Movie and TV Reviews

Reviews for New Releases: June 7 – July 26, 2024

Bad Actor: A Hollywood Ponzi Scheme (Photo courtesy of Neon)
Bad Behaviour (Photo courtesy of Gravitas Ventures)
Bad Boys: Ride or Die (Photo by Frank Masi/Columbia Pictures)
Beverly Hills Cop: Axel F (Photo courtesy of Netflix)
The Bikeriders (Photo by Mike Faist/Focus Features)
Black Barbie (Photo courtesy of Netflix)
Brats (Photo courtesy of ABC News Studios/Neon/Hulu)
Chandu Champion (Photo courtesy of Pen Marudhar Entertainment)
Daddio (Photo by Phedon Papamichael/Sony Pictures Classics)
Deadpool & Wolverine (Photo by Jay Maidment/20th Century Studios/Marvel Studios)
Despicable Me 4 (Image courtesy of Illumination and Universal Pictures)
The Devil’s Bath (Photo courtesy of Shudder)
Diane von Furstenberg: Woman in Charge (Photo courtesy of Hulu/Disney)
Fancy Dance (Photo courtesy of Apple TV+)
Firebrand (Photo courtesy of Roadside Attractions and Vertical)
Fly Me to the Moon (Photo courtesy of Apple Original Films and Columbia Pictures)
The Good Half (Photo courtesy of Utopia and Fathom Events)
The Grab (Photo courtesy of Magnolia Pictures)
Hijack 1971 (Photo courtesy of Sony Pictures International)
Indian 2 (Photo courtesy of Red Giant Movies)
Inside Out 2 (Image courtesy of Disney/Pixar)
Janet Planet (Photo courtesy of A24)
Kalki 2898 AD (Photo courtesy of Prathyangira Cinemas and AA Creations)
Kinds of Kindness (Photo by Atsushi Nishijima/Searchlight Pictures)
Latency (Photo courtesy of Lionsgate)
Longlegs (Photo courtesy of Neon)
Lumina (Photo courtesy of Goldove Entertainment)
Made in England: The Films of Powell & Pressburger (Photo courtesy of Cohen Media Group)
MaXXXine (Photo by Justin Lubin/A24)
A Quiet Place: Day One (Photo by Gareth Gatrell/Paramount Pictures)
Reverse the Curse (Photo courtesy of Vertical)
Sing Sing (Photo courtesy of A24)
Sorry/Not Sorry (Photo courtesy of The New York Times/Greenwich Entertainment)
Sound of Hope: The Story of Possum Trot (Photo courtesy of Angel Studios)
The Speedway Murders (Photo courtesy of Vertical)
Taylor Swift vs. Scooter Braun: Bad Blood (Photo courtesy of Max)
Thelma (Photo courtesy of Magnolia Pictures)
TikTok Star Murders (Photo courtesy of Peacock)
Touch (Photo by Lilja Jonsdottir/Focus Features)
Tuesday (Photo by Kevin Baker/A24)
Twisters (Photo by Melinda Sue Gordon/Universal Pictures)
Ullozhukku (Photo courtesy of Central Pictures)
The Watchers (Photo courtesy of Warner Bros. Pictures)

Complete List of Reviews

1BR — horror

2/1 — drama

2 Graves in the Desert — drama

2 Hearts — drama

2 Minutes of Fame — comedy

5Lbs of Pressure — drama

5 Years Apart — comedy

7 Days (2022) — comedy

8 Billion Angels — documentary

8-Bit Christmas — comedy

The 8th Night — horror

9 Bullets (formerly titled Gypsy Moon) — drama

9to5: The Story of a Movement — documentary

12 Hour Shift — horror

12 Mighty Orphans — drama

17 Blocks — documentary

20 Days in Mariupol — documentary

21mu Tiffin — drama

32 Sounds — documentary

37 Seconds — drama

65 — sci-fi/action

76 Days — documentary

80 for Brady — comedy

88 (2023) — drama

The 355 — action

The 420 Movie (2020) — comedy

499 — docudrama

1000% Me: Growing Up Mixed — documentary

1920: Horrors of the Heart — horror

2040 — documentary

7500 — drama

Aadujeevitham (The Goat Life) — drama

Abandoned (2022) — horror

Abe — drama

Abigail (2024) — horror

About Dry Grasses — drama

About Endlessness — comedy/drama

About My Father (2023) — comedy

Above Suspicion (2021) — drama

The Absence of Eden — drama

Accidental Texan (formerly titled Chocolate Lizards) — comedy/drama

The Accursed (2022) — horror

A Chiara — drama

Acidman — drama

An Action Hero — action/comedy

The Addams Family 2 — animation

Adipurush — fantasy/action

The Adults — comedy/drama

Adverse — drama

Advocate — documentary

The Affair (2021) (formerly titled The Glass Room) — drama

Afire — drama

The A-Frame — horror

After Class (formerly titled Safe Spaces) — comedy/drama

After Death (2023) — documentary

After Parkland — documentary

Aftershock (2022) — documentary

Aftersun (2022) — drama

After Truth: Disinformation and the Cost of Fake News — documentary

After Yang — sci-fi/drama

Afwaah — action

Ailey — documentary

Air (2023) — drama

Aisha (2022) — drama

AKA Jane Roe — documentary

Akelli — action

Algorithm: Bliss — sci-fi/horror

Alice (2022) — drama

Alice, Darling — drama

Alienoid — sci-fi/action

Aline (2021) — drama

All Day and a Night — drama

All Dirt Roads Taste of Salt — drama

All I Can Say — documentary

All In: The Fight for Democracy — documentary

All Light, Everywhere — documentary

All My Friends Hate Me — comedy/drama

All My Life (2020) — drama

All My Puny Sorrows — drama

All of Us Strangers — fantasy/drama

All Quiet on the Western Front (2022) — action

All Roads to Pearla (formerly titled Sleeping in Plastic) — drama

All That Breathes — documentary

All That We Love — comedy/drama

All the Beauty and the Bloodshed — documentary

All the Bright Places — drama

Almost Love (2020) (also titled Sell By) — comedy/drama

Almost Love (2022) — drama

Alone (2020) (starring Jules Willcox) — horror

Alone (2020) (starring Tyler Posey) — horror

Alone Together (2022) — comedy/drama

Alpha Rift — action

The Alpinist — documentary

Altered Reality (2024) — sci-fi/drama

Amalgama — comedy/drama

Amanda (2023) — comedy/drama

Amazing Grace (2018) — documentary

Ambulance (2022) — action

Ameena (2024) — drama

Amelia’s Children — horror

American Fiction — comedy/drama

American Fighter — drama

American Gadfly — documentary

American Murderer — drama

An American Pickle — comedy

The American Society of Magical Negroes — comedy/drama

American Star — drama

American Street Kid — documentary

American Symphony (2023) — documentary

American Underdog — drama

American Woman (2020) — drama

Amigos (2023) — action

Ammonite — drama

Amsterdam (2022) — drama

Amulet — horror

Anaïs in Love — comedy/drama

Anatomy of a Fall (2023) — drama

The Ancestral — horror

And Then We Danced — drama

Animal (2023) — action

Annette — musical

Another Round — drama

Anselm — documentary

Antebellum — horror

Anthem (2023) — documentary

Anthony — drama

Anth the End — drama

Antlers (2021) — horror

Ant-Man and the Wasp: Quantumania — sci-fi/fantasy/action

Anyone But You (2023) — comedy

Apocalypse ’45 — documentary

The Apollo — documentary

Apolonia, Apolonia — documentary

Aquaman and the Lost Kingdom — sci-fi/fantasy/action

The Arbors — sci-fi/horror

Are You There God? It’s Me, Margaret. — comedy/drama

The Argument — comedy

Argylle — action

Aristotle and Dante Discover the Secrets of the Universe — drama

Armageddon Time — drama

Army of the Dead (2021) — horror

Artemis Fowl — fantasy

Arthur the King (2024) — drama

The Artist’s Wife — drama

Ascension (2021) — documentary

Ask for Jane — drama

Ask No Questions — documentary

As of Yet — comedy/drama

Asphalt City (formerly titled Black Flies) — drama

The Assistant (2020) — drama

Asteroid City — comedy

Athena (2022) — action

At the Heart of Gold: Inside the USA Gymnastics Scandal — documentary

Athlete A — documentary

Attack of the Murder Hornets — documentary

Aurora’s Sunrise — documentary/animation

Avatar: The Way of Water — sci-fi/action

Ayalaan — sci-fi/action

Aye Zindagi (2022) — drama

Azor — drama

Babes (2024) — comedy

Baby (2023) — drama

Baby God — documentary

Babylicious — comedy

Babylon (2022) — drama

Baby Ruby — drama

Babysplitters — comedy

Babyteeth — drama

Back on the Strip — comedy

Back to Black (2024) — drama

Bacurau — drama

Bad Actor: A Hollywood Ponzi Scheme — documentary

Bad Axe — documentary

Bad Behaviour (2023) — comedy/drama

Bad Boys for Life — action

Bad Boys: Ride or Die — action

Bad Detectives (formerly titled Year of the Detectives) — drama

Bad Education (2020) — drama

Bade Miyan Chote Miyan (2024) — action

The Bad Guys (2022) — animation

Badhaai Do — comedy/drama

Bad Hombres (2024) — action

Bad River — documentary

Bad Therapy (formerly titled Judy Small) — comedy/drama

The Baker (2023) — action

Ballad of a White Cow — drama

Banana Split — comedy

Banksy and the Rise of Outlaw Art — documentary

A Banquet — horror

The Banshees of Inisherin — comedy/drama

Barbarian (2022) — horror

Barbarians (2022) — horror

Barbie (2023) — comedy

Barb & Star Go to Vista Del Mar — comedy

The Batman — sci-fi/action

The Battle at Lake Changjin — action

The Battle at Lake Changjin II — action

The Beach Boys — documentary

Beanpole — drama

Beast (2022) — horror

Beast Beast — drama

Beastie Boys Story — documentary

The Beatles: Get Back — documentary

The Beatles: Get Back—The Rooftop Concert — documentary

Beau Is Afraid — drama

Beba — documentary

Becoming — documentary

The Beekeeper (2024) — action

Behind You — horror

Being the Ricardos — drama

Belfast (2021) — drama

Belle (2021) — animation

The Bell Keeper — horror

Beneath Us — horror

Benedetta (also titled Blessed Virgin) — drama

Benediction (2021) — drama

Bergman Island (2021) — drama

Best Sellers (2021) — comedy/drama

The Beta Test — comedy/drama

Better Nate Than Ever — comedy/drama

Between the Rains — documentary

Beverly Hills Cop: Axel F — action/comedy

Bhaje Vaayu Vegam — action

Bhediya — horror/comedy

Bheed — drama

Bholaa — action

Bhool Bhulaiyaa 2 — horror/comedy

Big George Foreman: The Miraculous Story of the Once and Future Heavyweight Champion of the World — drama

Big Time Adolescence — comedy/drama

The Big Ugly — drama

The Bikeriders — drama

Billie (2020) — documentary

Bill & Ted Face the Music — sci-fi/comedy

The Binge — comedy

Bingo Hell — horror

Biosphere (2023) — sci-fi/comedy/drama

Birds of Prey (And the Fantabulous Emancipation of One Harley Quinn) — fantasy/action

Bitconned — documentary

Bitterbrush — documentary

Black Adam — sci-fi/fantasy/action

Black as Night — horror

Black Barbie (formerly titled Black Barbie: A Documentary) — documentary

Black Bear — drama

BlackBerry (2023) — comedy/drama

Blackbird (2020) — drama

Black Box (2020) — horror

Black Box (2021) — drama

The Blackening — horror/comedy

Black Is King — musical

Blacklight — action

Black Magic for White Boys — comedy

Black Panther: Wakanda Forever — sci-fi/fantasy/action

The Black Phone — horror

Black Widow (2021) — sci-fi/fantasy/action

Blast Beat — drama

The Blazing World (2021) — horror

Bleeding Love (2024) — drama

Blessed Child — documentary

Blithe Spirit (2020) — comedy

Blonde (2022) — drama

Blood and Money — drama

Blood Conscious — horror

Blood on Her Name — drama

Bloodshot (2020) — sci-fi/action

Bloodthirsty (2021) — horror

Bloody Hell — horror

Blow the Man Down — drama

Blow Up My Life (formerly titled Dead End) — drama

The Blue Angels (2024) — documentary

Blue Bayou (2021) — drama

Blue’s Big City Adventure — live-action/animation/musical

Blue Jean — drama

Blue Story — drama

Blumhouse’s Fantasy Island — horror

Bob Marley: One Love — drama

The Bob’s Burgers Movie — animation

Bodies Bodies Bodies — horror

Body Cam — horror

The Body Fights Back — documentary

Bố Già (Dad, I’m Sorry) — comedy/drama

Bones and All — drama

The Boogeyman (2023) — horror

Boogie — drama

Book Club: The Next Chapter — comedy

The Book of Clarence (2024) — comedy

The Booksellers — documentary

Borat Subsequent Moviefilm — comedy

Born to Fly (2023) — action

The Boss Baby: Family Business — animation

Both Sides of the Blade (formerly titled Fire) — drama

Bottoms (2023) — comedy

The Box (2022) — drama

Box of Rain — documentary

The Boy and the Heron — animation

Boyfriend for Hire — drama

Boy Kills World — action

The Boys (first episode) — fantasy/action

The Boys in the Boat — drama

Brahmāstra Part One: Shiva — sci-fi/fantasy/action

Brahms: The Boy II — horror

Brainwashed: Sex-Camera-Power — documentary

Brats (2024) — documentary

Breaking (2022) (formerly titled 892) — drama

Breaking Fast — comedy

Breaking News in Yuba County — comedy

Breaking the News (2024) — documentary

Breakwater (2023) — drama

Breslin and Hamill: Deadline Artists — documentary

Brian and Charles — comedy/drama

The Broken Hearts Gallery — comedy

Broker (2022) — drama

Bros (2022) — comedy

Brothers by Blood (formerly titled The Sound of Philadelphia) — drama

Browse — drama

Bruiser (2022) — drama

Brut Force — drama

BS High — documentary

Bubblegum (2023) — drama

Buckley’s Chance — drama

Buffaloed — comedy

Bullet Train (2022) — action

Bully. Coward. Victim. The Story of Roy Cohn — documentary

Bunker (2023) — horror

Burden (2020) — drama

The Burial (2023) — drama

Burning Cane — drama

The Burning Sea — action

Burn It All — drama

The Burnt Orange Heresy — drama

Cabrini — drama

Cactus Jack — horror

Cagefighter — drama

Calendar Girl (2022) — documentary

Call Jane — drama

The Call of the Wild (2020) — live-action/animation

A Call to Spy — drama

Call Your Mother — documentary

Camp Hideout — comedy

Candy Cane Lane (2023) — fantasy/comedy

Candyman (2021) — horror

Cane River — drama

Capone — drama

The Card Counter — drama

Carmen (2023) — drama

Carmilla — drama

Carol Doda Topless at the Condor — documentary

Carol & Johnny — documentary

Casa Susanna — documentary

Cassandro — drama

Castle in the Ground — drama

Catch the Bullet — action

Catch the Fair One — drama

Cat Daddies — documentary

Catherine Called Birdy — comedy/drama

The Cellar (2022) — horror

Censor (2021) — horror

Centigrade — drama

Cha Cha Real Smooth — comedy/drama

Challengers (2024) — drama

Champions (2023) — comedy

Chance the Rapper’s Magnificent Coloring World — documentary

Chandu Champion — drama

Changing the Game (2021) — documentary

Chasing the Present — documentary

Chasing Wonders — drama

Chehre — drama

Cherry (2023) — comedy/drama

Chevalier (2023) — drama

Chick Fight — comedy

The Childe — action

Children of the Mist — documentary

Children of the Sea— animation

Chinese Doctors — drama

Chop Chop — horror

A Christmas Story Christmas — comedy

Circus of Books — documentary

Cirkus (2022) — comedy

City of Lies — drama

Civil War (2024) — action

Clara Sola — drama

Clean (2022) — drama

The Cleaner (2021) — drama

The Clearing (2020) — horror

Clementine — drama

Clerks III — comedy

Clifford the Big Red Dog (2021) — live-action/animation

Cliff Walkers (formerly titled Impasse) — drama

The Climb (2020) — comedy/drama

Close (2022) — drama

Close Encounters of the Fifth Kind: Contact Has Begun — documentary

Cloudy Mountain (2021) — action

Clover — drama

C’mon C’mon — drama

Coachella: 20 Years in the Desert — documentary

Cobweb (2023) — horror

Cocaine Bear — action/comedy

CODA — comedy/drama

Coded Bias (formerly titled Code for Bias) — documentary

Code Name: Tiranga — action

Coffee & Kareem — comedy

Colao 2 — comedy

Collective — documentary

Color Out of Space — sci-fi/horror

The Color Purple (2023) — musical

The Columnist — horror

Come as You Are (2020) — comedy

Come Out Fighting (2023) — action

Come Play — horror

Come to Daddy — horror

Come True — sci-fi/drama

Coming 2 America — comedy

The Commandant’s Shadow — documentary

Compartment No. 6 — drama

Confess, Fletch — comedy

The Conjuring: The Devil Made Me Do It — horror

Connect (2022) — horror

Consecration (2023) — horror

Console Wars — documentary

The Contractor (2022) (formerly titled Violence of Action) — action

Copshop (2021) — action

The Cordillera of Dreams — documentary

Corsage — drama

Count Basie: Through His Own Eyes — documentary

A Couple (2022) — drama

The Courier (2021) (formerly titled Ironbark) — drama

Cow (2022) — documentary

The Craft: Legacy — horror

Created Equal: Clarence Thomas in His Own Words — documentary

The Creator (2023) — sci-fi/action

Creed III — drama

Creem: America’s Only Rock’n’Roll Magazine — documentary

Crew (2024) — comedy

Crimes of the Future — horror

Crip Camp: A Disability Revolution — documentary

Crisis (2021) — drama

Critical Thinking — drama

Crock of Gold: A Few Rounds With Shane MacGowan — documentary

The Croods: A New Age — animation

Crown Vic — drama

CRSHD — comedy

Cruella — comedy/drama

Cry Macho — drama

Cryptozoo — animation

Cult Killer (formerly titled The Last Girl) — drama

The Cursed (2022) (formerly titled Eight for Silver) — horror

The Curse of Audrey Earnshaw — horror

The Curse of La Patasola — horror

Cut Throat City — drama

Cypher (2023) — comedy

Cyrano (2021) — musical

Da 5 Bloods — drama

Dada (2023) — drama

Daddio (2024) — drama

Daddy Issues (2020) — comedy

Dads — documentary

Dalíland — drama

Dancing Village: The Curse Begins — horror

Dangerous Lies — drama

Dangerous Waters (2023) — action

The Daphne Project — comedy

Dara of Jasenovac — drama

Darby and the Dead (formerly titled Darby Harper Wants You to Know) — fantasy/comedy

