Anna Maciejewska, BBC, drama, Holocaust, Jakub Jankiewicz, Kacper Swietek, Kuba Sprenger, Marek Wrobelewski, movies, Pascal Fischer, PBS, reviews, Romola Garai, The Windermere Children, Thomas Kretschmann, Tim McInnerny, Tomasz Studzinski, TV, World War II
April 6, 2020
by Carla Hay
Directed by Michael Samuels
Culture Representation: Taking place in 1945, shortly near the end of World War II, the drama “The Windermere Children” is based on a true story of how a group of Jewish orphans who survived the Holocaust are brought to a group home in England to start new lives.
Culture Clash: The orphans experience difficult recoveries from their trauma, as well as anti-Semitism from some of the local residents.
Culture Audience: “The Windermere Children” will appeal mostly to people who are interested in stories about orphans or Holocaust survivors.
Most stories about Holocaust survivors tend to be about what their lives are like years after World War II ended. But the dramatic film “The Windermere Children” (which is inspired by true events) tells the story of what happened in August 1945, shortly near the official end of World War II, when a group of about 300 Jewish orphans were brought from continental Europe (many were from Poland) to an estate in England as refugees. Because almost all of the children did not have relatives to claim them, the orphans had to start new lives in England.
Almost all of the children survived concentration camps and are going through severe trauma. They arrive by bus to Calgarth Estate, which is located by Lake Windermere. The estate has been turned into a group home for the children, whose transition and rehabilitation will be aided by a group of counselors and volunteers. Leading this group is German psychologist Oscar Friedmann (played by Thomas Kretschmann), whose specialty is child psychology.
Other people who are part of the team are athletic coach Jock Lawrence (played by Ian Glen); art therapist Marie Paneth (Romola Garai); philanthropist Leonard Montefiore (Tim McInnerny); and married couple Georg Lauer (played by Philipp Christopher) and Edith Lauer (Anna Schumacher). Friedmann used to run an institution for troubled boys in Germany, but nothing quite prepares him for what he will experience with these orphans.
“The Windemere Children” (Michael Samuels and written by Simon Block) shows the somewhat chaotic and anxiety-filled arrival of the children by bus (one boy vomits on Mr. Montefiore as soon as he’s greeted by Montefiore), but then the teenagers who will be the main orphan characters in the story start to come into focus. (The ones who get the most screen time and backstories are the boys.)
Arek Hershlikovicz (played by Tomasz Studzinski) is a lanky, pimple-faced rebel. He shows an early romantic interest in Sala (played by Anna Maciejewska), who becomes his girlfriend. Icek “Ike” Alterman (played by Kuba Sprenger) is a bit of a charming flirt, and he finds out soon upon arriving that he’s attracted to an English girl. Schmuel “Sam” Laskier (played by Marek Wrobelewski) is a sorrowful loner. Ben Helfgott (played by Pascal Fischer) is a superb athlete, who quickly becomes a favorite Coach Lawrence.
Chaim Olmer (played by Kacper Swietek) had assumed the identity of a boy named Ephraim Minsburg in order to survive, and the alias has stuck, but Chaim now wants to be known by his real name so that his sister can find him. Salek Falinower (played by Jakub Jankiewicz) is another loner, and he’s more likely than Sam to separate himself from the rest of the group. (He has to be gently coaxed by Friedmann to get out of the bus.) Salek is convinced that he will be reunited with his missing brother Chiel someday, even though everyone keeps telling him that there’s almost no chance that Chiel has survived.
Because most of the children have been through the trauma of concentration camps, their healing and rehabilitation are emotionally tough on them. The younger children who lived out on the streets are inseparable. During a walk in the woods, they are terrified by the presence of a small dog being walked by a local woman. The children run off and hide and have to be searched for by a counselor.
