premiere

Miss Americana / U.S.A. (Director: Lana Wilson, Producers: Morgan Neville, Caitrin Rogers, Christine O’Malley) — A raw and emotionally revealing look at one of the most iconic artists of our time during a transformational period in her life as she learns to embrace her role not only as a songwriter and performer, but as a woman harnessing the full power of her voice. Cast: Taylor Swift. World Premiere. DAY ONE

Okavango: River of Dreams (Director’s Cut) / Botswana (Directors and Producers: Dereck Joubert, Beverly Joubert, Screenwriter: Dereck Joubert) — An insiders’ view of one of the greatest river systems on the planet, presented as a love letter, exploring the layers of paradise, limbo and inferno in a natural history echo of Dante’s Divine Comedy, a river of dreams, or beauty of conflict and turmoil. World Premiere

Natalie Wood: What Remains Behind / U.S.A. (Director: Laurent Bouzereau, Producers: Natasha Gregson Wagner, Manoah Bowman, Laurent Bouzereau) — Exploring actor Natalie Wood’s life and career through the unique perspective of her daughter, Natasha Gregson Wagner, and others who knew her best. An examination of her personal and professional triumphs and challenges, which have often been overshadowed by her tragic death at age 43. World Premiere

Rebuilding Paradise / U.S.A. (Director: Ron Howard, Producers: Brian Grazer, Ron Howard, Xan Parker, Sara Bernstein, Justin Wilkes) — On November 8, 2018, a spark flew in the Sierra Nevada foothills, igniting the most destructive wildfire in California history and decimating the town of Paradise. Unfolding during the year after the fire, this is the story of the Paradise community as they begin to rebuild their lives. World Premiere

Untitled Kirby Dick/Amy Ziering Film / U.S.A. (Directors: Kirby Dick, Amy Ziering, Screenwriters: Kirby Dick, Amy Ziering, Sara Newens, Producers: Amy Ziering, Kirby Dick, Amy Herdy, Jamie Rogers) — A brilliant former hip hop executive grapples with whether to go public about her rape by one of the most powerful men in the music industry. A gripping and profound examination of race, gender, intersectionality, and the toll sexual abuse takes on survivors and on society at large. Cast: Drew Dixon, Sil Lai Abrams, Sheri Hines, Joan Morgan, Kimberlé Crenshaw, Shanita Hubbard. World Premiere

Vivos / Germany, Mexico (Director and Producer: Ai Weiwei) — Since an attack on students of the Ayotzinapa Rural Teachers’ College in 2014 resulted in six deaths and in the forced disappearance of 43, the students’ families have been living in limbo with their unanswered questions, their struggle embodying the psychological and emotional toll of endemic violence upon Mexican society. World Premiere

MIDNIGHT

Annie Clark and Carrie Brownstein in “The Nowhere Inn” (Photo by Minka Farthing Kohl)

From horror and comedy to works that defy genre classification, these films will keep you wide awake, even at the most arduous hour. Films that have premiered in this category in recent years include Greener Grass, Hereditary, Assassination Nation, The Little Hours and The Babadook.

Amulet / United Kingdom (Director and screenwriter: Romola Garai, Producers: Matthew James Wilkinson, Maggie Monteith) — Tomaz, an ex-soldier now homeless in London, is offered a place to stay at a decaying house, inhabited by a young woman and her dying mother. As he starts to fall for Magda, Tomaz cannot ignore his suspicion that something insidious might also be living alongside them. Cast: Carla Juri, Alec Secareanu, Imelda Staunton, Angeliki Papoulia. World Premiere

Bad Hair / U.S.A. (Director and screenwriter: Justin Simien, Producers: Julia Lebedev, Angel Lopez, Eddie Vaisman, Justin Simien) — In this horror satire set in 1989, an ambitious young woman gets a weave in order to succeed in the image-obsessed world of music television. However, her flourishing career may come at a great cost when she realizes that her new hair may have a mind of its own. Cast: Elle Lorraine, Vanessa Williams, Jay Pharoah, Lena Waithe, Blair Underwood, Laverne Cox. World Premiere. DAY ONE

His House / United Kingdom (Director and screenwriter: Remi Weekes, Producers: Edward King, Martin Gentles, Roy Lee, Aidan Elliott, Arnon Milchan) — A young refugee couple makes a harrowing escape from war-torn South Sudan, but then they struggle to adjust to their new life in a small English town that has an evil lurking beneath the surface. Cast: Wunmi Mosaku, Sope Dirisu, Matt Smith. World Premiere

Impetigore / Indonesia (Director and screenwriter: Joko Anwar, Producers: Shanty Harmayn, Tia Hasibuan, Aoura Lovenson, Ben Soebiakto) — An out-of-luck woman decides to go back to her secluded home village in hopes of inheritance. Little does she know, the villagers have been waiting for her because she got what they needed to lift off a plagueing curse. Cast: Tara Basro, Marissa Anita, Christine Hakim, Ario Bayu, Asmara Abigail. International Premiere

The Night House / U.S.A. (Director: David Bruckner, Screenwriters: Ben Collins, Luke Piotrowski, Producers: David Goyer, Keith Levine, John Zois) — A widow begins to uncover her recently deceased husband’s disturbing secrets. Cast: Rebecca Hall, Sarah Goldberg, Stacy Martin, Evan Jonigkeit, Vondie Curtis-Hall. World Premiere

The Nowhere Inn / U.S.A. (Director: Bill Benz, Screenwriters: Carrie Brownstein, Annie Clark, Producers: Jett Steiger, Lana Kim, Annie Clark, Carrie Brownstein) — When St. Vincent sets out to make a documentary about her music, the goal is to both reveal and revel in the unadorned truth behind her on-stage persona. But when she hires a close friend to direct, notions of reality, identity, and authenticity grow increasingly distorted and bizarre. Cast: Annie Clark, Carrie Brownstein. World Premiere

Relic / Australia (Director: Natalie Erika James, Screenwriters: Natalie Erika James, Christian White, Producers: Anna McLeish, Sarah Shaw, Riva Marker, Jake Gyllenhaal) — When Edna, the elderly and widowed matriarch of the family, goes missing, her daughter Kay and granddaughter Sam travel to their remote family home to find her. Soon after her return, they start to discover a sinister presence haunting the house and taking control of Edna. Cast: Emily Mortimer, Robyn Nevin, Bella Heathcote. World Premiere

Run Sweetheart Run / U.S.A. (Director and screenwriter: Shana Feste, Producers: Jason Blum, Brian Kavanaugh-Jones, Aml Ameen, Dayo Okeniyi, Betsy Brandt, Shohreh Aghdashloo) — A blind date turns violent and the woman has to get home through Los Angeles, with her date in pursuit. Cast: Ella Balinska, Pilou Asbaek, Clark Gregg. World Premiere

Scare Me / U.S.A. (Director and screenwriter: Josh Ruben, Producers: Alex Bach, Daniel Powell, Josh Ruben) — During a power outage, two strangers tell scary stories. The more Fred and Fanny commit to their tales, the more the stories come to life in the dark of a Catskills cabin. The horrors of reality manifest when Fred confronts his ultimate fear: Fanny is the better storyteller. Cast: Aya Cash, Josh Ruben, Chris Redd, Rebecca Drysdale. World Premiere

SPOTLIGHT

The Spotlight program is a tribute to the cinema we love from throughout the past year. Films that have played in this category in recent years include The Biggest Little Farm, The Death of Stalin, The Rider, Ida and The Lobster.

Kyle Marvin and Michael Angelo Covino in “The Climb” (Photo by Zach Kuperstein)

And Then We Danced / Sweden, Georgia, France (Director and screenwriter: Levan Akin, Producers: Mathilde Dedye, Ketie Daniela) — In the conservative confines of modern Tbilisi, Merab, a competitive dancer, is thrown off balance by the arrival of Irakli, a fellow male dancer with a rebellious streak. Cast: Levan Gelbakhiani, Bachi Valishvili, Ana Javakhishvilli, Kakha Gogidze, Anano Makharadze.

The Assistant / U.S.A. (Director and screenwriter: Kitty Green, Producers: Kitty Green, Scott Macaulay, James Schamus, P. Jennifer Dana, Ross Jacobson) — A day in the life of Jane, an assistant to a high-powered film executive. Cast: Julia Garner, Matthew Macfadyen, Makenzie Leigh, Kristine Froseth, Jon Orsini, Noah Robbins.

The Climb / U.S.A. (Director: Michael Covino, Screenwriters: Michael Covino, Kyle Marvin, Producers: Noah Lang, Michael Covino, Kyle Marvin) Kyle and Mike are best friends who share a close bond—until Mike sleeps with Kyle’s fiancée. A portrait of a tumultuous but enduring relationship between two men across many years of laughter, heartbreak, and rage. Cast: Kyle Marvin, Michael Covino, Gayle Rankin, Talia Balsam, George Wendt, Judith Godrèche.

Collective / Romania, Luxembourg (Director and screenwriter: Alexander Nanau, Producers: Alexander Nanau, Bianca Oana) — Investigative journalists uncover massive fraud in the Romanian health care system revealing the price of corruption and ultimately, the price of truth. Cast: Catalin Tolontan, Mirela Neag, Razvan Lutac, Tedy Ursuleanu, Vlad Voiculescu, Camelia Roiu. U.S. Premiere

Ema / Chile (Director: Pablo Larraín, Screenwriters: Guillermo Calderón, Alejandro Moreno, Producer: Juan de Dios Larraín) — After a shocking incident upends her family life and marriage to a tempestuous choreographer, Ema, a reggaeton dancer, sets out on an odyssey of personal liberation in this incendiary story of art, desire, and the modern family. Cast: Mariana Di Girolamo, Gael García Bernal, Santiago Cabrera.