The Dark Divide — drama

Dark Web: Cicada 3301 — action/comedy

Dasara (2023) — action

Dating & New York — comedy

Dave Not Coming Back — documentary

Dawn Raid — documentary

A Day in the Life of America — documentary

Days of Rage: The Rolling Stones’ Road to Altamont — documentary

Days of the Whale — drama

DC League of Super-Pets — animation

Dead Girls Dancing — drama

A Deadly Legend — horror

Deadpool & Wolverine — sc-f/fantasy/action

Deadstream — horror

Dealing With Dad — comedy/drama

Dear David (2023) — horror

Dear Evan Hansen — musical

Dear Santa — documentary

Death in Texas — drama

Death of a Telemarketer — comedy

Death on the Nile (2022) — drama

Decade of Fire — documentary

Decibel (2022) — action

Decision to Leave — drama

The Deeper You Dig — horror

Deep Water (2022) — drama

The Deer King — animation

Deerskin — comedy

The Delicacy — documentary

Demi Lovato: Dancing With the Devil — documentary

Demonic (2021) — horror

Demon Slayer: Kimetsu no Yaiba The Movie: Mugen Train — animation

Denise Ho—Becoming the Song — documentary

Descendant (2022) — documentary

Desolation Center — documentary

Desperados — comedy

The Desperate Hour (formerly titled Lakewood) — drama

Despicable Me 4 — animation

The Devil’s Bath — horror

The Devil Below (formerly titled Shookum Hills) — horror

The Devil Conspiracy — horror

Devil’s Night: Dawn of the Nain Rouge — horror

Devil’s Peak — drama

Devil’s Pie—D’Angelo — documentary

The Devil You Know (2022) — drama

Devotion (2022) — drama

Diana Kennedy: Nothing Fancy — documentary

Diane von Furstenberg: Woman in Charge — documentary

Die in a Gunfight — action

Dicks: The Musical (formerly titled Fucking Identical Twins) — musical

Dionne Warwick: Don’t Make Me Over — documentary

Disappearance at Clifton Hill — drama

The Disappearance of Mrs. Wu — comedy/drama

The Disappearance of Toby Blackwood — comedy

Disclosure (2020) — documentary

The Divine Protector: Master Salt Begins — fantasy

Diving With Dolphins — documentary

The Djinn — horror

Do Aur Do Pyaar — comedy/drama

Dobaaraa — sci-fi/drama

Doctor G — comedy/drama

Doctor Strange in the Multiverse of Madness — sci-fi/fantasy/action

Dog (2022) — comedy/drama

The Dog Doc — documentary

Dolittle — live-action/animation

Dolphin Island — drama

Dolphin Reef — documentary

Do Not Reply — horror

Don’t Breathe 2 — horror

Don’t Look Back (2020) (formerly titled Good Samaritan) — horror

Don’t Look Up (2021) — comedy

Don’t Tell Mom the Babysitter’s Dead (2024) — comedy

Don’t Worry Darling — sci-fi/drama

Donyale Luna: Supermodel — documentary

The Doorman (2020) — action

Dosed — documentary

Double XL — comedy/drama

Downhill — comedy

Downton Abbey: A New Era — drama

Dragon Ball Super: Super Hero — animation

Dragonkeeper (2024) — animation

Dream Horse — drama

Dreaming Walls: Inside the Chelsea Hotel — documentary

Dreamland (2020) (starring Margot Robbie) — drama

Dream Scenario — comedy/drama

Drishyam 2 (2022) — drama

Drive-Away Dolls — comedy

Drive My Car (2021) — drama

Driven to Abstraction — documentary

Driveways — drama

Driving While Black: Race, Space and Mobility in America — documentary

The Dry — drama

The Duke (2021) — comedy/drama

Dumb Money (2023) — comedy/drama

Dungeons & Dragons: Honor Among Thieves — fantasy/action

Dune (2021) — sci-fi/fantasy/action

Dune: Part Two — sci-fi/fantasy/action

Dunki — comedy/drama

Duran Duran: A Hollywood High — documentary

Duty Free — documentary

Earth Mama — drama

Earwig — horror

The East (2021) — drama

Easter Sunday (2022) — comedy

Easy Does It — comedy

Eggs Over Easy — documentary

Eiffel — drama

The Eight Mountains — drama

Eileen (2023) — drama

El Cuartito — comedy/drama

Elemental (2023) — animation

Elephant (2020) — documentary

Ella Fitzgerald: Just One of Those Things — documentary

Ellis — documentary

Elvis (2022) — drama

Emancipation (2022) — drama

Embattled — drama

Emergency (2022) — comedy

Emergency Declaration — action

Emily (2022) — drama

Emily the Criminal — drama

Emma (2020) — comedy/drama

The Emoji Story (formerly titled Picture Character) — documentary

Empire of Light — drama

Encanto — animation

Endangered Species (2021) — drama

End of Sentence — drama

The End of Sex — comedy

The End We Start From — drama

Enemies of the State (2021) — documentary

Enforcement (formerly titled Shorta) — drama

Enhanced (2021) (also titled Mutant Outcasts) — sci-fi/fantasy/action

Enola Holmes — drama

Enter the Clones of Bruce — documentary

Entwined (2020) — horror

Enys Men — horror

EO — drama

Epicentro — documentary

Epic Tails — animation

The Equalizer 3 — action

Ernest & Celestine: A Trip to Gibberitia — animation

Escape From Mogadishu — drama

Escape Room: Tournament of Champions — horror

Escape the Field — horror

The Eternal Daughter — drama

The Eternal Memory — documentary

Eternals (2021) — sci-fi/fantasy/action

The Etruscan Smile (also titled Rory’s Way) — drama

Eurovision Song Contest: The Story of Fire Saga — comedy

Every Body (2023) — documentary

Everything Everywhere All at Once — sci-fi/action

Everything Under Control — action/comedy

Evil Dead Rise — horror

Evil Eye (2020) — horror

The Evil Next Door — horror

The Ex-Files 4: Marriage Plan — comedy

The Exiles (2022) — documentary

Exit Plan — drama

The Exorcist: Believer — horror

Extraction (2020) — action

Ezra (2024) — drama

The Eyes of Tammy Faye (2021) — drama

F3: Fun and Frustration — comedy

F9: The Fast Saga — action

The Fabelmans — drama

Facing Monsters — documentary

Falcon Lake — drama

Fall (2022) — drama

A Fall From Grace — drama

The Fall Guy (2024) — action/comedy

Falling (2021) — drama

Falling for Figaro — comedy/drama

The Fallout — drama

Family Camp — comedy

Family Matters (2022) — drama

Family Squares — comedy/drama

The Family Star — comedy/drama

Fancy Dance (2024) — drama

Fantastic Beasts: The Secrets of Dumbledore — fantasy

Faraaz — drama

Farewell Amor — drama

Fast Charlie — action

Fast X — action

Fatal Affair (2020) — drama

Fatale — drama

The Father (2020) — drama

Father Stu — drama

Fatima (2020) — drama

Fatman — comedy

Fear (2023) — horror

Fear of Rain — horror

The Feast (2021) — horror

The Feeling That the Time for Doing Something Has Passed — comedy/drama

Ferrari (2023) — drama

The Fight (2020) — documentary

Fighter (2024) — action

Finch — sci-fi/drama

Finding Kendrick Johnson — documentary

Finding You (2021) — drama

Firebird (2021) — drama

Firebrand (2023) — drama

Fire Island (2022) — comedy

Fire of Love (2022) — documentary

Firestarter (2022) — horror

First Cow — drama

First Date (2021) — comedy

The First Omen — horror

The First Slam Dunk — animation

Fist of the Condor — action

Fitting In (2024) — comedy/drama

The Five Devils — sci-fi/drama

Five Nights at Freddy’s — horror

Flag Day — drama

The Flash (2023) — sci-fi/action

Flashback (2021) (formerly titled The Education of Frederick Fitzell) — drama

Flee — documentary/animation

Flipped (2020) — comedy

Flux Gourmet — comedy/drama

Fly Me to the Moon (2024) — comedy/drama

Foe (2023) — sci-fi/drama

Following Harry — documentary

Fool’s Paradise (2023) — comedy

Force of Nature (2020) — action

The Forever Purge — horror

The Forgiven (2022) — drama

For the Animals — documentary

For They Know Not What They Do — documentary

Fortune Favors Lady Nikuko — animation

The Forty-Year-Old Version — comedy

Four Daughters (2023) — docudrama

Four Good Days — drama

Four Kids and It — fantasy

Four Samosas — comedy

Fourth of July — comedy/drama

Framing John DeLorean — documentary

Frank and Penelope — drama

Freaky — horror

Freedom’s Path — drama

Free Guy — sci-fi/action

Freelance (2023) — action/comedy

Free Skate — drama

The French Dispatch — comedy

French Exit — comedy/drama

Fresh (2022) — horror

Freud’s Last Session — drama

Friendsgiving — comedy

From the Hood to the Holler — documentary

From the Vine — comedy/drama

Full River Red — action

Funhouse (2021) — horror

Funny Pages — comedy/drama

Furiosa: A Mad Max Saga — sci-fi/action

Gabby Giffords Won’t Back Down — documentary

Gadar 2 — action

Gaia (2021) — horror

Game of Death (2020) — horror

Ganden: A Joyful Land — documentary

Gandhada Gudi: Journey of a True Hero — documentary

Gandhi Godse – Ek Yudh — drama

Gap Year (2020) — documentary

The Garden Left Behind — drama

The Garfield Movie — animation

The Gasoline Thieves — drama

The Gateway (2021) — drama

Gay Chorus Deep South — documentary

The Gentlemen — action

Get Duked! (formerly titled Boyz in the Wood) — comedy

Get Gone — horror

Ghoomer — drama

Ghostbusters: Afterlife — comedy/horror

Ghostbusters: Frozen Empire — comedy/horror

The Ghost of Peter Sellers — documentary

Ghosts of the Ozarks — horror

Gigi & Nate — drama

A Girl From Mogadishu — drama

A Girl Missing — drama

Give Me Five (2022) — sci-fi/comedy/drama

Glass Onion: A Knives Out Mystery — comedy/drama

A Glitch in the Matrix — documentary

Gloria Gaynor: I Will Survive — documentary

The God Committee — drama

God Is a Bullet — drama

God Save the Queens (2022) — comedy/drama

God’s Country (2022) — drama

God’s Creatures — drama

God’s Time — comedy

Godzilla Minus One — sci-fi/fantasy/horror/action

Godzilla vs. Kong — sci-fi/fantasy/action

Godzilla x Kong: The New Empire — sci-fi/fantasy/action

Going to Mars: The Nikki Giovanni Project — documentary

The Go-Go’s — documentary

Gold (2022) — drama

Golda (2023) — drama

Golden Arm — comedy

Goldie — drama

Gone in the Night (2022) (formerly titled The Cow) — drama

Good Girl Jane — drama

The Good Half — comedy/drama

The Good House — comedy/drama

Good Luck to You, Leo Grande — comedy/drama

The Good Mother (2023) (formerly titled Mother’s Milk) — drama

The Good Neighbor (2022) — drama

Good Night Oppy — documentary

The Good Nurse — drama

A Good Person — drama

Good Posture — comedy

Gordon Lightfoot: If You Could Read My Mind — documentary

The Grab (2024) — documentary

The Graduates (2023) — drama

The Grandmaster of Kung Fu — action

Gran Turismo (2023) — action

Grasshoppers — drama

Greed — comedy/drama

The Green Knight — horror/fantasy

Greenland — sci-fi/action

Gretel & Hansel — horror

Greyhound — drama

Griffin in Summer — comedy/drama

The Grudge (2020) — horror

Guardians of the Galaxy Vol. 3 — sci-fi/fantasy/action

Guest of Honour — drama

Guillermo del Toro’s Pinocchio — animation

The Guilty (2021) — drama

A Guilty Conscience (2023) — drama

Gumraah — drama

Gunda — documentary

Guy Ritchie’s The Covenant — action

Hachiko (2023) — drama

Hacking Hate — documentary

Half Brothers — comedy

The Half of It — comedy

Halloween Ends — horror

Halloween Kills — horror

Halloween Party (2020) — horror

Hannah Ha Ha — drama

Hanu-Man — sci-fi/fantasy/action

Happening (2021) — drama

Happiest Season — comedy

The Harder They Fall (2021) — action

Hard Luck Love Song — drama

Hard Miles — drama

Hatching — horror

The Hater (2022) — comedy/drama

Haunted Mansion (2023) — comedy/horror

A Haunting in Venice — horror

Have a Good Trip: Adventures in Psychedelics — documentary

Have You Got It Yet? The Story of Syd Barrett and Pink Floyd — documentary

Hawa (2022) — horror

Haymaker (2021) — drama

Healing From Hate: Battle for the Soul of a Nation — documentary

He Dreams of Giants — documentary

Held — horror

Hell Camp: Teen Nightmare — documentary

Hell Hath No Fury (2021) — action

Helmut Newton: The Bad and the Beautiful — documentary

Here After (2021) (formerly titled Faraway Eyes) — drama

Here Are the Young Men — drama

Here Today — comedy/drama

A Hero — drama

Hero Dog: The Journey Home — drama

Hero Mode — comedy

Herself — drama

High & Low — John Galliano — documentary

The High Note — comedy/drama

Hijack 1971 — action

The Hill (2023) — drama

Hi Nanna — drama

His House — horror

His Only Son — drama

The Hitman’s Wife’s Bodyguard — action

HIT: The First Case (2022) — action

HIT: The 2nd Case — action

Hive — drama

Hocus Pocus 2 — fantasy/comedy

The Holdovers — comedy/drama

Hold Your Fire — documentary

A Holiday Chance — comedy/drama

Holiday in the Vineyards (formerly titled A Wine Country Christmas) — comedy

Holler — drama

Holly Slept Over — comedy

Home Coming (2022) — action

Honest Thief — action

Hong Kong Family — drama

Honk for Jesus. Save Your Soul. — comedy

Hooking Up (2020) — comedy

Hope Gap — drama

Horse Girl — sci-fi/drama

The Host (2020) — horror

Hosts — horror

Hotel Transylvania: Transformania — animation

Hot Seat (2022) — drama

Housekeepng for Beginners — drama

The House Next Door: Meet the Blacks 2 — comedy/horror

House of Gucci — drama

House of Hummingbird — drama

The House of No Man (also titled Ms. Nu’s House) — drama

House Party (2023) — comedy

How I Faked My Life With AI — documentary

How It Ends (2021) — comedy

How to Blow Up a Pipeline — drama

How to Build a Girl — comedy

How to Fix a Primary — documentary

How to Have Sex — drama

How to Please a Woman — comedy/drama

Huda’s Salon — drama

Huesera: The Bone Woman — horror

Human Capital (2020) — drama

Human Nature (2020) — documentary

The Humans (2021) — drama

A Hundred Billion Key — action

The Hunger Games: The Ballad of Songbirds & Snakes— fantasy/action

Hunt (2022) — action

The Hunt — horror

Hunter Hunter — horror

Hypnotic (2023) — sci-fi/action

Hypochondriac (2022) — horror

Hysterical (2021) — documentary

I Am Human — documentary

I Am Somebody’s Child: The Regina Louise Story — drama

I Am Vengeance: Retaliation — action

IB 71 — action

I Carry You With Me — drama

The Idea of You — comedy/drama

IF (2024) — live-action/animation

If I Can’t Have You: The Jodi Arias Story — documentary

I Hate New York — documentary

I Hate the Man in My Basement — drama

I Love My Dad — comedy

I Love You, to the Moon, and Back (2024) — drama

Imaginary (2024) — horror

I’m Gonna Make You Love Me — documentary

Immaculate (2024) — horror

iMordecai — comedy/drama

Impractical Jokers: The Movie — comedy

I’m Thinking of Ending Things — drama

I’m Totally Fine — sci-fi/comedy

I’m Your Man (2021) — sci-fi/comedy/drama

I’m Your Woman — drama

In a Violent Nature — horror

Incitement — drama

Indian 2 (also titled Indian 2: Zero Tolerance) — action

Indiana Jones and the Dial of Destiny — action

India Sweets and Spices — comedy/drama

Infamous (2020) — drama

The Infiltrators — docudrama

Infinite Storm — drama

Infinity Pool (2023) — horror

The Informer (2020) — drama

InHospitable — documentary

Initials SG — drama

Inna De Yard: The Soul of Jamaica — documentary

The Innocents (2021) — horror

In Our Mothers’ Gardens — documentary

Inside (2023) — drama

Inside Out 2 — animation

Insidious: The Red Door — horror

The Inspection — drama

Inspector Sun (also titled Inspector Sun and the Curse of the Black Widow) — animation

