Review: ‘Samrat Prithviraj,’ starring Akshay Kumar

June 23, 2022

by Carla Hay

Akshay Kumar in “Samrat Prithviraj” (Photo courtesy of Yash Raj Films)

“Samrat Prithviraj”

Directed by Chandraprakash Dwivedi

Hindi with subtitles

Culture Representation: Taking place in India and Afghanistan, between the years 1177 and 1192, the action film “Samrat Prithviraj” has a nearly all-Indian cast of characters representing the working-class, middle-class and royalty.

Culture Clash: Prithviraj Chauhan has battles with rivals over his leadership power of Delhi.

Culture Audience: “Samrat Prithviraj” will appeal primarily to viewers who are looking for a biopic action film that relies heavily on shallow and violent clichés instead of being an accurate historical drama.

Akshay Kumar and Manushi Chhillar in “Samrat Prithviraj” (Photo courtesy of Yash Raj Films)

“Samrat Prithviraj” is an example of a biopic that’s a huge waste of time and money. This sorry spectacle amounts to nothing more than looking like a big-budget, mindlessly violent video game version of the story of real-life Indian historical figure Prithviraj Chauhan. The movie’s epic fight scenes in battlefields look very fake and hollow. And the human interactions that don’t involve fighting are also poorly contrived and acted. With a total running time of 135 minutes, this bloated and repetitive mess wears out its welcome very quickly and then drags on until its very predictable end.

Written and directed by Chandraprakash Dwivedi, “Samrat Prithviraj” (which means “Emperor Prithviraj” in Hindi) is just a series of historically inaccurate scenes showing feuds over power and revenge. All of the cast members just look like they’re going through the motions with no authentic-looking feelings. In some parts of the movie, it really does just look like a video game. There could be CGI visual effects instead of real actors, and there wouldn’t be much difference in the performances.

The movie, which takes place in India and Afghanistan from 1177 to 1192, opens with an over-the-top unrealistic scene taking place in 1192 in Ghazni, Afghanistan. A stadium full of people will be witnessing the torture of a blind prisoner fighting off three lions that have been set loose in the stadium. That prisoner is exiled Indian leader Prithviraj Chauhan (played by Akshay Kumar), whose eyes are missing for reasons shown later in the movie. The scene is grossly unrealistic in how Prithviraj, who is armed with an axe and a spear, is able to kill all of the attacking lions. After he kills the lions, Prithviraj collapses from exhaustion.

“Samrat Prithviraj” (whose original title was “Prithviraj”) then shows flashbacks that depict what led Prithviraj to this far-fetched “battle with the lions” scene. The story goes back a few years before in India, where Prithviraj gets caught up in a power struggle over leadership of Delhi. It all starts when Prithviraj is ruling over Ajmer, and he is visiting the land of Kannauj. It’s where he meets and falls in love with a princess named Sanyogita (played by Manushi Chhillar), whose ruthless king father Jayachandra (played by Ashutosh Rana) does not approve of the relationship.

Meanwhile, back in Ajmer, Prithviraj offers asylum to a man named Mir Hossain (played by Anshuman Singh), who has come to Ajmer because he ran off with a woman named Chitralekha, who was the concubine of Hossain’s brother Muhammad Ghori (played by Manav Vij), the sultan of Ghor. Ghori dispatches an underling named Qutb al-Din Aibak (played by Sahidur Rahaman) to Ajmer, to send a message demanding that Prithviraj send Hossain back to Ghori, or else Ghori threatens to declare war against Prithviraj and the people of Ajmer.

Prithviraj refuses this demand. And you know what that means: Ghori and Prithviraj go to war. Soldiers from their respective lands getting caught in this power struggle, and often lose their lives as a result. One of the casualties is Mir Hossain. Prithviraj is victorious in this war. Ghori is captured, but is then foolishly released a few days later.

Prithviraj then becomes the ruler of Delhi, which he inherited when the previous ruler gave the leadership of Delhi to Prithviraj instead of a biological heir (his grandson), who becomes yet another person to hold a grudge against Prithviraj. With Prithviraj now the ruler of Delhi, this rise to power does not sit well with Jayachandra, who does not want his daughter Sanyogita to marry Prithviraj.

Sanyogita and Prithviraj get married anyway. As the saying goes: “The enemy of my enemy is my friend.” And so, this marriage leads to Jayachandra forming an alliance with Ghori to get revenge and kill Prithviraj. Eventually, the movie shows what happened after Prithviraj fainted in the stadium after he killed the lions.

“Samrat Prithviraj” has several mind-numbing battle scenes that should be suspenseful but they actually become very boring after a while. The scenes that don’t take place on a battlefield are just as monotonous. Supporting characters—such as Prithviraj’s closest confidant Chand Vardai (played by Sonu Sood) and Prithviraj’s uncle Kaka Kanha (played by Sanjay Dutt)—are completely underdeveloped.

Worst of all, “Samrat Prithviraj” does very little to make viewers care about the characters, especially because this movie looks more like an overblown fantasy film rather than a historical drama based on real people. Everything about this era’s conflicts between Hindus and Muslims is over-simplified to the point where none of it is believable. “Samrat Prithviraj” shows what can happen when filmmakers take a lot of money and put very little of it to good use.

Yash Raj Films released “Samrat Prithviraj” in select U.S. cinemas and in India on June 3, 2022.

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