La Llorona / Guatemala, France (Director and screenwriter: Jayro Bustamante, Producers: Jayro Bustamante, Herminio Gutiérrez, Gustavo Matheu, Marina Peralta, Georges Ranand) — Enrique, a retired general who oversaw the Maya genocide, is haunted by his devastating crimes. A tale of horror and fantasy, reimagining the Latin American fable as an urgent metaphor of Guatemalan recent history and its unhealed political wounds. Cast: María Mercedes Coroy, Sabrina De La Hoz, Julio Diaz, Margarita Kénefic, Juan Pablo Olyslager, Ayla-Elea Hurtado.

The Perfect Candidate / Germany, Saudi Arabia (Director: Haifaa Al Mansour, Screenwriters: Haifaa Al Mansour, Brad Niemann, Producers: Roman Paul, Gerhard Meixner, Haifaa Al Mansour, Brad Niemann) — A determined young Saudi doctor’s surprise run for office in the local city elections sweeps up her family and community as they struggle to accept their town’s first female candidate. Cast: Mila Alzahrani, Dhay, Khalid Abdulrahim, Shafi Al Harthy. DAY ONE

KIDS

Keira Chansa, David Oyelowo, Reece Yates and Jordan Nash in “Come Away” (Photo courtesy of Sundance Institute)

This section of the Festival is especially for our youngest independent film fans. Programmed in cooperation with Utah Film Center, which presents the annual Tumbleweeds Film Festival, Utah’s premiere film festival for children and youth. Films that have played in this category in recent years include The Elephant Queen, Science Fair, My Life as a Zucchini, The Eagle Huntress and Shaun the Sheep.

Binti / Belgium (Director and Screenwriter: Frederike Migom, Producer: Katleen Goosens) — Twelve-year-old Binti dreams of becoming a famous vlogger like her idol Tatyana. But when the police raid her home, and try to deport her and her dad, they are forced to flee. Together with her friend Elias she now plots the perfect plan to stay in the country. Cast: Bebel Tshiani Baloji, Mo Bakker, Joke Devynck, Baloji, Caroline Stas, Noa Jacobs. U.S. Premiere

Come Away / United Kingdom, U.S.A. (Director: Brenda Chapman, Screenwriter: Marissa Kate Goodhill, Producers: Leesa Kahn, James Spring, David Oyelowo, Steve Richards, Andrea Keir) — Before Alice found Wonderland, and Peter became Pan, they were brother and sister. When their brother dies in an accident, they seek to save their parents from downward spirals until finally they’re forced to choose between home and imagination, setting the stage for their iconic journeys into Wonderland and Neverland. Cast: Angelina Jolie, David Oyelowo, Jordan Nash, Keira Chansa, Reece Yates, Michael Caine. World Premiere

Timmy Failure: Mistakes Were Made / U.S.A. (Director: Tom McCarthy, Screenwriters: Stephan Pastis, Tom McCarthy, Producers: Tom McCarthy, Jim Whitaker) — The hilarious exploits of Timmy Failure and his 1,500-pound polar bear partner, Total, as they operate Total Failure, Inc., a Portland detective agency. Based on the book by Stephan Pastis. Cast: Winslow Fegley, Ophelia Lovibond, Wallace Shawn, Craig Robinson, Kyle Bornheimer. World Premiere

The Sundance Film Festival®

The Sundance Film Festival has introduced global audiences to some of the most groundbreaking films of the past three decades, including Sorry to Bother You, Won’t You Be My Neighbor?, Eighth Grade, Get Out, The Big Sick, Mudbound, Beasts of the Southern Wild , Fruitvale Station, Whiplash , Brooklyn, Precious, The Cove, Little Miss Sunshine, An Inconvenient Truth , Napoleon Dynamite, Hedwig and the Angry Inch, Reservoir Dogs and sex, lies, and videotape. The Festival is a program of the non-profit Sundance Institute®.

2020 Festival sponsors include: Presenting Sponsors – Acura, SundanceTV, Chase Sapphire; AT&T; Leadership Sponsors – Adobe, Amazon Studios, DIRECTV, Dropbox, Netflix, Omnicom Group, Southwest Airlines®, Stella Artois®, WarnerMedia; Sustaining Sponsors – Audible, Canada Goose, Canon U.S.A., Inc., Dell Technologies, GEICO, High West Distillery, Hulu, IMDbPro, Lyft, Unity Technologies, University of Utah Health; Media Sponsors – The Atlantic, IndieWire, Los Angeles Times, The New York Times, Variety, The Wall Street Journal. Sundance Institute recognizes critical support from the State of Utah as Festival Host State. The support of these organizations helps offset the Festival’s costs and sustain the Institute’s year-round programs for independent artists. Look for the Official Partner seal at their venues at the Festival. sundance.org/festival

Sundance Institute

Founded in 1981 by Robert Redford, Sundance Institute is a nonprofit organization that provides and preserves the space for artists in film, theatre, and media to create and thrive. The Institute’s signature Labs, granting, and mentorship programs, dedicated to developing new work, take place throughout the year in the U.S. and internationally. Sundance Co//ab, a digital community platform, brings artists together to learn from each other and Sundance Advisors and connect in a creative space, developing and sharing works in progress. The Sundance Film Festival and other public programs connect audiences and artists to ignite new ideas, discover original voices, and build a community dedicated to independent storytelling. Sundance Institute has supported such projects as The Farewell, Late Night, The Souvenir, The Infiltrators, Sorry to Bother You, Eighth Grade, Won’t You Be My Neighbor?, Hereditary, RBG, Call Me By Your Name, Get Out, The Big Sick, Top of the Lake, Winter’s Bone, Dear White People, Little Miss Sunshine, Beasts of the Southern Wild , Fruitvale Station, State of the Union, Indecent, Spring Awakening , A Gentleman’s Guide to Love and Murder and Fun Home. Join Sundance Institute on Facebook, Instagram, Twitter and YouTube.

2019 Sundance Film Festival: winners announced

February 3, 2019

Alfre Woodard in "Clemency" (Photo courtesy of Sundance Institute)
Alfre Woodard in “Clemency” (Photo courtesy of Sundance Institute)

The winners of the 2019 Sundance Film Festival were announced at a ceremony hosted by Marianna Palka on February 3 in Park City, Utah. The annual festival, which is presented by the Sundance Institute in Park City, runs from January 24 to February 3 this year.

Here is the complete list of winners:

U.S. Dramatic Grand Jury Prize: “Clemency”

U.S. Documentary Grand Jury Prize: “One Child Nation”

World Cinema Dramatic Grand Jury Prize: “The Souvenir”

World Cinema Documentary Grand Jury Prize: “Honeyland”

U.S. Dramatic Directing Award: Joe Talbot, “The Last Black Man in San Francisco”

U.S. Documentary Directing Award: Steven Bognar and Julia Reicher, “American Factory”

U.S. Dramatic Special Jury Award for Vision and Craft: “Honey Boy”

U.S. Dramatic Special Jury Award for Creative Collaboration: “The Last Black Man in San Francisco”

U.S. Dramatic Special Jury Award for Achievement in Acting: Rhianne Barreto, “Share”

U.S. Documentary Special Jury Award for Editing: “Apollo 11”

U.S. Documentary Special Jury Award for Cinematography: “Midnight Family”

U.S. Documentary Special Jury Award for Emerging Filmmaker:  Liza Mandelup, “Jawline”

U.S. Documentary Special Jury Award for Moral Urgency: “Always in Season”

World Cinema Dramatic Directing Award: Lucía Garibaldi, “The Sharks”

World Cinema Dramatic Special Jury Award for Originality: “We Are Little Zombies”

World Cinema Dramatic Special Jury Award: “Monos”

World Cinema Dramatic Special Jury Award for Acting: Krystyna Janda, “Dolce Fine Giornata”

World Cinema Documentary Directing Award: Mads Brügger, “Cold Case Hammarskjöld”

World Cinema Documentary Special Jury Award for Impact for Change: “Honeyland”

World Cinema Documentary Special Jury Award for Cinematography: “Honeyland”

World Cinema Documentary Special Jury Award for No Borders: “Midnight Traveler”

U.S. Dramatic Audience Award: “Brittany Runs a Marathon”

U.S. Documentary Audience Award: “Knock Down the House”

World Cinema Dramatic Audience Award: “Queen of Hearts”

World Cinema Documentary Audience Award: “Sea of Shadows”

Waldo Salt Screenwriting Award: Pippa Bianco, “Share”

NEXT Audience Award: “The Infiltrators”

NEXT Innovator Award: “The Infiltrators”

U.S. Dramatic Special Jury Prize: Alfred P. Sloan Prize: “The Boy Who Harnessed the Wind” (previously announced)

Short Film Grand Jury Prize: “Aziza” (previously announced)

Short Film U.S. Fiction: “Green” (previously announced)

Short Film International Fiction: “Dunya’s Day” (previously announced)

Short Film Non-Fiction: “Ghosts of Sugar Land” (previously announced)

Short Film Animation: “Reneepoptosis” (previously announced)

Short Film Special Jury Prize for Directing: “Fast Horse” and “The Minors” (tie)

Sundance Institute/NHK Award: “Planet Korsakov” (previously announced)

Sundance Institute | Amazon Studios Producers Awards for Feature Film: Carly Hugo and Matt Parker (previously announced)

Sundance Institute | Amazon Studios Producers Awards for Documentary Film: Lori Cheatle (previously announced)

2019 Sundance Film Festival: programming lineup announced

November 28, 2018

by Carla Hay

Sundance Film Festival

The 41st annual Sundance Film Festival (which takes place in Park City, Utah, from January 24 to February 3, 2019) will be a testament to where independent cinema’s influence in commercial success and critical acclaim. Sundance can always be counted on to deliver films that are well-received by critics and turn out to to be modest hits at the box office. “Eighth Grade” and “Sorry to Bother You,” which had their world premieres at Sundance in 2018, ended up being sleeper hits.  But recent years have been a mixed bag for Sundance when it comes to narrative feature films that have gotten a lot of hype. Movies that were the subjects of bidding wars and predicted to be hits with audiences (“Birth of a Nation” in 2016; “Patti Cake$” and “Roxanne Roxanne” in 2017; “Blindspotting” in 2018) later flopped at the box office and couldn’t get any major awards. And recent Sundance Jury Award Winners for U.S. Dramatic Feature (“I Don’t Feel At Home in This World Anymore” in 2017, “The Miseducation of Cameron Post” in 2018) were largely ignored by moviegoers and failed to generate any awards buzz beyond Sundance.