Instaband — documentary

The Integrity of Joseph Chambers — drama

In the Earth — horror

In the Footsteps of Elephant — documentary

In the Heights — musical

In the Land of Saints and Sinners — drama

In the Rearview — documentary

Intrusion (2021) — drama

Inu-Oh — animation

The Invaders (2022) — documentary

The Inventor (2023) — animation

In Viaggio: The Travels of Pope Francis — documentary

The Invisible Man (2020) — horror

The Invitation (2022) — horror

The Iron Claw (2023) — drama

Iron Mask (formerly titled The Mystery of the Dragon Seal) — fantasy/action

Irresistible (2020) — comedy

I Saw the TV Glow — drama

I.S.S. — sci-fi/drama

Is That Black Enough for You?!? — documentary

I Still Believe — drama

Italian Studies — drama

It Lives Inside (2023) — horror

It Takes a Lunatic — documentary

It Takes Three (2021) — comedy

I Used to Go Here — comedy/drama

I’ve Got Issues — comedy

I Want My MTV — documentary

I Will Make You Mine — drama

Jackass Forever — comedy

Jailer (2023) — action

Jakob’s Wife — horror

Jane (2022) — drama

The Janes — documentary

Janet Planet — drama

Janhit Mein Jaari — comedy/drama

January (2022) — drama

Jawan (2023) — action

Jaya Jaya Jaya Jaya Hey — comedy/drama

Jayeshbhai Jordaar — comedy

Jay Myself — documentary

Jazz Fest: A New Orleans Story — documentary

Jesus Revolution — drama

Jethica — comedy/drama

Jim Henson Idea Man — documentary

Jingle Jangle: A Christmas Journey — musical

Jiu Jitsu — sci-fi/action

Jockey (2021) — drama

Joe Bell (formerly titled Good Joe Bell) — drama

John and the Hole — drama

John Henry — action

John Lewis: Good Trouble — documentary

Johnny Keep Walking! — comedy

John Wick: Chapter 4 — action

JonBenét Ramsey: What Really Happened? — documentary

A Journal for Jordan — drama

Journey to Bethlehem — musical

Joyride (2022) — comedy/drama

Joy Ride (2023) — comedy

Judas and the Black Messiah (formerly titled Jesus Was My Homeboy) — drama

Judy & Punch — drama

Judy Blume Forever — documentary

Jugjugg Jeeyo — comedy/drama

Jujutsu Kaisen 0 — animation

Jules (2023) — sci-fi/comedy/drama

Jungle Cruise — fantasy/action

Jungleland (2020) — drama

Jurassic World Dominion — sci-fi/action

Kabzaa (2023) — action

Kajillionaire — comedy/drama

Kalaga Thalaivan — action

Kalki 2898 AD — fantasy/action

Kandahar (2023) — action

Karen (2021) — drama

Kat and the Band — comedy

Kaye Ballard: The Show Goes On! — documentary

Keedaa Cola — comedy

Kehvatlal Parivar — comedy/drama

The Kerala Story — drama

Kicking Blood — horror

Kid Candidate — documentary

Kill Chain: The Cyber War on America’s Elections — documentary

The Killer (2023) — drama

Killer Among Us — horror

Killers of the Flower Moon — drama

Killer Therapy — horror

Killian & the Comeback Kids — drama

The Killing of Two Lovers — drama

The Kill Team (2019) — drama

Kill the Monsters — drama

Kim’s Video — documentary

The Kindness of Strangers — drama

Kindred (2020) — drama

Kinds of Kindness — comedy/drama

King Coal (2023) — documentary

Kingdom of the Planet of the Apes — sci-fi/action

King of Killers — action

King of Kotha — action

The King of Staten Island — comedy/drama

King Otto — documentary

King Richard — drama

The King’s Daughter (formerly titled The Moon and the Sun) — fantasy/drama

The King’s Man — action

Kisi Ka Bhai Kisi Ki Jaan — action

Knights of the Zodiac (2023) — fantasy/action

Knock at the Cabin — horror

Knox Goes Away — drama

Kokomo City — documentary

Kompromat — drama

Kung Fu Panda 4 — animation

Kurt Vonnegut: Unstuck in Time — documentary

Kuttey — action

Laal Singh Chaddha — drama

Lady Chatterley’s Lover (2022) — drama

La Guerra Civil — documentary

Lair — horror

La Llorona — horror

Lamb (2021) — horror

Land (2021) — drama

Land of Bad — action

Landscape With Invisible Hand — sci-fi/drama

Lansky (2021) — drama

The Last Duel (2021) — drama

The Last Frenzy — comedy/drama

The Last Full Measure — drama

The Last Glaciers — documentary

Last Night in Soho — horror

Last Sentinel — sci-fi/drama

The Last Vermeer — drama

The Last Voyage of the Demeter — horror

Latency (2024) — drama

Late Night With the Devil — horror

Laththi (also titled Laththi Charge) — action

The Lawyer — drama

The League (2023) — documentary

Leave the World Behind (2023) — drama

Leftover Women — documentary

The Legend of Maula Jatt — action

Legions (2022) — horror

Les Misérables (2019) — drama

The Lesson (2023) — drama

Let Him Go — drama

Licorice Pizza — comedy/drama

The Lie (2020) — drama

Life in a Day 2020 — documentary

Lighting Up the Stars — comedy/drama

Lightyear — animation

Like a Boss — comedy

Limbo (2021) — comedy/drama

Limbo (2023) — drama

Limerence — comedy

Linda Ronstadt: The Sound of My Voice — documentary

Lingua Franca — drama

Lisa Frankenstein — comedy

Little Fish (2021) — sci-fi/drama

The Little Mermaid (2023) — fantasy

Little Richard: I Am Everything — documentary

The Little Things (2021) — drama

Living (2022) — drama

The Locksmith (2023) — drama

The Lodge — horror

The Long Game (2024) — drama

The Longest Wave — documentary

Longlegs — horror

Long Live Rock…Celebrate the Chaos — documentary

Long Weekend (2021) — sci-fi/drama

Lorelei (2021) — drama

Lost Bayou — drama

The Lost City (2022) — comedy

The Lost Daughter (2021) — drama

Lost Girls — drama

Lost in the Stars (2023) — drama

Lost Love (2023) — drama

Lost Transmissions — drama

The Lost Weekend: A Love Story — documentary

Los Últimos Frikis — documentary

A Lot of Nothing — comedy/drama

Love Again (2023) — comedy/drama

Love and Monsters — sci-fi/horror/action

The Lovebirds — comedy

Love Is Love Is Love — drama

Love Lies Bleeding (2024) — drama

Lovely Jackson — documentary

Love Me If You Dare (2024) (also titled Love Me) — drama

Love Never Ends — drama

Lover (2024) — drama

Lover, Stalker, Killer — documentary

Love Sarah — comedy/drama

A Love Song — drama

Love Suddenly (2022) — comedy/drama

Love Type D — comedy

Love Wedding Repeat — comedy

Low Tide — drama

Luca (2021) — animation

Lucky Grandma — action

Lucy and Desi — documentary

Lumina (2024) — sci-fi/horror

Lux Æterna — comedy/drama

Luz: The Flower of Evil — horror

LX 2048 — sci-fi/drama

Lydia Lunch: The War Is Never Over — documentary

Lyle, Lyle, Crocodile — comedy

M3GAN — horror/comedy

Maamannan — action

Maaveeran (2023) — fantasy/action

Ma Belle, My Beauty — drama

The Machine (2023) — action/comedy

Mack & Rita — comedy

Madame Web — sci-fi/fantasy/action

Made in England: The Films of Powell & Pressburger — documentary

Mad Fate — drama

Madres (2021) — horror

Maestra (2024) — documentary

Maestro (2023) — drama

Mafia Mamma — comedy/drama

Magic Mike’s Last Dance — comedy/drama

Maidaan — drama

Mai Khoi & the Dissidents — documentary

The Main Event (2020) — action

Making Waves: The Art of Cinematic Sound— documentary

Malignant (2021) — horror

Mallory (2021) — documentary

Malum (2023) — horror

Mama Weed — comedy/drama

Mami Wata (2023) — drama

A Man Called Otto — comedy/drama

Mandibles — comedy

Mank — drama

The Manor (2021) — horror

The Man Who Sold His Skin — drama

The Many Saints of Newark — drama

Ma Rainey’s Black Bottom — drama

Marathon (2021) — comedy

Marcel the Shell With Shoes On — live-action/animation

Mark, Mary & Some Other People — comedy

The Marksman (2021) — action

Marlowe (2023) — drama

Marry Me (2022) — comedy

The Marsh King’s Daughter — drama

Mars One — drama

Martha: A Picture Story — documentary

Martin Margiela: In His Own Words — documentary

The Marvels — sci-fi/fantasy/action

Masquerade (2021) — horror

Mass (2021) — drama

Master (2022) — horror

Master Gardener — drama

The Matrix Resurrections — sci-fi/action

Maurice Hines: Bring Them Back — documentary

The Mauritanian — drama

MaXXXine — horror

Maybe I Do — comedy/drama

Mayday (2021) — action

May December — drama

Mean Girls (2024) — musical

Measure of Revenge — drama

Meat Me Halfway — documentary

Medieval (2022) — action

Medusa (2022) — drama

Medusa Deluxe — comedy/drama

Meg 2: The Trench — drama

Memoria (2021) — sci-fi/drama

Memory (2022) — action

Memory (2023) — drama

Men (2022) — horror

The Menu (2022) — horror

Merry Christmas (2024) — drama

Michael (2023) — action

Mid-Century (2022) — horror

Midnight in the Switchgrass — drama

Mighty Ira — documentary

Mighty Oak — drama

Migration (2023) — animation

Mili (2022) — drama

Military Wives — comedy/drama

Miller’s Girl — drama

Milli Vanilli — documentary

The Mimic (2021) — comedy

Minari — drama

The Mindfulness Movement — documentary

Minions: The Rise of Gru — animation

The Ministry of Ungentlemanly Warfare — action

The Miracle Club — drama

Misbehaviour — drama

Miss Americana — documentary

Missing (2023) — drama

Mission: Impossible — Dead Reckoning Part One  — action

Miss Juneteenth — drama

The Mitchells vs. the Machines — animation

Mixtape Trilogy: Stories of the Power of Music — documentary

MLK/FBI — documentary

Moffie — drama

The Mole Agent — documentary

Monday (2021) — drama

Money Back Guarantee (2023) — action/comedy

Monica (2023) — drama

Monkey Man (2024) — action

Monolith (2023) — horror

Monster Family 2 — animation

Monster Hunter — sci-fi/fantasy/action

Monsters of California — sci-fi/comedy

Monstrous (2022) — horror

Montana Story — drama

Moonage Daydream — documentary

Moonfall (2022) — sci-fi/action

Moon Man (2022) — sci-fi/comedy/drama

Morbius — horror/action

Mortal — sci-fi/action

Mortal Kombat (2021) — sci-fi/fantasy/action

Most Dangerous Game — sci-fi/action

Most Wanted (formerly titled Target Number One) — drama

Mother, I Am Suffocating. This Is My Last Film About You. — docudrama

Mothering Sunday — drama

A Mouthful of Air — drama

Move Me (2022) — documentary

MoviePass, MovieCrash — documentary

Moving On (2023) — comedy/drama

Mr. Malcolm’s List — comedy/drama

Mrs. Chatterjee vs. Norway — drama

Mrs. Harris Goes to Paris — comedy/drama

Mr. Soul! — documentary

Mucho Mucho Amor: The Legend of Walter Mercado — documentary

Mulan (2020) — fantasy/action

Mummies (2023) — animation

Murder in the Front Row: The San Francisco Bay Area Thrash Metal Story — documentary

Murder to Mercy: The Cyntoia Brown Story — documentary

Music Pictures: New Orleans — documentary

My Animal (2023) — horror

My Big Fat Greek Wedding 3 — comedy

My Boyfriend’s Meds — comedy

My Country, My Parents (also titled My Country, My Family) — drama

My Dad’s Christmas Date — comedy/drama

My Darling Vivian — documentary

My Father Muhammad Ali — documentary

My Happy Ending — comedy/drama

My Love (2021) — comedy/drama

My Octopus Teacher — documentary

My Old School — documentary

My Salinger Year (also titled My New York Year) — drama

My Spy — comedy

Mystify: Michael Hutchence — documentary

Naa Saami Ranga — action

Naked Singularity — drama

The Nan Movie — comedy

Nanny — horror

Napoleon (2023) — drama

Natalie Wood: What Remains Behind — documentary

National Champions — drama

Navalny — documentary

Needle in a Timestack — sci-fi/drama

Neeyat (2023) — drama

Nefarious (2023) — drama

The Nest (2020) — drama

Never Forget Tibet — documentary

Never Gonna Snow Again — drama

Never Rarely Sometimes Always — drama

Never Say Never (2023) (also known as Octagonal) — drama

Never Stop (2021) — drama

Never Too Late (2020) — comedy

New Gods: Yang Jian — animation

New Order (2021) — drama

News of the World — drama

Next Goal Wins (2023) — comedy/drama

Next Exit — comedy/drama

A Nice Girl Like You — comedy

The Night (2021) — horror

The Night House — horror

Nightmare Alley (2021) — drama

Night of the Kings — drama

The Night Owl (2022) — drama

Nightride (2022) — drama

Night Swim (2024) — horror

The Night They Came Home — action

Nina Wu — drama

Nine Days — drama

Nitram — drama

Noah Land — drama

Nobody (2021) — sci-fi/action

Nocturne (2020) — horror

No Exit (2022) — drama

No Hard Feelings (2023) — comedy

Nomad: In the Footsteps of Bruce Chatwin — documentary

Nomadland — drama

No Man’s Land (2021) — drama

No More Bets (2023) — drama

Nope —sci-fi/horror

The Northman —fantasy/action

No Small Matter — documentary

Not Another Church Movie — comedy

Nothing Can’t Be Undone by a Hotpot — comedy

No Time to Die (2021) — action

Notturno — documentary

The Novice (2021) — drama

The Nowhere Inn — comedy/drama

The Nun II — horror

The Oath (2023) — drama

Objects — documentary

Occupied City — documentary

Of an Age — drama

The Offering (2022) — horror

Official Competition — comedy/drama

Old — horror

The Old Guard — sci-fi/fantasy/action

Old Henry (2021) — drama

Olympia — documentary

Olympic Dreams — comedy/drama

OMG 2 — comedy/drama

On Broadway (2021) — documentary

Once Upon a River — drama

Once Upon a Time in Uganda — documentary

Once Were Brothers: Robbie Robertson and The Band — documentary

One and Only (2023) — comedy/drama

One Day as a Lion — action

One Hour Outcall — drama

One Life (2023) — drama

One Man and His Shoes — documentary

One Night in Bangkok — drama

One Night in Miami… — drama

One Piece Film Red — animation

One Ranger — action

One True Loves (2023) — comedy/drama

One Week Friends (2022) — drama

On Fire (2023) — drama

Only — sci-fi/drama

The Only One (2021) — drama

On the Come Up — drama

On the Record — documentary

On the Rocks (2020) — drama

On the Trail: Inside the 2020 Primaries — documentary

Onward — animation

Open — drama

Operation Fortune: Ruse de Guerre — action

Oppenheimer (2023) — drama

Ordinary Angels (2024) — drama

Ordinary Love — drama

Origin (2023) — drama

Origin of the Species (2021) — documentary

Orphan: First Kill — horror

Otherhood — comedy

The Other Lamb — drama

Other Music — documentary

The Other Zoey — comedy

Ottolenghi and the Cakes of Versailles — documentary

Our Father, the Devil — drama

Our Friend (formerly titled The Friend) — drama

Our Ladies — comedy/drama

Our Son — drama

Our Time Machine — documentary

The Outfit (2022) — drama

Out of Blue — drama

Out of Darkness — horror

The Outpost — drama

Out Stealing Horses — drama

Over My Dead Body (2023) — comedy

Paap Punyo —drama

Paint (2023) —comedy

The Painter (2024) — action

The Painter and the Thief — documentary

The Pale Blue Eye — drama

Palm Springs —sci-fi/comedy

Paper Spiders — drama

The Paper Tigers — action

Paradise (2024) — action

Paradise Highway — drama

Parallel (2020) — sci-fi/drama

Parallel Mothers — drama

Paranormal Prison — horror

Pareshan — comedy/drama

Paris, 13th District — drama

Parkland Rising — documentary

Passing (2021) — drama

Past Lives (2023) — drama

Pastor’s Kid (2024) — drama

Pathological: The Lies of Joran van der Sloot — documentary

A Patient Man — drama

PAW Patrol: The Mighty Movie — animation

PAW Patrol: The Movie — animation

Paws of Fury: The Legend of Hank — animation

Pearl (2022) — horror

The Peasants (2023) — animation

Pegasus 2 — action/comedy

Perfect Days (2023) — drama

A Perfect Enemy — drama

The Persian Version — drama

The Personal History of David Copperfield — comedy/drama

Personality Crisis: One Night Only — documentary

Peter Rabbit 2: The Runaway — live-action/animation

Petite Maman — drama

Petit Mal (2023) — drama

The Phantom of the Open — comedy/drama

Phobias (2021) — horror

Phone Bhoot — comedy

The Photograph — drama

Pichaikkaran 2 — sci-fi/action

Pig (2021) — drama

Piggy (2022) — horror

Ping Pong: The Triumph — drama

Pinocchio (2022) — live-action/animation

The Place of No Words — drama

Plane — action

The Planters — comedy

Playing God (2021) — comedy

Pleasure (2021) — drama

Plucked — documentary

Plus One (2019) — comedy

The Pod Generation — comedy/drama

The Point Men (2023) (also titled Bargaining) — action

Polite Society — action/comedy

The Pollinators — documentary

Poolman — comedy/drama

Poor Things — fantasy/comedy/drama

The Pope’s Exorcist — horror

Pornstar Pandemic: The Guys — documentary

Port Authority (2019) — drama

Possessor Uncut — sci-fi/horror

The Power of the Dog — drama

The Prank (2024) — comedy

Premature (2020) — drama

Prem Geet 3 — action

Pretty Problems — comedy/drama

Prey (2022) — sci-fi/horror

The Prey (2020) — action

Prey for the Devil (also titled The Devil’s Light) — horror

The Price of Desire — drama

The Price We Pay (2023) — horror

The Princess (2022) — documentary

Prisoner’s Daughter — drama

Prisoners of the Ghostland — sci-fi/action

Problemista — comedy/drama

The Procurator — drama

Profile (2021) — drama

Project Power — sci-fi/action

Project Wolf Hunting — sci-fi/horror/action

Promising Young Woman — comedy/drama

The Protégé (2021) — action

Proxima — sci-fi/drama

P.S. Burn This Letter Please — documentary

Public Enemy Number One — documentary

Puss in Boots: The Last Wish — animation

PVT CHAT — drama

Quaid-e-Azam Zindabad — action

Queenpins — comedy

¡Que Viva México! (2023) — comedy

The Quiet Girl — drama

The Quiet One (2019) — documentary

A Quiet Place: Day One — sci-fi/horror

A Quiet Place Part II — sci-fi/horror

The Quintessential Quintuplets Movie — animation

Quo Vadis, Aida? — drama

The Racer — drama

Radical (2023) — drama

Radioactive — drama

Raging Fire — action

Raging Grace — horror

Raid on the Lethal Zone — action

Railway Children (formerly titled The Railway Children Return) — drama

A Rainy Day in New York — comedy

Raising Buchanan — comedy

Ram Setu — action

Ransomed (2023) — action

Rare Beasts — comedy

Rare Objects (2023) — drama

Rathnam (2024) — action

Ravanasura — action

Ravening (formerly titled Aamis) — drama

Raya and the Last Dragon — animation

Rebel (2022) — drama

The Rebellious Life of Mrs. Rosa Parks — documentary

Rebuilding Paradise — documentary

Recorder: The Marion Stokes Project — documentary

Redeeming Love — drama

Red Penguins — documentary

Red Rocket — comedy/drama

Red Shoes and the Seven Dwarfs — animation

Refuge (2023) — documentary

A Regular Woman — drama

Relic — horror

Remember (2022) — action

Reminiscence (2021) — sci-fi/drama

Renaissance: A Film by Beyoncé — documentary

Renfield (2023) — horror/comedy

The Rental (2020) — horror

Rent-A-Pal — horror

The Rescue (2021) — documentary

The Rescue List — documentary

Resident Evil: Welcome to Raccoon City — horror

Resistance (2020) — drama

Resistance: They Fought Back — documentary

Respect (2021) — drama

Resurrection (2022) — horror

Retaliation (formerly titled Romans) — drama

The Retirement Plan (2023) — comedy/action

The Retreat (2021) — horror

Return to Seoul — drama

Reverse the Curse (formerly titled Bucky F*cking Dent) — comedy/drama

Rewind — documentary

The Rhythm Section — action

The Ride (2020) — drama

Ride Like a Girl — drama

Ride On — comedy/drama

Riders of Justice — drama

Ride the Eagle — comedy/drama

The Right One — comedy

Riotsville, USA — documentary

Rita Moreno: Just a Girl Who Decided to Go For It — documentary

River City Drumbeat — documentary

RK/RKAY — comedy

Roadrunner: A Film About Anthony Bourdain — documentary

Roald Dahl’s Matilda the Musical — musical

Roald Dahl’s The Witches — horror/fantasy

Robert the Bruce — drama

Robot Dreams (2023) — animation

Robots (2023) — sci-fi/comedy

Rocky Aur Rani Ki Prem Kahani — comedy/drama

Ron’s Gone Wrong — animation

The Rookies (2019) — action

Room 203 — horror

Rounding — drama

The Roundup (2022) — action

The Royal Hotel — drama

Rubikon (2022) — sci-fi/drama

Ruby Gillman, Teenage Kraken — animation

Rule of Two Walls — documentary

Run (2020) — drama

Runner — documentary

Running the Bases — drama

Run Rabbit Run (2023) — horror

Run With the Hunted — drama

Rushed — drama

Rustin (2023) — drama

Ruth: Justice Ginsburg in Her Own Words — documentary

Rye Lane — comedy

Sacramento (2024) — comedy/drama

Safer at Home — drama

Saint Frances — comedy/drama

Saint Maud — horror

Saint Omer — drama

Salaar: Part 1 – Ceasefire — action

Saloum — horror

Saltburn — comedy/drama

Sam Bahadur — drama

Sam & Kate — comedy/drama

Samrat Prithviraj (formerly titled Prithviraj) — action

Sanctuary (2023) — drama

Santa Camp — documentary

Sasquatch Sunset — fantasy/comedy/drama

Satisfied (2024) — documentary

Satyaprem Ki Katha — drama

Save Yourselves! — sci-fi/horror/comedy

Saving Paradise — drama

Saw X — horror

Say Hey, Willie Mays! — documentary

Say I Do to Me — comedy

The Scheme (2020) — documentary

Scheme Birds — documentary

School’s Out Forever — horror

Scoob! — animation

Scrambled (2024) — comedy/drama

Scrapper (2023) — comedy/drama

Scream (2022) — horror

Scream VI — horror

Scream, Queen! My Nightmare on Elm Street — documentary

Screened Out — documentary

Seahorse: The Dad Who Gave Birth (formerly titled Seahorse) — documentary

Searching for Amani — documentary

Seberg — drama

The Secret: Dare to Dream — drama

A Secret Love — documentary

The Secrets We Keep — drama

See for Me — horror

See How They Run (2022) — comedy/drama

See Know Evil — documentary

See You Yesterday — sci-fi/drama

Selah and the Spades — drama

Selfiee — comedy

Sell/Buy/Date — documentary

Separation (2021) — horror

Sergio (2020) — drama

Sesame Street: 50 Years of Sunny Days — documentary

Settlers (2021) — sci-fi/drama

The Seventh Day (2021) — horror

Shabaash Mithu — drama

Shadows (2023) — horror

Shadows of Freedom — documentary

Shaitaan (2024) — horror

Shang-Chi and the Legend of the Ten Rings — sci-fi/fantasy/action

Shattered (2022) — drama

Shayda — drama

Shazam! Fury of the Gods — sci-fi/fantasy/action

She Came to Me — comedy/drama

She Dies Tomorrow — drama

Shehzada (2023) — action

She Is Love — drama

Shelter in Solitude — drama

She Said — drama

She’s in Portland — drama

She Will — horror

The Shift (2023) — sci-fi/drama

Shine Your Eyes — drama

Shining for One Thing (2023) — drama

Shirley (2020) — drama

Shithouse — comedy/drama

Shiva Baby (2021) — comedy/drama

Shonibar Bikel (Saturday Afternoon) — drama

Shortcomings (2023) — comedy

Shortcut — horror

The Short History of the Long Road — drama

A Shot Through the Wall — drama

Showbiz Kids — documentary

Showing Up (2023) — comedy/drama

The Show’s the Thing: The Legendary Promoters of Rock — documentary

Siberia (2021) — drama

Sidney — documentary

Sight (2024) — drama

Significant Other (2022) — sci-fi/horror

Silent Night (2021) (starring Keira Knightley) — comedy/drama

Silent Night (2023) — action

The Silent Party — drama

The Silent Twins — drama

Silk Road (2021) — drama

A Simple Wedding — comedy

Simulant (2023) — sci-fi/action

Sing 2 — animation

Sing Sing (2024) — drama

The Sinners (2021) (also titled The Virgin Sinners; formerly titled The Color Rose) — horror