Another scene in the movie shows how something as simple as putting bread on the tables in the dining hall can spark a feeding frenzy, as the children grab the bread and run to their rooms to either eat the bread quickly or hide it from others. Eventually, the children learn that food at the orphanage is plentiful and they don’t have to act like paranoid scavengers and hoarders in order to get a meal.
Medical exams are also filled with anxiety and sometimes bad news. Many of the children are malnourished and recovering from physical abuse, such as beatings, whippings and burns. It’s not uncommon for them to have missing or decaying teeth. And the children also have to de-loused. The clothes they arrived in are also burned, which is also a symbol of them getting rid of them leaving their previous lives behind.
It’s while the children are being de-loused outdoors that they have an unpleasant encounter with some of the local residents. A group of boys who are in the same age group watch from afar and try to taunt them. Arek sees that the local boys’ reactions are out of fear and ignorance, so he approaches them, covered in de-lousing powder and extends his hand as if to give a handshake. One of the taunting boys tentatively takes Arek’s hand, but instead of shaking the hand, Arek pulls the terrified boy into the de-lousing shed. The other local boys run off and leave their bicycles behind, which some of the orphans gleefully steal.
Stealing becomes a habit for some of the orphans, and they are lectured not to do it by their elders at the orphanage. Meanwhile, the orphans are taught English and are encouraged by Ms. Paneth to paint their inner thoughts, without instruction rules or judgment on technique. It’s welcome therapy for many of the children, but one disturbing portrait by a child brings the art teacher to tears. And, as the movie shows, the children have constant nightmares and can be heard screaming and sobbing throughout the night.
During a trip to a local ice-cream parlor, the kids experience more anti-Semitism when the same group of boys who previously tried to taunt them show up at near the shop and give a Nazi salute, Friedmann than shames the boys by telling them that these children’s families were slaughtered. The boys sheepishly walk away, but the Jewish orphans see that anti-Semitism is everywhere, even in a country that fought against the Nazis in World War II.
Meanwhile, Coach Lawrence, a Scotsman who oversees the boys’ soccer playing, tries to toughen them up by telling them that people in the “real world” won’t care about them being Jewish refugees and they can’t use it as an excuse to get special treatment. Privately, Lawrence tells Friedmann that it might be time to start placing the kids into foster homes, in order to improve the strained relations between the locals and the refugees. Some of the locals are very open about their resentment that the estate land and taxpayer money are helping fund the refugees at the group home.
The most devastating part of the movie is when the Red Cross arrives to bring news about the orphans’ families. Most of the children had been holding out glimmers of hope that someone in their family would still be alive. But the news is as bad as expected. Arek is so emotionally wounded to find out that his entire family has been murdered the he verbally lashes out at Donna, and it puts an enormous strain on their relationship. There is a bright spot toward the end of the movie, which won’t be revealed in this review, but it’s enough to say that this happy moment is a testament to the power of hope.
The epilogue of the film takes a similar approach to what “Schindler’s List” did at the end: It shows some of the real-life survivors returning to the place depicted in the movie, along with flashbacks to the actors who portrayed them in the movie. The real-life Windermere children who give comments at the end of the film are Arek Hersh (who changed his last name from Hershlikovicz), Chaim “Harry” Olmer, Ben Helfgott and Schmuel “Sam” Laskier and Icek “Ike” Alterman.
“The Windemere Children” is an emotionally powerful film (although by no means as harrowing and masterfully made as “Schindler’s List”) that tells an important part of the Holocaust refugee story. The film’s cast members give solid performances, but the movie is heavily slanted toward the male perspective of these children’s experiences, while the female perspective isn’t given as much importance. There’s a one-hour documentary called “The Windermere Children: In Their Own Words,” which is worth watching for a more balanced gender representation and for more testimonials from the survivors. The documentary is a great complement to this dramatic film’s version of their story.
PBS had the U.S. TV premiere of “The Windermere Children” on April 5, 2020. BBC Two had movie’s U.K. TV premiere on January 27, 2020.