Documentaries and horror films have fared much better at Sundance in recent years, as exemplified by 2017 offerings “Get Out”(a massive hit at the box office and an Oscar winner for Best Original Screenplay) and “Icarus,” which went won an Oscar for Best Documentary Feature. The 2018 Sundance Film Festival had breakout hits with the horror flick “Hereditary” (the highest-grossing film in 2018 for distributor A24) and “Won’t You Be My Neighbor?,” which is the highest-grossing documentary of 2018 in the United States. “Get Out” and “Hereditary” were feature-film directorial debuts of, respectively, Jordan Peele and Ari Aster, continuing the Sundance tradition of showcasing new directors, including “Eighth Grade” writer/director Bo Burnham and “Sorry to Bother You” writer/director Boots Riley. The Sundance Film Festival has made big strides in the issue of gender parity in recent years. In 2019, about 40 percent of Sundance’s films are directed by women, and 53 percent of the films in competition have female directors.

The arrivals of Netflix, Amazon and Hulu in the movie industry have had a major impact on Sundance. Of these three biggest services, Amazon has had the most success with movies it acquired from Sundance, such as 2016’s Oscar-winning “Manchester by the Sea” and 2017’s Oscar-nominated “The Big Sick.” Netflix’s most critically acclaimed movies from Sundance have so far been mostly documentaries, including the aforementioned Oscar-winning “Icarus,” as well as 2018’s “Shirkers” and 2017’s “Strong Island” and “Chasing Coral.”

Time will tell who will be the breakout filmmakers and stars of Sundance 2019, but the festival’s lineup offers a mix of new talent and established filmmakers with varying degrees of prestige. Some of the U.S. movies in competition that indicate possible awards-worthy quality include “The Last Black Man in San Francisco,” whose producers include Oscar winners Jeremy Kleiner and Dede Gardner (“Moonlight,” “12 Years a Slave”); “Them That Follow,” starring Olivia Colman, who’s been on a hot streak with awards darling “The Favourite”; “Tigerland,” a documentary from Oscar-winning producer Fisher Stevens (“The Cove”); and “Where’s My Roy Cohn?” from critically acclaimed documentarian Matt Tyrnauer.

Here is a list of the films announced for the major programming slates. All descriptions are courtesy of the Sundance Film Festival.

U.S. DRAMATIC COMPETITION

The 16 films in this section are all world premieres.

Before You Know It (Director: Hannah Pearl Utt, Screenwriters: Hannah Pearl Utt, Jen Tullock, Producers: Mallory Schwartz, Josh Hetzler, James Brown) — A long-kept family secret thrusts codependent, thirty-something sisters Rachel and Jackie Gurner into a literal soap opera. A journey that proves that you really can come of age, at any age. Cast: Hannah Pearl Utt, Jen Tullock, Judith Light, Mandy Patinkin, Mike Colter, Alec Baldwin.

Big Time Adolescence (Director and screenwriter: Jason Orley, Producers: Jeremy Garelick, Mickey Liddell, Pete Shiliamon, Mason Novick, Will Phelps) — A suburban teenager comes of age under the destructive guidance of his best friend, a charismatic college dropout. Cast: Pete Davidson, Griffin Gluck, Jon Cryer, Sydney Sweeney, Emily Arlook, Colson Baker.

Brittany Runs A Marathon (Director and screenwriter: Paul Downs Colaizzo, Producers: Matthew Plouffe, Tobey Maguire, Margot Hand) — A woman living in New York takes control of her life – one city block at a time. Cast: Jillian Bell, Michaela Watkins, Utkarsh Ambudkar, Lil Rel Howery, Micah Stock, Alice Lee.

Clemency (Director and screenwriter: Chinonye Chukwu, Producers: Bronwyn Cornelius, Julian Cautherley, Peter Wong, Timur Bekbosunov) — Years of carrying out death row executions have taken a toll on prison warden Bernadine Williams. As she prepares to execute another inmate, Bernadine must confront the psychological and emotional demons her job creates, ultimately connecting her to the man she is sanctioned to kill. Cast: Alfre Woodard, Aldis Hodge, Richard Schiff, Wendell Pierce, Richard Gunn, Danielle Brooks.

The Farewell (U.S.-China – Director and screenwriter: Lulu Wang, Producers: Daniele Melia, Peter Saraf, Marc Turtletaub, Chris Weitz, Andrew Miano, Anita Gou) — A headstrong Chinese-American woman returns to China when her beloved grandmother is given a terminal diagnosis. Billi struggles with her family’s decision to keep grandma in the dark about her own illness as they all stage an impromptu wedding to see grandma one last time. Cast: Awkwafina, Tzi Ma, Diana Lin, Zhao Shuzhen, Lu Hong, Jiang Yongbo.

Hala (Director and screenwriter: Minhal Baig, Producers: Clarence Hammond, Jamal Watson, Minhal Baig) — Muslim teenager Hala copes with the unraveling of her family as she comes into her own. Cast: Geraldine Viswanathan, Jack Kilmer, Gabriel Luna, Purbi Joshi, Azad Khan, Anna Chlumsky.

Honey Boy (Director: Alma Har’el, Screenwriter: Shia LaBeouf, Producers: Brian Kavanaugh-Jones, Daniela Taplin Lundberg, Anita Gou, Christopher Leggett, Alma Har’el) — A child TV star and his ex-rodeo clown father face their stormy past through time and cinema. Cast: Shia LaBeouf, Lucas Hedges, Noah Jupe.

Imaginary Order (Director and screenwriter: Debra Eisenstadt, Producers: Debra Eisenstadt, Cosmos Kiindarius) — The sexual, psychological and moral unraveling of an obsessive-compulsive suburban mom. Cast: Wendi McLendon-Covey, Christine Woods, Max Burkholder, Steve Little, Catherine Curtin, Kate Alberts.

The Last Black Man in San Francisco (Director: Joe Talbot, Screenwriters: Joe Talbot, Rob Richert, Producers: Dede Gardner, Jeremy Kleiner, Christina Oh, Khaliah Neal, Joe Talbot) — Jimmie Fails dreams of reclaiming the Victorian home his grandfather built in the heart of San Francisco. Joined on his quest by his best friend Mont, Jimmie searches for belonging in a rapidly changing city that seems to have left them behind. Cast: Jimmie Fails, Jonathan Majors, Rob Morgan, Tichina Arnold, Danny Glover.

Luce (Director: Julius Onah, Screenwriters: JC Lee, Julius Onah, Producers: John Baker, Julius Onah, Andrew Yang) — A married couple is forced to reckon with their idealized image of their son, adopted from war-torn Eritrea, after an alarming discovery by a devoted high school teacher threatens his status as an all-star student. Cast: Naomi Watts, Octavia Spencer, Kelvin Harrison Jr., Tim Roth, Norbert Leo Butz.

Ms. Purple (Director: Justin Chon, Screenwriters: Justin Chon, Chris Dinh, Producer: Alex Chi, Justin Chon) — Kasie, stuck in LA’s Koreatown, works as a karaoke hostess getting paid for her companionship by drunken men. When her dad’s hospice nurse quits she reconnects with her estranged brother, Carey, forcing them to enter a period of intense self-reflection as their single father who raised them nears death. Cast: Tiffany Chu, Teddy Lee, Octavio Pizano, James Kang.

Native Son (Director: Rashid Johnson, Screenwriter: Suzan-Lori Parks, Producers: Matthew Perniciaro, Michael Sherman) — In this modern reimagining of Richard Wright’s seminal novel, a young African-American man named Bigger Thomas takes a job working for a highly influential Chicago family, a decision that will change the course of his life forever. Cast: Ashton Sanders, Margaret Qualley, Nick Robinson, KiKi Layne, Bill Camp, Sanaa Lathan.

Share (Director and screenwriter: Pippa Bianco, Producers: Carly Hugo, Tyler Byrne, Matt Parker) — After discovering a disturbing video from a night she doesn’t remember, sixteen-year-old Mandy must try to figure out what happened and how to navigate the escalating fallout. Cast: Rhianne Barreto, Charlie Plummer, Poorna Jagannathan, J.C. MacKenzie, Nick Galitzine, Lovie Simone.