Sissy — horror

Sisu (2023) — action

Six Minutes to Midnight — drama

Skate Dreams — documentary

Ski Bum: The Warren Miller Story — documentary

Skin Deep: The Battle Over Morgellons — documentary

Skin Walker — horror

Skyman — sci-fi/drama

Slay the Dragon — documentary

Slotherhouse — horror

Small Engine Repair (2021) — comedy/drama

Smile (2022) — horror

Smiley Face Killers — horror

Smoking Causes Coughing — sci-fi/comedy

Snack Shack — comedy/drama

Snake Eyes: G.I. Joe Origins — sci-fi/fantasy/action

Sniper: The White Raven — action

Sno Babies — drama

A Snowy Day in Oakland — comedy/drama

Soft & Quiet — drama

Somebody Up There Likes Me (2020) — documentary

Some Kind of Heaven — documentary

Some Like It Rare — horror/comedy

Someone Like You (2024) — drama

Sometimes Always Never — comedy/drama

Sometimes I Think About Dying (2024) — drama

Somewhere in Queens — comedy/drama

The Son (2022) — drama

The Sonata — horror

Songbird — sci-fi/drama

Sonic the Hedgehog — live-action/animation

Sonic the Hedgehog 2 — live-action/animation

Son of Monarchs — drama

Sorry/Not Sorry (2024) — dcumentary

Sorry We Missed You — drama

Soul — animation

Soulmates (2021) — comedy

Sound of Hope: The Story of Possum Trot — drama

The Sound of Identity — documentary

Sound of Metal — drama

Sound of Silence (2023) — horror

The Sound of Violet (formerly titled Hooked) — drama

Southern Gospel — drama

The Souvenir Part II — drama

Space Jam: A New Legacy — live-action/amination

Spaceship Earth — documentary

The Sparks Brothers — documentary

The Sparring Partner — drama

The Speedway Murders — documentary

Spell (2020) — horror

Spelling the Dream (formerly titled Breaking the Bee) — documentary

Spencer — drama

Spider-Man: Across the Spider-Verse — animation

Spider-Man: No Way Home — sci-fi/fantasy/action

Spinning Gold — drama

Spiral (2021) — horror

Spirited (2022) — musical/comedy

Spirit Untamed — animation

Spoiler Alert (2022) — drama

The SpongeBob Movie: Sponge on the Run — live-action/animation

Spontaneous — sci-fi/horror/comedy

Sputnik — sci-fi/horror

Spy (2023) — action

Spy x Family Code: White — animation

Standing Up, Falling Down — comedy/drama

Stardust (2020) — drama

The Starling Girl — drama

Stars at Noon — drama

Starting at Zero — documentary

The State of Texas vs. Melissa — documentary

Stay Awake (2023) — drama

Stealing School — comedy/drama

Stevenson Lost & Found — documentary

Still: A Michael J. Fox Movie — documentary

Still Here (2020) — drama

Stillwater (2021) — drama

Sting (2024) — horror

The Stolen Valley (formerly titled Alta Valley) — action

The Storied Life of A.J. Fikry — drama

The Storm (2024) — animation

The Story of Soaps — documentary

The Stranger (Quibi original) — drama

The Strangers: Chapter 1  — horror

Strange World (2022) — animation

Stray (2021) — documentary

Strays (2023) — drama

Stray Dolls — drama

Street Gang: How We Got to Sesame Street — documentary

Street Survivors: The True Story of the Lynyrd Skynyrd Plane Crash — drama

Stress Positions — comedy/drama

Strictly Confidential (2024) — drama

Studio 666 (2022) — horror/comedy

The Stylist — horror

Subho Bijoya — drama

Subjects of Desire — documentary

Sublime — documentary

Sugar Daddy (2021) — drama

The Suicide Squad — sci-fi/fantasy/action

Summering — drama

Summerland — drama

Summer of Soul (…Or, When the Revolution Could Not Be Televised) — documentary

Summoning Sylvia — horror/comedy

Sundown (2022) — drama

The Sunlit Night — comedy/drama

The Super Mario Bros. Movie — animation

Supernova (2021) — drama

Super Punjabi — comedy

The Surrogate — drama

Survive — drama

Swallow — drama

Swallowed (2023) — horror

Swan Song (2021) (starring Mahershala Ali) — sci-fi/drama

Swan Song (2021) (starring Udo Kier) — comedy/drama

Sweetheart Deal — documentary

Sweet Thing (2020) — drama

Sweetwater (2023) — drama

The Swerve — drama

The Swing of Things — comedy

Sylvie’s Love — drama

Sympathy for the Devil (2023) — comedy/drama

Synchronic — sci-fi/horror

Table for Six (2022) — comedy/drama

Take Back — action

Take Me to the River: New Orleans — documentary

Talk to Me (2023) — horror

Tango Shalom — comedy/drama

Tankhouse — comedy

Tape (2020) — drama

Tar — horror

TÁR — drama

Tarot (2024) — horror

A Taste of Hunger — drama

A Taste of Sky — documentary

The Taste of Things — drama

Taylor Mac’s 24-Decade History of Popular Music — documentary

Taylor Swift: The Eras Tour — documentary

Taylor Swift vs. Scooter Braun: Bad Blood — documentary

The Teachers’ Lounge (2023) — drama

Ted Bundy: American Boogeyman — horror

Teenage Mutant Ninja Turtles: Mutant Mayhem — animation

The Tender Bar — drama

Ten Minutes to Midnight — horror

Teri Baaton Mein Aisa Uljha Jiya — sci-fi/comedy

Terrorizers — drama

Tesla — drama

Tetris (2023) — drama

Thank God (2022) — comedy/drama/fantasy

Thanksgiving (2023) — horror

That Time I Got Reincarnated as a Slime the Movie: Scarlet Bond — animation

Theater Camp (2023) — comedy

Thelma (2024) — comedy

Then Came You (2020) — comedy

There There — comedy/drama

They Call Me Dr. Miami — documentary

They Shot the Piano Player — docudrama/animation

They Wait in the Dark — horror

The Thing About Harry — comedy

Think Like a Dog — comedy/drama

Third World Romance — drama

Thirteen Lives — drama

This Is a Film About the Black Keys — documentary

This Is Personal — documentary

This Is Stand-Up — documentary

This Is the Year — comedy

Thor: Love and Thunder — sci-fi/fantasy/action

Those Who Wish Me Dead — drama

A Thousand and One — drama

A Thousand Cuts (2020) — documentary

A Thread of Deceit: The Hart Family Tragedy — documentary

Three Headed Beast — drama

Three Minutes—A Lengthening — documentary

Three Thousand Years of Longing — fantasy

Through the Night (2020) — documentary

Ticket to Paradise (2022) — comedy

Tick, Tick…Boom! — musical

Tiger 3 — action

Tiger Nageswara Rao — action

Tijuana Jackson: Purpose Over Prison — comedy

TikTok Star Murders — documentary

Till — drama

Time (2020) — documentary

Time Is Up (2021) — drama

The Times of Bill Cunningham — documentary

Time Still Turns the Pages — drama

Timmy Failure: Mistakes Were Made — comedy

The Tinder Swindler — documentary

Titane — horror

The Tobacconist — drama

To Catch a Killer (2023) (formerly titled Misanthrope) — drama

Together (2021) — comedy/drama

Together Together — comedy/drama

To Kid or Not to Kid — documentary

To Kill a Tiger — documentary

To Kill the Beast — drama

Tom and Jerry — live-action/animation

Tommaso — drama

Tom of Your Life — sci-fi/comedy

Tom Petty, Somewhere You Feel Free: The Making of Wildflowers — documentary

Too Late (2021) — horror/comedy

Top Gun: Maverick — action

The Torch (2022) — documentary

Totally Under Control — documentary

To the Moon (2022) — drama

Touch (2024) — drama

Trafficked: A Parent’s Worst Nightmare — drama

The Tragedy of Macbeth — drama

Transformers: Rise of the Beasts — sci-fi/action

Traveling Light (2022) — drama

The Trial of the Chicago 7 — drama

Triangle of Sadness — comedy/drama

The Trip to Greece — comedy

Trixie Mattel: Moving Parts — documentary

Trolls Band Together — animation

Trolls World Tour — animation

Troop Zero — comedy

The True Adventures of Wolfboy — drama

The Truffle Hunters — documentary

Trust (2021) — drama

The Truth — drama

The Tuba Thieves — documentary

Tuesday (2024) — drama

Tu Jhoothi Main Makkaar — comedy

The Turning (2020) — horror

Turning Red — animation

The Tutor (2023) — drama

‘Twas the Fight Before Christmas — documentary

Twas the Night (2021) — comedy

The Twentieth Century — comedy

Twisters (2024) — documentary

Two of Us (2020) — drama

Tyson (2019) — documentary

Tyson’s Run — drama

Ullozhukka — drama

Ultrasound — sci-fi/drama

Umma (2022) — horror

The Unbearable Weight of Massive Talent — action/comedy

Unbelievable (premiere episode) — drama

Uncaged (also titled Prey) – horror

Uncharted (2022) — action

Unconditional (2023) — documentary

Uncorked — drama

Under the Volcano (2021) — documentary

Underwater — sci-fi/horror

Undine (2020) — drama

Unfavorable Odds — comedy

Unhinged (2020) — action

The Unholy (2021) — horror

The United States vs. Billie Holiday — drama

Un Rescate de Huevitos — animation

Unsung Hero (2024) — drama

The Unthinkable — drama

Until We Meet Again (2022) — drama

Up From the Streets: New Orleans: The City of Music — documentary

Uprooting Addiction — documentary

Ursula von Rydingsvard: Into Her Own — documentary

Utama — drama

Uunchai — drama

Vaalvi — comedy/drama

Vaathi (also titled Sir) — drama

Vadh — drama

Val — documentary

Valley Girl (2020) — musical

The Vanished (2020) (formerly titled Hour of Lead)— drama

Vanquish (2021) — action

The Vast of Night — sci-fi/drama

Veetla Vishesham — comedy/drama

Vengeance (2022) — comedy/drama

Vengeance Is Mine (2021) — action

Venom: Let There Be Carnage — sci-fi/fantasy/action

A Very Good Girl — comedy/drama

The Very Excellent Mr. Dundee — comedy

The Vigil (2021) — horror

Vijayanand — drama

Vikram (2022) — action

The Village in the Woods — horror

Villains Inc. (2024) (formerly titled Villains Incorporated) — sci-fi/fantasy/comedy

Violent Night — action/comedy

Violet (2021) — drama

Viral: Antisemitism in Four Mutations — documentary

The Virtuoso (2021) — drama

Vivarium — sci-fi/drama

Voyagers — sci-fi/drama

Vulcanizadora — drama

Waikiki (2023) — drama

Waiting for Bojangles — comedy/drama

Waiting for the Barbarians — drama

Waiting for the Light to Change (2023) — drama

Wander Darkly — drama

The Wandering Earth II — sci-fi/action

Warrior King — animation

The War With Grandpa — comedy

The Wasp (2024) — drama

Watcher (2022) — horror

The Watchers (2024) — horror

Watson — documentary

The Way Back (2020) — drama

We 12 — action

We Are Freestyle Love Supreme — documentary

We Are Little Zombies — comedy/drama

We Are Many — documentary

We Are the Radical Monarchs — documentary

Weathering With You — animation

We Broke Up — comedy

We Grown Now — drama

Weird: The Al Yankovic Story — comedy

Welcome to Chechnya — documentary

We Need to Do Something — horror

We’re All Going to the World’s Fair — drama

Werewolves Within — horror/comedy

Wes Is Dying (formerly titled Wes Schlagenhauf Is Dying) — comedy

West Side Story (2021) — musical

The Whale (2022) — drama

What Happens Later — comedy/drama

What Jennifer Did — documentary

What’s Love Got to Do With It? (2023) — comedy/drama

What’s My Name: Muhammad Ali — documentary

What the Hell Happened to Blood, Sweat & Tears? — documentary

What We Do Next — drama

What We Found — drama

What Will Become of Us (2019) — documentary

The Wheel (2022) — drama

When I Consume You — horror

When the Streetlights Go On — drama

When You Finish Saving the World — comedy/drama

Where the Crawdads Sing — drama

Whisper of the Heart (2022) — drama

The Whistlers — drama

White Noise (2022) — comedy/drama

The White Storm 3: Heaven or Hell — action

A White, White Day — drama

Whitney Houston: I Wanna Dance With Somebody — drama

Who We Are: A Chronicle of Racism in America — documentary

Wicked Little Letters — comedy/drama

Widow of Silence — drama

Wig — documentary

Wildcat (2022) — documentary

Wildcat (2024) — drama

Wildflower (2023) — comedy/drama

Wild Indian — drama

Wild Men (2021) — comedy/drama

Wild Mountain Thyme — drama

Willy’s Wonderland — horror

The Windermere Children — drama

Wine Crush (Vas-y Coupe!) (formerly titled Vas-y Coupe!) — documentary

Winnie-the-Pooh: Blood and Honey — horror

Winnie-the-Pooh: Blood and Honey 2 — horror

Wish (2023) — animation

The Witch 2: The Other One — sci-fi/horror/action

Witch Hunt (2021) — horror

Wojnarowicz — documentary

Wolf (2021) — drama

The Wolf and the Lion — drama

The Wolf House — animation

The Wolf of Snow Hollow — horror

The Woman King — action

Woman on the Roof — drama

A Woman’s Work: The NFL’s Cheerleader Problem — documentary

Women (2021) — horror

Women Talking — drama

The Wonder (2022) — drama

Wonder Woman 1984 — sci-fi/fantasy/action

Wonka — musical

Woodstock: Three Days That Defined a Generation — documentary

Words on Bathroom Walls — drama

Work It — comedy/drama

The World to Come — drama

The Worst Person in the World — comedy/drama

Worst to First: The True Story of Z100 New York — documentary

Wrath of Man — action

The Wretched — horror

A Writer’s Odyssey — fantasy/action

The Wrong Missy — comedy

A Wu-Tang Experience: Live at Red Rocks Amphitheatre — documentary

Wyrm — comedy

Wyrmwood: Apocalypse — horror

X (2022) — horror

XY Chelsea — documentary

Yaara Vey — drama

Yakuza Princess — action

¿Y Cómo Es Él? — comedy

The Year Between — comedy/drama

Yellow Rose — drama

Yesterday Once More (2023) — drama

YOLO (2024) — comedy/drama

You Are Not My Mother — horror

You Cannot Kill David Arquette — documentary

You Can’t Run Forever — drama

You Don’t Nomi — documentary

You Go to My Head — drama

You Hurt My Feelings (2023) — comedy

Young Woman and the Sea — drama

You Should Have Left — horror

You Were My First Boyfriend — documentary

You Won’t Be Alone — horror

Yusuf Hawkins: Storm Over Brooklyn — documentary

Zack Snyder’s Justice League — sci-fi/fantasy/action

Zappa — documentary

Zara Hatke Zara Bachke — comedy/drama

Zeros and Ones — drama

Zola — comedy/drama

Zombi Child — horror

The Zone of Interest — drama

Zwigato — drama

Review: “Deadpool & Wolverine,’ starring Ryan Reynolds, Hugh Jackman, Emma Corrin and Matthew Macfadyen

July 23, 2024

by Carla Hay

Ryan Reynolds and Hugh Jackman in “Deadpool & Wolverine” (Photo by Jay Maidment/20th Century Studios/Marvel Studios)

“Deadpool & Wolverine”

Directed by Shawn Levy

Culture Representation: Taking place in various universes, the sci-fi/fantasy/action film “Deadpool & Wolverine” (which is first “Deadpool” and “X-Men”-related movie that is of the Marvel Cinematic Universe) features a predominantly cast of characters (with some African Americans and Asias) portraying superheroes, supervillains, powers and regular human beings.

Culture Clash: Bickering superheroes Deadpool and Wolverine team up to stop certain villains who want to make Deadpool’s universe disappear.  

Culture Audience: “Deadpool & Wolverine” will appeal primarily to people are fans of the movies headliners, superhero movies and action films that have some bawdy comedy with self-referencing jokes.

Emma Corrin in “Deadpool & Wolverine” (Photo by Jay Maidment/20th Century Studios/Marvel Studios)

“Deadpool & Wolverine” takes a joke-filled grenade and throws it at previous perceptions of the Marvel Cinematic Universe. This hyperactive superhero sequel goes all-in with meta references, surprise appearances, and male homoerotic flirting. There are so many references to previous MCU movies, Disney’s acquisition of 20th Century Fox, executive decisions for superhero movies, and some of the cast members’ personal lives in the real world, it would be easy for anyone not familiar with any of these references be confused or not understand at last half of the jokes in the movie. “Deadpool & Wolverine” is still an adrenaline-packed, crowd-pleaser for anyone inclined to like superhero movies, even if the movie is overstuffed with “surprises” to bulk up what is essentially a very thin plot.

Directed by Shawn Levy, “Deadpool & Wolverine” is the first MCU movie starring Marvel characters from 20th Century Fox Studios (now known as 20th Century Studios), which was acquired by Disney (also owner of Marvel Studios) in 2019, about two years before the acquisition was announced. As a result, Marvel characters such as Deadpool, Wolverine (who is part of “The X-Men” universe), the Fantastic Four, Blade, Daredevil and Elektra, are among the characters who can now be part of the MCU. “Deadpool & Wolverine” was written by Levy, Ryan Reynolds, Rhett Reese, Paul Wernick and Zeb Wells.

“Deadpool & Wolverine” is also the first MCU movie to have a movie rating that is recommended viewing for people at or close to adult ages. The movie gets this rating because of the bloody violence and cursing. “Deadpool & Wolverine” also has some sexual comments/innuendos that are intended for mature/adult audiences. Do people need to see any of Fox’s previous superhero movies to better understand “Deadpool & Wolverine”? Yes. The best ones to see before “Deadpool & Wolverine” are 2016’s “Deadpool,” 2018’s “Deadpool 2” and 2017’s “Logan.”

In the very beginning of “Deadpool & Wolverine” wisecracking superhero Deadpool (played by Reynolds) is seen digging up a grave in a snowy wooded area. He’s trying to find and resurrect surly superhero Wolverine (played by Hugh Jackman), a human-wolf mutant also known as Logan, who died in the “Logan” movie. Wolverine is one of the main characters in the “X-Men” series of movies and comic books. Deadpool, whose real name is Wade Wilson, is a Canadian mercenary who was disfigured by fire burns in an accident, and he has superhuman regenerative healing abilities. Wade’s main weapons are his guns and swords, while Wolverine’s main weapons his retractable hand claws that are very large blades.

The meta references in “Deadpool & Wolverine” start from the very first scene. Deadpool can be heard saying in a voiceover about resurrecting Wolverine/Logan: “Marvel is so stupid. How are we going to do this without dishonoring Logan’s memory? We’re not.” There’s an amusing fight scene that Deadpool has with some soldiers the wooded area, where Deadpool dances to *NSYNC’s “Bye Bye Bye.” And then, there’s a flashback to Deadpool’s life in 2018 and in 2024, before he ended up in this fight.

The flashbacks show that Wade has retired his Deadpool superhero persona and is working as a salesperson for a company called Drive Max, which is a lot like the real-life automobile sales company CarMax. Wade is close to a middle-aged co-worker named Peter (played by Rob Delaney), who is also a salesperson at Drive Max. A flashback to 2018 shows that Wade is unhappy in this dead-end job, so he interviews with Happy Hogan (played by Jon Favreau), Iron Man’s former chauffeur, to see if he can get back in the superhero business. Deadpool says he needs to join the Avengers (Marvel’s most famous group of superheroes), but Happy tells Wade that people aren’t Avengers because they need to be but because people need the Avengers.

In 2024, Wade is living with elderly roommate Blind Al (played by Leslie Uggams), who mentions several times that she’s a cocaine dealer. (The cocaine comments in the movie are played for laughs.) On his birthday, Wade goes home and gets a surprise birthday party, whose guests are Blind Al; Wade’s ex-girlfriend Vanessa Carlysle (played by Morena Baccarin); and various superhero friends who were introduced in 2018’s “Deadpool 2”: Dopinder (played by Karan Soni); Negasonic Teenage Warhead (played by Brianna Hildebrand); Yukio (played by Shioli Kutsuna); Colussus (played by Stefan Kapicic); and Buck (played by Randal Reeder). At this party, Vanessa tells Wade that she has a new boyfriend. Wade (who’s still in love with Vanessa) is visibly disappointed that she has moved on to someone else.

After this birthday party, Wade suddenly finds himself transported to the headquarters of the Time Variance Authority (TVA), which is responsible for various timelines in the multiverse. Wade meets a pompous TVA official named Mr. Paradox (played by Matthew Macfadyen), who informs Wade that when an anchor being dies in a universe, the universe and its timeline will eventually fade from existence. Mr. Paradox tells Wade/Deadpool that the universe of Wade/Deadpool and all of Wade’s loved ones will eventually cease to exist. Mr. Paradox has been tasked with overseeing this extinction.

Wade/Deadpool finds out that the “anchor being” for this universe is Wolverine/Logan. And so begins a race against time to find Wolverine/Logan (there are several in the multiverse) who is alive and team up with Wolverine to save Deadpool’s universe. “Deadpool & Wolverine” has a flurry of alternate Wolverines/Logans who make quick appearance in this search, including one played by an actor who is famous for starring as a DC Comics superhero.

The Wolverine/Logan who ends up teaming up with Deadpool/Wade is dealing with massve guilt over the death of millions of beings in his universe. The movie’s chief villain is Cassandra Nova (played by Emma Corrin), the twin sister of “X-Men” character Charles Xavier. She lives in a place called The Void, which “Deadpool & Wolverine” is quick to self-referentially point out is the movie’s ripoff version of what’s in the “Mad Max” movies. Cassandra has extremely powerful telekinesis abilities. She can also take her hands to go inside bodies and grab onto people’s organs. When she takes a hold of someone’s brain, she can read their mind and enter their thoughts.

The movie’s visual effects are above-average but they’re not groundbreaking. “Deadpool & Wolverine’s” soundtrack songs lean heavily into nostalgia. In addition to *NSYNC’s “Bye Bye Bye,” other songs featured prominently in the movie are Madonna’s “Like a Prayer”; John Travolta and Olivia Newton-John’s “Grease” duet “You’re the One that I Want”; and Huey Lewis & the News’ “The Power of Love” and “If This Is It.” This isn’t a soundtrack that will have an award-winning hit original song written for the soundtrack.

“Deadpool & Wolverine” also mines nostalgia in other ways, such as plenty of surprise superhero appearances—some that are more predictable than others. Some of these superhero appearances are played by the same cast members who were these superheroes in other movies, while other superhero appearances are from cast members playing these superheroes for the first time in a movie. Perhaps the biggest surprise is the appearance of someone who seems to be one superhero but then is revealed to be another superhero.

Reynolds and Jackman play up the “opposites attract and clash” personalities of Deadpool and Wolverine to the hilt. They get into some epic battles with villains and with each other. Reynolds has said in interviews that he thinks Deadpool is probably bisexual or sexually fluid, and so he portrays the character in this way. “Deadpool & Wolverine” doesn’t come right out and declare Deadpool’s sexuality, but the movie doesn’t really play coy about Deadpool’s sexuality either. There are numerous scenes that show Deadpool/Wade is still in love with Vanessa but he is sexually attracted to Wolverine/Logan.

Corrin is quite good in the role of ice-cold Cassandra, but this villain won’t go be remembered as the most fearsome or entertaining MCU villain. Macfadyen (the Emmy-winning former co-star of “Succession”) also has a role as an icy Brit villain, although prissy Mr. Paradox doesn’t have any superpowers and is a lot less menacing than Cassandra. There’s also a Deadpool dog named Dogpool who is in the movie for offbeat cuteness and comic relief. Cassandra’s minions are generic and forgettable, except for an underdeveloped character named Pyro (played by Aaron Stanford), who can make flames come out of his hands.

The movie has some snarky references to a few of the cast members’ personal lives. For example, Deadpool says that Wolverine has let his toned physique go flabby because of the divorce, which is in reference to Jackman’s own real-life divorce that Jackman going through while filming “Deadpool & Wolverine.” There’s also a joke about two real-life ex-spouses who co-starred as superheroes in a superhero movie that was released in the early 2000s, a few years before the now-divorced couple got married.

“Deadpool & Wolverine” has an overload of references to past superhero movies, pop culture and celebrity gossip. Viewers who are unfamiliar with any of the above will just feel lost but can still enjoy the action and the characters. The movie’s end-credit scene is not a preview for a sequel but is an amusing reference to a previous scene in “Deadpool & Wolverine.” As far as MCU movies go, “Deadpool & Wolverine” is a wacky and entertaining ride that doesn’t take itself too seriously. “Deadpool & Wolverine” revels in poking fun itself as much as it pokes fun at the movie industry.

Marvel Studios and 20th Century Studios will release “Deadpool & Wolverine” in U.S. cinemas on July 26, 2024.

Review: ‘Sorry/Not Sorry’ (2024) starring Jen Kirkman, Abby Schachner, Megan Koester, Noam Dworman, Cara Buckley, Jodi Kantor and Melena Ryzik

July 22, 2024

by Carla Hay

Megan Koester in “Sorry/Not Sorry” (Photo courtesy of The New York Times/Greenwich Entertainment)

“Sorry/Not Sorry” (2024)

Directed by Cara Mones and Caroline Suh

Culture Representation: The documentary “Sorry/Not Sorry” features a predominantly white group of people (with one African American and one Latina) discussing the #MeToo scandal of comedian/actor Louis C.K. and how it speaks to larger issues of what “cancel culture” really means.

Culture Clash: Louis C.K. had his career temporarily derailed, after he admitted in 2017 that a New York Times report was true about him sexually harassing women for decades; his comeback attempts after his #MeToo scandal have gotten mixed responses. 

Culture Audience: “Sorry/Not Sorry” will appeal primarily to people who are interested in watching a documentary about what “cancel culture” really means when a famous entertainer had a #MeToo scandal was able to make a semi-comeback.

Noam Dworman in “Sorry/Not Sorry” (Photo courtesy of The New York Times/Greenwich Entertainment)

“Sorry/Not Sorry” needed more information about people who helped Louis C.K. make a comeback after his #MeToo scandal. The documentary still capably explores difficult questions about the difference between forgiving and enabling admitted sexual harassers. The situation with comedian/actor Louis C.K. is complicated by people’s varying definitions of what type of scandal they think should ruin someone’s career and for how long.

Directed by Cara Mones and Caroline Suh, “Sorry/Not Sorry” had its world premiere at the 2023 Toronto International Film Festival. The documentary is produced in part by The New York Times and is based on the 2017 reporting on Louis C.K. by New York Times investigative journalists Melena Ryzik, Cara Buckley and Jodi Kantor, who are all interviewed in the documentary. In November 2017, the trio broke the story about Louis C.K. being a serial sexual harasser, with his known harassment going back to the 1990s. An epilogue caption in “Sorry/Not Sorry” says that Louis C.K. did not respond to requests for comment or to participate in this documentary.

Lous C.K.’s targets were women (usually other comedians with less power and less fame), whom he would masturbate in front of and/or tell graphic details about his sex life or sexual thoughts, often without their consent. In cases where he did get consent to masturbate in front of a victim, she later reported that she was either in shock or thought he was joking when she said yes. These stories about Louis C.K. had been circulating for years and had been an “open secret” in the entertainment industry, but he had publicly denied or refused to address these allegations in interviews. It wasn’t until the day after The New York Times published its November 2017 exposé on Louis C.K. (with several of his victims going on the record) that Louis C.K. publicly admitted that the reported sexual harassment stories about him were true.

Louis C.K. (whose birth name is Louis Alfred Székely) was born in 1967, in Washington, D.C., although for the first seven years of his life, he was raised in Mexico. He father Luis Szekely
was of Mexican Jewish heritage, while his mother Mary Louise Davis was Irish American. Louis C.K. rarely talks about his Latin/Hispanic ethnicity and the fact that he spoke only Spanish until he was 7 years old, when his family moved back to the United States (in the Boston area), and he learned English. Louis C.K. identifies as a white American and lets people assume that he is fully white.

The racial issue is important because several people in “Sorry/Not Sorry” say directly or indirectly that Louis C.K.’s white male privilege has allowed him to get away with more and make a career comeback faster than someone in the same circumstance who isn’t a white male. The business of stand-up comedy—where Louis C.K. first rose to fame and which was the first part of the entertainment industry where he made his comeback—is also dominated by white men, the demographic that makes the most money from stand-up comedy.

Sex and masturbation have been frequent topics in Louis C.K.’s stand-up comedy routines, where he usually has smirking commentary about how terrible men are to women. Louis C.K. would become even more famous as an actor—most notably, starring in and executive producing his own FX comedy series “Louie,” which was on the air from 2010 to 2015. He has also won several major industry awards, including Primetime Emmys for his screenwriting and Grammys for his comedy albums. In his personal life (which he often talks about his in stand-up comedy act), Louis C.K. was married to artist Alix Bailey from 1995 to 2008, the year that they were officially divorced. He and Bailey have two daughters together.

The fallout of Louis C.K.’s #MeToo scandal was swift and severe. He was fired from the FX comedy/drama series “Better Things,” which he co-created with “Better Things” star Pamela Adlon. The show was later cancelled in 2022. He had a lucrative deal with Netflix that was also cancelled in 2017.

Also resulting from the scandal, Louis C.K.’s comedy/drama movie “I Love You, Daddy,” which he wrote and directed, had its 2017 release cancelled. In “I Love You, Daddy,” C.K. starred as the father of a teenager (played by Chloe Grace Moretz), who is the target of a sexual predator in his 60s (played by John Malkovich), but it’s all played for laughs. There are also scenes in the movie where men pretend to masturbate in front of women.

“Sorry/Not Sorry” features interviews with three women who say that they were the targets of Louis C.K.’s sexual harassment: TV writer/producer Jen Kirkman, comedian/writer Megan Koester, and artist/comedian Abby Schachner. All three women talk about how they were initially reluctant to go public with their stories because Louis C.K.’s sexual harassment was known and accepted by numerous people in the entertainment industry.

Kirkman describes sexual harassment encounters with Louis C.K., who worked with her in 2002 as a voice actor on the animated comedy series “Home Movies.” She remembers sharing a car ride with him during a “Home Movie” business trip to Massachusetts in 2002, and he began telling her about his sex life without her consent.

Kirkman says she later she turned down his offer to be his opening act in Florida (even though she says she really needed the money) because she instinctively felt it would lead to more sexual harassment from him. On a separate occasion, when she saw Louis C.K. again, he grabbed her by the neck in a private moment and whispered, “We’re going to fuck one day.”

After a Gawker article in 2015 began dropping hints that Louis C.K. was a serial harasser, Kirkman decided to semi-out him on her podcast by describing her own sexual harassment experience with Louis C.K. but without naming him. People figured out anyway that she was talking about Louis C.K., and Kirkman says she wasn’t prepared for the backlash. She was also disheartened by how many people knew about Louis C.K. being problematic but did not publicly support her.

“It was like being thrown into war with no battle training,” Kirkman comments. In the documentary, Kirkland says that Louis C.K. personally contacted her during this time to make amends, but he refused her request to make a joint statement where he would publicly admit to his wrongdoing. Kirkland remembers that Louis C.K. would not say that what happened to her was an isolated incident or that he would stop sexually harassing other women.

Kirkland admits her ambivalence about publicly naming Louis C.K. as her sexual harasser caused her to publicly deny at one point that he was her harasser because she was tired of the bullying and hate that she was getting from his supporters. She also says that she wanted the negative media attention on her to stop. Kirkland mentions that she chose not to be interviewed for the New York Times’ 2017 coverage of Louis C.K.’s sexual harassment because he did not masturbate in front of her, and she feels her experiences with Louis C.K. weren’t as heinous in comparison to the victims who were subjected to watching him masturbate.

In the documentary, Kirkland reflects on her negative experiences with Louis C.K.: “I don’t know if I was traumatized by what he did. I was disturbed. As the years went on, and I had more of a sense of self, I was like, ‘Oh my God. That is so fucked up.’ And this culture of people who think it’s normal—they’re fucked up.”

Koester said she heard stories about Louis C.K. masturbating in front of women as sexual harassment, but she was still surprised when it happened to her. In 2016, the year when Bill Cosby’s career was torpedoed when numerous women came forward accusing him of drugging and raping them, Koester says she was at the Just for Laughs Comedy Festival and was asking people what they thought of the allegations against Cosby and the sexual harassment stories about Louis C.K.

According to Koester, Just for Laughs executive Bruce Hills (who was the chief operating officer of Just for Laughs in 2016 and has since been promoted to president of Just for Laughs) yelled at her to stop asking those questions about Louis C.K. because Hills said that Koester was on the turf of Just for Laughs, and Louis C.K. is a friend of the festival. Koester says that this intimidation rattled her. In the documentary, Koester says that she was so disgusted by seeing how Louis C.K. was coddled and celebrated in the entertainment industry by people who knew he was sexual harasser, she ended up quitting her pursuit to be a full-time entertainer. Koester says she now sells items on eBay for her income.

Schachner (who also got masturbation sexual harassment from Louis C.K. in the early 1990s) hasn’t given up on wanting to be a full-time entertainer, but she says she was traumatized enough by her Louis C.K. experiences, she took a few breaks from the entertainment industry and did some “hiding.” Schachner says at the time, she was afraid of retaliation if she went public about Louis C.K. being a sexual harasser.

Schachner says that in the private meeting that Louis C.K. invited her to, she thought that they were going to discuss business, but he ended up sexually harassing her. “I felt duped,” Schachner says. She also mentions in her documentary interview that she never consented to Louis C.K. masturbating in front of her. Schachner also says that Louis C.K. tried to reconcile with her in 2009, when he reached out to her for an in-person meeting at Canter’s Deli in Los Angeles. She agreed to the meeting but didn’t get complete closure because he wouldn’t say that he had stopped his sexual harassment.

One of the main criticisms that Louis C.K. accusers get is that they are jealous of him and his career. It’s victim blaming that unfairly ignores that Louis C.K. has admitted to the harassment that has been reported about him. Victims who didn’t report the harassment right away are also blamed, as if what happened to them couldn’t possibly be true because they kept it private for a long time—even though the perpetrator admitted it happened.

The documentary mentions Dave Chappelle (who has also gotten much criticism for being misogynistic and transphobic in his work) as one of the celebrities who’ve publicly supported and excused Louis C.K. for the sexual harassment. Louis C.K.’s supporters usually argue some version of this comment: “What Louis C.K. did is not that bad compared to someone like convicted rapist Harvey Weinstein.” However, it’s a flawed argument because sexual harassment is sexual harassment, whether someone gets into legal trouble for it or not.

Also interviewed in “Sorry/Not Sorry” are two people who employed Louis C.K. at different times and have very different perspectives. Michael Schur, co-creator of the comedy series “Parks and Recreation,” hired Louis C.K. as a guest star for six “Parks and Recreation” episodes in 2009. Schur said he heard the sexual harassment stories about Louis C.K. at the time but he ignored them because he thought, “It’s not my problem.” Schur says he now regrets this dismissive attitude and should’ve been thinking more of the people being hurt by this sexual harassment.

Noam Dworman, owner of the Comedy Cellar nightclub in New York City, was the first person to hire Louis C.K. for a stand-up comedy show after Louis C.K.’s #MeToo scandal derailed the comedian’s career in November 2017. Louis C.K. returned to the spotlight by doing an unannounced appearance at the Comedy Cellar in August 2018, which led to Louis C.K. doing subsequent Comedy Cellar appearances that were announced. Dworman and the Comedy Cellar got a lot of public criticism and backlash for the decision to give Louis C.K. these comeback opportunities. However, Dworman and the Comedy Cellar received a lot of praise from people who say they dislike “cancel culture” and think Louis C.K. deserves a chance to resume his career.

Dworman is defensive of this decision and thinks, as a the owner of a private business, he has a right to decide to book performers whom audiences want to see. Dworman comments in the documentary: “You can feel however you want to feel about these things, but to feel you have the right to impose on a private business who’s employing a free person, who’s performing in front of people who want to see him in a free country, [and] that you feel that this is your business, I think that’s very, very dangerous. And that is where I’m drawing my line.”

Also interviewed in the documentary are comedians Michael Ian Black, Aida Rodriguez and Andy Kindler. Several journalists/critics are also interviewed, including Alison Herman of Variety, Wesley Morris of The New York Times, and Jesse David Fox of Vulture, and freelancer Sean L. McCarthy, whose specialty is comedy journalism. Most of the journalists say that Louis C.K. cleverly hid his predatory ways in plain sight by making his crude sex talk and “men are pigs” jokes as part of his comedy persona.