The Sound of Silence (Director: Michael Tyburski, Screenwriters: Ben Nabors, Michael Tyburski, Producers: Ben Nabors, Michael Prall, Tariq Merhab, Charlie Scully, Mandy Tagger Brockey, Adi Ezroni) — A successful “house tuner” in New York City, who calibrates the sound in people’s homes in order to adjust their moods, meets a client with a problem he can’t solve. Cast: Peter Sarsgaard, Rashida Jones, Tony Revolori, Austin Pendleton.

Them That Follow (Directors and screenwriters: Britt Poulton, Dan Madison Savage, Producers: Bradley Gallo, Michael Helfant, Gerard Butler, Alan Siegel, Danielle Robinson) — Inside a snake-handling church deep in Appalachia, a forbidden relationship forces a pastor’s daughter to confront her community’s deadly tradition. Cast: Olivia Colman, Kaitlyn Dever, Alice Englert, Jim Gaffigan, Walton Goggins, Thomas Mann.

To The Stars (Director: Martha Stephens, Screenwriter: Shannon Bradley-Colleary, Producers: Kristin Mann, Laura D. Smith, Erik Rommesmo) — Under small town scrutiny, a withdrawn farmer’s daughter forges an intimate friendship with a worldly but reckless new girl in 1960s Oklahoma. Cast: Kara Hayward, Liana Liberato, Jordana Spiro, Shea Whigham, Malin Akerman, Tony Hale.

U.S. DOCUMENTARY COMPETITION

The 16 films in this section are all world premieres.

Always in Season (Director: Jacqueline Olive) — When 17-year-old Lennon Lacy is found hanging from a swing set in rural North Carolina in 2014, his mother’s search for justice and reconciliation begins as the trauma of more than a century of lynching African Americans bleeds into the present.

American Factory (Directors: Steven Bognar, Julia Reichert, Producers: Steven Bognar, Julia Reichert, Jeff Reichert, Julie Parker Benello) — In post-industrial Ohio, a Chinese billionaire opens a new factory in the husk of an abandoned General Motors plant, hiring two thousand blue-collar Americans. Early days of hope and optimism give way to setbacks as high-tech China clashes with working-class America .

Apollo 11 (Director: Todd Douglas Miller, Producers: Todd Douglas Miller, Thomas Petersen, Evan Krauss) — A purely archival reconstruction of humanity’s first trip to another world, featuring never-before-seen 70mm footage and never-before-heard audio from the mission.

Bedlam (Director: Kenneth Paul Rosenberg, Producers: Kenneth Paul Rosenberg, Peter Miller) — A psychiatrist makes rounds in ERs, jails, and homeless camps to tell the intimate stories behind one of the greatest social crises of our time. A personal and intense journey into the world of the seriously mentally ill.

David Crosby: Remember My Name (Director: A.J. Eaton, Producers: Cameron Crowe, Michele Farinola, Greg Mariotti) — You thought you knew him. Meet David Crosby now in this portrait of a man with everything but an easy retirement on his mind. With unflinching honesty, self-examination, regret, fear, exuberance and an unshakable belief in family and the transformative nature of music, Crosby shares his often challenging journey.

Hail Satan (Director: Penny Lane, Producer: Gabriel Sedgwick) — A look at the intersection of religion and activism, tracing the rise of The Satanic Temple: only six years old and already one of the most controversial religious movements in American history. The Temple is calling for a Satanic revolution to save the nation’s soul. But are they for real?

Jawline (Director: Liza Mandelup, Producers: Bert Hamelinck, Sacha Ben Harroche, Hannah Reyer) — The film follows 16-year-old Austyn Tester, a rising star in the live-broadcast ecosystem who built his following on wide-eyed optimism and teen girl lust, as he tries to escape a dead-end life in rural Tennessee.

Knock Down the House (Director: Rachel Lears, Producers: Sarah Olson, Robin Blotnick, Rachel Lears) — A young bartender in the Bronx, a coal miner’s daughter in West Virginia, a grieving mother in Nevada and a registered nurse in Missouri build a movement of insurgent candidates challenging powerful incumbents in Congress. One of their races will become the most shocking political upset in recent American history. Cast: Alexandria Ocasio-Cortez.

Midnight Family (Mexico-U.S. – Director: Luke Lorentzen, Producers: Kellen Quinn, Daniela Alatorre, Elena Fortes) — In Mexico City’s wealthiest neighborhoods, the Ochoa family runs a private ambulance, competing with other for-profit EMTs for patients in need of urgent help. As they try to make a living in this cutthroat industry, they struggle to keep their financial needs from compromising the people in their care.

Mike Wallace Is Here (Director: Avi Belkin, Producers: Rafael Marmor, John Battsek, Peggy Drexler, Avi Belkin, Christopher Leggett) — For over half a century, 60 Minutes’ fearsome newsman Mike Wallace went head-to-head with the world’s most influential figures. Relying exclusively on archival footage, the film interrogates the interrogator, tracking Mike’s storied career and troubled personal life while unpacking how broadcast journalism evolved to today’s precarious tipping point.

Moonlight Sonata: Deafness in Three Movements (Director: Irene Taylor Brodsky, Producers: Irene Taylor Brodsky, Tahria Sheather) — A deeply personal portrait of three lives, and the discoveries that lie beyond loss: a deaf boy growing up, his deaf grandfather growing old, and Beethoven the year he was blindsided by deafness and wrote his iconic sonata.

One Child Nation (China-U.S. – Directors: Nanfu Wang, Jialing Zhang, Producers: Nanfu Wang, Jialing Zhang, Julie Goldman, Christoph Jörg, Christopher Clements, Carolyn Hepburn) — After becoming a mother, a filmmaker uncovers the untold history of China’s one-child policy and the generations of parents and children forever shaped by this social experiment.

Pahokee (Directors: Ivete Lucas, Patrick Bresnan, Producers: Ivete Lucas, Patrick Bresnan, Maida Lynn) — In a small agricultural town in the Florida Everglades, hopes for the future are concentrated on the youth. Four teens face heartbreak and celebrate in the rituals of an extraordinary senior year.

Tigerland (Director: Ross Kauffman, Producers: Fisher Stevens, Xan Parker, Zara Duffy) — 50 years ago, a young forest officer in India rallied the world to save tigers from extinction. Today, the creed is carried on in Far East Russia by the guardians of the last Siberian tigers, who risk everything to save the species.

Untitled Amazing Johnathan Documentary (Director and screenwriter: Ben Berman, Producers: Miranda Bailey, Ben Berman, Russell Groves, Amanda Marshall, Jacob Perlin) — What begins as a documentary following the final tour of a dying magician — “The Amazing Johnathan” — becomes an unexpected and increasingly bizarre journey as the filmmaker struggles to separate truth from illusion. Cast: Johnathan Szeles.

Where’s My Roy Cohn? (Director: Matt Tyrnauer, Producers: Matt Tyrnauer, Corey Reeser, Marie Brenner, Andrea Lewis) — Roy Cohn personified the dark arts of American politics, turning empty vessels into dangerous demagogues – from Joseph McCarthy to his final project, Donald J. Trump. This thriller-like exposé connects the dots, revealing how a deeply troubled master manipulator shaped our current American nightmare.

WORLD CINEMA DRAMATIC COMPETITION

The 12 films in this section are world premieres unless otherwise specified.

Dirty God (Netherlands-U.K.-Belgium-Ireland – Director: Sacha Polak, Screenwriters: Sacha Polak, Susanne Farrell, Producers: Marleen Slot, Michael Elliott) — Jade is a young mother in the prime of her life when an acid attack leaves her severely burned. While her face has been reconstructed, her beauty is lost beneath the scars. Descending a self-destructive path with relationships crumbling, Jade must take drastic action to reclaim her life. Cast: Vicky Knight, Katherine Kelly, Eliza Brady-Girard, Rebecca Stone, Bluey Robinson, Dana Marienci. International Premiere

Divine Love (Brazil-Uruguay-Denmark-Norway – Director: Gabriel Mascaro, Screenwriters: Gabriel Mascaro, Rachel Daisy Ellis, Esdras Bezerra, Producer: Rachel Daisy Ellis) — Brazil, 2027 . A deeply religious woman uses her position in a notary’s office to advance her mission to save struggling couples from divorce. Whilst waiting for a sign in recognition of her efforts, she’s confronted with a crisis in her own marriage that ultimately brings her closer to God. Cast: Dira Praes, Julio Machado, Emilio de Melo, Teca Pereira, Mariana Nunes, Thalita Carauta.

Dolce Fine Giornata (Poland – Director: Jacek Borcuch, Screenwriters: Jacek Borcuch, Szczepan Twardoch, Producer: Marta Habior) — In Tuscany, Maria’s stable family life begins to erode as her relationship with a young immigrant develops against a backdrop of terrorism and eroding democracy. Cast: Krystyna Janda, Katarzyna Smutniak, Vincent Riotta, Antonio Catania, Lorenzo de Moor, Robin Renucci.

Judy & Punch (Australia – Director and screenwriter: Mirrah Foulkes, Producers: Michele Bennett, Nash Edgerton, Danny Gabai) — In the anarchic town of Seaside, nowhere near the sea, puppeteers Judy and Punch are trying to resurrect their marionette show. The show is a hit due to Judy’s superior puppeteering but Punch’s driving ambition and penchant for whisky lead to a inevitable tragedy that Judy must avenge. Cast: Mia Wasikowska, Damon Herriman, Tom Budge, Benedict Hardie, Lucy Velik, Terry Norris.