In 2018, Black got backlash for posting a message on Twitter saying he was excited to see what Louis C.K. was going to do next and questioned how much longer the disgraced comedian deserved to be shunned because of the scandal. Black later made a public apology and says he learned that he should have been more sensitive to the people hurt by Louis C.K.’s sexual harassment.

In the documentary, Black comments: “Louis had a whole bit [in his stand-up comedy act] about how the greatest threat to women is men. Louis can still do that bit and say, ‘I was one of those guys. And let me talk about it’ And it feels like such a missed opportunity that he didn’t do it.” Instead, Louis C.K. has addressed the issue in his stand-up act by joking that if anyone asks permission to masturbate in front of an acquaintance, they shouldn’t do it, even if that person says yes.

The documentary also has some brief interview clips with few unidentified Louis C.K. fans (all of them men under the age of 40) who were interviewed at one of his post-scandal concerts. One of the men says of his support of Louis C.K., who has been called a hypocrite by many critics: “Everyone lives with a certain amount of hypocrisy. This is the amount I’ve allocated for myself.”

Has Louis C.K. learned from his misdeeds and stopped being a sexual harasser? Did he ever get professional counseling for this sexual harassment addiction that he has publicly admitted to having? Did he spend time meeting with any victim rights groups to learn and make amends? Louis C.K. isn’t saying if he’s done any of those things, but at the time this documentary was released, there hadn’t been any complaints about him sexually harassing anyone since his #MeToo scandal in 2017.

Kirkman says, “I have never asked anyone to denounce him so he wouldn’t work.” However, she comments that a major problem is how predators who are famous are often excused and rewarded while their less-famous victims are often blamed and blackballed. “Everyone letting all of these predators back, while some people never had a chance, it really hurts,” Kirman says, “especially in this culture where it seems like nobody cares.”

Although “Sorry/Not Sorry” does a very good job of giving background information (much of it already covered in The New York Times and other media outlets) and assembling archival footage, what’s missing from the documentary is a better examination of the culture and the people who allowed Louis C.K. to make a comeback. Louis C.K. hasn’t been able to star in a network series or major-studio movie since the scandal. But since 2018, he’s been doing sold-out live performances (including at New York City’s Madison Square Garden) and selling his content directly to fans. He also won one of his Grammy Awards (Best Comedy Album, for 2020’s “Sincerely Louis C.K.”) in 2022, five years after his #MeToo scandal.

In other words, Louis C.K. is still making millions and getting accolades—just not at the level that he was experiencing before the scandal. Critics of Louis C.K. say that he hasn’t shown enough remorse or willingness to make things right with his admitted victims. Supporters of Louis C.K. say that he has suffered enough and deserves to make a comeback in his career. It speaks to a larger issue about what redemption or punishment should be in Louis C.K.’s situation. There are no easy answers when people can’t agree on what type of punishment should be given and for how long.

Greenwich Entertainment released “Sorry/Not Sorry” in select U.S. cinemas, on digital and VOD on July 12, 2024.

True Crime Entertainment: What’s New This Week

The following content is generally available worldwide, except where otherwise noted. All TV shows listed are for networks and streaming services based in the United States. All movies listed are those released in U.S. cinemas. This schedule is for content and events premiering this week and does not include content that has already been made available.

July 22 – July 28, 2024

TV/Streaming Services

All times listed are Eastern Time/Pacific Time, unless otherwise noted.

Netflix’s three-episode docuseries “Dirty Pop: The Boy Band Scam” premieres Wednesday, July 24 at 3 a.m. ET/12 a.m. PT.

Monday, July 22

“Fatal Affairs”
“Lessons in Lust” (Episode 101) **Series Premiere**
Monday, July 22, 9 p.m., Investigation Discovery

“Fatal Attraction”
“Fatal Façade” (Episode 1736)
Monday, July 22, 9 p.m., TV One

“Contraband: Seized at Sea”
“Operation Total Silence” (Episode 103)
Monday, July 22, 9 p.m., Discovery

“Signs of a Psychopath”
“Killer Egos” (Episode 901) **Season Premiere**
Monday, July 22, 10 p.m., Investigation Discovery

“Deadly Case Files”
“Detective JB Williams” (Episode 101) **Series Premiere**
Monday, July 22, 10 p.m., TV One

Tuesday, July 23

“High Speed Chase”
“Terror on the Interstate” (Episode 205)
Tuesday, July 23, 9 p.m., Investigation Discovery

“Sasha Reid & the Midnight Order”
“The Butcher of Coquitlam” (Episode 103)
Tuesday, July 23, 10 p.m., Freeform

“Late Night Lockup”
“Husbands Gone Wild” (Episode 207)
Tuesday, July 23, 10 p.m., Investigation Discovery

Wednesday, July 24

“Dirty Pop: The Boy Band Scam” (Three-episode docuseries)
Wednesday, July 24, 3 a.m. ET/12 a..m. PT, Netflix

“Before Daylight”
Wednesday, July 24, 8 p.m., Oxygen

“American Detective With Lt. Joe Kenda”
“The Hghway Hunter” (Episode 409)
Wednesday, July 24, 9 p.m., Investigation Discovery

“Fatal Attraction”
“No Remorse” (Episode 1509)
Wednesday, July 24, 9 p.m., TV One

“Court Cam”
(Episode 732)
Wednesday, July 24, 9 p.m., A&E

“Court Cam”
(Episode 733)
Wednesday, July 24, 9:30 p.m., A&E

“Fear Thy Neighbor”
“Poking the Bear” (Episode 1005)
Wednesday, July 24, 10 p.m., Investigation Discovery

“For My Man”
“Reckless Love Rampage” (Episode 809)
Wednesday, July 24, 10 p.m., TV One

“My Strange Arrest”
“I Did It” (Episode 205)
Wednesday, July 24, 10 p.m., A&E

“My Strange Arrest”
“Naked at the Gym” (Episode 206)
Wednesday, July 24, 10:30 p.m., A&E

Thursday, July 25

“The Secret Life of the Homecoming Queen”
Thursday, July 25, 8 p.m., Oxygen

“After the First 48”
“The Invitation” (Episode 110)
Thursday, July 25, 8 p.m., A&E

“60 Days In”
“Celly Suspicions” (Episode 908)
Thursday, July 25, 9 p.m., A&E

“Nude, Crude and Unscrewed”
Thursday, July 25, 9 p.m., Discovery

“Retail Fails”
Thursday, July 25, 9:30 p.m., Discovery

“Muscles and Murder” (One-hour special)
Thursday, July 25, 10 p.m., Investigation Discovery

Friday, July 26

Friday, July 26, 9 p.m., ABC

“On Patrol: Live”
Friday, July 26, 9 p.m., Reelz

“Tell Me How I Died”
“Locked Away” (Episode 105)
Friday, July 26, 10 p.m., A&E

Saturday, July 27

“On Patrol: First Shift”
Saturday, July 27, 8 p.m., Reelz

“On Patrol: Live”
Saturday, July 27, 9 p.m., Reelz

Sunday, July 28

“Sydney Powell” (Episode 3404)
Sunday, July 28, 6 p.m., Oxygen

“American Monster”
“‘Til Death Do Us Part” (Episode 1207)
Sunday, July 28, 9 p.m., Investigation Discovery

Movies in Theaters or on Home Video

No new true crime movies released in theaters or home video this week.


No new true crime podcast series premiering this week.


Events listed here are not considered endorsements by this website. All ticket buyers with questions or concerns about the event should contact the event promoter or ticket seller directly.

All start times listed are local time, unless otherwise noted.

No new true crime events this week.

Review: ‘Latency’ (2024), starring Sasha Luss and Alexis Ren

July 21, 2024

by Carla Hay

Sasha Luss in “Latency” (Photo courtesy of Lionsgate)

“Latency” (2024)

Directed by James Croke

Culture Representation: Taking place in an unnamed U.S. city, the dramatic film “Latency” features a predominantly white cast of characters (with a few black people) representing the working-class and middle-class.

Culture Clash: A virtual reality gamer, who has agoraphobia, questions her sanity when she sees people and things that might not exist. 

Culture Audience: “Latency” will appeal primarily to people who are interested in psychological dramas and don’t mind if the plots are mindless.

Alexis Ren and Sasha Luss in “Latency” (Photo courtesy of Lionsgate)

“Latency” takes a potentially solid idea for a thriller (a virtual reality gamer begins to lose her sanity) and makes it an incoherent, boring mess. It’s hard to take this psychological movie seriously when it’s so stupid. The acting is also horrendous.

Written and directed by James Croke, “Latency” is his feature-film directorial debut. The movie has nothing interesting to say and just has repetitive scenarios that take place in one location: an apartment in an unnamed U.S. city. (“Latency” was actually filmed in Bangkok, Thailand.) A virtual reality gamer named Hana (played by Sasha Luss) is seen in the beginning of the movie testing out a game where players do gun battles against human-sized alien monsters.

Hana, who’s in her early 30s, makes some money from doing this type of testing job, but it’s apparently not enough money for her to pay her rent. More than once during the movie, Hana’s unseen landlord (voiced by Robert Coleby) goes to her closed door and asks her to pay her overdue rent. Hana promises him that she will have the rent for him, but in reality, she broke and doesn’t know where she’ll get the money. “Latency” is so poorly written, the movie reveals almost nothing about Hana except some trauma she’s experienced in the past and present.

It’s soon revealed that Hana is a shut-in with agoraphobia, which is a fear of leaving an environment that is considered safe. Hana is so afraid of opening her apartment door, it’s an ordeal for her to sign for deliveries. It’s later revealed that when Hana was a child, her mother was very fearful of Hana going outside and forced Hana to stay in their home.

Hana developed her love of video games during this time and still has a special fondness for playing Tetris. Almost nothing is told about Hana’s father except that he is dead. The movie doesn’t say when he died, but Hana looks at photos of him in a scene in the move.

Hana’s only apparent friend is a woman named Jen (played by Alexis Ren), who’s about the same age as Hana and visits her at random times in the movie. Hana and Jen are the only two people in the movie who have significant speaking roles in the movie. Jen is talkative and obnoxious. For example, during one of the times that Hana’s landlord is at the door to ask for the overdue rent money, Jen yells at him through the door to go away and calls him a “geriatric asshole.”

One day, Hana gets a package delivered to her for a device called Omnia, which can be worn on someone’s head. Omnia is a brain-computer interface that’s capable of picking up brain waves and then controlling every device, game and program that the Omnia wearer is using. It just leads to some time-wasting scenes of Hana using her computer through mind control.

“Latency” looks like it might turn into a horror movie because of scenes showing Hana seeing a mysterious, unnamed girl (played by Margarita Bakhtina), who’s about 5 or 6 years old, in the hallway outside of her apartment. The first time this girl is seen in the movie, she asks Hana, “Why are you scared?” Hana answers, “I’m not.” This the type of dreadfully dull dialogue that’s in the movie.

There’s some sloppily written nonsense about Hana entering a video game tournament where she hopes to win money to pay her rent and other bills. She uses the screen name Banshee. Hana keeps seeng this mystery girl in the hallway, but no one seems to know who the girl is. Is this girl real or just in Hana’s imagination? Hana also starts to have nightmares of a woman who looks like a witch, although it’s pretty obvious which woman is really haunting Hana.

Luss’ uneven performance is either too stiff in some scenes or has bad over-acting in other scenes. Ren gives a performance that isn’t much better. The cinematography has dark brown murkiness, which looks very fake and unappealing. The ending of the movie is absolutely horrendous. Viewers will be wondering throughout this entire terribly conceived film: “Why was this pointless movie even made?” The only real usefulness that “Latency” might have is to help insomniacs fall asleep.

Lionsgate released “Latency” in select U.S. cinemas on June 14, 2024. The movie was released on digital and VOD on July 9, 2024.

Review: ‘Jim Henson Idea Man,’ starring Frank Oz, Lisa Henson, Heather Henson, Cheryl Henson and Brian Henson

July 21, 2024

by Carla Hay

A 1950s archival photo of Jim Henson and Kermit the Frog in “Jim Henson Idea Man” (Photo courtesy of Disney+)

“Jim Henson Idea Man”

Directed by Ron Howard

Culture Representation: The documentary “Jim Henson Idea Man” features a predominantly white group of people (with one Latina) discussing the life and career of puppeteer/filmmaker Jim Henson, who is best known for creating several Muppets characters.

Culture Clash: Henson, who was known as a generous, creative and fun-loving person, was also a workaholic who often preferred being at work instead of being with his family. 

Culture Audience: “Jim Henson Idea Man” will appeal primarily to people who are fans of Henson, the Muppets and biographical documentaries about pioneering entertainers.

A 1970s archival photo of Jim Henson (front row, center) and members of “The Muppet Show” team, including Jane Henson (front row, far right) and Frank Oz (second row, far right) in “Jim Henson Idea Man” (Photo courtesy of Disney+)

“Jim Henson Idea Man” could’ve easily been just a nostalgia trip of Jim Henson’s successes. However, this candid documentary gives an illuminating look at the ups and downs of his life without glossing over how his flaws affected his personal relationships. “Jim Henson Idea Man” also has an impressive collection of previously unreleased archival footage that gives further insight into his creativity. In 1990, Henson died of toxic shock syndrome caused by Group A streptococcal infection. He was 53.

Directed by Ron Howard, “Jim Henson Idea Man” had its world premiere at the 2024 Cannes Film Festival. The documentary has since been nominated for eight Primetime Emmy Awards, including Outstanding Documentary or Nonfiction Special. Although other documentaries (such as the 2021 “Sesame Street” documentary “Street Gang: How We Got to Sesame Street”) have shown how the Emmy-winning Henson has been the most influential and commercially successful puppeteer in history, those other documentaries only told part of his story. “Jim Henson Idea Man” is the first truly comprehensive documentary on Henson and has the added benefit of including many of his personal home videos and other memorabilia, provided by his family member.

“Jim Henson Idea Man” wisely does not overstuff the movie with too many people commenting on Henson. All of the people interviewed for the documentary are family members or those who worked with closely with Henson. The cultural impact of Henson’s work on “Sesame Street” and “The Muppet Show” is already common knowledge, so this documentary didn’t need to have plethora of celebrities and entertainment industry experts to talk about how Henson’s work was groundbreaking and profoundly influential to many people.

“Jim Henson Idea Man” gives a brief summary of Henson’s childhood and teenage years, which were relatively happy and stable, by all accounts. He was born as James Maury Henson in 1936, in Greenville, Mississippi. He was raised in Mississippi and Maryland. Jim didn’t play with puppets in his pre-teen childhood. Television was Jim’s biggest childhood influence on wanting to become an entertainer.

His parents Paul (an agronomist) and Betty were Christian Scientists, although Jim is described in the documentary as not belonging to any particular religion in his adulthood. It’s mentioned that Jim was more spiritual than religious. He believed in some Buddhist teachings, such as transcendental meditation and the concept that life and death are on the same continuum.

Jim’s only sibling was his older brother Paul Henson Jr. (born in 1932), who is described as Jim’s best friend until Paul’s tragic death in a car accident in 1956, at the age of 24. Paul Jr.’s death had a profound effect on Jim, says Jim’s son Brian: “It was a huge shock to my family. It absolutely shattered my dad’s world.”

One of the recurring themes in Jim Henson’s life was that he never felt like he had enough tme to do all the things he wanted to do in life. The documentary includes rare footage of Jim’s 1965 short film “Time Piece,” which features Jim in multiple roles (such as a hospital patient and as a doctor) that has several references to running out of time before dying. Brian says in the documentary about his father Jim’s preoccupation with work had a lot to do with Jim feeling that he needed to make a lot of his dreams come true to fulfill a larger purpose. “The idea that time could run out, I’m sure came with the death of his brother,” Bran comments.

From an early age, Jim wanted to become a filmmaker. He particularly loved making weird experimental films. But he first became famous as a puppeteer. Jim started doing puppet shows while he was in high school. By the time he was in college, Henson was doing puppet shows for local TV stations in the Washington, D.C., area, such as “Sam and Friends” on WRC-TV.

It was during this time in 1955 that Jim created his most famous Muppet character: Kermit the Frog, a green creature with a gentle, fun-loving personality. Kermit was considered an alter ego of Jim’s, although he described Kermit as much more extroverted and adventurous than Jim was in real life.

While he was a student at the University of Maryland in College Park, Henson began a puppeteer collaboration with classmate Jane Nebel. They got married in 1959 and had five children: Lisa, Cheryl, Heather, John and Brian. All of the children ended up working with their father as puppeteers and/or as producers. All of the children except John are interviewed in this documentary.

Jane Nebel Henson (who died in 2013) co-founded Muppets Inc. (later renamed the Jim Henson Company) with Jim. At first, she had 40% ownership of the company, while Jim had 60% ownership. Jane (who is described by her children as being very independent and free thinker) eventually scaled back her ownership and involvement in the company as she spent more time raising the couple’s children.

After Jane reduced her involvement in the company work, Henson’s main creative partners then became Frank Oz, who worked with Jim since Oz was 17; writer Jerry Juhl, who died at age 67 in 2005; and puppet designer Don Sahlin, who died of a heart atatck at age 49 in 1978. Also instrumental to Henson’s TV success was “Sesame Street” director Jon Stone, who died at age 65 in 1997. Jim did not create all of the Muppet characters, but created or co-created several of the most iconic, including Kermit the Frog, Rowlf the Dog, Ernie, Big Bird and Oscar the Grouch.

Oz, who is interviewed in “Jim Henson Idea Man,” says he and Jim had opposite personalities (Jim was playful, Oz describes himself as “uptight”), which actually was a benefit to how they worked together when creatng personalities for their puppets. This “opposites attract” dynamic could be seen in the relationships between two of the most famous duos in Muppet history: roommates Ernie (voiced by Jim Henson) and Bert (voiced by Oz)—Ernie is optimist; Bert is pessimistic—and bickering couple Kermit the Frog (voiced by Jim Henson) and Miss Piggy (voiced by Oz), who is prissy and vain.

In “Jim Henson Idea Man,” Oz says: “I met Jim when I was about 17. It took about 10 years to where we could sense each other’s rhythms. He was a very rare creature. He was so internal and quiet, his inner life must have been sparkling. He had so many ideas and so many things he wanted to do. And so, the idea of time, I think, was very much on Jim’s mind, always.”

Oz says his relationship with Jim evolved from seeing Jim as a father figure/mentor to being more fraternal. “We really were like brothers,” Oz comments. And although Jim was technically Oz’s boss when they worked together, Oz says he felt he had an equal creative partnership with Jim. Oz made his feature-film directorial debut as a co-director with Jim on 1982’s “The Dark Crystal,” a fantasy film with life-sized puppets. Oz says he was surprised and flattered that Jim asked Oz to co-direct the movie with him.

According the Henson kids who are interviewed in the documentary, the marriage of Jim and Jane ran into major problems because the spouses often disagreed on Jim’s career priorities and goals. When Jim was offered a job on “Sesame Street” in 1969 (the year the TV series launched), he was reluctant to take it to because he didn’t want to be pigeonholed as a children’s entertainer. By contrast, Jane encouraged Jim to join “Sesame Street” and thought he should stay focused on children’s entertainment.

As Jim began to become rich and famous, he got more wrapped up in his work and wouldn’t be at home with his family for weeks or months at a time. His children say that even when Jim would go on family vacations, he would still be working.

Jim’s workaholic ways eventually caused Jim and Jane to lead separate lives. They officially separated in 1986 but never divorced because Jane didn’t believe in divorce. “Jim Henson Idea Man” includes clips of some archival interviews that Jane did where she talks about the her life with Jim. Brian says that during the separation, Jim dated women but never wanted these other relationships to get too serious.

Even though Jane stepped away from much of the couple’s day-to-day work at the family business, the business was very much on her mind. Brian says in the documentary that during family meals when the kids were underage, Jim would ask the kids about how they were doing in school, while Jane would mainly want to talk about business. The couple’s children say that Jane was a loving parent but didn’t want to be a traditional mother, whereas Jim expected her to conform to traditional gender roles when it came to parenting.

“Jim Henson Idea Man” also shows that even with the success of “Sesame Street,” Jim was rejected by all the U.S. TV networks at the time to launch “The Muppet Show,” which eventually found a home on the British TV network ATV. Jim created “The Muppet Show” so he could have more creative control than he had on “Sesame Street,” a show he didn’t create. It was the first major nationally televised variety series where the characters were all puppets, with human celebrities as guest stars.

Only after “The Muppet Show” was a smash hit in the United Kingdom that U.S. networks became interested, but the show was sold into U.S. syndication instead of being on one specific U.S. TV network. “The Muppet Show” inevitably spawned feature films that were hits. In 1980, Jim ended “The Muppet Show” after five years because he wanted to move on to other projects.

“Jim Henson Idea Man” also includes discussions of Jim’s post-“Muppet Show” work, most notably his directing of the fantasy feature films “The Dark Crystal” and 1986’s “Labyrinth,” which als featured life-sized puppets. “The Dark Crystal” ran into all sorts of problems with script rewrites demanded by the movie studio. “Labyrinth” was a flop with audiences and critics when it was released in theaters, although the movie has since become a cult classic. Jim took the so-called failure of “Labyrinth” very hard because he considered it one of his most creatively fulfilling projects. Labyrinth” co-star Jennifer Connelly, says of making the film: “It was like being in a dream world.”

One dream that Jim had that never came to fruition when he was alive was to do a Broadway puppet show. “Jim Henson Idea Man” has rare footage of a workshop for one of his Broadway show ideas. The documentary breezes through mentions of two of his last puppet TV series—”Fraggle Rock” (1983 to 1987) and “The StoryTeller” (1987 to 1989)—but doesn’t mention 1989’s “The Jim Henson Hour,” which was canceled before airing all of its first-season episodes. The documenaty goes into some details over his decision to buy the rights to “The Muppet Show” and related intellectual property, only to sell the Jim Henson Company to Disney in 1989.

Other people interviewed in the documentary include puppeteers Dave Goelz, Fran Brill and Bonnie Erickson; Alex Rockwell, who was Jim’s creative assistant from 1988 to 1990; Michael Frith, former executive vice-president and creative director of the Jim Henson Company; and former “Muppet Show” guest Rita Moreno, who tells a behind-the-scenes story about they had to do several takes when she was filming her performance of Peggy Lee’s “Fever” (wth the Muppet “wild drummer” character Animal) because she had a hard time trying not to laugh.

Muppets are of different races and species and came along at a time when racial integration was still very controversial in the United States. Moreno says of this Muppet diversity: “Jim never really thought of color. Jim never thought of nationality. Jim simply thought of characters.” Kermit’s signature song “It’s Not Easy Being Green” is mentioned as a song that resonated with many people who felt “invisible” because of looking different from everyone else, but the song’s real impact is because it has a message of self-acceptance, even when experiencing prejudice.

“Jim Henson Idea Man” has excellent editing when telling the story of this highly creative pioneer. Whether or not someone grew up watching “Sesame Street” or “The Muppet Show,” these shows broke cultural barriers while still being highly entertaining. “Jim Henson Idea Man” is undoubtedly a tribute to Jim Henson but it’s also an inspirational film for anyone who has ideas that people say won’t work when those ideas might actually change the world in some way.

Disney+ released “Jim Henson Idea Man” in select U.S. cinemas on May 24, 2024. The movie premiered on Disney+ on May 31, 2024.

Review: ‘The Grab’ (2024), starring Nate Halverson, Emma Schwartz and Mallory Newman

July 20, 2024

by Carla Hay

Nate Halverson, Emma Schwartz and Mallory Newman in “The Grab” (Photo courtesy of Magnolia Pictures)

“The Grab” (2024)

Directed by Gabriela Cowperthwaite

Some language in Nyanja and Bemba with subtitles

Culture Representation: The documentary “The Grab” features a predominantly white group of people (with some Africans and Asians) discussing the international competition to control the world’s food and water.

Culture Clash: Certain countries have been aggressively buying up farm land and food companies in other countries as a way to get world domination. 

Culture Audience: “The Grab” will appeal primarily to people who are interested in watching documentaries that are indications of where geopolitics will be headed.

Mallory Newman and Nate Halverson in “The Grab” (Photo courtesy of Magnolia Pictures)

“The Grab” is a riveting documentary that chronicles a searing investigation of geopolitics. It’s a vital look at how international competition to control food and water should be taken as seriously as the competition to control weapons of mass destruction. In many ways, “The Grab” could make a case that this control of food and water is much more dangerous than control of weapons of mass destruction because of the implications of which nations would have the most power if the world experiences a shortage of food and water.

Directed by Gabriela Cowperthwaite, “The Grab” had its world premiere at the 2022 Toronto International Film Festival. “The Grab” is the last documentary released from Participant Media, the production company that was founded in 2004 and shuttered in 2024. Participant Media had several fiction and non-fiction movies that were Oscar nominees and Oscar winners. Participant Media’s Oscar-winning documentaries included 2006’s “An Inconvenient Truth,” 2009’s “The Cove” and 2016’s “Citizenfour.”

“The Grab” follows an investigation by three journalists from the Center for Investigative
Reporting (a non-profit media outlet based in the San Francisco Bay Area), as they expose the often-covert international competition to control food and water. This journalist trio is led by Nate Halverson, who began the investigation and later recruited Emma Schwartz and Mallory Newman to help.

Halverson is shown doing the majority of the interviews (in person or by videoconferencing), while Schwartz and Newman do a great deal of the research. His journalist style is persistent without being too pushy. Newman is also assertive and has more experience than the quieter Schwartz. All three journalists show compassion and empathy for the average people who often are used as pawns in the various countries’ powerful political moves.

In the documentary, Halverson says the original question that he and other people wanted the answer to was: “Is another country making moves to control America’s food supply?” Halverson and his Center for Investigative Reporting colleagues went down a rabbit of information and soon found out that this issue was much more widespread and deeper than just controlling America’s food supply. In an early scene in “The Grab,” Halverson comments, “This project has kept me up at night more than any of my other investigation reporting projects combined.”

During the investigation, Halverson and his colleagues came into possession of several classified/confidential documents that were leaked to them by unnamed whistleblowers. Over 10,000 of these documents (which Halverson calls “The Trove”) are internal communications from Frontier Resources Group, founded by former mercenary Erik Prince. also founded Blackwater U.S.A., a mercenary group that he sold to go into the resource acquisition business.

The investigation named Frontier Resources Group as one of the biggest companies that profits from selling American farm land and U.S.-based food companies to foreign countries. Russia, China, and Saudia Arabia are named as the three of the countries that have been the most aggressive in taking ownership of land and companies that are rich in food and water over the past several years—not just in the United States but in many other parts of the world.

“The Grab” interviews several experts who have been studying or have firsthand knowledge of these geopolitical moves. “Food is a very obvious and central way to wield power,” says Molly Jahn, professor of agronomy and Laboratory of Genetics at the University of Wisconsin-Madison. Jahn is also program manager in the Defense Sciences Office at Defense Advanced Research Projects Agency.

Rod Schoonover, a former U.S. senior intelligence officer of the National Intelligence Council, comments on the possibility of World War III happening: “That doesn’t sound improbable to me.” Even if World War III doesn’t happen, the increasing number of natural disasters happening all over the world, in addition to the world’s population getting larger, have made it inevitable that there will be more competition for food and water. Access to affordable food and water can be used as ways to control populations of people.

“The Grab” shows several examples of these gradual takeovers and how an alarming number of people who work for these companies have no idea that these acquisitions are intended to for the foreign countries to amass power and control of the world. That’s because these takeovers are often purchased by mysterious companies (which are often shell companies listed as limited liability corporations, or LLCs) that have offshore accounts that are difficult to trace.

In 2013, the Chinese government (under the name WH Group Ltd.) acquired the American company Smithfield Foods, the world’s largest pork producer. This acquisition is named in “The Grab” as an example of the hide-and-seek deals where certain information is deliberately withheld from the public. In 2013, C. Larry Pope (Smithfield’s then-CEO) testified to the U.S. Senate Committee on Agriculture, Nutrition & Forestry that even though the Chinese government purchased Smithfield, the company would continue to do the same business as usual. Pope retired from Smithfield at the end of 2015.

However, Halverson came into possession of an internal WH Group Ltd. a document book manual detailing the financials of the Smithfield deal and how WH Group plans to make sweeping changes at Smithfield. The manual explicitly says that the information in the manual cannot be distributed in the United States. In “The Grab,” Halverson has a meeting with former Smithfield CEO Pope to show him these documents. Pope is astonished. Pope’s reaction is either sincere, or he’s a very good actor.

In “The Grab,” Halverson mentions that Saudi Arabia is running out of water to fuel its wheat export business. As a result of this water shortage, Saudi Arabia has been buying U.S. farm properties that have enough water to export to Saudi Arabia and can make enough hay to export to Saudi Arabia to feed the cows in Saudi Arabia. The costs of all this exporting to Saudi Arabia are outweighed by the profits in the areas that benefit from this exporting.

“The Grab” travels to La Paz County, Arizona, where an unnamed Saudia Arabian company has taken over one of the largest farm properties in La Paz County. “The Grab” has interviews with La Paz County residents John Weisser and Wayne Wade, who both report that their wells have run dry after this takeover. Weisser says, “There’s not enough rain to replenish it.” Wade comments on the water shortage in his well: “Pretty soon, there won’t be anything to take.”

Also interviewed is Holly Irwin, Arizona County Supervisor for La Paz County, who is shocked when she sees proof that her county’s residents are experiencing a water shortage in their wells that are apparently being depleted by the Saudi Arabian company. But there’s nothing she can do about it because it’s legal. That’s because Arizona is largely unregulated when it comes to foreign countries taking over Arizona-based businesses.

Africa is another place where the foreign takovers of farm land is thriving. It’s explained in “The Grab” that African farmers are especially vulnerable because they often don’t have deeds to the property that has been in their families for generations. Ethan Cousin, a former executive director of the World Food Programme, says about foreign countries’ takeover of land in Africa: “You can go around the continent and find different groups that prey on deprivation.”

One of the most compelling parts of the documentary is how it shows the civil rights work of attorney Brigadier Siachitema of the non-profit Southern Africa Litigation Centre. Siachitema represents several African farmers in land ownership cases where the farmers otherwise wouldn’t be able to afford attorneys. Felix Tomato and Febby Kalunga are among the farmers in Zambia who are interviewed by Halverson, who also interviews Siachitema.

They talk about white farmers who are funded by mysterious LLCs (many of which are traced back to China) that are displacing African farmers from their land. It’s another form of colonization. But compared to African farmers in previous centuries, today’s African farmers have more legal resources to fight back against these takeovers. It’s an uphill battle for many, but media coverage has made it possible for more people to find out about this problem.

That media coverage was apparently enough of a threat to get journalists Halverson, Schwartz, Newman and “The Grab” filmmaking crew detained at the airport in Serenje, Zambia, during a 2021 trip filmed for this documentary. In the detention room, the journalists see their names on a listed posted on the wall. Ultimately, this group was told to leave the airport because they were told that they were a “national security threat.”

Halverson says in the documentary that Russia is a country that is benefiting from climate change because of the way that Russia is hoarding resources in case of massive natural disasters. Victor Linnik, president of Miratorg (Russia’s leading meat-producer and supplier) says in the documentary that Miratorg recruits American cowboys to teach Russians how to be better farmers and ranchers. Todd Lewis, an American who used to be a manager for Miratorg, says in the documentary that he was hired in about 30 minutes during a phone interview.

Linnick says that food will become more powerful than weapons for world domination: “In the future, for Russia, the driver will be agriculture. We want to feed the world.” It’s mentioned in “The Grab” that Russia’s invasion of the Ukraine (which is rich in farm land) is part of this strategic plan. Halverson comments on Miratorg’s recruitment of American cowboys: “This was a decision that came from [Russian president Vladimir] Putin.”

Other people interviewed in “The Grab” are former CIA officer Robert Mitchell; Maria Otero, former undersecretary of the U.S.; Lee Gunn, former naval inspector general of the U.S. Navy; Aaron Salzberg, director of the Water Institute; former mercenaries John Gartner (founder of OAM International) and Simon Mann (founder of Executive Outcomes); former private military contractor Sean McFate; Robert Young Pelton, author of “The World’s Most Dangerous Places”; Hongzhou Zhang, author of “Securing the Rice Bowl: China and Global Food Security”; Andriy Senchenko, former Ukraine deputy chef of staff; and Edward Hargroves, co-founder of Goldcrest Farm Trust Advisors, which sells water to United Arab Emirates.

“The Grab” tackles these complex issues and makes them easy to understand for the average person who might not be knowledgeable about international politics. The sheer scope of the information uncovered could easily be put into documentary series. But as a documentary feature film, “The Grab” doesn’t get too cluttered and skillfully focuses on certain compelling examples. By also showing the behind-the-scenes work of the investigative journalists who took many risks to bring this information to the world, “The Grab” doesn’t lose sight of the intensity of the work and the sacrifices that are made when journalists expose unsettling truths that people need to know and will affect us all.

Magnolia Pictures released “The Grab” in select U.S. cinemas, on digital and VOD on June 14, 2024.

Review: ‘Lumina’ (2024), starring Eric Roberts, Ken Lawson, Emily Hall, Rupert Lazarus, Eleanor Williams, Andrea Tivadar and Sidney Nicole Rogers

July 19, 2024

by Carla Hay

Ken Lawson, Rupert Lazarus, Sidney Nicole Rogers and Andrea Tivadar in “Lumina” (Photo courtesy of Goldove Entertainment)

“Lumina” (2024)

Directed by Gino J.H. McKoy

Culture Representation: Taking place in the United States and in Morocco, the sci-fi/horror film “Lumina” features a predominantly white cast of characters (with a few African Americans) representing the working-class, middle-class and wealthy.

Culture Clash: A man and three of his friends look for his missing girlfriend, who disappeared from his home under mysterious circumstances. 

Culture Audience: “Lumina” will appeal primarily to people who don’t mind watching extremely low-quality movies.

Eric Roberts and Rupert Lazarus in “Lumina” (Photo courtesy of Goldove Entertainment)

The sci-fi horror flop “Lumina” is a pathetic mess of sloppy filmmaking and cringeworthy acting. This incoherent story, which is about a woman’s disappearance that is linked to outer space, gets worse as the movie sinks into a void of irredeemable idiocy. “Lumina” is the type of stinker that’s destined to end up in shows or lists that make fun of terrible sci-fi movies or the worst movies of the year.

Written and directed by Gino J.H. McKoy, “Lumina” is his feature-film directorial debut. It’s the type of movie that was made because the director and some the director’s family members paid to get it made. The producers of this dreck movie are Gino J.H. McKoy, Lynda McKoy, Hudson McKoy and David Seychell. It’s hard to imagine real movie producers with credibility wanting to get involved in this hopelessly amateur-looking junk.

“Lumina” has more science fiction than horror. The horror part of the movie doesn’t really kick in until the last third of the film. By then, it’s a lost cause. The visual effects in “Lumina” are so cheap-looking and tacky, it makes a lot of no-budget YouTube videos look like masterpieces in comparison.

“Lumina” actually starts off looking like a boring soap opera instead of a sci-fi horror thriller. The opening scene shows a man in a space suit walking around on what appears to be another planet. Who is this person? Where is he? And why? The movie answers those questions in the last third of the story. In the meantime, it’s a slog to get there with many scenes being absolutely unnecessary or making no sense.

After the scene with the spacesuit man, the movie then abruptly shifts to six months earlier. At a Los Angeles mansion, wealthy trust-fund heir Alex (played by Rupert Lazarus) is having a house party. It’s mentioned later in the movie that Alex doesn’t have a job. He just lives off of his trust fund. (“Lumina” was actually filmed in Morocco.)

Alex and his attractive blonde girlfriend Tatiana (played by Eleanor Williams) are in love and happy with each other. However, because Alex has the personality of a slug, you have to wonder what Tatiana sees in him. It must be his money. But there’s trouble in a paradise for this couple because of a jealous person in a love triangle.

Alex has a platonic friend named Deliah (played by Andrea Tivada), who is in love with Alex and wants him for herself. Alex has a hanger-on living with him named Patricia (played by Sidney Nicole Rogers), who doesn’t have a job either. Patricia is a platonic friend of Alex’s, but it’s unclear what led to Patricia living with Alex. It’s implied that she’s a freeloader.

Patricia is a close friend of Delilah, who asks Patricia to help her in spying on Alex and Tatiana. Don’t expect to find out what any of these so-called friends do with their lives or how they met. None of that information is mentioned in this poorly written movie.

At the house party, Patricia tells Delilah will just have to “learn how to share” Alex because Alex won’t break up with Tatiana. Delilah won’t accept that advice. Delilah says to Patricia: “He thinks he loves her, but he doesn’t. He’ll be better off without her. Actually, I know he’ll be happier.”

Almost all of the dialogue in this movie sounds like it was spit out by a third-rate artificial intelligence program. The stiff and unnatural acting in “Lumina” isn’t much better. There are robots that could be more believable than the human cast members who show a sorry display of acting in “Lumina.”

As the party ends and the guests have departed, something strange happens in the living room where Delilah and Patricia are sitting on a couch: Liquid in drinking glasses starts to float in the air. Tatiana is outside near the swimming pool when there’s a huge flash of light. Suddenly, Tatiana has disappeared.

A frantic Alex looks everywhere for Tatiana but can’t find her. And so, Alex calls police to report her as a missing person. Here’s how bad the “Lumina” screenplay is: When a cop shows up to interview Alex and asks him to describe Tatiana, Alex only gives this vague description: “5’8″, 130 [pounds], long hair, beautiful eyes.”

Alex doesn’t mention Tatiana’s hair color or eye color. And the cop never asks. The cop doesn’t ask for a photo of Tatiana, nor does Alex mention giving a photo of Tatiana to help with the search for her. The stupidity doesn’t end there.

While all of this turmoil over Tatiana’s disappearance is going on, Delilah and Patricia are still sitting on the couch. Alex walks into the room right at the moment that Delilah can be heard listening to a recording she made on her phone where Delilah says repeatedly, “I wish that bitch would disappear.”

Alex immediately has a meltdown because he knows Delilah is talking about Tatiana. He yells at Delilah: “Why would you say that?” He then shouts at Delilah: “This friendship is over! Get out of my house!” Of course, this won’t be the last time that Alex and Delilah see each other.

An unspecified period of time has passed when the movie then abruptly cuts to the next scene, which shows a Alex with a very shaggy beard. Alex mopes around his house and stares off into space a lot because he’s depressed about Tatiana, who’s still missing. A talkative and hyper acquaintance of Alex’s named George (played by Ken Lawson) shows up at the house and immediately starts spouting conspiracy theories about alien abductions. Alex starts to believe him.

George is friendly with Alex but apparently doesn’t know Alex very well, because when George arrives at the house, he’s surprised that it’s a mansion. George is a nerdy creep who often makes inappropriate comments. He’s immediately attracted to Patricia and lets her know it. This is George’s idea of flirting with Patricia: He tells Patricia within minutes of meeting her to take off her clothes. George means it as a joke, but it’s still a boorish thing to say. Patricia lets George know that she thinks he’s kind of repulsive.