Koko-di Koko-da (Sweden-Denmark – Director and screenwriter: Johannes Nyholm, Producer: Johannes Nyholm) — As a couple goes on a trip to find their way back to each other, a sideshow artist and his shady entourage emerge from the woods, terrorizing them, luring them deeper and deeper into a maelstrom of psychological terror and humiliating slapstick. Cast: Leif Edlund, Ylva Gallon, Peter Belli, Katarina Jacobson.

The Last Tree (U.K. – Director and screenwriter: Shola Amoo, Producers: Lee Thomas, Myf Hopkins) — Femi is a British boy of Nigerian heritage who, after a happy childhood in rural Lincolnshire, moves to inner London to live with his mum. Struggling with the unfamiliar culture and values of his new environment, teenage Femi has to figure out which path to adulthood he wants to take. Cast: Sam Adewunmi, Gbemisola Ikumelo, Tai Golding.

Monos (Colombia-Argentina-Netherlands-Germany-Sweden-Uruguay – Director: Alejandro Landes, Screenwriters: Alejandro Landes, Alexis Dos Santos, Producers: Alejandro Landes, Fernando Epstein, Santiago Zapata, Cristina Landes) — On a faraway mountaintop, eight kids with guns watch over a hostage and a conscripted milk cow. Cast: Julianne Nicholson, Moisés Arias, Sofia Buenaventura, Deibi Rueda, Karen Quintero, Laura Castrillón.

Queen of Hearts (Denmark – Director: May el-Toukhy, Screenwriters: Maren Louise Käehne, May el-Toukhy, Producers: Caroline Blanco, René Ezra) — A woman jeopardizes both her career and her family when she seduces her teenage stepson and is forced to make an irreversible decision with fatal consequences. Cast: Trine Dyrholm, Gustav Lindh, Magnus Krepper.

The Sharks (Uruguay-Argentina-Spain – Director and screenwriter: Lucía Garibaldi, Producers: Pancho Magnou Arnábal, Isabel García) — While a rumor about the presence of sharks in a small beach town distracts residents, 14-year-old Rosina begins to feel an instinct to shorten the distance between her body and Joselo’s. Cast: Romina Bentancur, Federico Morosini, Fabián Arenillas, Valeria Lois, Antonella Aquistapache.

The Souvenir (United Kingdom – Director and screenwriter: Joanna Hogg, Producers: Luke Schiller, Joanna Hogg) — A quiet film student begins finding her voice as an artist while navigating a turbulent courtship with a charismatic but untrustworthy man. She defies her protective mother and concerned friends as she slips deeper and deeper into an intense, emotionally fraught relationship which comes dangerously close to destroying her dreams. Cast: Honor Swinton Byrne, Tom Burke, Tilda Swinton.

This Is Not Berlin (Mexico – Director: Hari Sama, Screenwriters: Rodrigo Ordóñez, Hari Sama, Max Zunino, Producers: Ale García, Antonio Urdapilleta, Hari Sama, Verónica Valadez P.) — 1986, Mexico City. Seventeen-year-old Carlos doesn’t fit in anywhere, not in his family nor with the friends he has chosen in school. But everything changes when he is invited to a mythical nightclub where he discovers the underground nightlife scene: punk, sexual liberty and drugs. Cast: Xabiani Ponce de León, José Antonio Toledano, Ximena Romo, Mauro Sánchez Navarro, Klaudia García, Marina de Tavira.

We Are Little Zombies (Japan – Director and screenwriter: Makoto Nagahisa, Producers: Shinichi Takahashi, Tahei Tamanishi, Haruki Yokoyama, Haruhiko Hasegawa) — Their parents are dead. They should be sad, but they can’t cry. So they form a kick-ass band. This is the story of four 13-year-olds in search of their emotions. Cast: Keita Ninomiya, Satoshi Mizuno, Mondo Okumura, Sena Nakajima.

WORLD CINEMA DOCUMENTARY COMPETITION

The 12 films in this section are world premieres unless otherwise specified.

Advocate (Israel-Canada-Switzerland – Directors: Rachel Leah Jones, Philippe Bellaïche , Producers: Philippe Bellaïche , Rachel Leah Jones, Paul Cadieux, Joelle Bertossa) Lea Tsemel defends Palestinians: from feminists to fundamentalists, from non-violent demonstrators to armed militants. As a Jewish-Israeli lawyer who has represented political prisoners for nearly 50 years, Tsemel, in her tireless quest for justice, pushes the praxis of a human rights defender to its limits.

Cold Case Hammarskjold (Denmark (Director: Mads Brügger, Producers: Peter Engel, Andreas Rocksén, Bjarte M. Tveit) — Danish director Mads Brügger and Swedish private investigator Göran Bjorkdahl are trying to solve the mysterious death of Dag Hammarskjold. As their investigation closes in, they discover a crime far worse than killing the Secretary-General of the United Nations.

The Disappearance of My Mother (Italy – Director and screenwriter: Beniamino Barrese, Producer: Filippo Macelloni) — An aging fashion model strives to escape the world of images and disappear for good, but her son’s determination to make a final film about her sparks an unexpected collaboration and confrontation with the camera’s gaze.

Gaza (Ireland – Directors: Garry Keane, Andrew McConnell, Producers: Brendan J. Byrne, Garry Keane, Andrew McConnell, Paul Cadieux) — Gaza brings us into a unique place beyond the reach of television news reports to reveal a world rich with eloquent and resilient characters, offering us a cinematic and enriching portrait of a people attempting to lead meaningful lives against the rubble of perennial conflict.

Honeyland (Macedonia – Directors: Ljubomir Stefanov, Tamara Kotevska, Producer: Atanas Georgiev) — When nomadic beekeepers break Honeyland’s basic rule (take half of the honey, but leave half to the bees), the last female beehunter in Europe must save the bees and restore natural balance.

Lapü (Colombia – Directors: Juan Pablo Polanco, César Alejandro Jaimes, Screenwriters: Juan Pablo Polanco, César Alejandro Jaimes, María Canela Reyes, Producer: Julián David Quintero) — In the middle of the Guajira Desert, Doris, a young Wayuu woman, exhumes her cousin’s remains in order to meet her for the last time. Through a sensory journey this ritual leads her to confront death and blend the world of the dreams with the world of the living. Cast: Doris González Jusayú, Carmen González Jusayú.

The Magic Life of V (Finland-Denmark-Bulgaria – Director: Tonislav Hristov, Screenwriters: Tonislav Hristov, Kaarle Aho, Producers: Kaarle Aho, Kai Nordberg) — Haunted by childhood traumas, Veera is trying to become more independent through live roleplaying. As she guides herself and her mentally-challenged brother through worlds of multiple roles and identities, witches and wizards, she finds the courage to face the demons of her own past and her abusive father’s legacy.

Midnight Traveler (U.S.-Qatar-U.K.-Canada – Director: Hassan Fazili, Screenwriter: Emelie Mahdavian, Producers: Emelie Mahdavian, Su Kim) — When the Taliban puts a bounty on Afghan director Hassan Fazili’s head, he is forced to flee with his wife and two young daughters. Capturing their uncertain journey, Fazili shows firsthand the dangers facing refugees seeking asylum and the love shared between a family on the run.

Sea of Shadows (Austria – Director: Richard Ladkani, Producers: Walter Koehler, Wolfgang Knoepfler) —The vaquita, the world’s smallest whale, is near extinction as its habitat is destroyed by Mexican cartels and Chinese mafia, who harvest the swim bladder of the totoaba fish, the “cocaine of the sea.” Environmental activists, Mexican navy and undercover investigators are fighting back against this illegal multimillion-dollar business.

Shooting the Mafia (Ireland – Director: Kim Longinotto, Producer: Niamh Fagan) — Sicilian Letizia Battaglia began a lifelong battle with the Mafia when she first pointed her camera at a brutally slain victim. Documenting the Cosa Nostra’s barbaric rule, she bore unflinching witness to their crimes. Her photographs, art, and bravery helped to bring an end to a shocking reign of slaughter.

Stieg Larsson – The Man Who Played With Fire (Sweden – Director and screenwriter: Henrik Georgsson, Producers: Mattias Nohrborg, Fredrik Heinig) — A documentary about the Millennium-trilogy author Stieg Larsson and his pioneering work of fighting right wing extremists and neo-Nazis, an obsession with fatal consequences. (International Premiere)

Untitled Brazil Documentary (Brazil – Director and screenwriter: Petra Costa, Producers: Joanna Natasegara, Shane Boris, Tiago Pavan) — A cautionary tale for these times of democracy in crisis – the personal and political fuse to explore one of the most dramatic periods in Brazilian history. With unprecedented access to Presidents Dilma Rousseff and Lula da Silva, we witness their rise and fall and the tragically polarized nation that remains.

NEXT

The 10 films in this section are all world premieres.

Adam (Director: Rhys Ernst, Screenwriter: Ariel Schrag, Producers: Howard Gertler, James Schamus) — Awkward teenager Adam arrives to spend his final high school summer with his older sister, who has thrown herself into New York City’s lesbian and trans activist scene. Over the summer, Adam and those around him experience love, friendship, and attendant hard truths in this coming-of-age comedy. Cast: Nicholas Alexander, India Menuez, Leo Sheng, Chloe Levine, Margaret Qualley.

The Death of Dick Long (Director: Daniel Scheinert, Screenwriter: Billy Chew, Producers: Jonathan Wang, Daniel Scheinert) — Dick died last night, and Zeke and Earl don’t want anybody finding out how. That’s too bad though, cause news travels fast in small-town Alabama. Cast: Michael Abbott Jr., Virginia Newcomb, Andre Hyland, Sarah Baker, Jess Weixler.

Give Me Liberty (Director: Kirill Mikhanovsky, Screenwriters: Alice Austen, Kirill Mikhanovsky, Producers: Alice Austen, George Rush, Walter S. Hall, Michael Manasseri, Sergey Shtern, Val Abel) — When a riot breaks out in Milwaukee, America’s most segregated city, medical transport driver Vic is torn between his promise to get a group of elderly Russians to a funeral and his desire to help Tracy, a young black woman with ALS. Cast: Lauren “Lolo” Spencer, Chris Galust, Maksim Stoyanov, Darya Ekamasova.

The Infiltrators (Directors: Alex Rivera, Cristina Ibarra, Screenwriters: Alex Rivera, Aldo Velasco, Producers: Cristina Ibarra, Alex Rivera, Darren Dean) — A rag-tag group of undocumented youth – Dreamers – deliberately get detained by Border Patrol in order to infiltrate a shadowy, for-profit detention center. Cast: Maynor Alvarado, Manuel Uriza, Chelsea Rendon, Juan Gabriel Pareja, Vik Sahay.

Light From Light (Director and screenwriter: Paul Harrill, Producers: James M. Johnston, Kelly Williams, Toby Halbrooks, Elisabeth Moss, Tim Headington, Theresa Page) — Shelia, a single mom and sometime paranormal investigator, is enlisted to investigate a possible “haunting” at a widower’s farmhouse in East Tennessee. Cast: Marin Ireland, Jim Gaffigan, Josh Wiggins, Atheena Frizzell, David Cale.

Paradise Hills (Spain-U.S. – Director: Alice Waddington, Screenwriters: Nacho Vigalondo, Brian DeLeeuw, Producers: Adrian Guerra, Núria Valls) — A young woman is sent to Paradise Hills to be reformed, only to learn that the high-class facility’s beautiful facade hides a sinister secret. Cast: Emma Roberts, Danielle Macdonald, Awkwafina, Eiza González, Milla Jovovich, Jeremy Irvine.

Premature (Director: Rashaad Ernesto Green, Screenwriters: Rashaad Ernesto Green, Zora Howard, Producers: Joy Ganes, Rashaad Ernesto Green, Darren Dean) — The summer before she leaves for college, Ayanna meets handsome and mysterious outsider Isaiah; her entire world is turned upside down as she navigates the demanding terrain of young love against a changing Harlem landscape. Cast: Zora Howard, Joshua Boone, Michelle Wilson, Alexis Marie Wint, Imani Lewis, Tashiana Washington.

Selah and the Spades (Director and screenwriter: Tayarisha Poe, Producers: Lauren McBride, Lucas Joaquin, Drew Houpt, Tayarisha Poe, Jill Ahrens) — Five factions run the underground life of the prestigious Haldwell boarding school. At the head of the most powerful faction – The Spades – sits Selah Summers. By turns charming and callous, she chooses whom to keep close and whom to cut loose, walking the fine line between being feared and loved. Cast: Lovie Simone, Celeste O’Connor, Jharrel Jerome, Gina Torres, Jesse Williams.

Sister Aimee (Directors and screenwriters: Samantha Buck, Marie Schlingmann, Producers: Bettina Barrow, David Hartstein, Katherine Harper) — In 1926 America’s most famous evangelist is a woman. And she’s looking for a way out. Fed up with her own success, she gets swept up in her lover’s daydreams about Mexico and finds herself on a wild road trip towards the border. Based on true events. Mostly made up. Cast: Anna Margaret Hollyman, Michael Mosley, Andrea Suarez Paz, Julie White, Macon Blair, Amy Hargreaves.

The Wolf Hour (Director and screenwriter: Alistair Banks Griffin, Producers: Brian Kavanaugh-Jones, Bailey Conway Anglewicz, Bradley Pilz) — Once a known counterculture figure, June E. Leigh now lives in self-imposed exile in her South Bronx apartment during the incendiary ’77 Summer of Sam. When an unseen tormentor begins exploiting June’s weaknesses, her insular universe begins to unravel. Cast: Naomi Watts, Emory Cohen, Jennifer Ehle, Kelvin Harrison Jr.

PREMIERES

The 18 films in this section are all world premieres.

After The Wedding (Director and screenwriter: Bart Freundlich, Producers: Joel B. Michaels, Harry Finkel) — Seeking funds for her orphanage in India, Isabelle travels to New York to meet Theresa, a wealthy benefactor. An invitation to attend a wedding ignites a series of events in which the past collides with the present while mysteries unravel. Based on the Academy Award-nominated film by Susanne Bier. Cast: Julianne Moore, Michelle Williams, Billy Crudup, Abby Quinn.

Animals (U.K.-Ireland-Australia – Director: Sophie Hyde, Screenwriter: Emma Jane Unsworth, Producers: Sarah Brocklehurst, Rebecca Summerton, Cormac Fox, Sophie Hyde) — After a decade of partying, Laura and Tyler’s friendship is strained by Laura’s new love and her focus on her novel. A snapshot of a modern woman with competing desires, at once a celebration of female friendship and an examination of the choices we make when facing a crossroads. Cast: Holliday Grainger, Alia Shawkat.

Blinded by the Light (U.K. – Director: Gurinder Chadha, Screenwriters: Sarfraz Manzoor, Gurinder Chadha, Paul Mayeda Berges, Producers: Gurinder Chadha, Jane Barclay, Jamal Daniel) — In 1987 during the austere days of Thatcher’s Britain, a teenager learns to live life, understand his family and find his own voice through the music of Bruce Springsteen. Cast: Viveik Kalra, Hayley Atwell, Rob Brydon, Kulvinder Ghir, Nell Williams, Aaron Phagura.

The Boy Who Harnessed the Wind (United Kingdom – Director and screenwriter: Chiwetel Ejiofor, Producers: Andrea Calderwood, Gail Egan) — Against all the odds, a thirteen year old boy in Malawi invents an unconventional way to save his family and village from famine. Based on the true story of William Kamkwamba. Cast: Chiwetel Ejiofor, Maxwell Simba, Lily Banda, Noma Dumezweni, Aissa Maiga, Joseph Marcell.

Extremely Wicked, Shockingly Evil and Vile (Director: Joe Berlinger, Screenwriter: Michael Werwie, Producers: Michael Costigan, Nicolas Chartier, Ara Keshishian, Michael Simkin) — A chronicle of the crimes of Ted Bundy from the perspective of Liz, his longtime girlfriend, who refused to believe the truth about him for years. Cast: Zac Efron, Lily Collins, Haley Joel Osment, Kaya Scodelario, John Malkovich, Jim Parsons.

I Am Mother (Australia – Director: Grant Sputore, Screenwriter: Michael Lloyd Green, Producers: Timothy White, Kelvin Munro) — In the wake of humanity’s extinction, a teenage girl is raised by a robot designed to repopulate the earth. But their unique bond is threatened when an inexplicable stranger arrives with alarming news. Cast: Clara Rugaard, Rose Byrne, Hilary Swank.

Late Night (Director: Nisha Ganatra, Screenwriter: Mindy Kaling, Producers: Ben Browning, Howard Klein, Jillian Apfelbaum, Mindy Kaling) — Legendary late-night talk show host’s world is turned upside down when she hires her only female staff writer. Originally intended to smooth over diversity concerns, her decision has unexpectedly hilarious consequences as the two women separated by culture and generation are united by their love of a biting punchline. Cast: Emma Thompson, Mindy Kaling, John Lithgow, Paul Walter Hauser, Reid Scott, Amy Ryan.

The Mustang (Director: Laure de Clermont-Tonnerre, Screenwriters: Laure de Clermont-Tonnerre, Mona Fastvold, Brock Norman Brock, Producer: Alain Goldman) — While participating in a rehabilitation program training wild mustangs, a convict at first struggles to connect with the horses and his fellow inmates, but learns to confront his violent past as he soothes an especially feisty horse. Cast: Matthias Schoenaerts, Connie Britton, Bruce Dern, Jason Mitchell, Gideon Adlon, Josh Stewart.

Official Secrets (U.S.-U.K. – Director: Gavin Hood, Screenwriters: Sara Bernstein, Gregory Bernstein, Gavin Hood, Producers: Ged Doherty, Elizabeth Fowler, Melissa Shiyu Zuo) — The true story of British Intelligence whistleblower Katharine Gun, who prior to the 2003 Iraq invasion leaked a top-secret NSA memo exposing a joint US-UK illegal spying operation against members of the UN Security Council. The memo proposed blackmailing member states into voting for war. Cast: Keira Knightley, Matt Smith, Ralph Feinnes, Matthew Goode, Rhys Ifans.

Photograph (India – Director and screenwriter: Ritesh Batra, Producers: Neil Kopp, Vincent Savino, Anish Savjani) — Two lives intersect in Mumbai and go along together. A struggling street photographer, pressured to marry by his grandmother, convinces a shy stranger to pose as his fiancée. The pair develops a connection that transforms them in ways that they could not expect. Cast: Nawazuddin Siddiqi, Sanya Malhotra.

Relive (Director: Jacob Estes, Screenwriters: Jacob Estes, Drew Daywalt, Producers: Jason Blum, Bobby Cohen) — After a man’s family dies in what appears to be a murder, he gets a phone call from one of the dead, his niece. He’s not sure if she’s a ghost or if he’s going mad — but as it turns out, he’s not. Instead, her calls help him rewrite history. Cast: David Oyelowo, Storm Reid, Mykelti Williamson, Alfred Molina, Brian Tyree Henry.