The rest of “Lumina” stumbles around from scene to scene, as Alex, Patricia, George and Delilah (who convinces Alex to let her hang out with him again) search for Tatiana. The scenes get weirder more irritating. Some characters show up in the movie but have no real purpose or bearing on the plot before they go away and are never seen again.

George introduces the three pals to another conspiracy theorist named Thom (played by Eric Roberts), who hangs out in a cave-like structure with some control board equipment that looks like throwaway props from an outdated sci-fi movie. Roberts gets top billing in “Lumina,” but he’s in this two-hour movie for less than 15 minutes. Roberts’ mumbling performance is the very definition of “phoning it in,” because he looks like he could care less about embarrassing hmself in this terrible movie.

There’s a part of the story where Alex and his pals go to Morocco to visit Tatiana’s parents Teresa (played by Rachael Mellen) and Martin (played by Collin Goodwin), who have some information about Tatiana to tell Alex. Why did Alex have to go all the way to Morocco to get this information? The parents insist that they can only tell Alex this information in person.

One of the most mind-boggling and time-wasting scenes in “Lumina” is when Alex, George, Patricia and Delilah encounter a couple named Sonny (played by Mohamed Nmila) and Chere (played by Emily Hall) at night in a remote area with a shallow pond near some rocks. (Don’t ask.) Chere strips down to her underwear and wades in the pond. She takes Alex by the hand and gets him to also remove his outer clothing and go in the pond with her.

Chere tells Alex, “You need to be invited, like we were invited.” Delilah predictably gets jealous and call Chere a “bitch,” which seems to be Delilah’s go-to word for a woman she sees as competition for Alex’s attention. Delilah and Chere almost have a catfight as Delilah pulls Alex away from this “temptress.” Don’t expect this scene to explain anything.

It’s at this point in the movie when you know that the “Lumina” filmmakers absolutely did not care about having an entertaining story and just threw some stupid ideas together and called it a plot. “Lumina” just exists to fulfill some people’s misguided fantasy of making a sci-fi horror movie that actually turned out to be an unintentional comedy because of how laughably bad everything is. Many viewers won’t be laughing though. The joke is on anyone who thinks “Lumina” is a good movie.

Goldove Entertainment released “Lumina” in U.S. cinemas on July 12, 2024.

Review: ‘Twisters’ (2024), starring Daisy Edgar-Jones, Glen Powell and Anthony Ramos

July 18, 2024

by Carla Hay

Daisy Edgar-Jones, Anthony Ramos and Glen Powell in “Twisters” (Photo by Melinda Sue Gordon/Universal Pictures)

“Twisters” (2024)

Directed by Lee Isaac Chung

Culture Representation: Taking place in Oklahoma and briefly in New York City, the action film “Twisters” ( a continuation of the franchise that started with 1996’s “Twister”) features a racially diverse cast of characters (white, Latin, African American and Asian) representing the working-class, middle-class and wealthy.

Culture Clash: A meteorologist, who feels guilty over the death of her three close friends in a tornado five years before, is persuaded to temporarily join a group of scientific tornado chasers, who are competing against a non-scientific group of YouTube tornado chasers.  

Culture Audience: “Twisters” will appeal primarily to people are fans of the 1996 “Twister” movie and similar movies about weather disasters.

Glen Powell and Daisy Edgar-Jones in “Twisters” (Photo by Melinda Sue Gordon/Universal Pictures)

“Twisters” is not as suspenseful as 1996’s “Twister,” but “Twisters” still has plenty of action thrills in this franchise story about tornado chasers. The characters’ relationships are predictable but elevated by believable chemistry and good acting. As expected, “Twisters” has better visual effects than “Twister,” but the pacing of “Twisters” somewhat drags in the middle of the movie. Overall, it’s a crowd-pleasing film that does what is advertised.

Directed by Lee Isaac Chung and written by Mark L. Smith, “Twisters” has an entirely new set of cast members from “Twister,” but there are similarities between the two movies. Both movies have the tornadoes taking place in Oklahoma. Both movies feature storylines of “corporate-sponsored” tornado chasers versus “scrappy independent” tornado chasers.

Both movies have bickering between the leading male character and the leading female character because they’re in a power struggle, and they both want to deny an attraction that exists between them. The woman in this would-be couple is the more intellectual scientist, while the man is the less-educated by equally passionate tornado chaser. One of them has tremendous guilt over the tornado death of at least one person close to them. In both movies, the storm-chasing team that aims to find a way to diffuse tornadoes does so by using equipment with names inspired by characters in “The Wizard of Oz.”

“Twister” (directed by Jan de Bont and written by Michael Crichton and
Anne-Marie Martin) had Helen Hunt and Bill Paxton starring as divorcing couple Dr. Jo Harding and meteorologist Bill Harding, who unexpectedly get thrown back together into tornado chasing, after Bill says he has retired from tornado chasing. They try to put a stop to high-level tornadoes.

Jo is motivated to be a tornado chaser because she witnessed her farmer father die in a tornado when she was about 5 or 6 years old. Bill visits Jo in Oklahoma because he wants her to sign their divorce papers. Bill has brought his fiancée Dr. Melissa Reeves (played by Jami Gertz), a psychotherapist, along for this trip. Jo and her tornado-chasing team use equipment that they call Dorothy.

“Twisters” updates the franchise by having a racially diverse cast, compared to the all-white cast of “Twister.” Another 21st century update to “Twisters” is YouTube is a big part of the plot because one of the rival tornado-chasing groups has a YouTube channel where the group does many livestreams. “Twisters” also makes more of an effort to show the tornado chasers helping strangers who are tornado victims after a tornado has turned a community into a disaster area. In “Twister,” the tornado chasers were definitely more self-absorbed and more willfully oblivious to helping communities recover from tornado disasters.

“Twisters” begins in an unnamed city in Oklahoma, the U.S. state where the movie was filmed on location. A group of tornado chasers, led by Ph.D. candidate Kate Carter (played by Daisy Edgar-Jones), is chasing a tornado as part of an experiment to see if the scientific powder and data sensory devices and they’ve created will diffuse and track the tornado. They use equipment that they call Dorothy, which is a nod to the first “Twister” movie. The plan is to open barrels of the powders and data sensory devices in the eye of a tornado.

Kate calls this experiment the Tornado Tamer Project, which is part of her Ph.D. thesis about disrupting tornado dynamics. If Kate’s theory works, she hopes that she can get grant funding for the Tornado Tamer Project. The other young people in the group are Kate’s loving and supportive boyfriend Jeb (played by Daryl McCormack) and their close friends Javier “Javi” Rivera (played by Anthony Ramos), who is energetic and opinionated; Addy (played by Kiernan Shipka), who is perky and sweet-natured; and Praveen (played by Nik Dodani), who is thoughtful and nerdy.

It’s mentioned several times in “Twister” that Kate has an uncanny ability to predict which are the most dangerous tornadoes to follow. It’s an instinct that her farmer mother Cathy Carter (played by Maura Tierney), who’s shown later in the movie, says Kate has had since Kate was a little girl. Kate is an only child who was raised by her single mother. Kate’s father is not seen or mentioned in the movie, although one of Kate’s friends calls Cathy “Mrs. Carter.” She welcomes Kate’s friends into her home and likes to cook meals for them.

In the beginning of “Twisters,” Kate and her Tornado Tamer crew are chasing a tornado where they plan to do their experiment. Unfortunately, Kate miscalculated about what level the tornado was: It turns out to be F5 (highest level of destruction) tornado. Kate, Jeb, Addy and Praveen are all in the same vehicle and are caught right in the middle of the tornado. They escape from the car, but only Kate is the only one of the four to survive. Javi was in a safer area in a separate vehicle, so he also survived.

Five years later, Kate is now working as a meteorologist for the National Weather Service in New York City. Through conversations in the movie, it’s revealed that after the tornado tragedy, Kate dropped out of her Ph.D. program and gave up on tornado chasing. At this point in her life, Kate has also been avoiding her mother’s phone calls and has rarely visited Oklahoma since moving away.

One day, Kate gets an unexpected visitor at her office: Javi, who tells her that he also moved away from Oklahoma after the tragedy. Javi says that after he graduated from their university program, he went back to his hometown of Miami and enlisted in the military. He also tells Kate that while he was in the military, he worked with portable radars that detect missiles. Javi has access to the prototypes and says they can use these radars for tornadoes, to make three points in the shape of a 3-D type of triangle. Later, it’s revealed that these radars are called Tin Man, Scarecrow and Lion, and their power control center is called Wizard.

Kate turns down Javi’s offer to work with him. Javi is persistent though. Later, he calls Kate and tells her that he’s put together a great team of scientists called Storm Par to help him. Storm Par also has corporate sponsorship for funding. Kate is persuaded to help Storm Par because of Javi’s radar idea and because Oklahoma is having an outbreak of tornadoes. However, Kate tells Javi that she will only work with Storm Par for one week.

One of the flaws of 1996’s “Twister” is that it never explained why so many tornadoes were happening in such a short period of time. “Twisters” avoids that flaw by repeatedly showing flashes of TV news reports saying that Oklahoma is having a “once in a generation” outbreak of tornadoes. In “Twisters,” the tornadoes arrive with little to no warning. If there is any warning, it could be as short as two or three minutes.

Soon after arriving in Oklahoma, an emotionally guarded Kate and the Storm Par team encounter a scrappy group of tornado-chasing YouTubers from Arkansas. The leader of the group calls himself a “tornado wrangler.” The group is led by cocky and frequently smirking Tyler Owens (played by Glen Powell), who is the star of this YouTube channel, which has about 1 million subscribers. Tyler’s tornado-chasing motto is: “If you feel it, chase it.” Like many YouTube content creators, Tyler sells a lot of branded merchandise.

Tyler is the only person in his group with experience as a meteorologist. (He also mentions later that he used to be a rodeo rider, as if the movie wants to prove that Tyler has cowboy credentials too.) The other people in Tyler’s group are camera operator Boone (played by Brandon Perea), a scruffy sidekick who does a lot of whooping and hollering; middle-aged Dexter (played by Tunde Adebimpe), who talks like a science nerd, even if he doesn’t have a college degree; Lily (played by Sasha Lane), a friendly hippie; and Dani (played by Katy O’Brian), an androgynous person who likes to hawk a lot of the group’s merchandise.

Tyler and his group loudly ride around and like to do daredevil things for their YouTube channel, such as set off fireworks in tornadoes. The Tornado Wranglers are being accompanied by a London-based reporter named Ben (played by Harry Hadden-Paton), who is doing an article about storm chasers. Ben, who is bespectacled and often nervous, is the token “buttoned-up” person who feels out of place and does the most screaming in fear as a passenger during these tornado-chasing runs. Dr. Melissa Reeves had that role in the 1996 “Twister” movie.

Besides Javi, the only Storm Par member whose personality is shown in “Twisters” is a frequently scowling or pouting colleague named Scott (played by David Corenswet), a scientist snob. Scott’s uncle Marshall Riggs (played by David Born) is the property developer mogul who is Storm Par’s chief investor. You can easily predict why Marshall would be interested in swooping in on victims of tornado disasters who lost their homes. Scott, who shows hints of sexism, is jealous/mistrustful of Kate.

Just like in “Twister,” the two rival groups of tornado chasers in “Twisters” compete to see who can get to the most dangerous tornadoes first. In “Twister,” the rival group to Jo’s independent group is a corporate-sponsored group led by sneering jerk named Dr. Jonas Miller (played by Cary Elwes), who is such an obvious villain, if he had a moustache, he would’ve twirled it. In “Twister,” Jo has the “underdog” group, which includes a wacky stoner named Dustin Davis (played by scene-stealing Philip Seymour Hoffman). In “Twisters,” Tyler’s group is the “underdog” group.

In “Twisters,” there is no love triangle, although there are hints that Javi is attracted to Kate, but he knows he has no chance of dating her because she sees him only as a platonic friend. The same can’t be said for Tyler. The back-and-forth sniping between Kate and Tyler is the type we’ve seen in many other movies where two people meet under competitive circumstances, they annoy each other with insults, but you know they’re really attracted to each other. After a while, Tyler makes his romantic intentions obvious, but Kate is the one who plays hard to get.

Because of advances in technology, the visual effects in “Twisters” are superior to what’s seen in “Twister.” Oddly though, “Twisters” does not show any signs that animals get killed in these tornadoes. In “Twister,” there’s a memorable scene where Jo and Bill see a cow caught up in the tornado. Maybe the “Twisters” filmmakers avoided showing animals getting swept up in tornadoes because they didn’t want animal rights activists to be offended.

As for the would-be romance, the circumstances are different in “Twister” and “Twisters.” “Twister” is about a couple with a marriage history together, and now a third person is involved. That’s in contrast to “Twisters,” which has a would-be couple who haven’t really begun dating each other. The relationships in “Twister” are more interesting to watch than the relationships in “Twisters.”

After the tornado tragedy happens in the beginning of “Twisters,” Kate is emotionally disconnected from almost everyone for most of the story, until she starts to warm up a little and show her vulnerabilities. Tyler is a stereotype of an overconfident heartthrob, but Powell brings undeniable charisma to this character. Edgar-Jones and Ramos also do quite well in their roles. “Twisters” could have told or showed more personal information about the other people in Tyler’s group. The movie never reveals what motivated these other members to become tornado chasers.

As it stands, “Twisters” capably handles what can be expected from movies about weather disasters, even if some of the scenes (just like in “Twister”) look unrealistic in how people are able to survive situations that would kill people in real life. The scientific aspects of the “Twisters” story are simplified so that the average non-scientist can understand. It’s obvious from the way that “Twisters” ends, many of these characters will be seen again in another movie in the franchise.

Universal Pictures will release “Twisters” in U.S. cinemas on July 19, 2024. A sneak preview of the movie was shown in U.S. cinemas on July 17, 2024.

2024 Primetime Emmy Awards: ‘Shōgun’ is the top nominee

July 16, 2024

Hiroyuki Sanada and Anna Sawai in “Shōgun” (Photo by Katie Yu/FX)

The following is a press release from the Television Academy:

Nominations for the 76th Emmy® Awards were announced from the historic El Capitan Theatre in Hollywood, recognizing remarkable programs, extraordinary performances and impactful storytelling across multiple platforms. The live ceremony was hosted by Emmy winners Tony Hale and Sheryl Lee Ralph along with Television Academy Chair Cris Abrego.

The nearly 22,000 voting members of the Academy nominated an abundance of
inspiring talent and a robust selection of diverse program offerings. In a year
marked by significant challenges and changes in the Television landscape, the
nominations recognize the excellent work of performers, producers, writers,
directors, craftspeople, and professionals above and below the line on television
programs from the 2023 – 2024 eligibility year.

“Television delivers stories that connect us, uplift us, challenge us, and always
entertain us. Today, I am honored to celebrate the outstanding work of our
extraordinarily talented and hardworking creative community,” said Television
Academy Chair Cris Abrego. “This morning’s Emmy nominations are a testament to
their contributions and highlight the incredible programming that has risen to the
top of an exceptional year in TV.”

“The Bear” set a new record for nominations in a single year in the Comedy category
with 23 (previously held by “30 Rock” with 22 nominations in 2009), and “Shōgun” lead
this year’s Drama category with 25 nominations.

The 36 first-time performer nominees across all performer categories this year are
Eric André (“The Eric Andre Show”), Tadanobu Asano (“Shōgun”), Jonathan Bailey
(“Fellow Travelers”), Nicole Beharie (The Morning Show), Matt Berry (“What We Do in
the Shadows”), Lionel Boyce (The Bear), Néstor Carbonell (“Shōgun”), Liza Colón-Zayas (“The Bear”), Dakota Fanning (“Ripley”), Richard Gadd (performance, producer
and writing nominations for “Baby Reindeer”), Lily Gladstone (“Under the Bridge”), Tom
Goodman-Hill (“Baby Reindeer”), Ryan Gosling (“Saturday Night Live”), Jessica
Gunning (“Baby Reindeer”), John Hawkes (“”True Detective: Night Country), Takehiro
Hira (“Shōgun”), Tom Hollander (“Feud: Capote vs. The Swans”), Aja Naomi King
(“Lessons in Chemistry”), Greta Lee (“The Morning Show”), Tracy Letts (“Winning Time:
The Rise of the Lakers Dynasty”), Jack Lowden (“Slow Horses”), Lesley Manville (“The
Crown”), Nava Mau (“Baby Reindeer”), Lamorne Morris (“Fargo”), Karen Pittman (“The
Morning Show”), Parker Posey (“Mr. & Mrs. Smith”), Lewis Pullman (“Lessons in
Chemistry”), Da’Vine Joy Randolph (“Only Murders in the Building”), Kali Reis (“True
Detective: Night Country”), Paul Rudd (performance for “Only Murders in the Building”
and narrator for “Secrets of the Octopus”), Hiroyuki Sanada (“Shōgun”), Anna Sawai
(“Shōgun”), Mena Suvari (“RZR”), Naomi Watts (“Feud: Capote vs. The Swans”),
Dominic West (“The Crown”) and D’Pharaoh Woon-A-Tai (“Reservation Dogs”).

In addition to Gadd and Rudd, performers with multiple nominations this year
include Quinta Brunson (performance and writing for “Abbott Elementary”), Jodie
Foster (performance and producer for “True Detective: Night Country”), Donald
Glover (performance and writing for “Mr. & Mrs. Smith”), Jon Hamm (performance for
“Fargo” and “The Morning Show”), Brie Larson (performance and producer for “Lessons
in Chemistry”), Jonathan Pryce (performance for “The Crown” and “Slow Horses”), Maya
Rudolph (performance for “Loot,” performance and music & lyrics for “Saturday Night
Live,” character voice-over for “Big Mouth”), Andrew Scott (performance and producer
for “Ripley”) and Kristen Wiig (performance for “Palm Royale” and “Saturday Night

Emmy Nominations presenter Ralph was surprised by Abrego at the conclusion of
the announcement ceremony with her third nomination for Outstanding Supporting
Actress in a Comedy Series for Abbott Elementary.

The nominations rosters may be revised in cases where names or titles are
incorrect or appeals for changes—including the addition or removal of names—are
approved by the Television Academy’s Emmy Awards Committee. Producer
eligibility is based primarily on title; producer nominees in certain program
categories will be announced early August and may increase the number of multiple
nominees. Final-round online voting begins August 15, 2024.

The complete list of Emmy nominations, as compiled by the independent accounting
firm of Ernst & Young LLP, is attached along with key categories. This and other
Academy news and updates are available at

As previously announced, Emmy Award winners Jesse Collins and Dionne Harmon
along with Emmy-nominated Jeannae Rouzan-Clay of Jesse Collins Entertainment
are set to return as executive producers of the 76th Emmy Awards. This marks their
second consecutive year as producers of television’s biggest night.

The 76th Emmy Awards will broadcast live on ABC on Sunday, September 15,
(8:00-11:00 PM EDT/5:00-8:00 PM PDT) from the Peacock Theater at L.A. LIVE and
stream the next day on Hulu. The 76th Creative Arts Emmy Awards take place at
the Peacock Theater over two consecutive nights on Saturday, September 7, and
Sunday, September 8, with an edited presentation to air on Saturday, September
14, at 8:00 PM EDT/PDT on FXX.

The Television Academy strives to shape and advance the dynamic television
landscape; cultivate a diverse, inclusive and accessible professional community;
and advocate for the television industry while capturing the spirit of a new
generation of content creators and industry professionals. Through innovative
programs, publications and events, the Academy and its Foundation foster and
empower storytellers. The Academy also celebrates those who excel in the industry
recognizing their achievements through awards and accolades, including the
renowned Emmy® Award. Membership in the Academy is open to working
professionals in the television industry. For more information, please visit

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