The Report (Director and screenwriter: Scott Z. Burns, Producers: Steven Soderbergh, Jennifer Fox, Scott Z. Burns, Danny Gabai, Eddy Moretti ) — The story of Daniel Jones, lead investigator for the US Senate’s sweeping study into the CIA’s Detention and Interrogation Program, which was found to be brutal, immoral and ineffective. With the truth at stake, Jones battled tirelessly to make public what many in power sought to keep hidden. Cast: Adam Driver, Annette Bening, Jon Hamm, Ted Levine, Maura Tierney, Michael C. Hall.

Sonja – The White Swan (Norway – Director: Anne Sewitsky, Screenwriters: Mette Marit Bølstad, Andreas Markusson, Producers: Cornelia Boysen, Synnøve Hørsdal) — The true story of one of the world’s greatest athletes and the inventor of modern figure skating, who took Hollywood by storm in the 1930s, sacrificing everything to stay in the spotlight. Cast: Ine Marie Wilmann, Valene Kane, Eldar Skar, Anders Mordal, Pål Sverre Hagen, Aiden McArdle. International Premiere

The Sunlit Night (Germany-Norway – Director: David Wnendt, Screenwriter: Rebecca Dinerstein, Producers: Michael Clark, Alex Turtletaub, Gabrielle Nadig, Fabian Gasmia, Ruben Thorkildsen, Jenny Slate) — Between New York City and the far north of Norway, an American painter and a Russian émigré find each other in the Arctic circle. Together under a sun that never sets, they discover a future and family that they didn’t know they had. Cast: Jenny Slate, Zach Galifianakis, Alex Sharp, Gillian Anderson, Fridjov Sáheim, David Paymer.

The Tomorrow Man (Director and screenwriter: Noble Jones, Producers: Luke Rivett, Nicolaas Bertelsen, James Schamus, Tony Lipp) — Ed Hemsler spends his life preparing for a disaster that may never come. Ronnie Meisner spends her life shopping for things she may never use. In a small town somewhere in America, these two people will try to find love while trying not to get lost in each other’s stuff. Cast: John Lithgow, Blythe Danner, Derek Cecil, Katie Aselton, Sophie Thatcher, Eve Harlow.

Top End Wedding (Australia – Director: Wayne Blair, Screenwriters: Joshua Tyler, Miranda Tapsell, Producers: Rosemary Blight, Kylie du Fresne, Kate Croser) — Lauren and Ned are engaged, they are in love, and they have just ten days to find Lauren’s mother who has gone AWOL somewhere in the remote far north of Australia, reunite her parents and pull off their dream wedding. Cast: Miranda Tapsell, Gwilym Lee, Kerry Fox, Huw Higginson, Ursula Yovich, Shari Sebbens.

Troupe Zero (Director: Bert & Bertie, Screenwriter: Lucy Alibar, Producers: Todd Black, Jason Blumenthal, Steve Tisch, Alex Siskin, Viola Davis) — In rural 1977 Georgia, a misfit girl dreams of life in outer space. When a national competition offers her a chance at her dream, to be recorded on NASA’s Golden Record, she recruits a makeshift troupe of Birdie Scouts, forging friendships that last a lifetime and beyond. Cast: Viola Davis, McKenna Grace, Jim Gaffigan, Mike Epps, Charlie Shotwell, Allison Janney.

Velvet Buzzsaw (Director and screenwriter: Dan Gilroy, Producer: Jennifer Fox) — A thriller set in the contemporary art world scene of Los Angeles, where big money artists and mega-collectors pay a high price when art collides with commerce. Cast: Jake Gyllenhaal, Rene Russo, Toni Collette, Zawe Ashton, Tom Sturridge, Natalia Dyer, Billy Magnussen.

DOCUMENTARY PREMIERES

The 12 films in this section are all world premieres.

Ask Dr. Ruth (Director: Ryan White, Producers: Rafael Marmor, Ryan White, Jessica Hargrave, Christopher Leggett ) — A documentary portrait chronicling the incredible life of Dr. Ruth Westheimer, a Holocaust survivor who became America’s most famous sex therapist. As her 90th birthday approaches, Dr. Ruth revisits her painful past and her career at the forefront of the sexual revolution.

Halston (Director and screenwriter: Frédéric Tcheng, Producers: Roland Ballester, Frédéric Tcheng, Stephanie Levy, Paul Dallas) — From Iowa to Studio 54, this investigation into the rags-to-riches story of America’s first superstar designer uncovers the cautionary tale of an artist who sold his name to Wall Street.

Love, Antosha (Director: Garret Price, Producers: Adam Gibbs, Drake Doremus) — A portrait of the extraordinary life and career of actor Anton Yelchin.

Marianne & Leonard: Words of Love (Director: Nick Broomfield, Producers: Marc Hoeferlin, Shani Hinton, Kyle Gibbon) — A story of enduring love between Leonard Cohen and his Norwegian muse Marianne Ihlen. The film follows their relationship from the early days in Greece, a time of ‘free love’ and open marriage, to how their love evolved when Leonard became a successful musician.

Merata: How Mum Decolonised The Screen (New Zealand – Director and screenwriter: Heperi MIta, Producer: Chelsea Winstanley) — An intimate portrayal of pioneering filmmaker Merata Mita, told through the eyes of her children. Using hours of archive footage, some never before seen, her youngest child discovers the filmmaker he never knew and shares with the world the mother he lost. (International Premiere)

Miles Davis: Birth of the Cool (U.S.-U.K. – Director: Stanley Nelson, Producers: Nicole London, Stanley Nelson) — A visionary, innovator, and originator who defied categorization and embodied the word cool: a foray into the life and career of musical and cultural icon Miles Davis.

Raise Hell: The Life & Times of Molly Ivins (Director: Janice Engel, Screenwriters: Janice Engel, Monique Zavistovski , Producers: James Egan, Janice Engel, Carlisle Vandervoort) — Molly Ivins was six feet of flame-haired Texas trouble, a prescient political journalist, best-selling author and Bill of Rights warrior. She took no prisoners, leaving both sides of the aisle laughing and craving more of her razor-sharp wit. It’s time to Raise Hell like Molly!

The Great Hack (Directors: Karim Amer, Jehane Noujaim, Screenwriters: Karim Amer, Erin Barnett, Pedro Kos, Producers: Karim Amer, Geralyn Dreyfous, Judy Korin) — Data, arguably the world’s most valuable asset, is being weaponized to wage cultural and political wars. The dark world of data exploitation is uncovered through the unpredictable personal journeys of players on different sides of the explosive Cambridge Analytica/Facebook data story.

The Inventor: Out for Blood in Silicon Valley (Director: Alex Gibney, Producers: Jessie Deeter, Erin Edeiken, Alex Gibney) — With a magical new invention that promised to revolutionize blood testing, Elizabeth Holmes became the world’s youngest self-made billionaire, heralded as the next Steve Jobs. Then, overnight, her $10-billion-dollar company dissolved. The rise and fall of Theranos is a window into the psychology of fraud.

Toni Morrison: The Pieces I Am (Director: Timothy Greenfield-Sanders, Producers: Timothy Greenfield-Sanders, Johanna Giebelhaus, Chad Thompson, Tommy Walker) — This artful and intimate meditation on the legendary storyteller examines her life, her works and the powerful themes she has confronted throughout her literary career. Toni Morrison leads an assembly of her peers, critics and colleagues on an exploration of race, history, America and the human condition.

Untouchable (Director: Ursula Macfarlane, Producers: Simon Chinn, Jonathan Chinn, Poppy Dixon) — The inside story of the rise and fall of Harvey Weinstein reveals how, over decades, he acquires and protects his power even as scandal threatens to engulf him. Former colleagues and accusers detail the method and consequences of his alleged abuse, hoping for justice and to inspire change .

Words from a Bear (Director: Jeffrey Palmer, Producer: Jeffrey Palmer) — A visual journey into the mind and soul of Pulitzer Prize-winning author Navarro Scott Momaday, relating each written line to his unique Native American experience representing ancestry, place, and oral history.

MIDNIGHT

The seven films in this section are all world premieres unless otherwise specified.

Greener Grass (Directors and screenwriters: Jocelyn DeBoer, Dawn Luebbe, Producer: Natalie Metzger) — A deliciously twisted comedy set in a demented, timeless suburbia where every adult wears braces on their straight teeth, couples coordinate meticulously pressed outfits, and coveted family members are swapped in more ways than one in this competition for acceptance. Cast: Jocelyn DeBoer, Dawn Luebbe, Beck Bennett, Neil Casey, Mary Holland, D’Arcy Carden.

Little Monsters (Australia – Director and screenwriter: Abe Forsythe, Producers: Jodi Matterson, Bruna Papandrea, Steve Hutensky, Keith Calder, Jessica Calder) — A film dedicated to all the kindergarten teachers who motivate children to learn, instill them with confidence and stop them from being devoured by zombies. Cast: Lupita Nyong’o, Alexander England, Josh Gad.

Memory – The Origins of Alien (Director: Alexandre O. Philippe, Screenwriter: Alexandre O. Philippe, Producer: Kerry Deignan Roy) — The untold origin story behind Ridley Scott’s Alien – rooted in Greek and Egyptian mythologies, underground comics, the art of Francis Bacon, and the dark visions of Dan O’Bannon and H.R. Giger. A contemplation on the symbiotic collaborative process of moviemaking, the power of myth, and our collective unconscious.

Mope (Director: Lucas Heyne, Screenwriters: Lucas Heyne, Zack Newkirk, Producers: Kelly Hayes, Brian Cooper, Kern Saxton, Danny Roth) — Two ‘mopes’ – the lowest-level male performers in the porn industry – set their sights on an impossible dream: stardom. Cast: Nathan Stewart-Jarrett, Kelly Sry, Brian Huskey, Max Adler, David Arquette, Tonya Cornelisse.

Sweetheart (Director: JD Dillard, Screenwriters: JD Dillard, Alex Theurer, Alex Hyner, Producers: Jason Blum, JD Dillard, Alex Theurer, Alex Hyner, Bill Karesh) — Jenn has washed ashore a small tropical island and it doesn’t take her long to realize she’s completely alone. She must spend her days not only surviving the elements, but must also fend off the malevolent force that comes out each night. Cast: Kiersey Clemons, Emory Cohen, Hanna Mangan Lawrence, Andrew Crawford.

The Hole in the Ground (Ireland – Director: Lee Cronin, Screenwriters: Lee Cronin, Stephen Shields, Producers: John Keville, Conor Barry) — One night, Sarah’s young son disappears into the woods behind their rural home. When he returns, he looks the same, but his behavior grows increasingly disturbing. Soon, Sarah realizes that the boy who returned may not be her son at all… Cast: Seána Kerslake, James Cosmo, Kati Outinen, Simone Kirby, Steve Wall, James Quinn Markey.

The Lodge (U.S.-U.K. – Directors: Veronika Franz, Severin Fiala, Screenwriters: Sergio Casci, Veronika Franz, Severin Fiala, Producers: Simon Oakes, Aliza James, Aaron Ryder) — In this psychologically chilling slow burn, a young woman and her reticent new stepchildren find themselves isolated in the family’s remote winter cabin, locked away to dredge up the mysteries of her dark past and the losses that seem to haunt them all. Cast: Riley Keough, Jaeden Martell, Lia McHugh, Alicia Silverstone, Richard Armitage.

SPOTLIGHT

This section represents a collection of half a dozen films that have already premiered at other festivals.

Anthropocene: The Human Epoch (Canada – Directors: Jennifer Baichwal, Nicholas de Pencier, Edward Burtynsky, Screenwriter: Jennifer Baichwal, Producer: Nicholas de Pencier) — From concrete seawalls in China that cover 60% of the mainland coast to the biggest terrestrial machines ever built in Germany, to psychedelic potash mines in Russia’s Ural Mountains, to conservation sanctuaries in Kenya, the filmmakers have traversed the globe to document the evidence and experience of human planetary domination. (International Premiere)

Birds of Passage (Colombia –Directors: Cristina Gallego, Ciro Guerra, Screenwriters: Maria Camila Arias, Jacques Toulemonde, Producers: Katrin Pors, Cristina Gallego) — In 1970s Colombia, Rapayet is a man torn between the desire to be powerful and his duty to uphold his culture’s values. His indigenous tribe, the Wayúu, ignores ancient omens and enters the drug trafficking business — where honor is the highest currency and debts are paid with blood. Cast: Carmina Martinez, Jose Acosta, Natalia Reyes. (Utah Premiere)

Maiden (U.K. – Director and screenwriter: Alex Holmes, Producers: Victoria Gregory, Alex Holmes) — The incredible, against-all-odds story of sailor Tracy Edwards, who skippered the first all-female international crew in the 1989 Whitbread Round the World Yacht Race. (U.S. Premiere)

The Biggest Little Farm (Director: John Chester, Screenwriters: Mark Monroe, John Chester, Producers: Sandra Keats, John Chester) — Two dreamers and a dog embark on an odyssey to bring harmony to their lives and the land. As their plan to create perfect harmony takes a series of wild turns, they will have to reach a far greater understanding of the intricacies and wisdom of nature, and life itself. (Utah Premiere)

The Mountain (Director: Rick Alverson, Screenwriters: Rick Alverson, Colm O’Leary, Dustin Defa, Producers: Ryan Zacarias, Sara Murphy, Eddy Moretti, Alison Carter) — 1950s America. Since his mother‘s confinement to an institution, Andy has lived in the shadow of his stoic father. A family acquaintance, Dr. Wallace Fiennes, employs the introverted young man as a photographer to document an asylum tour advocating for his increasingly controversial lobotomy procedure. Cast: Jeff Goldblum, Tye Sheridan, Udo Kier, Denis Lavant, Hannah Gross. (U.S. Premiere)

The Nightingale (Australia (Director and screenwriter: Jennifer Kent, Producers: Kristina Ceyton, Bruna Papandrea, Steve Hutenski, Jennifer Kent) — 1825. Clare, a young Irish convictwoman, chases a British officer through the Tasmanian wilderness, bent on revenge for a terrible act of violence he committed against her family. On the way she enlists the services of Aboriginal tracker Billy, who is marked by trauma from his own violence-filled past. Cast: Aisling Franciosi, Sam Claflin, Baykali Ganambarr, Damon Herriman, Harry Greenwood, Ewen Leslie. (North American Premiere)

KIDS

The films in this section are selected with younger audiences in mind, only one of which is a world premiere.

Abe (Brazil – Director: Fernando Grostein Andrade, Screenwriters: Lameece Issaq, Jacob Kader, Producers: Carlos Eduardo Ciampolini, Noberto Pinheiro Jr., Caio Gullane, Fabiano Gullane) — The Israeli-Jewish side of his family calls him Avram. The Palestinian-Muslim side Ibrahim. His first-generation American agnostic lawyer parents call him Abraham. But the 12-year-old kid from Brooklyn who loves food and cooking, prefers, well, Abe. Just Abe. Cast: Noah Schnapp, Seu Jorge Mário da Silva, Mark Margolis, Dagmara Dominczyk, Arian Moayed, Tom Mardirosian.

The Elephant Queen (U.K.-Kenya – Directors: Victoria Stone, Mark Deeble, Screenwriter: Mark Deeble, Producers: Victoria Stone, Lucinda Englehart) — Athena is a mother who will do everything in her power to protect her herd when they are forced to leave their waterhole and embark on an epic journey across the African savannah in a tale of love, loss and coming home. (U.S. Premiere)

The Witch Hunters (Serbia-Macedonia – Director: Rasko Miljkovic, Screenwriters: Marko Manojlovic, Milos Kreckovic, Producer: Jovana Karaulic) — 10-year-old Jovan is often escaping reality to immerse himself into a fantasy world. It all changes when he befriends his new classmate Milica and the adventure to hunt her ‘witch’ stepmother starts. Cast: Mihajlo Milavic, Silma Mahmuti. (U.S. Premiere)

2018 Sundance Film Festival: winners announced

January 28, 2018

The winners of the 2018 Sundance Film Festival were announced at a ceremony hosted by Jason Manzoutkas on January 27 in Park City, Utah. The annual festival, which is presented by the Sundance Institute in Park City, runs from January 18 to January 28 this year.

Here is the complete list of winners:

Forrest Goodluck, Sasha Lane and Chloë Grace Moretz in “The Miseducation of Cameron Post” (Photo by Jeong Park)

U.S. Dramatic Grand Jury Prize: “The Miseducation of Cameron Post”

U.S. Documentary Grand Jury Prize: “Kailash”

World Cinema Dramatic Grand Jury Prize: “Butterflies”

World Cinema Documentary Grand Jury Prize: “Of Fathers and Sons”

U.S. Dramatic Directing Award: Sara Colangelo, “The Kindergarten Teacher”

U.S. Documentary Directing Award: Alexandria Bombach, “On Her Shoulders”

U.S. Dramatic Special Jury Award for Achievement in Acting: Benjamin Dickey, “Blaze”

U.S. Dramatic Special Jury Award for Excellence in Filmmaking: “I Think We’re Alone Now”

U.S. Dramatic Special Jury Award for Outstanding First Feature: Reinaldo Marco Green, “Monsters and Men”

U.S. Documentary Special Jury Award for Storytelling: “Three Identical Strangers”

U.S. Documentary Special Jury Award for Breakthrough Filmmaking: “Minding the Gap”

U.S. Documentary Special Jury Award for Creative Vision: “Hale County This Morning, This Evening”

U.S. Documentary Special Jury Award for Social Impact Filmmaking: “Crime + Punishment”

World Cinema Dramatic Directing Award: Isold Uggadottir, “And Breathe Normally”

World Cinema Dramatic Special Jury Award for Ensemble Acting: “Dead Pigs”

World Cinema Dramatic Special Jury Award for Screenwriting: “Time Share”

World Cinema Dramatic Special Jury Award for Acting: Valeria Bertuccelli, “The Queen of Fear”

World Cinema Documentary Directing Award: Sandi Tan, “Shirkers”

World Cinema Documentary Special Jury Award for Editing: “Our New President”

World Cinema Documentary Special Jury Award for Cinematography: “Genesis 2.0”

World Cinema Documentary Special Jury Award: “Matangi/Maya/M.I.A.”

U.S. Dramatic Audience Award: “Burden”

U.S. Documentary Audience Award: “The Sentence”

World Cinema Dramatic Audience Award: “The Guilty”

World Cinema Documentary Audience Award: “This Is Home”

Waldo Salt Screenwriting Award: Christina Choe, “NANCY”

NEXT Audience Award: “Search”

NEXT Innovator Award: “Night Comes On” and “We the Animals” (TIE)

U.S. Dramatic Special Jury Prize: Alfred P. Sloan Prize: “Search” (previously announced)

Copyright 2017-2022 Culture Mix
CULTURE MIX